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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
MARIMBA
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PERCUSSION
PIANO
SAXOPHONE
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334
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1
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1
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90
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4
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2
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2 Flûtes traversières, Piano
25
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22
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18
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15
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2 Saxophones (duo)
13
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12
Clarinette
11
2 Flûtes traversières (duo)
10
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8
3 Saxophones (trio)
8
2 Clarinettes (duo)
7
Quatuor de Clarinettes: 4 clarinettes
6
Ensemble de Clarinettes
5
Quintette de Clarinettes: 5 clarinettes
5
Saxophone Alto
4
Saxophone Soprano et Piano
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois (partie séparée)
4
Saxophone Baryton, Piano
4
Clarinette, Harpe (duo)
3
Clarinette (partie séparée)
3
Flûte traversière
3
Saxophone (partie séparée)
3
Ensemble de saxophones
3
Quintette de Saxophone: 5 saxophones
3
Saxophone, Clarinette (duo)
3
Cor anglais, Piano
3
Flûte, Clarinette (duo)
3
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
Flûte à bec Alto
2
Quintette de Flûte : 5 flûtes
2
Clarinette Basse, Piano
2
Flûte, Clarinette et Basson
2
Saxophone et Harpe
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière, Basse continue
2
Clarinette, Basson (duo)
2
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1
Flûte à Bec
1
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1
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1
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1
Quatuor de Flûtes à bec
1
Flûte, Alto (duo)
1
Clarinette et Alto
1
2 Flûte à bec (duo)
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1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
5 Flûtes à bec
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette (duo)
1
2 Hautbois (duo)
1
Flûte, Violon
1
Piccolo, Piano
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Hautbois, Flûte
1
Hautbois, Harpe
1
Flute (partie séparée)
1
Flûte, alto et harpe
1
Clarinette, Violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone et Orgue
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Cor et Piano
10
Trombone et Piano
9
Trompette, Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trombone (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
Cor
3
Trompette
3
Trombone
3
Euphonium, Piano (duo)
3
Cor anglais, Piano
3
Cor et Harpe
2
2 Trombones (duo)
2
Trompette, Saxophone (duo)
2
Cor (partie séparée)
2
Tuba et Piano
2
2 Trompettes (duo)
2
Tuba
2
Trompette (partie séparée)
2
Ensemble de Trombones
2
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
Trompette, Trombone (duo)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
Quatuor de Cuivres
1
Ensemble de Cors
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
17
Trio à Cordes: violon, alto, violoncelle
16
Violoncelle, Piano
12
Violon
10
Violoncelle (partie séparée)
9
2 Harpes (duo)
9
Alto, Piano
9
Violon, Alto (duo)
6
2 Violons (duo)
6
Violon, Violoncelle (duo)
5
2 Violoncelles (duo)
4
Harpe
4
Contre Basse
4
Harpe, Violon (duo)
3
Violoncelle
3
Violoncelle, Orgue
3
Trio à Cordes: 2 violons, violoncelle
3
2 Altos (duo)
3
4 Violoncelles
3
Alto seul
3
Quatuor à cordes : 4 altos
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Violon, Orgue
1
Trio à cordes: 3 altos
1
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
Alto, Orgue
1
Alto, Violoncelle (duo)
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
255
Orchestre
39
Orchestre à Cordes
21
Orchestre de chambre
17
Ensemble de cuivres
8
Ensemble Jazz
7
Ensemble de Percussions
5
Percussion (partie séparée)
4
Batterie
3
Cloches
2
Xylophone
1
Marimba
1
Piano et Orchestre
1
Fanfare
1
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AUTRES
Théorie de la musique
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All Time High
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
110.45 €
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Orchestre
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
#
SheetMusicPlus
All Time High
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By Jo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
110.45 €
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Orchestre
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Rita Coolidge
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All Time High
#
www.studio-orchestrations.com
#
SheetMusicPlus
Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
92.03 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Mendelssohn Unfinished Symphony No. 6 C-Major (1845) - Completed
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prenge…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1311951 Composed by Gerd Prengel. Arranged by Adrian Gaigu. 19th Century. 221 pages. Gerd Prengel #900836. Published by Gerd Prengel (A0.1311951). In 1845 Felix Mendelssohn was working on 2 movements for a 6th symphony in C-Major (shortly before he begann working on his Elijah oratorion). This is an attempt to complete them in his style and for the first time. I. Allegro ma non troppoFor the first movement a full score of the first 2 minutes (79 measures) exist and additionally sketches for further passages were included and elaborated here: m. 81 - 93: transition to the 2nd theme m. 107 - 116: 2nd theme m. 146 - 150 ending of the exposition m. 152 - 165: beginning of the development m. 196 - 204: canonic passage 11:57 II. Andante cantabile The very melodious sketches for the first 2:15 minutes were worked out to a second movement with variations on the main theme and a more passionate middle part. This publication includes the score and parts and is addressed to any conductors and orchestras willing to play unknown, excellent music by Mendelssohn put in a context true to his idiom. Total duration: 23 min. MP3:www.gerdprengel.de/Mendelssohn_unfinished_symphony_1.mp3www.gerdprengel.de/Mendelssohn_unfinished_symphony_2.mp3
$100.00
92.04 €
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Orchestre
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Gerd Prengel
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Adrian Gaigu
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Mendelssohn Unfinished Symphony No. 6 C-Major
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Gerd Prengel
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SheetMusicPlus
Danse Romaine
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1262004 Composed by Charles Fra…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1262004 Composed by Charles Francois Gounod. Arranged by Edited and transcribed by Susan & Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 80 pages. Trevor Denyer #855089. Published by Trevor Denyer (A0.1262004). Charles Goundod is best known for his Petite Symphony and his opera Faust. This Danse Romaine is a dramatic and lively addition to the regular repertoire for orchestra and deserves to be performed more regularly.This edition removes many of the irregularities in the articulations and dynamics that exist in the original one.Enjoy!
$40.00
36.82 €
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Orchestre
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Charles Francois Gounod
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Danse Romaine
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Trevor Denyer
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SheetMusicPlus
Noir et Blanc
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.994719 Composed by Darian Stava…
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Full Orchestra - Level 4 - Digital Download SKU: A0.994719 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score and parts. 66 pages. Music Studio #4321783. Published by Music Studio (A0.994719). Noir et Blanc.Noir et Blanc - Orchestral Score / Album Noir et Blanc by Darian Stavans.Noir et Blanc is a work that was totally conceived for orchestra. As we listen to the album we are intrigued, for the only element lacking is the contrast suggested by the title. Why? The answer is that contrasts do not exist. They are simply the furthermost points in a grayscale that when displayed like a fan shows these extremes and therefore their contrasts. The deeds and acts that flow inside our mask of power come and go in nostalgic melancholy through pain and glory trickling like the water in a brook, where tenderness meets madness. Sometimes everything seems the same even though each element acts differently. This album speaks about that intriguing grayscale and the powerful force that lets it plunge into the depths of human essence and the soul. In the face of facts, seemingly distinct and at the same time so alike, only courage will prove out their differences and make us dare call out the Noir et Blanc, the Black and White, but until that moment comes things will appear to flow in a grayscale. Orchestral work.64 pages.Duration: 39:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$29.99
27.6 €
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Orchestre
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Darian Stavans
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Noir et Blanc
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Music Studio
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SheetMusicPlus
Futebol
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1377406 By Anderson Alves. By A…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1377406 By Anderson Alves. By Anderson Alves. Arranged by Anderson Alves. 21st Century,Classical,Contemporary,Film/TV,Multicultural,World. 5 pages. Anderson Alves #961997. Published by Anderson Alves (A0.1377406). This is a soundtrack adapted to this existing short film video, but the music is exclusively original.Anderson Alves' creation extends to: - Musical Composition - scores - Arrangements - Instrumentation and orchestration (For vst's). - Sound and effects - mixer and master. Held in São Paulo, Brazil in 2015.observation: The score includes the initial orchestration/ Samba will not be included in this score as the creation was through a more intuitive and spontaneous process.Esta é uma trilha sonora adaptada a este vÃdeo de curta metragem que já existente, porém a música é exclusivamente autoral.A criação de Anderson Alves se estende à : - Composição Musical - partituras - Arranjos - Instrumentação e orquestração(Para vst's). - Sonorização e efeitos - mixer e master. Realizado em São Paulo, Brasil em 2015.observação: A partitura compreende a orquestração inicial/ O samba não será contemplado nessa partitura pois a criação foi através de um processo mais intuitivo e espontâneo.
$5.00
4.6 €
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Orchestre
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Anderson Alves
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Anderson Alves
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Futebol
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Anderson Alves
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SheetMusicPlus
Origins
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755154 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published by Sy Brandon (A0.755154). Origins musically represents three important recent scientific explorations of space and matter that are designed to give humans a better understanding of the origins of the universe and the origins of life. The first movement, Black Holes and Cyclotrons, represents the quest to understand and reproduce the relationship between gravitation and energy that scientists believe caused the big bang and our ever-expanding universe. The music of this movement represents the danger inherent in these explorations into the unknown. There are sections of the movement that are lighter in nature that depict subatomic particles dancing around in a particle accelerator. The end of the movement increases in tempo reflecting the ever-increasing speeds of particle accelerators and the gravitational pull of black holes. The Surface of Mars is the title of the second movement that depicts NASA’s Mars Exploration Rover Mission. The rovers Spirit and Opportunity have explored the surface of Mars and have revealed the surface as being mostly a barren landscape void of life. The outer sections of this movement reflect this discovery. The middle section of the movement represents the excitement of one of the rovers finding indications of water having existed on Mars and therefore the possibility that life may have also existed. The third movement, Window Into Deep Space, is a tribute to the Hubble Space Telescope. This movement has many uplifting sections as the Hubble Space Telescope has provided views of the universe never before seen from Earth. It also has sections of anxiety as this mission was wrought with several failures that nearly derailed it. The promise of increased understanding of our universe is reflected in the ending of this composition. The score prints on legal size paper and the parts on letter.
$39.95
36.77 €
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Orchestre
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Sy Brandon
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Origins
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Sy Brandon
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SheetMusicPlus
Requiem, A Secular Song of Transcendence for SATB Chorus and Orchestra FULL SCORE AND PARTS
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1283154 Composed by James Natha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1283154 Composed by James Nathaniel Holland. Arranged by James Nathaniel Holland. 21st Century,Contemporary. Score and Parts. 251 pages. James Nathaniel Holland #874449. Published by James Nathaniel Holland (A0.1283154). Full Orchestral Score with Individual Instrument Parts, and Separate SATB Choral Part (without accompaniment).  This musical work is a non-religious, secular Requiem, appropriate for concert, memorial service, or funeral with original text and music by American composer James Nathaniel Holland. A meditation that begins with a blessing on those who are departed, on the permeance of the existence of life, then contemplating the unknown, the faith that all is ordered as should be, the joyous dedication to live one’s life well, and the emotional finale that expresses the hope of existence after death.  Scored for medium/small orchestra.  Instrumentation: fl, ob, cl12, bsn, hrn12, tpt, tromb, btrmb or tba, timp, perc (bd, snr, tam, hand cym., tri.), SATB Choir, hrp or pno., stringsDuration:  35 minutesPiano Vocal Score/Reduced Orchestral Score available, but sold separately.Video Demo:  https://youtu.be/rFskKBUmvSM.
$30.25
27.84 €
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Orchestre
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James Nathaniel Holland
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James Nathaniel Holland
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Requiem, A Secular Song of Transcendence for SATB Chorus and Orchestra FULL SCORE AND PARTS
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James Nathaniel Holland
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SheetMusicPlus
2020 - 2021 - 2-22
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1033712 Composed by Ad de Jong.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1033712 Composed by Ad de Jong. Classical,Contemporary,Romantic Period. Score and parts. 28 pages. Ad de Jong Music #639022. Published by Ad de Jong Music (A0.1033712). This is a symphonic poem that describes in music the crisisfeeling of this time. Do the figures make the story or the story the figures? The threatening is hearable. Is there a solution. Crises are of all times. They existed, there is a crisis and there will always be crises, don't you think? Time flies.
$350.00
322.14 €
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Orchestre
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Ad de Jong
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2020 - 2021 - 2-22
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Ad de Jong Music
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SheetMusicPlus
Bell Carol Fantasy for Orchestra (Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809060 Composed by Mykola Leont…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809060 Composed by Mykola Leontovych. Arranged by Kim Diehnelt. Christmas,Contemporary,Holiday. 14 pages. Kim Diehnelt #5294071. Published by Kim Diehnelt (A0.809060). Based on the choral piece Shchedryk (Carol of the Bells) by MykolaLeontovych, this full orchestra version brings to life the spirit of this favorite carol. Perfect holiday concert closer! When an orchestra player expressed interest in playing Carol of the Bells as part of a fun December rehearsal, I checked out what arrangements already existed. To me, they all seemed too simple and repetitive, so I set about writing my own. I discovered that the familiar carol has its roots in a traditional folk chant about a swallow bringing a New Year’s message of a plentiful new year, and the title comes from the Ukrainian word for bountiful.
$6.99
6.43 €
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Orchestre
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Mykola Leontovych
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Kim Diehnelt
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Bell Carol Fantasy for Orchestra
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Kim Diehnelt
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SheetMusicPlus
A DREAM (SATB Chorus [divisi] and Orchestra) - Full Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1388556 Composed by Stanley M H…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by stanleymhoffman.com (A0.1388556). Program Notes: The fact that the text for this work even exists is a miracle. It was written by Abraham (Abramek) Koplowicz, a Jewish boy who was exterminated by the Nazis during the Holocaust. Abramek was born in 1930 in Lodz, Poland, and died 1944 in that country's infamous concentration camp at Auschwitz-Birkenau. He wrote this poem during the time that his family was trapped in the Lodz ghetto. This poem was not found until 1983 when Eliezer (Lolek) Grynfeld, the poet's half-brother, discovered it among their late father's belongings. Choristers who sing this work will be transported on a magical flight around the world through time and space along with their audiences. â??A Dream (Marzenie)When I am twenty years of age,I will burst forth from this cageAnd begin to see our splendid EarthFor the first time since my birth!In my motorized bird Iâ??ll soar so highAbove the world, up in the sky,Over rivers and the seas, With such stupefying ease,With my brother wind and sister cloud, Iâ??llMarvel at the Euphrates and the Nile;The goddess Isis ruled the land that linksThe Pyramids and the massive Sphynx.I will glide above Niagara Falls,And sunbathe where the Sahara calls;If I want to escape the scorching heat,I will fly up north to an Arctic retreat.I will top the cloudy peaks of Tibetan fameAnd survey the fabled land whence the Magi came.From the Island of KangaroosIâ??ll take my time and cruiseTo the ruins of Pompeii      At the edge of Naples Bay,Iâ??ll continue to the Holy Land, then seekThe home of Homer, the celebrated Greek.More and more astonished will I growAt the beauty of the Earth below.In all my travelling Iâ??ll be twinnedWith my siblings, cloud and wind.â??Abraham (â??Abramekâ?) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau)Translation by Sarah Lawson and MaÅ?gorzata Koraszewska© Copyright 1993 by Eliezer Grynfeld. All rights reserved.Used by permission of Eliezer Grynfeld.â??Music: © Copyright 2024 by Stanley M. Hoffman.www.stanleymhoffman.comAll rights reserved.
$77.50
71.33 €
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Orchestre
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Stanley M Hoffman
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A DREAM
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stanleymhoffman.com
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SheetMusicPlus
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bac…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.
$5.00
4.6 €
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Orchestre
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Harpsichord Concerto no. 2 in E major, BWV 1053
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Gabriel Vinicius
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SheetMusicPlus
Malena
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1083585 Composed by Ennio Morri…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1083585 Composed by Ennio Morricone. Arranged by Peter Rodney Hibbert. Film/TV. Score and parts. 20 pages. Peter Rodney Hibbert #687786. Published by Peter Rodney Hibbert (A0.1083585). This is an arrangement for solo soprano saxophone, solo viola and studio strings of the beautiful Oscar nominated film score by Ennio Morricone. The movie is about a young teenage boy in a small Sicilian village who becomes infatuated with a beautiful woman. The irony is that the relationship only exists in his dreams. This is a transcription from the original soundtrack. The soprano saxophone part requires the soloist to be able to play a high E6 (F-sharp6 as written). An alternative option is for this part to be played on an oboe, transposed down a maj. 2nd to concert pitch.
$105.00
96.64 €
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Orchestre
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Ennio Morricone
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Peter Rodney Hibbert
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Malena
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Peter Rodney Hibbert
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SheetMusicPlus
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – in Eb (Original key)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045772 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650359. Published by OlivePress Music (A0.1045772). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (this one) or E (transposed from original). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
23 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650358. Published by OlivePress Music (A0.1045771). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (original key) or E (this one). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
23 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.01 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.01 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.01 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Carson Cooman: Orbital for orchestra, score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
11 €
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Orchestre
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Carson Cooman
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Carson Cooman: Orbital for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Orchestraining No. 01 [Orchestra]
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃ…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$11.00
10.12 €
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Orchestre
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Juan MarÃa Solare
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Orchestraining No. 01 [Orchestra]
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Juan Maria Solare
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SheetMusicPlus
Emergence (Score 11x17)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.834201 Composed by Anne E. McKe…
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Full Orchestra - Level 4 - Digital Download SKU: A0.834201 Composed by Anne E. McKennon. Contemporary,Standards. Score and parts. 20 pages. Anne E. McKennon #6303139. Published by Anne E. McKennon (A0.834201). Emergence for Orchestra. SCORE ONLY (11 x 17). Full score - ready to print on 11x17 paper front to back. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Duration: 8.30 (Also available as 8.5 x 14 score)
$55.00
50.62 €
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Orchestre
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Anne E
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Emergence
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Anne E. McKennon
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SheetMusicPlus
La selva incantata
Orchestre
Orchestra - Digital Download SKU: S9.Q3135 The Enchanted Forest. Composed by…
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Orchestra - Digital Download SKU: S9.Q3135 The Enchanted Forest. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q3135. Published by Schott Music - Digital (S9.Q3135). This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the woods, to nature, to the origins of his animal existence. The rondo is set in a very fast dance tempo (a Tarantella?) and is in three parts: the first one is cheerful and comic, the second one lyrical, almost romantically so, whereas the third one is impetuous and dramatic. The music of both pieces has been considerably rewritten and altered, in harmonic, melodic and rhythmic aspects. - Hans Werner Henze2 (2. auch Picc.) * 2 (2. auch Engl. Hr.) * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kfg.) - 3 * 2 * 2 * 0 - P. S. (Trgl. * hg. Beck. * Beckenpaar * 3 Tomt. * 3 Bong. * Mil. Tr. * gr. Tr. [mit Beck.]) (2 Spieler) - Hfe. * Cel. * Klav. - Str.
$23.99
22.08 €
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Orchestre
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Hans Werner Henze
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La selva incantata
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Schott Music - Digital
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SheetMusicPlus
Cello Concerto in Maqam Hijaz D "Andalusia"
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.930565 Composed by Seifeddin Ab…
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Full Orchestra - Level 5 - Digital Download SKU: A0.930565 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score and parts. 291 pages. Seifeddin Abdoun #4276967. Published by Seifeddin Abdoun (A0.930565). Cello Concerto Andalusia in Maqam Hijaz D with three movements. amazing tune and very powerful melody. The Concerto represents the co-existence of faith and culture among Muslim, Christians, and Jewish in Andalusia-Spain. The full score and all the parts are included in this file. The instruments are:Flute, Oboe, B Flat Clarinet, Bassoon, Horn in F, B flat Trumpet, Trombone, Glockenspiel, Timpani, Triangle, Castanets, Violin (I & II), Viola, Violoncello, Contrabass, & Solo Cello
$39.00
35.9 €
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Orchestre
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Seifeddin Abdoun
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Cello Concerto in Maqam Hijaz D "Andalusia"
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Seifeddin Abdoun
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SheetMusicPlus
Emergence (Score 8.5x14)
Orchestre
Full Orchestra - Digital Download SKU: A0.834195 Composed by Anne McKennon. Contemp…
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Full Orchestra - Digital Download SKU: A0.834195 Composed by Anne McKennon. Contemporary. Score and parts. 24 pages. Anne E. McKennon #5215889. Published by Anne E. McKennon (A0.834195). Emergence for Orchestra. SCORE ONLY - Ready to print front to back on legal size (8.5 x 14) paper. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Score also available in 11x17. Duration: 8.30
$20.00
18.41 €
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Orchestre
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Anne McKennon
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Parts are separate item.
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Emergence
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Anne E. McKennon
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SheetMusicPlus
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