La rĆ©fĆ©rence GB4415 2 de l'Ć©diteur Billaudot dont l'auteur cĆ©lĆØbre est Charpentier Marc-Antoine, qui a pour titre TE DEUM-HYMNE A LA JOIE-SEXTUOR OP17 (MENUET)-SERENADE-FLUTES1-2, a Ć©tĆ© Ć©crite et composĆ©e pour Orchestre et plus particuliĆØrement pour Orchestre Junior. Cette partition musicale appartient Ć  la catĆ©gorie Classique. / Orchestre Junior / Partition

La rĆ©fĆ©rence GB4072 2 de l'Ć©diteur Billaudot dont l'auteur cĆ©lĆØbre est Mozart Wolfgang Amadeus, qui a pour titre PREMIER MENUET-TRISTESSE-Choeur DES FIANCAILLES FLUTES 1-2, a Ć©tĆ© Ć©crite et composĆ©e pour Orchestre et plus particuliĆØrement pour Orchestre Junior. Cette partition musicale appartient Ć  la catĆ©gorie Classique. / Orchestre Junior / Partition

La rĆ©fĆ©rence GB3390 2 de l'Ć©diteur Billaudot dont l'auteur cĆ©lĆØbre est Mozart Wolfgang Amadeus, qui a pour titre MON COEUR SOUPIRE-MENUET FLUTES 1.2, a Ć©tĆ© Ć©crite et composĆ©e pour Orchestre et plus particuliĆØrement pour Orchestre Junior. Cette partition musicale appartient Ć  la catĆ©gorie Classique. / Orchestre Junior / Partition

La rĆ©fĆ©rence GB3675 2 de l'Ć©diteur Billaudot dont l'auteur cĆ©lĆØbre est Monteverdi Claudio, qui a pour titre SINFONIA ET TOCCATA - MENUET FLUTES 1-2, a Ć©tĆ© Ć©crite et composĆ©e pour Orchestre et plus particuliĆØrement pour Orchestre Junior. Cette partition musicale appartient Ć  la catĆ©gorie Classique. / Orchestre Junior / Partition

Commissioned for the BBC.Piccolo/Alto FluteFlutes 1 & 2Alto Flute/Bass Flute2 OboesCor Anglais3 ClarinetsBass Clarinet2 BassoonsContrabassoon4 Horns4 Trumpets3 TrombonesPianoHarpAccordionMandolinStrings (16.14.12.10.8) 4 Percussion:IMarimbaCrotales (with bow) Small suspended cymbalAntique cymbalGlockenspielSmall triangleIISmall suspended cymbalMedium suspended cymbalVibraphone (with bow) Triangles (small and medium)IIIMedium suspended cymbalMaracasBoobamsVibraphoneSizzle cymbalLargetriangleIVBass DrumTam-tamWater gongs (small and large) Tubular bellsBurmese gongs (medium and large)

Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet Soprano Sax.) / 4) C Instr. (VViola) / 4) Bb Instr. (Clarinet Soprano Sax.) / 5) C Instr. (Violin Viola) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin Viola) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin Viola Oboe) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7nstr. (Alto Sax.) / 8) C Instruments(Violin Viola) / 8) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 8) Eb Instr. (Alto Sax.) / Guitar/ Piano 1 / Piano 2 / Bass Cello Bassoon / Timpani / Maracas / Cymbals Bass drum / Snare drum / Four Hands Pialibitum. Performance possibile also without Piano.

Arrangement and Orchestration by Andrea Cappellari. Full score and 16 instrumentals parts : 1) C Instr. (Recorder) / 1) C Instr. (Flute Violin) / 1) Bb Instr. (Clarinet Soprano Sax Trumpet) / 1) Eb Instr. (Alto Sax) / 2) C Instr. (Recorder) / 2) C Instr. (Flute Violin Oboe) / 2) Bb Instr. (Clarioprano Sax Trumpet) / 2) Eb Instr. (Alto Sax) / 3) C Instr. (Violin Viola) / 3) Bb Instr. (Clarinet) / 3) Eb Instr. (Alto Sax) / 4) C Instr. (Bass Cello Bas-soon) / Guitar / Piano 1 / Piano 2 / Percussion / PLUS Choir (Voice 1 & 2)

It S Heaven-Anton Bruckner's Seventh Symphony unlocked by Mark Goddard for flexible ensemble. This arrangement retains the essence of the great work yet is easy to play flexible and concise.Available in three separate versions - woodwind (SP1192) brass (SP1193) and strings (SP1194) - which combine together as required.Woodwind pack includes the full score plus 12 parts: Part 1: Flute and/or Oboe and/or B Flat Clarinet/Soprano SaxophonePart 2: Oboe and/or B Flat Clarinet and/or E Flat Alto SaxophonePart 3: B Flat Clarinet and/or E Flat Alto SaxophonePart 4: Bassoon and/or B FlatClarinet/Bass Clarinet and/or B Flat Tenor Saxophone and/or E Flat Baritone Saxophone

Vocal Score-Vocal Score.For 10 singers/actors Flute Oboe Clarinet 1 Clarinet 2 Bassoon 2 French Horns Trumpet Trombone 2 Percussionists Piano Guitar String Ensemble (44222 or more) Double Bass with Low C.Onstage -Violin Cello Piano Electric Piano Guitar Electric Guitar 2 Gavels and Tambourine.

Nico Muhly's Step Team for 9 players. Full score.'Stepping is a form of almost militaristic dancing involving the entire body as well as the voice. The routines are highly choreographed and precise but maintain an expressive freedom that comes out of the energy required to pull off the moves. In writing this piece for the Chicago Symphony MusicNOW I wanted to avoid too much delicate pointillistic writing and instead focused on making the nine players function as one team with a singular rhythmic agenda. Whenever the Chicago Symphony comes to New York I am always impressed with the massive steakhouse-style proportions of the brasssound so this score features the Bass Trombone as a guide for the harmonic and lyrical material.At a certain point in the piece the rhythmic unisons begin to break down and individual players or groups of players start slowing down or speeding up against the pulse. The Bass Trombone works as a unifying element here announcing the changes between sections. Some scattered pulses ensue and the brass section continuously shepherds the other instruments back into line. Step Team ends with a duet between the Bass Trombone and the Piano with a series of ornaments from the other players.' - Nico MuhlyInstrumentation: Flute Bassoon Horn in F Tenor Trombone Bass Trombone Piano Violin Viola Cello

In Circles - 16 Imaginary Dances for 18 Players (2010). Parts are available on hire: hire@ewh.dk Instr.: FluteOboeClarinet in BbBass ClarinetBassoonHorn2 Trumpets In BbTenor-Bassposaune2 PercussionistsPiano2 ViolinsViola2 CellosDouble Bass Programme note About five years ago the Ensemble Modern commissioned a composition giving me relatively free rein over instrumentation duration and completion date. I was very excited about the opportunity and eager to start work but first I had to finish asymphony and a cello concerto. However when I wanted to begin writing the piece for Frankfurt inspiration became silent and remained silent for the next three years apart from the two works for chamber orchestra: I experienced my first writer’s block. This was not my first commission but the first time that I was seriously worried about a piece and started thinking about the commissioning ensemble and its expectations. If anything I held the Ensemble Modern in too high esteem. The ensemble is notorious for being a group of all-rounders who have already seen and done everything. However it was simply time for me to challenge my self-belief as composer and to search out what kind of composer I really am. Whatever the true reason was I still didn’t get anything down on paper. Nothing would gel. In 2008 a stipend from a New York foundation led me to an Italian lavender-castle from the 15th century far away from everything else deep in Umbria. The deadline for my first opera moved dangerously closer but was barely started. The next commission for an orchestra was also waiting in addition to the piece for EM: only empty sheets.Ā  When I came home six weeks later though I hadn’t finished anything the spell was broken. Behind the massive walls drafts had been created for what within the

Scored for Baritone/Narrator and Ensemble this humerous work takes its texts from various sources including internet spam!Baritone Voice/NarratorFluteOboeClarinetBassClarinetBassoonFrench HornTrumpetTrombone2 PercussionistsPiano and Keyboard SamplerViolin 1Violin 2ViolaCelloDoubleBassĀ