Music Minus One Soprano Sax Tenor Sax or Clarinet-This sequel to For Saxes Only offers a series of saxophone quartets (rather than the typical 5-piece arrangement from the big-band era) to further enhance the importance of each instrument. Hal McKusick performs alto sax in a complete version to give samples for the improvisational sections and you have the option of playing the solo (which has been notated from the complete version) or improvising your own. Join Wilber and his great colleagues and share in the musical romp! This album is easily usable by tenor sax soprano sax or clarinet players. Includes printed musical score for B-flat instruments (soprano sax tenor sax clarinet) and a compact disc featuring completerecordings (with alto sax as the solo instrument) and a second performance of the accompaniments only. Performed by Hal McKusick solo alto saxophone Accompaniment: Bob Wilber All-Stars: Bob Wilber soprano sax/clarinet Frank Wess tenor sax/clarinet/flute Joel Kaye baritone sax

for soprano saxophone and piano-Sarabande is a fantastic piece for Soprano Saxophone with Piano Accompaniment composed by Mark-Anthony Turnage.

A Collection of 32 Fun-to-Play Familiar Melodies for the beginning Instrumentalist-Tons Of Tunes From The Classics is an enjoyable collection of 32 fun-to-play and familiar melodies for the beginning instrumentalist. This version has been arranged by Amy Adam for Soprano or Tenor Saxophone. Includes Play along CD of backing and demonstration tracks.

Par MERLINO BASILIO. / Date parution : 2022-01-14/ Répertoire / Saxophone Soprano

10 Gospel favourites arranged as instrumental solos by Stephen Bulla. This edition is for Soprano or Tenor Saxophone and includes a Play along CD of backing and demonstration tracks.

Simply Sax is a collection of fantastic solos arranged for Tenor Saxophone in B Flat and Piano accompaniment by Keith Stent.

Par HUMMEL BERTOLD. The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone - over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo./ Répertoire / Saxophone Soprano et Percussions

Par NAON LUIS. Un chant secret, une prière, est en principe destiné à soi ou à Dieu. Alors pourquoi rendre publique une action qui est de l'ordre de l'intime le plus stricte ? C'est une manière de rendre audible, par des tiers, les auditeurs, un état qui est essentiel à la musique : un acte d'humilité, d'engagement véritable, d'introspection et de solitude, mais aussi de fragilité et de débordement. Ces chants ont été pensés, vécus pendant leur composition, comme des prières. Dans le creux de cette intimité que j'imagine entre l'homme et Dieu - qui est, par ailleurs, la seule façon de rendre audibles ces chants par l'interprète - s'immisce un regard extérieur, celui du public, qui, par sa seule présence rend tangible dans l'air qui vibre, un élan qui vient du plus profond de l'être. Pour ces raisons, rares sont dans ces pages les expressions directes. Et si, parfois, on doit élever le ton de sa prière c'est plus un reflet du doute intérieur qu'une affirmation. L'amitié qui nous lie avec Claude Delangle depuis de nombreuses années est à l'origine de cette idée. J'ai imaginé chaque son, chaque phrase, chaque tournure au travers de l'image sonore et visuelle de son jeu. Luis Naón/ Répertoire / Saxophone Soprano

Par OUZOUNOFF ALEXANDRE. / Date parution : 2023-03-21/ Répertoire / Saxophone Soprano

Methode voor sopraansaxofoon. Par KASTELEIN / MICHIEL OLDENKAMP. Methode Voor Sopraansaxofoon/ Méthode / Saxophone Soprano