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FLUTE
Orchestra
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Melody line, (Lyrics) and Chor… (17)
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Flute, Violin, Guitar (17)
2 Flutes, Basso continuo (17)
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Treble (Alto) Recorder, Piano (13)
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Flte Traversire et Trio Co… (12)
Flte Traversire, Clarinette … (12)
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Flte Traversire, Violon et B… (10)
Bassoon (10)
Solistes STBarB, Choeur SATB, … (10)
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Flte Traversire et Hautbois (10)
Flute, Viola and Piano (10)
Flte Traversire, Clarinette … (10)
String Trio: 2 violins, cello (10)
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Solo instrument and Organ (9)
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Trio (2 Soli Avec Rduction D'… (9)
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Concert Band ou Harmonie et Fl… (9)
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Orchestres Vent (8)
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CD (8)
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Flte Traversire hautbois ou … (7)
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Trombone and Piano (7)
2 Fltes Traversires, Orchest… (7)
Flte Traversire Clarinette B… (7)
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Flte Bec Alto ou Flte Trav… (7)
Sextuor (7)
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Flte, Clarinette, Cor, Violon… (7)
Flte Traversire Violon et Gu… (7)
Flte-Piccolo, Cordes et Basse… (7)
Clavecin, Flte Traversire, 2… (7)
Ensemble Mixte (7)
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Petit Orchestre, Basson, Clari… (7)
High voice, Piano (7)
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Flte Traversire Piano de Cha… (7)
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Flute, Saxophone (duet) (6)
Baritone voice, Piano (6)
Musical Awakening (6)
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French Horn and Piano (6)
Oboe, Guitar (duet) (6)
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2 Fltes Bec (6)
Children choir, Instruments (6)
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Wood Block Et Piano (6)
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2 Fltes Bec et Guitare (6)
Petit Ensemble Contemporain (6)
Harp, Violin (duet) (6)
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Flte Traversire et Autres In… (6)
Partie Spare (6)
Flte Traversire Ou Hautbois (6)
Flute, Oboe, Bassoon (6)
Matriel D'Orchestre (6)
Exemplaire Complet (6)
VLC/FLT/VLN::Cello, Flute, Vio… (6)
Flute, Viola and Cello (6)
Bass Clef Instruments (6)
Keyboard (6)
Flute, Cello and Harp (trio) (6)
FLT/GTR/VLN::Flute, Guitar, Vi… (6)
Mezzo-Soprano voice, Piano (6)
Violon ou Flte Traversire et… (6)
CHAM::Musique De Chambre (5)
Ensemble (5)
2 Pianos, 4 hands (5)
Flte Bec Alto ou Flte Trav… (5)
Baritone voice (5)
Partition D'Orchestre (5)
2 Violins and Basso (5)
Violon, Viole Et Orchestre (5)
Flute, Oboe, Violin, Violoncel… (5)
2 Fltes Traversires, Instrum… (5)
Flte Traversire ou Flte B… (5)
Flute, Oboe, and Cello (5)
Big band (5)
FLT/VLN::Flute, Violin (5)
Trumpet, Trombone (duet) (5)
Flte Ou Hautbois Et Piano (5)
Flte Traversire(S) Et Autres… (5)
Percussion (5)
Flte A Bec, Percussions Scola… (5)
Quatuor De Fltes (5)
2 Fltes Traversires, Instrum… (5)
Eb Instruments (5)
FLT/ENS::Fl?te Traversi?re/Ens… (5)
Bb Instruments (5)
Scores (5)
2 Trombones (duet) (5)
Flte Traversire et Cordes (5)
2 Fltes Bec Alto ou Fltes … (5)
2 Fltes Bec, 2 Cors, 2 Viol… (4)
Flte Traversire et 3 Clarine… (4)
Saxophone and Orchestra (4)
Flte Traversire Clarinette e… (4)
Flte Bec F1, Violon et Bass… (4)
Piano, Violon (Flte) et Guita… (4)
2 Fltes Traversires, 2 Clari… (4)
Bassoon, Piano (duet) (4)
Flte Traversire, 6 Timbales,… (4)
Flte Traversire, Clarinette,… (4)
2 Flutes et Percussion (4)
Guitare et Musique de Chambre (4)
Vibraphone, Flte Traversire … (4)
Guitare, Violon, Mandoline, ba… (4)
Quatuor Vents (4)
2 Fltes Bec Alto, 2 Fltes … (4)
Flte Traversire, Cordes et B… (4)
Flte Traversire, Violon, Vio… (4)
2 Viola da Gamba, Basso contin… (4)
2 Flutes et Violoncelle (ou B… (4)
Livret (4)
2 Recorders, Piano (4)
2 Guitares, Flte Traversire … (4)
Flte Traversire Clarinette, … (4)
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Flte Traversire, 2 Violons, … (4)
Flte Traversire Hautbois et … (4)
Flte Traversire, Violons I e… (4)
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Flte Traversire 2 Violons, V… (4)
2 Fltes Traversires et Basso… (4)
Voice, Guitar (4)
Flte Traversire Clarinette e… (4)
Clarinette ou Flte Traversir… (4)
Flute bec alto et tenor, vi… (4)
Violoncelle, Contrebasse, Bass… (4)
Flte Traversire Et Basse Con… (4)
Musique de Chambre (Fac-simil… (4)
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Flte Bec Alto, 2 Violons et… (4)
3 Fltes, Guitare et Violoncel… (4)
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Flte, Alto, Violoncelle et Pi… (4)
Flte Traversire ou Violon et… (4)
2 Fltes Traversire (4)
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Fltes A Bec Alto Et Tenor (4)
SOP/PFA::Soprano, Accompagneme… (4)
Piano Quintet: piano, 2 violin… (4)
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Quatuor vent (4)
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Flte Traversire, Alto et Vio… (4)
Quintette vent (Flte Traver… (4)
Chant, Percussions Scolaires E… (4)
Flte Et Violon (4)
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Flte Traversire 2 Cors et Or… (4)
8 Fltes Traversires (4)
Voice and Flute (4)
Flte Traversire ou Violon), … (4)
High voice (4)
Flte, Saxophone Alto, Guitare… (4)
Hautbois, Basson et Piano (4)
2 Altos ou Violon et Alto et V… (4)
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Voix ou Rcitant et Instrument… (4)
Flte Traversire, 2 Violons, … (4)
Double Bass (4)
Flte Traversire Alto et Guit… (4)
Soli (SATB), Choeur Mixte (SAT… (4)
Flte Traversire Violon, 2 Al… (4)
FLT/GTR/VLA::Flute, Guitar, Vi… (4)
Voice Mezzo-Soprano, Orchestra… (4)
Conducteur et Poche (4)
Flte Traversire, Flte Trave… (4)
Trio et Orchestre vent (4)
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Harpsichord (4)
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4 Fltes (4)
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Saxophone Quartet: 4 saxophone… (4)
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Mandolin (4)
Flte Et Basson (4)
Chant (4)
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Flte Irlandaise (3)
Flte Traversire 2 Cordes et … (3)
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WIND INST::Wind Instruments (3)
Musique de chambre (3)
Concert band, Choral (3)
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Tuba en Do Basse Continue, Tub… (3)
Tuba (3)
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Low voice (3)
Flte Traversire 3 Kena, Anta… (3)
Fltes Traversires (3)
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Flute, Clarinet, Saxophone (tr… (3)
3 Instruments Mlodiques (Flt… (3)
Flte Traversire, Guitare et … (3)
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Flte Traversire Ensemble (3)
2 French horns (duet) (3)
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VLN/CHAM::Violon, Musique De C… (3)
Dulcimer (3)
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Recorder (Book and Instrument)… (3)
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Oboe, Basso continuo (3)
Harpe Et Instruments Divers (3)
Wind Instruments (3)
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Marimba (2)
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Musique De Chambre, Flte Trav… (2)
2 Violas (duet) (2)
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Jacques Ibert: Concerto For Flute And Orchestra: Orchestra: Miniature Score
Orchestra
[Sheet music]
Leduc, Alphonse
Despite his studies being interrupted by WWI Jacques Ibert won the Grand Prix d...
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Despite his studies being interrupted by WWI Jacques Ibert won the Grand Prix de Rome on his first attempt proving his significant compositional ability such as his Concerto for Flute and Orchestra. Ibert's Concerto for Flute was composed in 1934 at the height of his professional career. The work is lighthearted depicting the composer's favoured use of gentle humour and festivity. These are however contrasted by lyrical and evocative passages. Suitable for advanced level flautists and containing the full orchestral score this edition of Ibert's Concerto for Flute is a clear pleasant and varied addition to the Flute's repertoire.
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Georg Philipp Telemann: Suite In A Minor For Flute And Strings: Orchestra:
Orchestra
Eulenburg
Suite In A Minor For Flute And Strings
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Roger Marsh: Amplified Alto Flute And Electronics: Orchestra: Instrumental Work
Orchestra
[Sheet music]
Novello & Co Ltd.
Amplified Alto Flute And Electronics
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Emma Lou Diemer: Concerto For Flute: Orchestra: Score
Orchestra
Southern Music Ltd
Concerto For Flute
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Wolfgang Amadeus Mozart: The Magic Flute In Full Score: Opera: Study Score
Orchestra
[Study Score / Miniature]
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Advanced
Dover Publications
The Magic Flute In Full Score was created at the peak of the Enlightenment Moza...
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The Magic Flute In Full Score was created at the peak of the Enlightenment Mozart's divine and enduring milestone of Opera is both a light-hearted fairy tale and an epic story of the strugglebetween good and evil.The Magic Flute met instant acclaim at its 1791 premiere and it remains among one of Mozart's most performed and admired works.
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William Schuman: Prayer in Time of War: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This wo...
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Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This work was first performed under the title 'Prayer-1943' by the Pittsburg Symphony Orchestra under the direction of Fritz Reiner on February 26 1943.Duration: approx 15 minutes.Instrumentation:3 Flutes (3rd Flute interchangeable with Piccolo)2 OboesEnglish Horn2 Clarinets in B-flat2 Bassoons4 Horns in F3 Trumpets in C3 TrombonesTubaTimpaniPercussion (Bass Drum Cymbals Gong Snare Drum)Violin IViolin IIViolaVioloncelloBass
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Joby Talbot: Worlds Stars Systems Infinity (Full Score): Orchestra: Score
Orchestra
Chester
Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Univers...
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Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project.First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen.Instrumentation.4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo)3 Oboes (3rd doubling Bass Oboe)Cor Anglais2 Clarinets in BflatClarinet in A BassClarinet in B flat3 BassoonsContrabassoon6 Horns in F4 Trumpets in C2 Tenor TrombonesBass TromboneTenor Tuba in B flat (Euphonium)Bass Tuba2 Timpani (2nddoubling Suspended Cymbals China Cymbal)4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal)CelestaOrgan2 HarpsChorus (SSSAAAA)Strings
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William Walton: Crown Imperial - Score/Parts: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
This arrangement has been made from the original orchestration for full orchestr...
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This arrangement has been made from the original orchestration for full orchestra and incorporates the cuts authorized by the composer in 1963. The piano duet part is optional unless no wind is available. The brass parts are fully cued in both string and woodwind parts. The minimum wind required is 1 flute 1 oboe and 2 clarinets. This has recently been re-typeset by Goodmusic so is clearer than the original OUP printing but no musical changes have been made and the new edition is fully compaible with the old one.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb 3 Trombones Timpani Percussion (3 players - Cymbals Triangle Bass drum Tenor drum Glockenspiel Tubular bell in C Side drum Large gong) Strings (Violin 1 Violin 2 Viola Cello Bass) Piano duet (optional) (Part included in Pack)
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Orchanics 1: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Three new collections of varied pieces for orchestra for players from beginner t...
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Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.
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John Williams: Harry Potter Symphonic Suite: Orchestra: Instrumental Work
Orchestra
[Score and Parts]
Alfred Publishing
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. ...
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The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass
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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Orchanics 3: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 3 contains:-Hallelujah + Ode to joy (Handel/Beethoven); Mairi's Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.
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Joseph M. Martin: The Celtic Choir: Orchestra: CD
Orchestra
Shawnee Press
Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts fo...
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Consort Orchestra (CD-ROM)-Consort Orchestra (CD-ROM/includes score and parts for flute (penny whistle) violin cello guitar piano and percussion): The soaring beauty of traditional folk music and Gaelic-inspired original songs permeates this collection with fresh sounds and expressive words. From lilting dance-like songs of praise to noble hymn tunes that encourage and motivate this gathering of sacred songs provides a great variety of styles tempos and usages. Decorated with optional acoustic instruments and driven by well-crafted piano parts these anthems are designed to work for choirs of any size. Catch the wave of enthusiasm for this ancient musical culture and bring a refreshing spirit ofworship into your ministry! Songs include: Celtic Praise Song - In the Valley Flows a River - The Master Has Come - A Celtic Hosanna - Come to the Upper Room - Here is Love - Celtic Alleluia - Not I But Christ - A Celtic Blessing. Score and parts for flute (penny whistle) violin cello guitar piano and percussion.
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Peter Maxwell Davies: Strathclyde Concerto No. 9: String Orchestra: Score and
Orchestra
[Sheet music]
Chester
The solo group consists of a sextet of the woodwind instruments which are normal...
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The solo group consists of a sextet of the woodwind instruments which are normally doubled with more regular members of the orchestra: these six strangers now brought to the fore are piccolo alto flute cor anglais clarinet inEb bass clarinet in Bb and contrabassoon. They make a motley group diverse in colour as in register and one of the tasks of the piece sets itself is to have them blend and cohere both together as an ensemble and in partnershipwith the string orchestra (which itself is used with unusual variety and subtlety). Another evident task of the work is to provide fine solos for each member of the woodwind sextet: bright dances for the piccolo recitativesfor the alto flute a stoical song from the contrabassoon in the extreme bass. The work is cast as a single movement which begins in the composer's first-movement style of rapid regeneration. This is interrupted by slowinterventions including one for divided strings which gives rise to a sextuple cadenza for the soloists. Out of this comes a slow movement or sequence of short slow movements followed by a dancing finale with its own slowepisodes. Altogether this is music of songs and dances heavily tinged with Scottish rhythms and tonalities: one might think of a magic bagpipe having six chanters and a drone of variegated string texture.
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Elisabeth Lutyens: Music From 'The Skull' - Study Score: Orchestra: Study Score
Orchestra
University Of York Music Press
Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score....
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Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score.Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass.
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Gioachino Rossini: Barbier Von Sevilla: Orchestra: Miniature Score
Orchestra
Barenreiter
This study score is based on the critical edition of ?The Barber Of Seville? edi...
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This study score is based on the critical edition of ?The Barber Of Seville? edited by Patricia B. Brauner and published in 2008 as part of the series ?Works of Gioachino Rossini?. But who needs a new critical edition of ?The Barber Of Seville?? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly none of the early editions satisfy modern demands for a scholarly-critical edition. Secondly there is a wealth of previously unpublished material relating to this opera of great interest to both scholars andperformers.Thus the famous overture which Rossini had already used in his earlier opera ?Aureliano in Palmira? differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in ?Aureliano in Palmira?) which includes two Flutes two Oboes and Timpani or in the scoring for the subsequent opera ?The Barber Of Seville? (with just one flute one oboe and no timpani).A series of appendices contain music and information which have been included in no other edition of the opera to date.- Takes into account all original sources also including five manuscripts with Rossini?s autograph ornamentation.- Takes into consideration the full extent of Rossini?s personal notational characteristics.- With a detailed foreword (Eng/Ital)
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Karsten Fundal: For A While - Double Concerto: Orchestra: Score
Orchestra
[Partitions]
Wilhelm Hansen
Karsten Fundal's For A While - Double Concerto for Flute (Bass Flute) and Cor An...
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Karsten Fundal's For A While - Double Concerto for Flute (Bass Flute) and Cor Anglais (2010). Written For Janne Thomsen and Nicholas Daniel. For Århus Symphony Orchestra and Holstebro Klassiske Musikdage.Dedicated to Janne Thomsen. Solo Flute part: WH31225C Solo Cor Anglais: WH31225D Orch. parts are available on hire: hire@ewh.dk
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Elisabeth Lutyens: Music From 'The Skull' - Conductor's Score: Orchestra: Score
Orchestra
University Of York Music Press
Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score....
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Elisabeth Lutyens' music from the film 'The Skull' (1965). A3 conductor's score.Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass.
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Titanic: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Hal Leonard
Music by James Horner from the motion picture Titanic arranged by John Moss for ...
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Music by James Horner from the motion picture Titanic arranged by John Moss for full orchestra. Conductor Flute 1 Flute 2 Oboe 1 Oboe2 Bb Clarinet 1 Bb Clarinet 2 Bb Bass Clarinet Bassoon Bb Trumpet 1 Bb Trumpet 2 Bb Trumpet 3 F Horn 1 F Horn 2 F Horn 3 F Horn 4 Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Percussion 1 Percussion 2 Piano Violin 1 (8) Violin 2 (8) Viola (8) Cello (4) String Bass (4)
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Leonard Bernstein: West Side Story - Selections For Orchestra: Orchestra: Score
Orchestra
Boosey and Hawkes
Jack Mason's showcase features six songs skillfully scored for school orchestra....
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Jack Mason's showcase features six songs skillfully scored for school orchestra. This set from Bernstein's timeless West Side Story contains score and seperate parts for Flute I Flute II Piccolo Oboe I Oboe II English Horn Clarinet in B I Clarinet in B II Bassoon I Bassoon II Alto-Sax I Alto-Sax II Tenor-Sax. Baritone-Sax F-Horn I-IV Trompete I-III Posaune I-III Tuba 3 Timpani-Percussion Harp 8 Violin I 8 Violin II 4 Viola 4 Cello and 4 Double Bass.
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Per Nørgård: Symphony No. 6 'At The End Of Day': Orchestra: Score
Orchestra
Wilhelm Hansen
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...
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Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
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Reza Vali: Segah: Double Concerto: Orchestra and Solo: Score
Orchestra
Lauren Keiser Music Publishing
Full Score-The Persian traditional music (called the Dastgah Segah) is based on ...
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Full Score-The Persian traditional music (called the Dastgah Segah) is based on intervals made of three quarter-tones and natural whole-tones. Segah has no interval in common with the European/ Western equal-temperament tuning. This lack of common intervalsbetween the Segah mode and the equal-temperament tuning will lead to a cognitive dissonance if this mode is set against the equal-temperament system. My goal has been to elaborate on the innate tensions that exists between the two interval systemsand use it as a symbol for the existing political and cultural tensions between the Persian and the Western cultures. The piece consists of two Persian traditional instruments the Ney (Persian vertical bamboo flute) and the Kamanche (Persian spikefiddle) as the musical representatives of the Persian culture set against the Western orchestra as the musical representative of the Western culture. A small ensemble of Western instruments consisting of a harp and string quintet accompanies thePersian instruments. The harp is tuned to the Segah intervals and the string quintet plays in the Segah mode. The orchestra is performing inthe Western equal- temperament tuning. From the very first bars of the main section of the piece confusionsand misunderstandings arise. The orchestra being unable to play in Segah or understand the mode becomes more and more agitated. Musical tensions between the soloists and the orchestra lead to musical confrontations and finally to musicalviolence. The orchestra becomes extremely violent and militaristic and tries to suppress the soloists efforts to express their musical thoughts. In the midst of all these confusions and cultural misunderstandings musical connections and attractionsstart to take place. The orchestra and the soloists find themselves musically attracted to each other and start imitating each others musical phrases. Cognitive dissonances start to be gradually transformed to musical dialogues symbolizing thegradual replacement of the clash of civilizations with the dialogue of civilizations. Segah was written for Khosrow and Kian Soltani and premiered at the Segah Festival on January 15 2016.
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James MacMillan: Sinfonietta: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commissio...
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Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commission was first performed by them in May 1992 at the Queen Elizabeth Hall London. Scored for Orchestra or chamber Orchestra the instrumentation comprises alto Flute/Piccolo cor anglais E flat Clarinet/bass Clarinet soprano Saxophone Contrabassoon Horn Piccolo Trumpet Trombone Tuba Percussion Harp Piano and Strings. Recorded on BIS CD 1119 by the Scottish Chamber Orchestra conducted by the composer.
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Ernesto Lecuona: Malaguena: Concert Band: Score & Parts
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Elisabeth Lutyens: Islands Op.80: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice ...
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For Soprano Tenor Male Narrator and Ensemble.Published in 1970.Soprano voice Tenor voice Narrator Flute/Alto Flute/Piccolo Clarinet/Bass Clarinet/Baritone Saxophone French Horn Piano/Cembalo Violin Viola and 2 Percussionists.Score.
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Per Nørgård: Wenn Die Rose Sich Selbst Schmückt: Orchestra: Score
Orchestra
Wilhelm Hansen
Wenn Die Rose Sich Selbst Schmückt Schmückt Sie Auch Den Garten (When The Ros...
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Wenn Die Rose Sich Selbst Schmückt Schmückt Sie Auch Den Garten (When The Rose Beautifies Itself It Beautifies The Garden ) was composed by Per Nørgård in 1971. Chamber Cantata for four performers Scored for Soprano Alto Flute Double Bass and Percussion (all playing also Crotales). Composed for and dedicated to Dorothy Dorrow. Parts available: KP01092 Preface / Programme Note The title of the work is borrowed from a fragment by the German poet Friedrich Rückert.This fragment this short sentence (which Rückert apparently neverelaborated upon) is the entire basis of the work. I was inspired by the meaning as well as the sound of these words.I perceive the meaning of the sentence as being a defence for the refinement of an individual’s personal gifts - far from the present hostility toward individuality and the senseless praise of impersonal success in society. Personal refinement can so the fragment in my interpretation at its best be accompanied by a deep sense of responsibility and become an active and positive influence in society.The sound the timbre of the individual words and characters is employed both instraightforward text-sequences as well as in the exploration of individual vowels and consonants as pure sounds. The soprano is often used purely instrumentally echoing and pre-echoing discreetly the notes of the flute and the harmonics of the double bass often imperceptably stealing their notes and altering them into human sounds which then yetagain are absorbed into the instrumental tapestry. Per Nørgård 1971
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Malaguena: Concert Band: Score
Orchestra
Southern Music Ltd
Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest seriou...
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Born in Havana Cuba in 1895 Ernesto Lecuona is arguably Cuba's greatest serious composer. He was a gifted pianist who wrote hundreds of songs and piano works before he died in 1963. Most of his music is composed in a rich authentic Cuban style. The most famous of his works is Malagueña the sixth movement of his Suite Andalucia for solo piano which was first published in 1928. Malagueña has been recorded as a popular song (with added lyrics) as a serious piano work (even by Lecuona himself in the 1950's) and also as a jazz standard (Bill Holman's arrangement for the Stan Kenton Orchestra in the early 1960's.) Over the years it has been arranged many times for variousother mediums ranging from symphony orchestra to field arrangements for drum and bugle corps.In 1976 James Barnes arranged Malagueña for the University of Kansas Marching Band. A few years later with permission from the publisher he expanded this original arrangement into a full work for symphonic band called Prelude Fantasy and Fandango on Lecuona's Malagueña. After several performances in the spring of 1978 (most notably at the MENC Convention in Colorado Springs) this work along with over 200 other Barnes manuscripts lay fallow in the KU Band Library. While packing up his office belongings when he retired from The University of Kansas in 2015 Barnes came across this long languishing Prelude Fantasy and Fandango which remained in condensed score. In the fall of 2016 he completely re-composed the opening portion of the work reduced the number of required percussion and disposed of the two harps in his 1978 version. This new setting features evocative thinly scored extended solo passages for clarinet bassoon and flute before the full wind band concludes the work with a powerful dramatic setting of the main themes of Lecuona's masterful Malagueña.
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Antonín Dvo?ák: Symphony No. 6 In D: Orchestra: Study Score
Orchestra
Barenreiter
D major-Flute (2) (Flute-picc) Oboe (2) Clarinet in b-minor (2) Bassoon (2) ...
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D major-Flute (2) (Flute-picc) Oboe (2) Clarinet in b-minor (2) Bassoon (2) Bugle (4) Trumpet (2) Trombone (3) Tuba Timbal Strings
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Elisabeth Lutyens: Elegy of the Flowers Op.127: Orchestra: Score
Orchestra
[Sheet music]
University Of York Music Press
For Tenor and Ensemble.Published in 1978.Tenor voice 2 Horns 2 Violins Flute/...
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For Tenor and Ensemble.Published in 1978.Tenor voice 2 Horns 2 Violins Flute/Alto Flute Clarinet/Bass Clarinet Cello Double Bass 2 Violas 2 Trombones Percussion.Score.
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