SKU: M7.SMP-1125
English.
This is the original chart as played and recorded by Maynard Ferguson's Birdland Dream Band. If you have a screamin' 1st trumpet player and want to play this historical chart, then Where's Teddy (Pro) is for you. It is a medium-swing minor blues tune with solo space for trumpet, tenor saxophone and drums. 4-4-2-3.
SKU: M7.SMP-1241
As recorded by the Oliver Nelson Orchestra, 'Berlin Bei Nacht' is the 4th movement of the Impressions of Berlin suite. Set in an up-tempo fashion, this Oliver Nelson's 1971 forward-thinking original starts out with an in-your-face swing unison line played by the saxophones and the trumpets, with the trombones and rhythm section providing the undercurrent. It then moves into a half-time Latin feel before settling into a funk/rock blues solo section (trumpet, or as you choose). This exciting and unique arrangement will be a favorite for your band and audiences alike! 5-4-4-3 (opt. 5th trombone).
SKU: M7.BARN-32376400
Here's an appealing swing chart for younger jazz ensembles that will pay big dividends to your program. You can give any or all of your young players a chance to experience improvising a solo with the optional solo section on very easy Bb Blues changes that is included. Easy enough for the students to really get in the groove yet full of vitality that ensures that it will be a favorite of your band and audiences. An outstanding choice for this grade level!
SKU: M7.AHW-601272
This arrangement uses the same lazy blues feel (quarter note = 80) of the original and includes written solos for trumpet or trombone. It also comes with a CD featuring a full recording and a practice track for your soloists.
SKU: M7.BARN-32371300
Everybody knows this classic children's hymn, but nobody has heard it quite like this before. It's very cool and a lot of fun. Can feature any instrumental or even vocal soloists. A word of warning: if you use a vocalist, there's a very good chance that the audience will start singing along with some hand jive motions included. Playable with limited instrumentation. A truly unique arrangement, it's perfect for church and private school performances!
SKU: M7.SMP-653
This is one of those superb Holman charts written for Stan Kenton in the early '50's that just swings like crazy. It starts off very soft and easy, with clever linear writing. It then roars into an alto sax solo, to be followed by a trumpet solo. A key change brings the chart to a great shout section before returning to the soft opening for a moment. Finishes easy and nice. A great chart! 5-5-5-4.
SKU: M7.SMP-1190
This Oliver Nelson melody was originally recorded with a small group. Bob Curnow took this great tune and arranged it for big band in a very hip way! Set in an easy swing feel, this chart has quite a bluesy feel to it while providing a nice variation to the standard blues changes that you might not expect. There is solo space for alto saxophone, trombone and piano. In this pro (original) version, you will find Oliver Nelson's amazing solo transcribed and arranged as a trumpet soli. Very cool and fun to play! If you like Oliver Nelson's music, you'll love this chart! 5-4-4-3.
SKU: M7.SMP-1194
Short, sweet and swingin'! Willie Maiden's arrangement of I'll Be Seeing You packs a whopper in a tiny box, making this chart perfect as an encoure closer for any set. As recorded by Maynard Ferguson and his orchestra on the album Dancing Sessions, Willie's arrangement makes great use of the trombone section as they carry the melody upfront before passing it around to the rest of the band. There is some space for a short trumpet solo before the band comes roaring in at the end to take it out with a punch! This chart should be in every band's library! 5-4-4-3 (opt. original instrumentation available as 4-4-2-3).
SKU: M7.SMP-930
As recorded on the new CD The Bill Holman Band Live, Holman has written a witty, musical, fun-filled feature for baritone saxophone. Lots of space for creative playing, and the wonderful contrapuntal writing that we come to expect from Holman. It's time to feature the foundation of your jazz band. A moderate tempo shuffle-feel makes this one swing like crazy! 5-4-4-4.
SKU: M7.SMP-1041
Oliver's arrangement of this tune (also know as East Side, West Side) is playful in its ensemble writing as it alludes to the hustle and bustle of NYC. The bulk of this chart, though, is really a showcase for soloists, giving space to alto, tenor, trumpet, trombone, and piano. If you're looking for a familiar tune, scored to please audience and players alike, this is the chart for you ! As recorded on the Verve Jazz Masters CD.
SKU: M7.BARN-32394100
Give your band and audience a pleasant Day At The Beach with this solid Latin-rock chart by Larry Neeck. Not too hard, and includes suggested solos for an open solo section for the soloists of your choosing, and it's playable with limited instrumentation. Your kids and audiences will love it! Don't forget your sun block!
SKU: M7.SMP-657
Mulligan's writing for the Kenton Band was fairly minimal in quantity but extraordinary in quality. He had a profound effect on the band and the writers to follow him. This composition was recorded in 1952 and is on the New Concepts CD (available from Sierra Music). There is solo space for alto, tenor and trumpet. A classic which should be in every jazz library. 5-5-5-4 (This music is available from Mosaic Records in their Russo/Holman CD set.).
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