ORCHESTRA - BANDAnonymous
"Rejoice in the Lord alway" for Winds & Strings
Anonymous - "Rejoice in the Lord alway" for Winds & Strings
Winds & String Orchestra
ViewPDF : "Rejoice in the Lord Alway" for Winds & Strings (12 pages - 187.7 Ko)46x
ViewPDF : Bassoon (58.94 Ko)
ViewPDF : Cello (57.79 Ko)
ViewPDF : Flute (59.64 Ko)
ViewPDF : French Horn (59.87 Ko)
ViewPDF : Oboe (60.87 Ko)
ViewPDF : Viola (58.18 Ko)
ViewPDF : Violin 1 (51.03 Ko)
ViewPDF : Violin 2 (51.54 Ko)
ViewPDF : Full Score (107.69 Ko)
MP3 : "Rejoice in the Lord Alway" for Winds & Strings 10x 40x
MP3
Vidéo :
Composer :
 Anonymous
Anonymous
Instrumentation :

Winds & String Orchestra

Style :

Renaissance

Arranger :
Publisher :
MAGATAGAN, MICHAEL (1960 - )
Copyright :Public Domain
Added by magataganm, 17 Mar 2023

John Redford (c. 1500 - 1547) was a major English composer, organist, and dramatist of the Tudor period. From about 1525 he was organist at St Paul's Cathedral (succeeding Thomas Hickman). He was choirmaster there from 1531 until his death in 1547. Many of his works are represented in the Mulliner Book. He is notable as one of the earliest composers, rather than improvisers, of organ music, having notated a significant quantity of keyboard music, all of it liturgical in function, based on plainchant melodies; a few vocal works by him also survive.

As he held the post of Almoner and Master of the Choristers, Redford was responsible for the arrangement of the choristers performances, including writing and directing plays and interludes. The most celebrated of these entertainments is the morality play, The Play of Wyt and Science (written ca 1530-1550), which exists in one manuscript in the British Library (MS 15233). However, the first five pages of the manuscript are missing; there is no way to know how much is lost.

Redford also wrote a number of poems, including the 23 verse Nolo mortem peccatoris, which was set to music by Thomas Morley, who was a later organist at St Paul's. Another poem is The Chorister's Lament, in which choirboys complain of the cruel beatings meted out to them.

Recently, attribution of "Rejoice in the Lord Alway" was determined to have been falsely given to John Redform and remains an anonymous authored piece. In the only early source the piece is anonymous and the text set did not become significant until the publication of the first Book of Common Prayer two years after Redford's death.

Source: Wikipedia (https://en.wikipedia.org/wiki/John_Redford).

Although originally composed for Chorus (SATB), I created this interpretation of "Rejoice in the Lord Alway" for Winds (Flute, Oboe, French Horn & Bassoon) & Strings (2 Violins, Viola & Cello).
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