| What Goes Around...Comes Around Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Arranged by Tim Waters. Discovery Concert Band Plus. Grade 2. Score and full set...(+)
Arranged by Tim Waters.
Discovery Concert Band
Plus. Grade 2. Score and
full set of parts. Size
9x12 inches. Published by
Hal Leonard.
$55.00 $52.25 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adventures of Daring Dog - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash ...(+)
Band Bass Clarinet, Bass
Drum, Bells, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Triangle,
Trombone 1, Trombone 2,
Trumpet 1 and more. -
Grade 2.5 SKU:
CF.YPS255 Composed by
Kelly Dugger. Yps. Set of
Score and Parts.
16+4+8+8+8+4+6+4+4+4+8+8+
8+8+6+6+6+4+6+1+2+4+2+24
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS255.
Published by Carl Fischer
Music (CF.YPS255).
ISBN 9781491161531.
UPC:
680160920181. This
programmatic work depicts
our superhero Daring Dog,
as he goes on a journey
to conquer the villain.
Daring Dog is a
superhero, only... not
everyone knows it yet. We
meet Daring Dog and his
sidekick at m. 15 in the
beginning section. At m.
24, we hear as his mother
gives him a stern lecture
to stop messing around
and be more serious.
Daring Dog tries to
explain how he has saved
the world numerous times
at m. 32. At m. 42, he
decides he must do what
is necessary to defeat
the villain, despite what
his mother thinks, and
begins planning. At m.
52, we can hear him
running in the snare
drum, and the villain
approaches. Barking and
growling (flutter tongue
in flute, and growling in
brass), at m.78 the fight
is on. Measure 82 reveals
a huge terrible monster,
and Daring Dog is
terrified. He sticks out
his sword with his eyes
closed, and *POOF!* the
monster evaporates. (It
was probably imaginary
the whole time.) The end
section is a triumphant
celebration that Daring
Dog has, indeed, saved
the world again! Daring
Dog is a fun piece for
all ages! Difficult
enough to be a wonderful
recruitment piece, and
easy enough to be
playable by young bands,
this piece can truly span
all levels. Actors might
also depict the story
while the band plays for
even more fun.
 . This
programmatic work depicts
our superhero Daring Dog,
as he goes on a journey
to conquer the villain.
Daring Dog is a
superhero, only... not
everyone knows it yet. We
meet Daring Dog and his
sidekick at m. 15 in the
beginning section. At m.
24, we hear as his mother
gives him a stern lecture
to stop messing around
and be more serious.
Daring Dog tries to
explain how he has saved
the world numerous times
at m. 32. At m. 42, he
decides he must do what
is necessary to defeat
the villain, despite what
his mother thinks, and
begins planning. At m.
52, we can hear him
running in the snare
drum, and the villain
approaches. Barking and
growling (flutter tongue
in flute, and growling in
brass), at m.78 the
ï¬ght is on. Measure
82 reveals a huge
terrible monster, and
Daring Dog is
terriï¬ed. He sticks
out his sword with his
eyes closed, and *POOF!*
the monster evaporates.
(It was probably
imaginary the whole
time.) The end section is
a triumphant celebration
that Daring Dog has,
indeed, saved the world
again!Daring Dog is a fun
piece for all ages!
Difficult enough to be a
wonderful recruitment
piece, and easy enough to
be playable by young
bands, this piece can
truly span all levels.
Actors might also depict
the story while the band
plays for even more
fun. . $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Glitter, Doom, Shards, Memory Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello SKU:
PR.11441690S
String Quartet No.
3. Composed by
Shulamit Ran. Sws.
Contemporary. Full score.
With Standard notation.
Composed March 9 2013. 32
pages. Duration 23
minutes. Theodore Presser
Company #114-41690S.
Published by Theodore
Presser Company
(PR.11441690S). UPC:
680160626021. 9 x 12
inches. Ran's third
string quartet was
written for the Pacifica
Quartet, who are
featuring it in numerous
performances from May
2014 through February
2016, across the country
and abroad. Their blog
page dedicated to the
work also features the
composer's notes, for
more indepth insight.
...impassioned solos
emerge from ominous
quiet, and high arpeggios
in the violins quiver
alongside the earthy
cello. Ms. Ran skillfully
deploys these extremes of
color, volume and pitch,
yet the overall somewhat
chilly impression is one
of poise. -- Zachary
Woolfe, The New York
Times. My third string
quartet was composed at
the invitation of the
Pacifica
Quartet, whose
music-making I have come
to know closely and
admire hugely as resident
artists at the University
of Chicago. Already
in our early
conversations Pacifica
proposed that this
quartet might, in some
manner, refer to the
visual arts as a point of
germination. Probing
further, I found out that
the quartet members had
special interest in art
created during the
earlier part of the 20th
century, perhaps between
the two world wars.Â
It was my good fortune to
have met, a short while
later, while in residence
at the American Academy
in Rome in the fall of
2011, art conservationist
Albert Albano who steered
me to the work of Felix
Nussbaum (1904-1944), a
German-Jewish painter
who, like so many others,
perished in the Holocaust
at a young age, and who
left some powerful,
deeply moving art that
spoke to the life that
was unraveling around
him. The title of my
string quartet takes its
inspiration from a major
exhibit devoted to art by
German artists of the
period of the Weimar
Republic (1919-1933)
titled “Glitter and
Doom: German Portraits
from the 1920sâ€,
first shown at New
York’s
Metropolitan Museum of
Art in 2006-07.Â
Nussbaum would have been
a bit too young to be
included in this
exhibit. His most
noteworthy art was
created in the last very
few years of his short
life. The
exhibit’s
evocative title, however,
suggested to me the idea
of “Glitter, Doom,
Shards, Memory†as
a way of framing a
possible musical
composition that would be
an homage to his life and
art, and to that of so
many others like him
during that era.
 Knowing that their
days were numbered, yet
intent on leaving a mark,
a legacy, a memory, their
art is triumph of the
human spirit over
annihilation. Parallel
to my wish to compose a
string quartet that,
typically for this genre,
would exist as
“pure musicâ€,
independent of a
narrative, was my desire
to effect an awareness in
my listener of matters
which are, to me, of
great human concern.
 To my mind there is
no contradiction between
the two goals. Â As in
several other works
composed since 1969, this
is my way of saying
‘do not
forget’, something
that, I believe, can be
done through music with
special power and
poignancy. Â Â The
individual titles of the
quartet’s four
movements give an
indication of some of the
emotional strands this
work explores. 1)
“That which
happened†(das was
geschah) – is how
the poet Paul Celan
referred to the Shoah
– the Holocaust.
 These simple words
served for me, in the
first movement, as a
metaphor for the way in
which an
“ordinaryâ€
life, with its daily flow
and its sense of sweet
normalcy, was shockingly,
inhumanely, inexplicably
shattered. 2)
“Menace†is a
shorter movement,
mimicking a Scherzo.
 It is also
machine-like, incessant,
with an occasional,
recurring, waltz-like
little tune –
perhaps the chilling
grimace we recognize from
the executioner’s
guillotine mask. Â Like
the death machine it
alludes to, it gathers
momentum as it goes, and
is
unstoppable. 3) â
If I must perish - do
not let my paintings
dieâ€; these words
are by Felix Nussbaum
who, knowing what was
ahead, nonetheless
continued painting till
his death in Auschwitz in
1944. Â If the heart of
the first movement is the
shuddering interruption
of life as we know it,
the third movement tries
to capture something of
what I can only imagine
to be the conflicting
states of mind that would
have made it possible,
and essential, to
continue to live and
practice one’s art
– bearing witness
to the events.
 Creating must have
been, for Nussbaum and
for so many others, a way
of maintaining sanity,
both a struggle and a
catharsis – an act
of defiance and salvation
all at the same
time. 4)
“Shards,
Memory†is a direct
reference to my
quartet’s title.
 Only shards are left.
 And memory.  The
memory is of things large
and small, of unspeakable
tragedy, but also of the
song and the dance, the
smile, the hopes. All
things human. Â As we
remember, in the face of
death’s silence,
we restore dignity to
those who are
gone.—Shulamit
Ran . $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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