| Christmas Hymn-Alongs - Bb Tenor Saxophone Saxophone Tenor [Conducteur] Jackman Music Corporation
Tenor Saxophone - Easyhymn along, hymnalongs, hymnalong, hymn alongs SKU: JK....(+)
Tenor Saxophone -
Easyhymn along,
hymnalongs, hymnalong,
hymn alongs SKU:
JK.01996 Composed by
Various. Arranged by
Brent Jorgensen.
Christian, Christmas,
Christmas Carols,
Contemporary Christian,
Gospel, Holiday,
Inspirational. Christian,
Inspirational. Score.
Jackman Music Corporation
#01996. Published by
Jackman Music Corporation
(JK.01996).
Presenting the
newest addition to the
popular Hymn-Alongs
series: Christmas
Hymn-Alongs! The
Hymn-Alongs series
includes over 20
different instrumental
books. They are simple
enough for developing
musicians to master, yet
beautiful and fun for
those advancing in
music. The
accompaniment book
features beautiful, yet
simple arrangments for
piano, guitar (chord
symbols), and voice. The
many instrumental books
can be played together in
any combination. All
instrument books include
a melody part; treble
instruments have a duet
part, and bass
instruments also include
a bass part. View all
Christmas Hymn-Alongs
products HERE.
Songs included in
Christmas
Hymn-Alongs: Angels
We Have Heard on High
Away in a Manger
Hark! The Herald Angels
Sing I Heard the
Bells on Christmas
Day It Came upon the
Midnight Clear Joy to
the World O Come, O
Come, Emmanuel O
Little Town of
Bethlehem Oh, Come,
All Ye Faithful O
Holy Night Silent
Night The First
Noel We Three
Kings What Child Is
This? Composer:
Various Arranger:
Brent Jorgensen
Difficulty: Easy hymn
along, hymnalongs,
hymnalong, hymn
alongs. $6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Carols for Choirs II Chorale SATB [Octavo] Carl Fischer
(1. the First Noel 2. O Little Town of Bethlehem 3. Jingle Bells 4. We Three). A...(+)
(1. the First Noel 2. O
Little Town of Bethlehem
3. Jingle Bells 4. We
Three). Arranged by Joe
Ambrosio. For Soprano,
Alto, Tenor, Bass,
Optional Keyboard.
Octavo. 24 pages.
Published by Carl Fischer
$3.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noël, op. 43/1 N 89 - Intermédiaire Barenreiter
Solo voices,piano,organ/Harmon ium ad lib (Tenor solo or Soprano solo, Piano, Or...(+)
Solo
voices,piano,organ/Harmon
ium ad lib (Tenor solo or
Soprano solo, Piano,
Organ or Harmonium ad
libitum) - Level 3
SKU: BA.BA25139
Cantique for solo
Tenor or Soprano, Piano
and optional Organ or
Harmonium. Composed
by Gabriel Faure. Edited
by Helga
Schauerte-Maubouet. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Singing Score.
Opus 43/1. 6 pages.
Baerenreiter Verlag
#BA25139_00. Published by
Baerenreiter Verlag
(BA.BA25139). ISBN
9790006575053. 29.5 x 21
cm inches. Text Language:
French. Text: Wilder,
Victor. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seiber Poetry Song Cycle Piano, Voix Schott
Voice and piano SKU: HL.49029398 Song Cycle. Composed by Matyas Se...(+)
Voice and piano SKU:
HL.49029398 Song
Cycle. Composed by
Matyas Seiber. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Composed
1953. 24 pages. Duration
15'. Schott Music #ED
10329. Published by
Schott Music
(HL.49029398). ISBN
9790220124495.
9.0x12.0x0.084 inches.
English. This
substantial cycle was
written for the tenor
Peter Pears, and first
performed by him in 1953
at the Royal Festival
Hall, London, with the
distinguished pianist
Noel Mewton-Wood. It
follws the example of
Britten's Serenade in
setting a variety of
poets, and the set is
framed by settings of the
same words by Goethe in
translation by Louis
MacNeice, the unifying
factor being presumably
the quality of the
poetry. The angry setting
of Timor Mortis, using
the well-known Dies Irae
tune is the emotional
hear of the cycle.John
Turner 2010. $41.00 - Voir plus => Acheter | | |
| Sunday in the Park [Conducteur] - Intermédiaire Anglo Music
Brass Band and Horn Solo - Grade 4 SKU: BT.AMP-420-130 For Eb Horn and...(+)
Brass Band and Horn Solo
- Grade 4 SKU:
BT.AMP-420-130 For
Eb Horn and Brass
Band. Composed by
Philip Sparke. Elite
Series. Score Only.
Composed 2016. Anglo
Music Press #AMP 420-130.
Published by Anglo Music
Press (BT.AMP-420-130).
English-German-French-
Dutch. Sunday in
the Park was written
for tenor horn virtuoso
Sheona White, and
commissioned by her
partner, Matt Wade, as a
Christmas present.
Composer Philip Sparke
had known and admired
Sheona’s playing
for many years, having
produced her firstsolo CD
and written pieces for
her previously. Both
composer and performer
are huge fans of the late
Karen Carpenter, Sheona
in part modelling her
sound on the
singer’s sultry
voice; so it was decided
that this new solo would
be a piece which,
whilstnot being a
‘Carpenters’
pastiche, paid tribute to
their relaxed style and
rich harmonic language.
Sunday in the Park
opens with an accompanied
cadenza for the soloist,
which leads to a gentle
rhythmic melody with a
laid-back feel. This
istaken up by the band
but the soloist sparks a
change of mood by
introducing a faster
light rock interlude.
This reaches a climax, at
which point the music
unwinds until the
original mood returns. A
variation on the original
melody leads to a
shortcadenza from the
soloist, which brings the
work to a peaceful
close.
Sunday
in the Park is
geschreven voor Sheona
White, een ware virtuoos
op de althoorn, in
opdracht van haar
partner, Matt Wade, die
het haar gaf als
kerstgeschenk. Componist
Philip Sparke is al
jarenlang kenner en
bewonderaar van
hetalthoornspel van
Sheona. Hij heeft haar
eerste solo-cd
geproduceerd en al eerder
stukken voor haar
geschreven. Zowel de
componist als de
uitvoerende zijn grote
fans van de legendarische
Karen Carpenter; Sheona
baseert haar sound zelfs
gedeeltelijk opde zwoele
stem van deze zangeres.
Daarom is dit solowerk
een eerbetoon geworden
aan de relaxte stijl en
rijke harmonische taal
van de Carpenters hoewel
het niet gaat om een
potpourri van bekende
nummers. Sunday in the
Park begint met
eenbegeleide cadens voor
de solist, die uitmondt
in een soepele, ritmische
melodie met een
ontspannen feel. Die
melodie wordt overgenomen
door het orkest, waarop
de solist een
sfeerverandering
teweegbrengt met de
introductie van een
sneller tussenspelin een
lichte rockstijl. Dit
gedeelte bereikt een
climax, waarna de muziek
weer tot rust komt en de
oorspronkelijke stemming
terugkeert. Een variatie
op de originele melodie
leidt naar een korte
cadens van de solist,
gevolgd door een
sfeervolleafronding. <
br>Sunday in the
Park war ein
Weihnachtsgeschenk für
die Althornvirtuosin
für Sheona White,
geschrieben im Auftrag
ihres Partners Matt Wade,
der ebenso wie Philip
Sparke ein großer Fan
der verstorbenen
Sängerin Karen
Carpenter ist. So
gerietdieses Stück zu
einer würdigen Hommage
an den entspannten Stil
und die reichhaltige
harmonische Sprache der
Carpenters, die klanglich
sogar an die Stimme Karen
Carpenters
erinnert.
Sunda
y in the Park (Un
Dimanche au Parc) a
été écrite pour
Sheona White, virtuose du
saxhorn alto, et
commandée par son
partenaire, Matt Wade,
comme cadeau de Noël.
Le compositeur Philip
Sparke connaissant et
admirant Sheona
depuislongtemps, avait
précédemment
produit son premier CD en
solo et écrit des
pièces pour elle. La
saxhorniste, tout comme
le compositeur, est une
fan inconditionnelle de
Karen Carpenter, modelant
en partie ses
sonorités sur la voix
voluptueuse de
lachanteuse. Il fut donc
décidé que ce
nouveau solo serait une
pièce qui, sans
être un pastiche des
Carpenters, rendrait
hommage leur style
décontracté et leur
riche langage harmonique.
Sunday in the Park
débute avec une
cadence
accompagnéepour la
soliste suivie
d’une mélodie
délicatement rythmique
et détendue. Cette
mélodie est reprise
par l’ensemble
mais la soliste engendre
un changement de climat
avec
l’introduction
d’un interlude
plus rapide de style
rock. La musique atteint
sonpoint culminant, puis
s’apaise pour
revenir au climat du
début. Une variation
sur la mélodie
d’origine mène
une courte cadence de la
soliste qui conduit la
pièce une conclusion
tranquille. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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