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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Non classifié
1 247
Piano & claviers
Piano seul
893
Piano, Voix
296
Piano Facile
175
Piano, Voix et Guitare
141
Instruments en Do
97
Orgue
76
Accompagnement Piano
33
1 Piano, 4 mains
15
Piano Trio: piano, violon, violoncelle
13
Accordéon
13
Piano (partie séparée)
5
2 Pianos, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavier
1
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Guitare
99
Guitare notes et tablatures
73
2 Guitares (duo)
20
Ligne De Mélodie, (Paroles) et Accords
18
Basse electrique
15
Ukulele
14
Piano, Guitare (duo)
11
Guitare (partie séparée)
10
Dulcimer
6
Banjo
4
4 Guitares (Quatuor)
4
Ensemble de guitares
2
Mandoline, Guitare (duo)
2
Mandoline
2
3 Guitares (trio)
2
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
257
Chorale 3 parties
75
Chorale TTBB
33
Chorale 2 parties
33
Voix seule
27
Chorale Unison
18
Chorale SSAA
18
Voix Soprano, Piano
14
Voix Baryton, Piano
8
Voix duo, Piano
6
Voix duo
5
Voix haute
4
Voix Tenor, Piano
3
Chorale
3
Voix Alto, Piano
3
Voix basse, Piano
2
Voix Tenor
2
Voix Soprano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
+ 15 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
143
Flûte traversière et Piano
94
Clarinette et Piano
79
Quatuor de Saxophones: 4 saxophones
76
2 Saxophones (duo)
65
2 Flûtes traversières (duo)
60
Clarinette
58
Quatuor de Clarinettes: 4 clarinettes
56
Hautbois, Piano (duo)
55
Flûte, Hautbois, Clarinette, Basson
53
Saxophone Alto et Piano
49
Flûte traversière
49
2 Clarinettes (duo)
36
Saxophone Tenor et Piano
36
3 Saxophones (trio)
30
Quintette de Saxophone: 5 saxophones
29
Ensemble de Clarinettes
29
Saxophone (partie séparée)
29
Hautbois, Basson (duo)
29
Hautbois (partie séparée)
28
Saxophone Soprano et Piano
28
Quatuor de Flûtes : 4 flûtes
27
Saxophone Alto
26
Flûte, Hautbois, Clarinette (trio)
22
Ensemble de saxophones
21
Flûte, Clarinette (duo)
21
Saxophone
20
Saxophone Tenor
19
Quintette de Clarinettes: 5 clarinettes
18
Flûte à Bec
18
Ensemble de Flûtes
18
2 Hautbois (duo)
17
3 Clarinettes (trio)
17
Saxophone Baryton, Piano
16
Hautbois, Clarinette (duo)
13
Hautbois
13
Quintette de Flûte : 5 flûtes
11
Hautbois, Clarinette, Basson (trio d'anches)
9
Cor anglais, Piano
9
Quatuor de Flûtes à bec
9
Flûte et Guitare
8
Clarinette Basse, Piano
8
Hautbois, Flûte
7
Flûte à bec Soprano
6
Saxophone Soprano
6
Saxophone Baryton
6
Flûte, Alto (duo)
5
Clarinette, Guitare (duo)
5
Clarinette et Alto
5
Flûte, Violoncelle
5
2 Flûtes traversières, Piano
5
Flute (partie séparée)
5
Flûte, Violon, Piano
5
Trio de Flûtes: 3 flûtes
4
2 Flûte à bec (duo)
4
Clarinette, Violoncelle (duo)
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette et Basson
3
Clarinette (partie séparée)
3
3 Flûtes à bec (trio)
3
Flute, harpe et violon
2
Flûte irlandaise
2
Clarinette, Violon (duo)
2
5 Flûtes à bec
2
2 Cors Anglais Et Pianoforte
2
Flûte, Violon
2
Ocarina
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Flûte, Harpe et Violoncelle
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Trompette (duo)
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Harpe
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Saxophone (duo)
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
Cor anglais, Guitare (duo)
1
2 Clarinettes, Basson
1
Cor Anglais
1
Flûte à bec Tenor
1
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
Hautbois, Harpe
1
Clarinette, Orchestre
1
Piccolo, Piano
1
Clarinette, Trompette (duo)
1
Clarinette, Basson (duo)
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte de Pan
1
+ 89 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
102
Quatuor de Cuivres : 2 trompettes, trombone, tuba
65
Trompette, Piano
52
Trompette
51
Trombone et Piano
50
Cor et Piano
41
Trombone
38
Trombone (partie séparée)
25
Tuba
25
2 Trombones (duo)
23
Cor
23
2 Trompettes (duo)
22
Tuba et Piano
22
Trompette, Trombone (duo)
21
Trompette (partie séparée)
18
Ensemble de Trompettes
18
Euphonium, Piano (duo)
18
Quatuor de Cuivres
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Trombone, Tuba (duo)
12
2 Cors (duo)
12
Cor anglais, Piano
9
Quatuor de cuivres: 4 trombones
9
Cor (partie séparée)
8
Ensemble de Trombones
7
Euphonium
7
Quatuor de cuivres: 4 cors
7
Trio de Cuivres
6
Tuba (partie séparée)
6
2 Tubas (duo)
5
Trompette, Cor (duo)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 trompettes
3
Euphonium, Tuba (duo)
3
Tuba et Orgue
3
4 Tubas
3
2 Euphoniums (duo)
2
3 Trompettes (trio)
2
2 Cors Anglais Et Pianoforte
2
Trompette, Saxophone (duo)
2
Ensemble de Cors
2
3 Cors (trio)
1
3 Tubas (trio)
1
Cor anglais, Guitare (duo)
1
3 Trombones (trio)
1
Cor Anglais
1
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Cor (duo)
1
+ 44 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
268
Violon et Piano
111
Harpe
109
Violoncelle, Piano
95
Trio à Cordes: violon, alto, violoncelle
76
Violon
66
Alto, Piano
65
Violon, Violoncelle (duo)
50
Violoncelle
49
Violon, Alto (duo)
40
Alto seul
39
2 Violons (duo)
37
2 Violoncelles (duo)
30
Contre Basse
25
2 Altos (duo)
24
Contrebasse, Piano (duo)
19
Trio à Cordes: 2 violons, violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Guitare (duo)
13
Violoncelle, Contrebasse (duo)
13
2 Harpes (duo)
8
Alto (partie séparée)
8
4 Violoncelles
7
Violon (partie séparée)
7
Violoncelle , Guitare (duo)
7
Flûte, Contrebasse (duo)
7
Contrebasse (partie séparée)
7
Harpe, Violon (duo)
5
Piano Trio: Violon, Alto, Piano
4
Quatuor à cordes: 4 violons
4
Alto, Violoncelle (duo)
4
Ensemble de Violons
3
Ensemble de Violoncelles
3
Trio à cordes: 3 violins
3
Harpe, Voix
3
Trio à Cordes: 3 violoncelles
3
4 Contrebasses
3
3 Harpes
2
Violoncelle (partie séparée)
2
5 Harpes
2
Harpe, Violoncelle (duo)
2
Trio à cordes
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
1
Ensemble d'Altos
1
Trio à Cordes: 2 violons, alto
1
Alto, Guitare (duo)
1
Harpe, Flûte (duo)
1
+ 43 instrumentations
Retracter
Orchestre & Percussions
Orchestre
203
Orchestre d'harmonie
186
Orchestre à Cordes
141
Ensemble de cuivres
73
Ensemble Jazz
54
Orchestre de chambre
50
Cloches
44
Batterie
36
Marimba
27
Jazz combo
13
Ensemble de Percussions
8
Batterie (partie séparée)
4
Fanfare
3
Percussion (partie séparée)
2
Percussion
2
2 Marimbas
1
2 Xylophones
1
Orchestre, Violon
1
+ 13 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CORNET
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Partitions à imprimer
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Keep Nothing From Me - a flowing ballad for solo female voice & piano
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Voix haute
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INTERMÉDIAIRE
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Simon Walters
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Keep Nothing From Me - a flowi
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Simon Walters
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.83...
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High Voice,Vocal Solo - Level 3 - SKU: A0.832134 Composed by Simon Walters. Folk,Pop. 9 pages. Simon Walters #5723215. Published by Simon Walters (A0.832134). A flowing pop/folk ballad for most female voices (A below middle C to C above middle C) asking a partner to open up.... if the relationship is to have a future...How many have been lost through lack of communication ?Keep nothing from me: it's no use keeping secrets, can't you see?If we are to continue then we need to talk things through: keep nothing from me...Why can't you set me free....?
$3.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Echo
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Voix haute
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Contemporain
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti　 Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
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