Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B major for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5129) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Motet for two mixed choirs-Singet dem Herrn ein neues Lied BWV 225 - Motet in B major for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5129) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-FĂĽrchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-FĂĽrchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-FĂĽrchte dich nicht ich bin bei dir for two four-part mixed choirs A major BWV 228All of Bach’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church Leipzig where Bach was appointed as director of music in 1723. During this period Bach composed most of his cantatas and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition reserving his own motet compositions for special occasions.- Urtext of the New Bach Edition.- Performance material and choral score (BA5133) available for sale.-Complete edition of the 6 Motets vocal score with piano reduction (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)

Motet for two four-part mixed choirs-Komm Jesu komm BWV 229 - Motet for two four-part mixed choirsIn Bach’s voluminous output of music the motets form a small group of modest proportions particularly as compared to the 200 or so surviving cantatas. In historical perspective however the corpus of motets is especially distinguished being the only part of Bach’s vocal œuvre whose post-1750 tradition has remained unbroken to the present day.Urtext of the New Bach EditionPerformance material and choral score (BA5134) available for sale6 Motets Complete vocal score (BA5193-90) choral score (BA5193)