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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Exist
Non classifié
337
Piano & claviers
Piano seul
197
Piano, Voix
54
Piano Facile
35
Piano, Voix et Guitare
32
Orgue
24
Instruments en Do
23
1 Piano, 4 mains
7
2 Pianos, 4 mains
4
Accordéon
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 6 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
19
Guitare notes et tablatures
16
Paroles et Accords
4
Basse electrique
4
2 Guitares (duo)
2
Dulcimer
1
4 Guitares (Quatuor)
1
Ukulele
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
94
Chorale 3 parties
20
Chorale Unison
10
Chorale TTBB
9
Voix Soprano, Piano
7
Chorale 2 parties
5
Chorale SSAA
3
Voix haute
2
Voix duo, Piano
2
Chorale SSAATTBB
2
Voix Tenor, Piano
1
Voix basse
1
Voix Alto, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Flûtes traversières, Piano
25
Quatuor de Saxophones: 4 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Flûte, Hautbois, Clarinette, Basson
19
Flûte traversière et Piano
16
Saxophone Alto et Piano
16
Clarinette et Piano
15
2 Saxophones (duo)
13
Hautbois, Piano (duo)
12
2 Flûtes traversières (duo)
10
Clarinette
10
3 Saxophones (trio)
8
Saxophone Tenor et Piano
8
2 Clarinettes (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Hautbois (partie séparée)
5
Ensemble de Clarinettes
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Alto
5
Saxophone Soprano et Piano
4
Saxophone Baryton, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Flûte traversière
4
Quintette de Saxophone: 5 saxophones
3
Saxophone (partie séparée)
3
Saxophone, Clarinette (duo)
3
Ensemble de saxophones
3
Flûte, Clarinette (duo)
3
Cor anglais, Piano
3
Clarinette, Harpe (duo)
2
Flûte, Clarinette et Basson
2
Saxophone Tenor
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Trompette (duo)
2
Clarinette, Basson (duo)
2
Clarinette (partie séparée)
2
Clarinette Basse, Piano
2
3 Clarinettes (trio)
2
Flûte à bec Alto
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière, Basse continue
2
Flûte, Trompette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Saxophone et Harpe
1
Hautbois, Basson (duo)
1
Flûte, alto et harpe
1
Flûte, Saxophone (duo)
1
Flûte à Bec
1
Clarinette, Violon (duo)
1
Quatuor de Flûtes à bec
1
Hautbois, Flûte
1
Piccolo, Piano
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
Saxophone Soprano
1
5 Flûtes à bec
1
Saxophone et Orgue
1
2 Hautbois (duo)
1
Clarinette et Alto
1
Flute (partie séparée)
1
Flûte, Violon
1
2 Flûte à bec (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto (duo)
1
Flûte, Basson et Piano
1
Flûte traversière, Orgue (duo)
1
Clarinette, Guitare (duo)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Cor et Piano
10
Trombone et Piano
9
Trompette, Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Quatuor de cuivres: 4 trombones
4
Euphonium, Piano (duo)
3
Trombone
3
Trompette
3
Cor
3
Cor anglais, Piano
3
Trompette, Saxophone (duo)
2
2 Trombones (duo)
2
Tuba
2
Ensemble de Trombones
2
Tuba et Piano
2
Trombone (partie séparée)
2
Trompette (partie séparée)
2
2 Trompettes (duo)
2
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de Cuivres
1
Cor, Violoncelle (duo)
1
Quatuor de cuivres: 4 cors
1
2 Tubas (duo)
1
Trombone basse et Piano
1
Cor (partie séparée)
1
Cor et Harpe
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
139
Violon et Piano
17
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle
13
Violoncelle, Piano
12
Violon
11
Alto, Piano
10
2 Harpes (duo)
9
Trio à Cordes: 2 violons, violoncelle
7
Violon, Alto (duo)
6
2 Violons (duo)
6
Violon, Violoncelle (duo)
5
Contre Basse
5
Harpe
4
2 Violoncelles (duo)
4
Alto seul
3
4 Violoncelles
3
Violoncelle, Orgue
3
2 Altos (duo)
3
Contrebasse, Piano (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Violon (duo)
2
Violon, Orgue
1
Piano Trio: Violon, Alto, Piano
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 3 violoncelles
1
Trio à cordes: 3 altos
1
Alto, Orgue
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
263
Orchestre
39
Orchestre à Cordes
21
Orchestre de chambre
19
Ensemble de cuivres
8
Ensemble Jazz
7
Ensemble de Percussions
5
Batterie
3
Cloches
2
Percussion (partie séparée)
2
Marimba
2
Piano et Orchestre
1
Fanfare
1
Xylophone
1
+ 9 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
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CONTREBASSE
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DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
SYNTHE
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TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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UKULELE
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Exist
Voix Soprano, Piano
Partitions à imprimer
7 partitions trouvées
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Existing
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Comédie Musicale
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Natalie Rebecca Lovejoy
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Existing
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Natalie Rebecca Lovejoy
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.993468 Composed by Natalie Rebecca Lovejoy. Musical/Show,Pop,Rock. 7 pages. Natalie Rebecca Lovejoy #647595...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.993468 Composed by Natalie Rebecca Lovejoy. Musical/Show,Pop,Rock. 7 pages. Natalie Rebecca Lovejoy #6475951. Published by Natalie Rebecca Lovejoy (A0.993468). Praised by military veterans as spot on, authentic, completely new, and a phenomenal piece, Home/Front is a new musical about an idealistic U.S. Army soldier set on serving his country whose principles are put to the test when his marries an ambitious, young dancer in pursuit of her own dream, amidst the Iraq war and an increasingly divided America. It first premiered Off-Off Broadway in 2014 at the Gene Frankel Theater.
$4.99
Daybreak (Downloadable)
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Voix Soprano, Piano
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Tawnie Olson
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Daybreak
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E...
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Soprano voice and piano - Moderately Difficult - SKU: MQ.8701-3E Composed by Tawnie Olson. Instrument part. 11 pages. Duration 14 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8701-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8701-3E). English.Commissioned by the Canadian Art Song Project for soprano Magali Simard-Galdès, winner of the Jeunesses Musicales Maureen Forrester Tour. This piece won second prize in the 2018 NATS Art Song Composition Competition.This song cycle is, in part, a meditation on what it means to be a mortal being who exists in time. The first and last movements each present a different take on looking back, and the cycle moves backward in time from evening to mid-day to dawn. Images from each poem are woven into the music; the first movement is full of sewing imagery, so in places the pianist imitates the ebb and flow of a sewing machine's ostinato. The playful second movement depicts icicles melting, opening with their unpredictable drips. In the third movement, clouds bloom. Duration: 14:15Contents:I. DuskII. Hubbard's CoveIII. Daybreak.
$9.00
Divertimento 6 / Divertissement 6 / Entertainment 6
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Rudesindo Soutelo
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Divertimento 6 / Divertissemen
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publ...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.1256745 Composed by Rudesindo Soutelo. 21st Century,Classical,Contemporary,Singer/Songwriter. 4 pages. Publisher by Rudesindo Soutelo #850105. Published by Publisher by Rudesindo Soutelo (A0.1256745). To Keri Lee PiersonRudesindo SouteloDivertimento 6 / Divertissement 6 / Entertainment 6 for Solo Voice (Soprano) [ca. 1']Lorem ipsum is an anonymous text that since the 15th century has been used by typographers to show the size and make of typefaces. The text distorts the original font found in Cicero’s De Finibus Bonorum et Malorum (1.10.32-33). There are various versions of the text, some comic, others absurd or even devoid of verbal sense. In that sense it is used here so as not to disturb the musical entertainment. It functions, therefore, as vocables without any message other than the purely musical.The complex {4 [2, 2], 3 [2, 1]}, taken from the dedicatory’s name, organizes the whole work.---oOo---Lorem ipsum é um texto anónimo que desde o século XV vem sendo utilizado pelos tipógrafos para mostrar o tamanho e feitura dos tipos de letra. O texto distorce a fonte original que se encontra no De Finibus Bonorum et Malorum (1.10.32–33) de CÃcero. Existem varias versões do texto, algumas cómicas, outras absurdas ou mesmo carentes de significado verbal. Nesse sentido é utilizado aqui para não perturbar o divertimento musical. Funciona, pois, como vocábulos sem qualquer mensagem para além da puramente musical.O complexo {4 [2, 2], 3 [2, 1]} retirado do nome da dedicatária, organiza toda a obra.ISWC: T-315.926.601-6ISMN: 979-0-707704-09-7 Lyric/Texto:Lorem ipsum dolor sit amet,  consectetur adipisci elit,  sed eiusmod tempor incidunt ut labore et dolore magna aliqua. Ut enim ad minim veniam,  quis nostrum exercitationem  ullam corporis suscipit laboriosam,  nisi ut aliquid ex ea commodi consequatur. Quis aute iure reprehenderit  in voluptate velit  esse cillum dolore  eu fugiat nulla pariatur. Excepteur sint obcaecat  cupiditat non proident,  sunt in culpa qui officia deserunt  mollit anim id est laborum.(Anonymous and fictitious text from the printing industry of the 15th century.)(Texto anónimo e fictÃcio da industria tipográfica do século XV.).
$3.00
Poems of Queen Mary Stuart
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Voix Soprano, Piano
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AVANCÉ
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Robert Schumann
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Robert Schumann
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Aribert Reimann
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Poems of Queen Mary Stuart
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edi...
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Soprano voice and piano - advanced - SKU: S9.Q45888 By Robert Schumann (1852). Composed by Robert Schumann. Arranged by Aribert Reimann. This edition: single sheet. Downloadable, Separate edition. Op. 135. Duration 9 minutes. Schott Music - Digital #Q45888. Published by Schott Music - Digital (S9.Q45888). German • English • French • Italian.Two things in particular link Aribert Reimann with Robert Schumann, whom he much admires: their interest in the dark side of human existence and their great commitment to literature. The both took an interest in the poems by the Scottish queen Mary Stuart written at the end of her life during her imprisonment. For a long time, Reimann had cherished the wish to orchestrate the lieder by Schumann based on these poems, ‘but I always lacked in courage […] to break up the rather barren piano part which is formally self-contained and complete in itself’. But while working on Sieben Fragmente für Orchester in 1988, he decided to take the risk. And although Schumann‘s music is never really touched, Reimann succeeds in bringing the deeply moving expression of the lieder even closer to the listener.Seinen letzten Zyklus für Singstimme und Klavier komponierte Robert Schumann 1852 auf eine deutsche Übersetzung von Gisbert Freiherr von Vincke. Indem Aribert Reimann die Singstimme der fünf Gedichte mit ihren je unterschiedlichen Originalsprachen in Französisch, Italienisch, Englisch und Latein unterlegt, erscheint nicht nur die historische Figur der schottischen Königin Maria Stuart, sondern auch die Musik Schumanns in neuem, polyglotten Licht.
$15.99
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99
VIVALDI Antonio: Sposa son disprezzata, aria from the opera "Bajazet", - Voice and Piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Sposa son dis
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Really Good Music, LLC.
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instr...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.868693 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. 7 pages. Really Good Music, LLC. #4403476. Published by Really Good Music, LLC. (A0.868693). Sposa son disprezzata is an aria, originally composed by Geminiano Giacomelli (1692 – 1740) for his opera La Merope (1734) and borrowed by Antonio VIVALDI (1678 – 1741) for the pasticcio Bajazet, composed – and compiled – in 1735. Most existing publications of voice and piano arrangement of Sposa son disprezzata date back to the version (far enough from the original), first published in the 1880s. On the contrary, the proposed publication has been realized and arranged by Sergei Pichugin for voice and piano directly from the score manuscript of the opera. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F minor (C4 – G5) for high voice.
$5.95
En proie à la tristesse from Le comte Ory - Comtesse Adèle-only Solo Audition/Recital Cut
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Voix Soprano, Piano
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AVANCÉ
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Gioachino Rossini
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Nicole Elyse DiPaolo
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En proie à la tristesse
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799619 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #5334741. Published by Nicole Elyse DiPaolo (A0.799619). The first of its kind, this is a customized Comtesse-only audition cut of En proie à la tristesse from Gioachino Rossini's Le comte Ory (1828). In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps created by the Comte and Isolier's lines, and deal with a needlessly inflated page count due to the choral parts, when performing this excerpt. The current edition omits and condenses those passages and, as a result, noticeably reduces the page count to 13. In addition, this new engraving is remarkably clearer than the existing French-language vocal score, which has deteriorated severely from age.The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), although the engraving features minor changes from the original edition (for example, eliminating cross-staff chord notation, correcting some obvious typos, and reconciling details in the Ricordi and French editions).In this edition, the score cuts immediately from 2 measures after rehearsal 41 to the beginning of rehearsal 42 (so the Comtesse sings the last syllable of bonheur on the first downbeat of cut time and the C major/C minor sections are cut away completely). This brings the excerpt in line with most cavatina/cabaletta numbers that do not have a discernible break in between the two.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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Mentions légales
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Version intégrale
Exist
