SKU: SU.24010090
Compassion is one of the great powers of women through history and around the world. In a time of such intense conflict, shifting power structures and upheaval, let us understand each other better through the eyes of our mothers.Two Pianos Duration: 3' Composed: 2016 Published by: Mossgrove Music (BMI).
SKU: HL.50600477
8.0x11.75x0.17 inches.
Ferran Cruixent's “Binary†was commissioned by the ARD International Music Competition. The work is dedicated to a 56k Modem device. The world premiere was given during the course of the competition on 8 September 2015 at the Hochschule für Musik und Theater (University of Music and Performing Arts) in Munich. “Binary†for two pianos is a one-movement work, inspired by the composer's fascination about the dangers in human dependence in technological business, such as the obsession about media in today's mechanized and computerized society. The name Binary refers to a digital representation of text and data, whose unit can take only two possible states. Binary code is a mathematical, technological language, developed by ourselves: an organic language that creates another to be described and discovered for itself. In this piece the players are asked to play in special techniques, such as “Cyber Singing†(introduced 2010 in composer's symphonic work “Cyborgâ€). “Cyber Singing†introduces a new musical technique: the audio file prepared by the composer himself is played by themusician from his mobile phone, a device commonly used for other purposes. So, it defines a new possibility of interaction between the composer and the musician, attaining genuine communication itself.
SKU: HL.51481383
UPC: 196288308102. 9.25x12.25x0.123 inches.
Bach's harpsichord concertos have proven extremely popular, though several were originally written as concertos for another solo instrument â either violin or a woodwind instrument. But we know nothing about any such preliminary versions in the case of the A-major Concerto BWV 1055. Its enchantingly songlike middle movement inevitably makes one think of the oboe d�amore, though there is in fact no reason to suppose that its idiomatic, spirited harpsichord writing was conceived from the outset for anything but a keyboard instrument. Ultimately, this music is so fresh and irresistible that all such speculation is irrelevant. For this Henle Urtext edition of the A-major Concerto, we consulted the autograph score and especially the original orchestral parts that presumably contain the musical text of the concerto as Bach himself performed it. You can�t get more authentic than this! The piano reduction contains the solo part with carefully chosen fingerings by Michael Schneidt, plus a piano accompaniment that Johannes Umbreit has arranged so as to be practical and easily playable.
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