Globetrotters for wind-Flute Globetrotters brings together 12 toe-tapping original tunes in styles from around the world - from Arabic to Chinese and from klezmer to the Argentinian tango - for the budding flautist. This unique book presents a kaleidoscope of musical traditions with supporting information and backing tracks that capture each sound-world. To help with technique and interpretation every piece includes warm-ups and stylistic tips from the authors. With options for flute or piano accompaniment and an inspirational CD Flute Globetrotters is the ultimate resource for those looking to go travellin' ...12 fun pieces in styles from around theworldSuitable for young flautists everywhere (2 years' experience/grades 2-4)Range of styles including bossa nova blues South African Nordic and IndianFascinating background information and tailored warm-upsIncludes flute accompaniments for a teacher or more experienced pupil and piano accompaniments with guitar chordsCD with performances and backings for every piece recorded by renowned world-music performers

Huilukonsertto. Par ENGLUND EINAR. Einar Englund?s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos ? and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto?s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's 'action-packed' finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer?s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23? Instrumentation of the orchestra: 3(III=picc)222?4330?14?harpsichord( celesta)?hp?str / Date parution : 2022-05-31/ Répertoire / Flûte Traversière et Piano

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme.Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute this among them. Susan Milan acclaimed soloist and teacher has edited this elegant edition.SusanMilan writes....'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

This dreamlike and evocative piece from Peter Maxwell Davies was originally composed for Flute and orchesta. Here it is presented as Flute with Piano reduction and still captures the wonder and sanctuary of the composer's home surrounded by seabirds and seals that fire the imagination in childlike ways evoking images of mermaids and angels. The Flute solo is both tranquil and highly virtuosic and is well supported by the Piano accompaniment. The piecewas first performed in May 1999 at the Royal Concert Hall Dublin.

Exploiting the Flute to its full potential  Fantaisie Italienne is an exciting and challenging addition to the advanced flautist's repertoire. From cadenza passages to a delightful 6/8 melody this piece by French composer Eugène Bozza (1905-1991) covers a huge variety of the Flute's possibilities. The piece begins with an emotional characterised cadenza covering a wide range. This leads dramatically into a 6/8 section accompanied by broken chords in the piano before ending with a quirky and lively 2/4 secton. Bozza's Fantaisie Italienne for Flute and Piano is not only symbolic but also includes exciting challenges making for an imperative performance piece in the Flute repertoire.

Grade 1-Grade By Grade Flute: Grade 1 - Book/CD draws on the rich and varied Boosey & Hawkes catalogue of classical contemporary and educational repertoire highlighting composers such as Serge Prokofieff Dmitri Shostakovich Karl Jenkins Carol Barratt and Christopher Norton alongside arrangements of traditional music from around the world by Peter Wastall Vera Gray and others. This practical anthology provides the complete repertoire resource for the aspiring Grade 1 Flute and creates the perfect package for teaching exam preparation and performance all carefully selected by JanetWay. Grade By Grade Flute: Grade - 1 Book/CD includes:   19 pieces & short studies each complemented by a useful practice and performance tip. Grade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercises. Selection of sight-reading activities. Aural awareness tasks. Piano accompaniment booklet. CD of full performance demonstrations Piano backing tracks and grade-appropriate aural awareness resources.  

Spiel- und Vortragsstücke parallel zu Flöte spielen Band D-A selection of motivating pieces for flute and piano. The book relates to the progression of the popular flute method 'Flöte spielen' (Playing the flute) vol. D but can be used with any other flute method as well. Piano and flute are at about thesame level. With play-along CD. The faster pieces are recorded in a slower practice version additionally and the CD contains a software which can play all the tracks at a slower tempo.

André Jolivet (1905-1974) composed this Concerto for Flute and Strings in 1949. Initially written for Flute and String Orchestra this version contains the scores for the Flute and the Piano and lasts 12 minutes. This strong>Concerto for Flute and Strings is quite unusual as it was only created in two movements each divided into a slow introduction and a fast main part. Used as one of the main pieces of the Geneva music contest “Concours de Genève” in 2014 this concerto requires advanced skills. André Jolivet is a French composer who was really inspired by theAntiquity and had a strong interest for atonality. He also wrote many chamber music pieces eleven concertos some orchestral and some vocal music.

for Flute and Piano-Emil Titl's Serenade was originally composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8 its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute and piano has been carefully arranged and edited by world-renowned flutist and teacher Sir James Galway.

Flute and Piano-This collection contains five pieces composed by Wolfgang Amadeus Mozart for Flute and Piano.Edited by world-renowned flautist James Galway Mozart For Flute includes Concerto in GMajor K. 313; Concerto in D Major K. 314; Andante in C Major K. 315; ?Allegro? from Piano Sonata in C Major K. 545 and ?Rondo alla Turca: Allegretto? from Piano Sonata in A Major K. 331.

Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. Histoires increased his popularity when it was published in the mid-1920s and Marcel Moyse (1889-1984) a prominent French flautist arranged the compilation for Flute and Piano in 1933 to great acclaim. Histoires for Flute and Piano is made up of six movements; 1) The Leader of the Gold Turtles 2) The Little White Donkey 3) In the Sad House 4) The Crystal Cage 5) The Market of Fresh Water and 6) The Procession of Balkis. Containing a variety of musical aspects and techniques Moyse's arrangement for Flute and Piano of Ibert's Histoires is an exciting addition to the intermediate level flautist's repertoire.

Composed by Armando Ghidoni Jazzy Flute Challenge is a piece for Flute and Piano accompaniment. Lasting approximately ten minutes it is dedicated to Maxence Larrieu and was commissioned for the International Flute Contest. Quite technical this piece requires some upper intermediate/advanced skills and a good knowledge of the instrument. It is an enjoyable notated jazz work which will definitely be loved by players and their audience. Armando Ghidoni is a French composer with Italian origins who plays Saxophone and Flute. He has been edited since 1989 by Alphonse Leduc.

Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Flute with a Piano accompanimentsuitable for Grade 2-5 students as well as teachers. With a Piano score separate Flute part and performance hints and tips these fun pieces will hone your skills and develop ensemble playing.Thesepieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classics like Simon & Garfunkel's Bridge Over TroubledWater and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and Katy Perry's Firework. These 10 songs can be played in instrumentallessons in the classroom and of course on stage. The separate booklet with the Flute part features tips by professional musicians with some fingering guidance while the Pianoscore also includes the tips along with chord symbols and helpful fingering suggestions.