SKU: M7.SMP-632
One of the great pieces written for the Los Angeles Neophonic Orchestra, founded and conducted by Stan Kenton. Four french horns are essential, along with 4 trumpets, 5 trombones and woodwinds. Exciting and challenging music. Recorded on the L.A. Neophonic Orchestra LP. Woodwinds require 2 piccolo, 2 clarinets and bass saxophone (baritone saxophone opt. part included). This is a new, updated Finale version.
SKU: M7.SMP-224
English.
As commissioned (and recorded) by the SWR Big Band of Stuttgart, Germany, this is an extended arrangement based on a gorgeous melody by Pat Metheny. The saxophone players double on flute (sax 1), clarinets (sax 2-4) and bass clarinet (sax 5). There is solo space for piano, tenor sax and trombone, as the chart moves from a rubato ballad, to a bossa feel, to a rock ballad feel, and back to the rubato again. This is a highly, emotionally charged piece which makes a wonderful addition to any program. Limited brass ranges. The chart also includes an interweaving of Metheny's pensive melody Tell Her You Saw Me. The CD on which this piece is recorded is Towednack, Bob Curnow and the SWR Big Band (available from Sierra Music). 5-4-4-4.
SKU: M7.SMP-323
This chart was a staple in the Buddy Rich Big Band library for a long time, spinning off of the incredible excitement of that band. Recorded on the CD Swingin' New Big Band by Buddy, this chart starts off roaring and never quits. Rich used it as an Opener for years. 5-4-4-4.
SKU: M7.SMP-459
Oliver had a great feel for the funky jazz style which was so popular. This chart features tenor sax throughout, and was recorded on the Fantabulous album. It is a very easy chart to play, and it would be a great addition to any big band book. This also could be played by a smaller instrumentation as recorded by Oliver (4 saxes, 2 tpts.2 trbs. 3 rhythm). 5-4-4-3.
SKU: M7.SMP-1235
Based on a traditional Native American song, Fred Sturm has created a truly amazing masterpiece capturing the beauty of the melody with the intricacies and creativity of a big band. Set in 15/8, this odd-metered tune features flute up front, with solo space for piano and bass, and plenty of powerful ensemble passages. If your band is up to it, you will not regret performing Pueblo de Taos, and your audiences will be delighted with such a bold, fresh selection. 5-4-4-4Flute/Alto Sax 1 (Solo), Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet/Flugelhorn 1, Trumpet/Flugelhorn 2, Trumpet/Flugelhorn 3, Trumpet/Flugelhorn 4, Trombone 1, Trombone 2, Trombone 3, Bass Trombone 4, Piano (Solo), Guitar, Bass (Solo), Drums.
SKU: M7.SMP-1259
New to the Sierra Music family, Tom Molter has written an exciting and compelling piece akin the big band charts inspired by the music of Pat Metheny. Apollo's Reel is set in a bright 3 feel with temporary shifts to a 4/4-swing feel. This modern piece will provide energy and depth to any concert. 5-4-4-4.
SKU: M7.SMP-1121
Written for and recorded by the Maynard Ferguson Birdland Dream Band, this chart by Willie Maiden is uncharacteristically easy to play for the band due to very reasonable brass ranges. However, this is a 2 tenor saxophone and 2 trombone feature throughout. While quite a bit of the solos are written out, there is also a lot of space for improvisation. This is one of Willie's most delightful pieces scored for Maynard. 5-4-4-3.
SKU: M7.SMP-1102
Radiohead released '2+2=5' on their sixth album Hail to the Thief in 2003. Florian Ross' dazzling big band arrangement will put your band's dramatic range to the test! Players must be able to whisper gently on either end of the chart and rock out madly in between. Your ensemble and your audience will thank you for programming it -- and your guitarist will LOVE you!!! 5-4-4-4.
SKU: M7.SMP-1156
Originally arranged for George Roberts and the Stan Kenton Orchestra, Johnny Richards' treatment of the beautiful ballad Yesterdays is a bass trombone feature throughout. In typical Kenton fashion, the ensemble writing is stunning, as it dramatically interplays with the featured soloist. Never having been recorded on a Kenton album, this rare gem is a ballad that will challenge your band and astound your audiences. 5-5-5-4.
SKU: M7.SMP-1260
Every once in a while a melody is written that words cannot convey and only the soul understands. Master-of-melodies, Pat Metheny, did just that in his composition of Tell Her You Saw Me, and Bob Curnow magnificently transformed it into a majestic big band arrangement. A ballad throughout that slowly builds in intensity; this piece utilizes woodwind doubles and flugelhorns with a short, written-out piano solo up front. If you are looking to provide a moving ballad for your audiences, then this is it. 5-4-4-4.
SKU: M7.SMP-1252
Ever heard of Take the A Train? Not like this you haven't! Another ingenious arrangement from the towering Rich DeRosa, this up-tempo swing chart is a journey through creative waters from beginning to end and will not disappoint. In additional to incredible ensemble writing, there is improvisation space for piano and alto saxophone. As recorded by the University of North Texas One O'Clock Lab Band on their album Lab 2013, DeRosa's arrangement of Take the A Train is a must for any serious band. 5-4-4-4.
SKU: M7.SMP-1249
As recorded by the Oliver Nelson Orchestra on their album Berlin Dialogue for Orchestra, Checkpoint Charlie is some of Nelson's most creative writing. Full of up-tempo energy, Oliver masterfully intertwines the melody in the saxophones with counter-lines from the brass to create an incredible tapestry of sound. There is plenty of solo space for trombone to stretch out, giving a great contrast from the full ensemble sections to the lone soloist with rhythm section. This edited version maintains the integrity of Oliver's original recording while simplifying some of the rhythms, making brass ranges more accessible, and providing solo space for tenor, trumpet, or trombone. 5-4-4-3.
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