| Madonna of the Western Trail - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Temple Blocks, Timpani,
Trombone 1 and more. -
Grade 3 SKU:
CF.CPS240F Composed
by Richard Summers. Sws.
Cps. Full score. 24
pages. Duration 3
minutes, 55 seconds. Carl
Fischer Music #CPS240F.
Published by Carl Fischer
Music (CF.CPS240F).
ISBN 9781491157879.
UPC: 680160916474. 9 x 12
inches. Composing
this piece was an
interesting process. A
piece of a melody or an
idea takes shape, and
after writing it down,
itas like planting a seed
that starts to grow and
develop. I got a snippet
of a western idea and
then thought of a
monument in my hometown
of Wheeling, West
Virginia. The statue is
called Madonna of the
Trail. The history part
of this piece started to
take shape as I
researched this statue.
There are twelve of them
located in twelve states
where the Old Trail Road,
or National Road, passes
through. As the piece
developed, I started to
think about the travel of
a pioneer woman and her
family passing through
various areas of our
early country. The 3,000
mile coast-to-coast
National road was
realized in the early
1900s but was based on
six trails that date back
to the 1700s. After
developing the
introduction and theme to
this concert band piece,
the story began to take
shape. The slower 3/4
section melody hints at
Greensleeves (What Child
Is This) which
appropriately weaves
itself into the mix.
Finally heading further
west into New Mexico,
Arizona, and California,
the melody takes on a
Spanish flavor and
returns to the main theme
before its conclusion.
Divisi parts that are
optional can be utilized
to add a richer sound.
Feel free to experiment
with octave changes in
the woodwinds in the
fuller sections, if
students are comfortable
playing up an octave.
Always be aware of the
musicality, blend, and
especially legato playing
when
required. Composing
this piece was an
interesting process. A
piece of a melody or an
idea takes shape, and
after writing it down,
it's like planting a seed
that starts to grow and
develop. I got a snippet
of a western idea and
then thought of a
monument in my hometown
of Wheeling, West
Virginia. The statue is
called Madonna of the
Trail. The history part
of this piece started to
take shape as I
researched this statue.
There are twelve of them
located in twelve states
where the Old Trail Road,
or National Road, passes
through. As the piece
developed, I started to
think about the travel of
a pioneer woman and her
family passing through
various areas of our
early country. The 3,000
mile coast-to-coast
National road was
realized in the early
1900s but was based on
six trails that date back
to the 1700s. After
developing the
introduction and theme to
this concert band piece,
the story began to take
shape. The slower 3/4
section melody hints at
Greensleeves (What Child
Is This) which
appropriately weaves
itself into the mix.
Finally heading further
west into New Mexico,
Arizona, and California,
the melody takes on a
Spanish flavor and
returns to the main theme
before its conclusion.
Divisi parts that are
optional can be utilized
to add a richer sound.
Feel free to experiment
with octave changes in
the woodwinds in the
fuller sections, if
students are comfortable
playing up an octave.
Always be aware of the
musicality, blend, and
especially legato playing
when
required. Composing
this piece was an
interesting process. A
piece of a melody or an
idea takes shape, and
after writing it down,
it’s like planting
a seed that starts to
grow and develop. I got a
snippet of a western idea
and then thought of a
monument in my hometown
of Wheeling, West
Virginia. The statue
is called Madonna of the
Trail. The history part
of this piece started to
take shape as I
researched this statue.
There are twelve of them
located in twelve states
where the Old Trail Road,
or National Road, passes
through. As the piece
developed, I started to
think about the travel of
a pioneer woman and her
family passing through
various areas of our
early country. The
3,000 mile coast-to-coast
National road was
realized in the early
1900s but was based on
six trails that date back
to the 1700s. After
developing the
introduction and theme to
this concert band piece,
the story began to take
shape. The slower 3/4
section melody hints at
Greensleeves (What Child
Is This) which
appropriately weaves
itself into the mix.Â
Finally heading further
west into New Mexico,
Arizona, and California,
the melody takes on a
Spanish flavor and
returns to the main theme
before its
conclusion. Divisi
parts that are optional
can be utilized to add a
richer sound. Feel free
to experiment with octave
changes in the woodwinds
in the fuller sections,
if students are
comfortable playing up an
octave. Always be aware
of the musicality, blend,
and especially legato
playing when
required. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Madonna of the Western Trail - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Temple Blocks, Timpani,
Trombone 1 and more. -
Grade 3 SKU:
CF.CPS240 Composed by
Richard Summers. Folio.
Cps. Set of Score and
Parts.
16+4+8+8+8+4+4+4+4+4+4+8+
8+8+4+4+6+6+6+4+8+2+2+4+2
+24 pages. Duration 3
minutes, 55 seconds. Carl
Fischer Music #CPS240.
Published by Carl Fischer
Music (CF.CPS240).
ISBN 9781491157862.
UPC: 680160916467. 9 x 12
inches. Composing
this piece was an
interesting process. A
piece of a melody or an
idea takes shape, and
after writing it down,
itas like planting a seed
that starts to grow and
develop. I got a snippet
of a western idea and
then thought of a
monument in my hometown
of Wheeling, West
Virginia. The statue is
called Madonna of the
Trail. The history part
of this piece started to
take shape as I
researched this statue.
There are twelve of them
located in twelve states
where the Old Trail Road,
or National Road, passes
through. As the piece
developed, I started to
think about the travel of
a pioneer woman and her
family passing through
various areas of our
early country. The 3,000
mile coast-to-coast
National road was
realized in the early
1900s but was based on
six trails that date back
to the 1700s. After
developing the
introduction and theme to
this concert band piece,
the story began to take
shape. The slower 3/4
section melody hints at
Greensleeves (What Child
Is This) which
appropriately weaves
itself into the mix.
Finally heading further
west into New Mexico,
Arizona, and California,
the melody takes on a
Spanish flavor and
returns to the main theme
before its conclusion.
Divisi parts that are
optional can be utilized
to add a richer sound.
Feel free to experiment
with octave changes in
the woodwinds in the
fuller sections, if
students are comfortable
playing up an octave.
Always be aware of the
musicality, blend, and
especially legato playing
when
required. Composing
this piece was an
interesting process. A
piece of a melody or an
idea takes shape, and
after writing it down,
it's like planting a seed
that starts to grow and
develop. I got a snippet
of a western idea and
then thought of a
monument in my hometown
of Wheeling, West
Virginia. The statue is
called Madonna of the
Trail. The history part
of this piece started to
take shape as I
researched this statue.
There are twelve of them
located in twelve states
where the Old Trail Road,
or National Road, passes
through. As the piece
developed, I started to
think about the travel of
a pioneer woman and her
family passing through
various areas of our
early country. The 3,000
mile coast-to-coast
National road was
realized in the early
1900s but was based on
six trails that date back
to the 1700s. After
developing the
introduction and theme to
this concert band piece,
the story began to take
shape. The slower 3/4
section melody hints at
Greensleeves (What Child
Is This) which
appropriately weaves
itself into the mix.
Finally heading further
west into New Mexico,
Arizona, and California,
the melody takes on a
Spanish flavor and
returns to the main theme
before its conclusion.
Divisi parts that are
optional can be utilized
to add a richer sound.
Feel free to experiment
with octave changes in
the woodwinds in the
fuller sections, if
students are comfortable
playing up an octave.
Always be aware of the
musicality, blend, and
especially legato playing
when
required. Composing
this piece was an
interesting process. A
piece of a melody or an
idea takes shape, and
after writing it down,
it’s like planting
a seed that starts to
grow and develop. I got a
snippet of a western idea
and then thought of a
monument in my hometown
of Wheeling, West
Virginia. The statue
is called Madonna of the
Trail. The history part
of this piece started to
take shape as I
researched this statue.
There are twelve of them
located in twelve states
where the Old Trail Road,
or National Road, passes
through. As the piece
developed, I started to
think about the travel of
a pioneer woman and her
family passing through
various areas of our
early country. The
3,000 mile coast-to-coast
National road was
realized in the early
1900s but was based on
six trails that date back
to the 1700s. After
developing the
introduction and theme to
this concert band piece,
the story began to take
shape. The slower 3/4
section melody hints at
Greensleeves (What Child
Is This) which
appropriately weaves
itself into the mix.Â
Finally heading further
west into New Mexico,
Arizona, and California,
the melody takes on a
Spanish flavor and
returns to the main theme
before its
conclusion. Divisi
parts that are optional
can be utilized to add a
richer sound. Feel free
to experiment with octave
changes in the woodwinds
in the fuller sections,
if students are
comfortable playing up an
octave. Always be aware
of the musicality, blend,
and especially legato
playing when
required. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| What Child Is This? Hautbois Ken Bauer Productions
| | |
| Season of Peace GIA Publications
By Various. Arranged by Bobby Fisher. For Voices: none. Instruments: Guitar (1-3...(+)
By Various. Arranged by
Bobby Fisher. For Voices:
none. Instruments: Guitar
(1-3), woodwinds (flute,
oboe, recorders), string
bass, cello (instruments
required). Coll, Inst;
Guit Ens Sacred.
Published by GIA
Publications.
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Night of Silence - Facile GIA Publications
By Various. For Voices: various. Instruments: Flute, oboe, 1 and 2 woodwinds in ...(+)
By Various. For Voices:
various. Instruments:
Flute, oboe, 1 and 2
woodwinds in C
(instruments optional).
Keyboard accompaniment.
Collection Sacred. Level:
easy. 48 pages. Published
by GIA Publications.
(1)$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 52 Selected Hymns for the Solo Performer Hautbois Kenneth D. Friedrich
Composed by Various. Arranged by Kenneth D. Friedrich. For oboe solo. Level 2 to...(+)
Composed by Various.
Arranged by Kenneth D.
Friedrich. For oboe solo.
Level 2 to 4. Published
by Kenneth D. Friedrich
$25.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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