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Chamber Music
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
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FLUTE
FRENCH HORN
GUITAR
HANDBELLS
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HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
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MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
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UKULELE
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VIOLONCELLO - CELLO
XYLOPHONE
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Bent Sørensen: Shadowland Chamber: Chamber Ensemble: Score
Chamber Music
[Sheet music]
Wilhelm Hansen
Work for Chamber Ensemble dating from 1989.The composer writes: The Title SHADOW...
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Work for Chamber Ensemble dating from 1989.The composer writes: The Title SHADOWLAND refers on the one hand to a blurred ‘Landscape’ of shadows where small shadows are formed behind other shadows and where the outlines are constantly disintegrating. On the other hand the title refers to the fanciful and unreal landscapes I felt in the music while I was writing it. SHADOWLAND has four movements with proportions 4-7-4-3. These proportions can be found on various levels from the smallest cell to the largest form. The first movement is divided into four parts which have exactly the same proportions as the whole pjece and behind the fastrunning melodies and trills thatdominate the whole movement one can hear in the second third and fourth parts anticipations of the second third and fourth movements respectively. The second movement begins at the edge of silence with almost unperceptible glissandi and indistinct chorales. Gradually the hushed landscape is drowned out by sudden expressive melodic outbursts and ends with violent dance rhythms. The third movement is built up of clouds of staccato tones and is a further development of the pointillistic ideas from CLAIROBSCUR. In th last movement the horn plays a long soloistic melody line which the other instruments imitate and echo. These echoes swamp the horn line from time to time. SHADOWLAND was commissioned by and dedicated to The London Sinfonietta.
53.50 GBP - Sold by Musicroom UK
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Bent Sørensen: Phantasmagoria: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
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Intermediate/advanced
Wilhelm Hansen
Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen ...
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Phantasmagoria for Violin Violoncello and Piano was composed by Bent Sørensen in 2007. First performance by Trio con Brio 12 Aug 2007 in Roskilde Denmark.Programme note:My Piano Trio “Phantasmagoria” is in five movements. It all began with the fifth movement which originally was a tiny piece for cello and piano. After re-composing this little piece for piano trio I worked composed backwards – The fourth movement – third movement - and I finally got to the beginning of the piece. It all begins with the violin – solo – heavily muted but aggressive and gradually the cello andthe piano enter as shadows of the violin. The first movement ends in a dark shadow of an aria from my opera “Under the Sky”. All five movements are full of shadows of all kinds. Shadows of fragments and traces of movements appear in other movements. Music voices instruments appear behind each other as a play of shadows. “Shadow play” was the first title on my mind but a shadow play can be more physical – the shadow can come alive – alive behind the shadows. Phantasmagoria is a shadow play in darkness where contours of persons and music voices and instruments - create adventures behind each other. “Phantasmagoria” was commissioned by Franz Schubert Society Denmark and dedicated to Trio con Brio Copenhagen. (Bent Sørensen)
57.50 GBP - Sold by Musicroom UK
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Michael Nyman: For John Cage: Brass Ensemble
Chamber Music
[Sheet music]
Chester
Score for this piece which was comissioned by London Brass and first performed ...
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Score for this piece which was comissioned by London Brass and first performed in 1992.Quoting composer: The piece was completed without title on 12th August 1992. A title once considered was Canons Chorales and Waltzes but this was dropped since there was only one canon (the opening) and only genuine waltz (apart from a passage towards the end which superimposes the canon over a waltz rhythm). The following day I read the paper that John Cage had died - the day I finished writing. For this reason but mainly because Cage was the most revolutionary practical music thinker of the 20th century this piece is dedicated to him. His influence on my music may be perceived underthe 'very un-Cagein' surface: though stylistically there may be little in For John Cage that may have been to his taste I hope he would at least have appreciated its diversity its non-simultaneous multiplicity.Parts are available on hire or special order. Duration 15 minutes.
44.99 GBP - Sold by Musicroom UK
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The Beatles: The Beatles Session Parts: Guitar Solo: Parts
Chamber Orchestra
Hal Leonard
This unique collection of 20 Beatles tunes presents in score format the parts ...
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This unique collection of 20 Beatles tunes presents in score format the parts played by the band's studio session players so that you can study and play exactly what those Violins Harps or Trumpets were playing.Songs include: All You Need Is Love • Eleanor Rigby • The Fool on the Hill • Golden Slumbers • Got to Get You into My Life • Hello Goodbye • I Am the Walrus • Magical Mystery Tour • Penny Lane • Sgt. Pepper's Lonely Hearts Club Band • Something • Strawberry Fields Forever • When I'm Sixty-Four and more.
19.99 GBP - Sold by Musicroom UK
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Rheinberger Ga 31 (RHEINBERGER JOSEF GABRIEL)
Chamber Orchestra
[Sheet music]
Carus Verlag
Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano ...
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Par RHEINBERGER JOSEF GABRIEL. Volume 31 contains, among other works, the Piano Quartet, which was enthusiastically received by the critics in Rheinberger’s time: “The themes are noble, with significant content, the motivic development is rich and interesting, above all free from anything resembling a mould … and such a healthy musical wind blows through the entire work that I believe I am not mistaken if I forsee for this work a great success. ” This is how a contemporary critic reviewed the work. Indeed, op. 38 proceeded to become the most successful of Rheinberger’s chamber music works during his lifetime. The Sextet op. 191b is an effective arrangement of his Piano Trio No. 4 op. 191, for flute, oboe, clarinet, bassoon, horn and piano. All works are also available in separate editions./ Répertoire / Ensemble de Chambre
215.50 EUR - Sold by LMI-partitions
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Subtilior Lamento: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Schott Helicon Music Corporation
for flute clarinet percussion piano violin and cello-Subtilior Lamento is a...
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for flute clarinet percussion piano violin and cello-Subtilior Lamento is a piece that draws some inspiration from the music of the so-called ‘Ars Subtilior’ movement of the fourteenth century. This early music features rhythmic complexities linear ornamentation and harmonic intricacy. In my piece I use canon to create textures that are at constant rhythmic unrest. Harmonies arise out of linear lines: lines I constructed to work in defining my harmonic world. The piece’s structural rigor and fluid surface are the two elements I wanted to keep in constant equilibrium - Hannah LashInstrumentation: fl.cl-perc(vib chimes)-pno-vn.vc
123.50 GBP - Sold by Musicroom UK
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Hugh Wood: Marina Op.31: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
Chester
Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wo...
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Work for High Voice Alto Flute Horn Harp and Viola. Text: TS Eliot.Quoting Wood: 'I had for many years wanted to set Marina and the opportunity came to start work on it in mid August 1988. About a year later havingcompleted in the meantime the Horn Trio Opus 29 and the Cantata Opus 30 I turned back to the drafts of Marina and completed it on 10 September 1989. It is dedicated to the memory of my daughter who was murdered in Bavaria on 10September 1988.Marina is the heroine of Shakespeare’s Pericles a play remarkable for one of the most moving of all Shakespeare’s recognition scenes a dramatic situation which never failed to draw out his deepest expressionof feeling. This is the re-meeting of an ageing father with his long-lost daughter born at sea during the storm in which her mother is thought to have died and long believed to be dead herself. Eliot transforms the twocharacter’s mutual recognition into a transfigured mediation and surrounds it with a wealth of mainly marine imagery. In the words of Helen Gardener these images are: The prelude to a moment of ecstatic recognition. The voyagein Marina discovers in the ocean anisland and sees again a beloved face. Its theme is not the immortality of the soul but resurrection.
17.99 GBP - Sold by Musicroom UK
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Nico Muhly: Moving Parts: Chamber Ensemble: Score and Parts
Chamber Orchestra
[Score and Parts]
St Rose Music Publishing
Moving Parts is the music for Benjamin Millepied’s ballet of the same name....
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Moving Parts is the music for Benjamin Millepied’s ballet of the same name. Scored for Violin Clarinet and Pipe Organ the piece is a series of rhythmic etudes. The slow movement is a very slow passacaglia with I hope unexpected lyrical melodies in the violin. After an extended Organ toccata built over a drone a brief slow movement creates a natural midpoint. The violin aggressively plucking builds up to form a canon with a clarinet and after a loud outburst from the organ the piece ends quietly. Moving Parts written in 2012 is dedicated to Benjamin and the Los Angeles Dance Project.Â
24.99 GBP - Sold by Musicroom UK
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Octet (ELIA ALESSIO)
Chamber Orchestra
[Score]
EMB (Editio Musica Budapest)
Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a ...
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Par ELIA ALESSIO. Commissioned by I Solisti della Scala for the CD ''Octet'', a project conceived by the conductor Andrea Vitello, which includes also the first recording in the performance of I Solisti della Scala of the Octet by Stravinsky and the first world recording of the Octet by Peter Eötvös, the Octet by Alessio Elia is described by the Italian musicologist Guido Barbieri in these terms: ''In the Octet written in 2016 by Alessio Elia, the musical elements, or their strongly contrasted combination, significantly shape the structure of the piece. The utilization of different scales - a technique defined by the composer as ''polysystemism'' - further emphasizes his concept of sound as a phenomenal entity.'' / Date parution : 2022-07-23/ Répertoire / Ensemble de Chambre
16.30 EUR - Sold by LMI-partitions
(Seller in french langage)
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3-10 days - In Stock Supplier
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