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Sing Sang Sung: Score
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Sing Sang Sung: Score
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Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.12…
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1272749 Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749). One of the “Great Four†Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing†first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.â€Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.†— 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world. George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king†at the end of each stanza, as it is commonly sung today.Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today†(published as “Hymn for Easter-Day†in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:•  Introduction: brass, organ, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Interlude•  Verse 3: organ, brass, timpani, with alternate harmonizationIncludes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
23.05 €
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Felix Mendelssohn / W
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Todd Marchand
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Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
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Con Spirito Music
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SheetMusicPlus
Abgesang
2 sopranos (or soprano and clarinet), violin, viola and percussion - difficult - Digital D…
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2 sopranos (or soprano and clarinet), violin, viola and percussion - difficult - Digital Download SKU: S9.Q6407 (Dafne-Fragment). Composed by Benjamin Schweitzer. This edition: score and parts. Downloadable, score and parts. Duration 5 minutes. Schott Music - Digital #Q6407. Published by Schott Music - Digital (S9.Q6407). German.Der Mythos um die Nymphe Dafne war im 17. Jahrhundert der erste Opernstoff der Musikgeschichte. Der junge Komponist Benjamin Schweitzer hat ihn 2005 nach dem Libretto des Barockdichters Martin Opitz neu vertont. Nach der erfolgreichen Uraufführung fertigte Schweitzer von der vorletzten, zentralen Szene seiner Kammeroper eine berückende Version für den Konzertsaal an. Nach Dafnes tödlicher Verwandlung in einen Lorbeerbaum singen zwei Soprane, die zuvor als Dafne und Venus zu hören waren, einen traurig-elegischen Abgesang, begleitet von Violine, Viola und Schlagzeug. Schweitzer hat von Abgesang auch eine Fassung für Sopran und Klarinette geschrieben, die noch stärker wirkt: Das Blasinstrument verkörpert gleichsam die verstummte, hölzerne Dafne.
$45.99
42.4 €
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Benjamin Schweitzer
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Abgesang
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Schott Music - Digital
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SheetMusicPlus
Moon River
Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By…
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
13.82 €
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,D…
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - Digital Download SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$16.99
15.66 €
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Barry Mann
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Robert Coil
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Who Put The Bomp
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Polished Brass
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SheetMusicPlus
Georgia On My Mind
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923846 By Ray Charles. By Hoagy Carmichael. Arranged by Steve William Lussing. R & B,Soul. Score and parts. 4 pages. S. W. Lussing #2958031. Published by S. W. Lussing (A0.923846). Every artist who has ever entertained us with this classic Hoagy Carmichael creation has jumped right to the chase, that being the verse that begins with Geor - gia,.. Wikipedia refers to the missed component as, the commonly excised introductory verse. Well, I took a good look at that introductory verse, and concluded that there was a pretty good reason nobody sang it. It needed more work than the writers had put into it, in my opinion, which is a nice way of saying that it sucked. So I fixed it, so to speak. I believe that it stands up to scrutiny.The melody line throughout has some modifications in note lengths. It is a piece originally written in cut time, which it isn't really, since it is always being sung in a moody fashion you don't normally expect to find written in 2/2 time. I think maybe that Hoagy had a secret desire to write for movie musicals.I adapted the chord diagrams to make them more suitable for playing along with on the guitar. This arrangement will appeal to anyone who has ever studied Mickey Baker's jazz guitar chords. As I see it, every song is still a tune and should be fun to play. Georgia is no exception.
$4.99
4.6 €
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Ray Charles
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Steve William Lussing
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Georgia On My Mind
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S. W. Lussing
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SheetMusicPlus
Queen of the Night aria from The Magic Flute opera. K.620 - WA Mozart (Violin & Cello)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.8…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.802613 Composed by Wolfgang Amadeus Mozart. Arranged by Peet du Toit. Contemporary. Score and parts. 2 pages. Peet du Toit #6012569. Published by Peet du Toit (A0.802613). Der Hölle Rache kocht in meinem Herzen (Hell's vengeance boils in my heart), commonly abbreviated Der Hölle Rache, is an aria sung by the Queen of the Night, a coloratura soprano part, in the second act of Mozart's opera The Magic Flute (Die Zauberflöte). It depicts a fit of vengeful rage in which the Queen of the Night places a knife into the hand of her daughter Pamina and exhorts her to assassinate Sarastro, the Queen's rival, else she will disown and curse Pamina.Memorable, fast-paced, and menacingly grandiose, Der Hölle Rache is one of the most famous of all opera arias. This rage aria is often referred to as the Queen of the Night Aria, although the Queen sings another distinguished aria earlier in the opera, O zittre nicht, mein lieber Sohn.The opera is set in ancient Egypt. Mozart's sister-in-law - Josepha Hofer - sang it in 1791 at the premiere of this opera.Here's your opportunity to excite your audiences with this short, but well-known aria.
$13.50
12.45 €
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Wolfgang Amadeus Mozart
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Peet du Toit
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Queen of the Night aria from The Magic Flute opera. K.620 - WA Mozart
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Peet du Toit
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SheetMusicPlus
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