SKU: HL.48186482
Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.
SKU: BT.PL2188
SKU: BT.PL2773
SKU: BA.BA04913
ISBN 9790006460441. 33 x 26 cm inches. Key: A major, e-flat major, c minor.
About Barenreiter Urtext
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.50511950
ISBN 9790080120439. K/4 (23,5x31) inches. Antonio Caldara; Laszlo Mezo; Gyorgy Orban.
The two manuscripts in oblong size (by the same hand) entitled Sinfonia a Violoncello Solo which served as the basis for the present edition are being kept in the Osterreichische Nationalbibliothek in Vienna under shelf mark E.M.29. Apart from the continuo realization and modifications in the sense of present-day notation carried out tacitly all other changes are listed in the footnotes, editorial additions have been put in square brackets. The bass part was supported in contemporary practice by a melody instrument. If performing with piano accompaniment, the supporting of the bass is not necessary. In case of harpsichord accompaniment, however, it is recommended to play the bass on bassoon instead of violoncello. Territorial restrictions may apply. Please ask before ordering.
SKU: HL.48180993
UPC: 888680878559. 9.0x12.0x0.035 inches.
Composed by Marin Marais, La Folia is a piece for cello and orchestra. Arranged by Paul Bazelaire, this edition presents the scores for cello and piano and can be played by advanced players. This melodious composition is based on?“The folies of Spain†in terms of theme and rhythms, and the arrangement was created for the Paris Conservatoire contest. While the beginning of the piece is quite slow, it has some faster parts that are more cheerful. Marin Marais (1656-1728) was a French composer and master of the viol. He wrote many pieces for the viol, some trio pieces and some orchestras.
SKU: M7.VHR-3436
ISBN 9783864341021.
Die kleinen Duos erzählen von Rittern und Seeräubern, malen Landschaftsbilder, lassen Drachen steigen und entführen ins Reich der Tiere. Die Ausgabe richtet sich gleichermaßen an Cello- (Bratschen-) wie an Klavierschüler/-innen mit Freude am gemeinsamen Musizieren. Erste Lage eng (1. und 2. Griffart) Die Ausgabe enthält jeweils eine 20-seitige Einlegestimme für Cello und eine 20-seitige Einlegestimme für Bratsche.
SKU: CA.2100700
ISBN 9790007142179. Language: Latin.
The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.
SKU: BT.AMP-347-400
ISBN 9789043138659. 9x12 inches. English-German-French-Dutch.
Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument, this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements, such as articulation, dynamics and key signatures, in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method.Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can nowexperience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always a factor when playing alone. Philip Sparke’s Starter Solos is het eerste deel van een serie boeken met muziek voor jonge blazers. Deze bundel van twintig solo’s begint met stukken die op een handvol noten zijn gebaseerd. Nieuwe muzikale elementen (articulatie, dynamiek,enz.) worden op een doordachte, gestructureerde manier toegevoegd. Dit studiemateriaal vult elke leermethode aan en is steeds toegesneden op het betreffende instrument.Uitgave met cd: De voordelen van het spelen met begeleiding - hetzij op de piano,hetzij op de cd - zijn dat de beginnende speler de belangrijke aspecten van het ensemblespel kan ervaren vanaf de eerste lessen en essentiële vaardigheden kan aanleren: het luisteren tijdens het spelen en het handhaven van een strak tempo. Bij hetalleen spelen komen deze factoren minder aan de orde.Das frühe Lernstadium ist, neben einem guten Lehrer im Unterricht, für jedes Instrument zweifellos das Wichtigste. Von großer Bedeutung ist aber auch motivierendes Lehrmaterial.Für diese zwei Solobücher beriet sich Philip Sparke mit vielen Lehrern, wie man am besten neue Noten einführt und zugleich einen Rahmen schafft, in den sich neue musikalische Elemente in sinnvoller Reihenfolge einfügen lassen. Unterstützt von diesenSoli und Etüden in drei verschiedenen Schwierigkeitsstufen können Instrumentalschüler schnell zu richtigen Musikern heranreifen. Jedes Buch ist genau auf die Bedürfnisse und Anforderungen des einzelnen Instrumentes zugeschnitten. STARTER SOLOS und SKILFUL SOLOS können dank der im Buch und auf der CD enthaltenen Begleitungen auch gut alleine oder mit einem Pianisten einstudiert und aufgeführt werden. Der Vorteil dabei ist, dass Anfänger so nicht nur die wichtigsten Aspekte desEnsemblespiels erfahren sondern auch von Anfang an die Fähigkeit entwickeln, zu hören während sie spielen und das Tempo zu halten.
Inhalt: Follow me •Best Foot Forward •Folk Song •My Homeland •Missing You •Russian Winter •On a Carousel •Rush Hou •A Dynamic Start •Short but Sweet •Ballad •London Bridge •Summer Breezes •Modal Melody •Toon Tune •In a Balloon •Yankee Doodle •SadSong •Count Me In •Ragtime March
SKU: M7.VHR-3431
ISBN 9783920470085.
Mit Continuo-Stimme für 2. Violoncello ad lib., leicht gesetzt. Der Klavierpart ist leicht gesetzt. Eine zweite Cellostimme bietet die Möglichkeit, alle Lieder in Kammermusikalischer Besetzung als Klaviertrio oder als Duo für zwei Celli zu spielen.
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