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INSTRUMENTS
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Cantates Pour Voix Seule Et Basse Continue. Vol.I. Ca 1706 - Ca 1709
Organ
Anne Fuzeau Productions
Présentation de Philippe Lescat : Le séjour en Italie de Georg Friedrich Haend...
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Présentation de Philippe Lescat : Le séjour en Italie de Georg Friedrich Haendel - bibliographie - lecture de la partition - corrections et suggestions - Restauration - Index.Cantates pour voix seule et basse continue. Manuscrit autographe. Manuscrit R.M. 20.d.11. Le manuscrit R.M. 20.d.12 est édité dans notre référence 5799. / Dessus Et Basse Continue, Bas-dessus Et Basse Continue, Basse Ou Basse Continue / 220 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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Cantates Pour Voix Seule Et Basse Continue. Vol.II
Organ
Anne Fuzeau Productions
Edition en fac-similé des manuscrits autographes des cantates Italiennes de Hae...
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Edition en fac-similé des manuscrits autographes des cantates Italiennes de Haendel, en 6 volumes. Cette publication mettra enfin ces très belles oeuvres à la portée de tous.Présentation de Philippe Lescat : Lecture de la partition - corrections et suggestions - les révisions des cantates - restauration - index de ce recueil. Cantates pour voix seule et basse continue. Fac-similé du manuscrit autographe d'Haendel. Volume II. / Dessus Et Basse Continue, Bas-dessus Ou Basse Continue / 128 pages / niveau : 1 / Fac-Similés - Format: 24 X 32
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Honor and Majesty: Organ: Instrumental Album
Organ
[Sheet music]
-
Intermediate/advanced
FJH
Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation...
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Medleys/Titles include: The Majesty and Power of His Name (Diadem and Coronation-All Hail the Power of Jesus' Name); Treasures Bring Anthems Sing(We Three Kings and What Child is This?); Where Sorrow and Love Flow Mingled Down (When I Survey the Wondrous Cross and Beneath the Cross of Jesus); The Joys Awating (Jerusalem My Happy Home and When I Can Read My Title Clear); Morning Tribute (Morning Has Broken and When Morning Gilds the Skies); An Ever-Present Comfort (All Will Be Well and God Will Take Care of you); Amazing Infinite Love (The Love of God and My Savior's Love); Adoration to the King (We Worship and Adore You/O Come Let Us Adore Him/Joyful Joyful WeAdore Thee).
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Rudy Shackelford: Nine Aphorisms: Organ: Instrumental Album
Organ
Hinshaw Music Inc.
I.CanzonettaII. DithyrambIII. PlanhIV. Fuga ContrariaV. Hymn To The NightVI. Toy...
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I.CanzonettaII. DithyrambIII. PlanhIV. Fuga ContrariaV. Hymn To The NightVI. ToyVII. RecitativeVIII. Motet & IX Canzonetta Da Capo
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Rudy Shackelford: Sonata For Organ: Organ: Instrumental Album
Organ
Hinshaw Music Inc.
Plan of registration: I. Cantabile Con Moto E FlessibileII. Allegro Travolgente...
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Plan of registration: I. Cantabile Con Moto E FlessibileII. Allegro TravolgenteIII. Notturnamente Raffinato E DolceIV. Scherzo GiulivamenteV. Grazioso E Elegantemente
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Ausgewählte Orgelwerke I-Vi
Organ
Barenreiter
Les éditions Bärenreiter sont les détentrices des droits de la partition Ausg...
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Les éditions Bärenreiter sont les détentrices des droits de la partition Ausgewählte Orgelwerke I-VI de Guilmant Félix-Alexandre qui fait partie du style Classique et contentera toutes les personnes pratiquant Orgue. / Orgue
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Buxtehude, Dietrich : New Edition of the Complete Organ Works - Volume 1 : Free Organ Works I
Organ
[Sheet music]
Barenreiter
[Neue Ausgabe sämtlicher Orgelwerke - Band 1 : Freie Orgelwerke I] / Classique ...
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[Neue Ausgabe sämtlicher Orgelwerke - Band 1 : Freie Orgelwerke I] / Classique / Editeur : Christoph Albrecht / Partition / Cartonné / Plats de carton /
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Orgelwerke Band I/1 (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is ...
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Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Orgelwerke Set Band I (BUXTEHUDE DIETERICH)
Organ
[Sheet music]
Breitkopf & Härtel
Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the r...
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Freie Orgelwerke - BuxWV 136-161. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue
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Christmas Oratorio Part I (BACH JOHANN SEBASTIAN)
Organ
[Part]
Carus Verlag
BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transfer...
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BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue
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Bach J.s. - Complete Organ Works Vol.1 - Preludes And Fugues I + Cd-rom
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by ...
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Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg As close as possible to Bach In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.
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Juan Bautista Cabanilles: Selected Organ Works. Volume I: Tientos Ilenos: Organ:
Organ
Barenreiter
Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Altho...
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Joan Cabanilles Selected Works for OrganVolume I: BA11228Volume II: BA11229Although quite some time has passed since the multifaceted organ music from Spain's Golden Age could be called an ?insider's tip? it had yet to attain popularity with any wide audience outside the countries of the Iberian Peninsula. The three-volume Urtext edition of selected works by Joan Cabanilles the cathedral organist from Valencia now has every chance of becoming a milestone in its own right. The Iberian organ tradition of the 17th century appears to have reached its climax in his tientos diferencias and versos. In the first two volumes the editors Gerhard Doderer and MiguelBernal Ripoll present a total of 22 of his most appealing and most significant tientos.Urtext edition based on the latest research findingsPreface by the editors (in German English and Spanish)
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Bach J.s. - Complete Organ Works Vol.6 - Clavierübung Iii / Schübler-choräle / Canonische Veränderun
Organ
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canon...
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Bach: Complete Organ Works Vol. 6 Clavierübung III / Schübler-Choräle / Canonische Veränderungen über 'Vom Himmel hoch' - ed. by Werner Breig Bach Organ Works Printed During the Composer's Lifetime Volume 6 contains the chorale-related organ works that Bach personally had printed: the Dritte Theil der Clavier Übung was published (for organists) in 1739; the Sechs Choräle von verschiedener Art (Schübler-Choräle) and the Canonische Veränderungen were released in separate editions most likely in 1747/48. None of these collections had from the start the appearance which the composer considered as valid in the end. For this reason, Werner Breig focuses in particular on questions of origin in his introduction. Fundamental findings on the genesis of the Clavier Übung III were made only after the publication of the work in the Neue Bach-Ausgabe. The basically unproblematic state of the sources means that this volume contains no CD-ROM with supplementary materials. It was, however, considered editorially necessary to print the Canonische Veränderungen BWV 769 in three versions: as a facsimile of the original print, in a practical arrangement, and in the autograph version (BWV 769a). Table des matières 1 Praeludium pro Organo pleno BWV 552/1 2 Kyrie, Gott Vater in Ewigkeit BWV 669 3 Christe, aller Welt Trost BWV 670 4 Kyrie, Gott heiliger Geist BWV 671 5 Kyrie, Gott Vater in Ewigkeit BWV 672 6 Christe, aller Welt Trost BWV 673 7 Kyrie, Gott heiliger Geist BWV 674 8 Allein Gott in der Höh sei Ehr BWV 675 9 Allein Gott in der Höh sei Ehr BWV 676 10 Fughetta super Allein Gott in der Höh sei Ehr BWV 677 11 Dies sind die heilgen zehen Gebot BWV 678 12 Fughetta super Dies sind die heiligen zehen Gebot BWV 679 13 Wir gläuben all an einen Gott BWV 680 14 Fughetta super Wir gläuben all an einen Gott BWV 681 15 Vater unser im Himmelreich BWV 682 16 Vater unser im Himmelreich BWV 683 17 Christ unser Herr zum Jordan kam BWV 684 18 Christ unser Herr zum Jordan kam BWV 685 19 Aus tiefer Not schrei ich zu dir BWV 686 20 Aus tiefer Not schrei ich zu dir BWV 687 21 Jesus Christus, unser Heiland BWV 688 22 Fuga super Jesus Christus, unser Heiland BWV 689 23 Duetto I BWV 802 24 Duetto II BWV 803 25 Duetto III BWV 804 26 Duetto IV BWV 805 27 Fuga pro Organo pleno BWV 552/2 28 Wachet auf, ruft uns die Stimme BWV 645 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 1) 29 Wo soll ich fliehen hin oder Auf meinen lieben Gott BWV 646 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 2) 30 Wer nur den lieben Gott lässt walten BWV 647 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 3) 31 Meine Seele erhebt den Herren BWV 648 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 4) 32 Ach bleib bei uns, Herr Jesu Christ BWV 649 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 5) 33 Kommst du nun, Jesu, vom Himmel herunter BWV 650 (Choräle von verschiedener Art / ?Schübler-Choräle?, Nr. 6) 34 Einige canonische Veränderungen über ?Vom Himmel hoch, da komm ich her? BWV 769 (Faksimile des Originaldrucks / Fassung des Originaldrucks in spielpraktischer Einrichtung / Fassung des Autographs BWV 769a)
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Orgel- und Cembalowerke Band I: Organ: Instrumental Album
Organ
Barenreiter
Content: Toccata d-mminor - 4 Verse d-minor - Canzona d-minor - 4 Verse C-major ...
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Content: Toccata d-mminor - 4 Verse d-minor - Canzona d-minor - 4 Verse C-major - Canzona C-major - 4 Verse F-major-Â Canzona F-major - 4 Verse e-minor - Canzona e-minor - 4 Verse g-minor - Canzona g-minor - All'Elevazione I F-major - Al post Comunio F-major - All'Elevazione II C-major - All'Offertorio C-major - Pastorale C-major - Preamble - Critical report (dt./engl./ital).
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Widor Complete Organ Symphonies Series I - 001 - Organ
Organ
[Sheet music]
Dover Publications
Description Widely regarded as the culmination of French romanticism on the o...
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Description Widely regarded as the culmination of French romanticism on the organ, Widor's symphonies include some of the most frequently performed and recorded works in the modern organ repertoire. Most of these symphonies - so called to emphasise the orchestral wealth of timbres offered by the new French organs - were written specifically to exploit the capacities of the modern Cavaille-Coll organ, especially the rich-toned five-keyboard instrument at St-Sulpice in Paris. Presented here in two inexpensive (this being the first), well-made volumes they offer a splendid resource for organists and all music lovers. Songlist Adagio Allegro Allegro Cantabile Allegro Vivace Andante (Sonata G.1) [Torelli, Giuseppe] Andante Cantabile Andantino Quasi Allegretto Finale Fugue Intermezzo Op.1 No.2 [Borodin, Aljeksandr Porfirjevic] Marche Pontificale Marcia Meditation Minuetto Pastorale [Pace] Prelude Scherzo [Goldschmidt, Berthold] Symphony No. 1 In C Minor, Op. 13, No. 1: Symphony No. 2 In D Major Op. 13, No. 2: Symphony No. 3 In E Minor, Op. 13, No. 3: Symphony No. 4 In F Minor, Op. 13, No. 4: Symphony No. 5 In F Minor, Op. 42, No. 1: Toccata
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Prelude Canonique: Mixed Choir: Score
Organ
[Sheet music]
Wilhelm Hansen
Prelude Canonique for Chamber Orchestra (version 2009) Canonic elements play an ...
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Prelude Canonique for Chamber Orchestra (version 2009) Canonic elements play an important role in this work. Shortly after the opening a two-part canonic passage is introduced by the violins. Later on this energetic music shows up as three-part and four-part canons in different orchestrations. But next to the canons a different kind of music is present almost from the beginning: fragments of choral-like melodic lines. Gradually choral-like music gets a more prominent role. By a process of manipulating the fragments in different ways (i.e. argumentation and superpositioning) a more extensive version of the choral isprogressively (re)constructed. At the end of the piece the choral appear in its ‘original’ form. Niels Rosing-Schow 2009
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Die 32 Ricercaten Und 19 Canzonen Band 3 (MUFFAT GOTTLIEB)
Organ
[Sheet music]
Doblinger
Canzonen I-Xix. Par MUFFAT GOTTLIEB. Canzona I - XIX/ Répertoire / Orgue
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Freie Orgelmusik Der Romantik, Band I
Organ
[Sheet music]
Carus Verlag
While organ music of the 19th century was not highly regarded in Germany a few y...
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While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil./ Répertoire / Orgue
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Werke in Bearbeitung für Orgel Bd. 1 (BEETHOVEN LUDWIG VAN)
Organ
[Sheet music]
Dohr
Kammermusik I. Par BEETHOVEN LUDWIG VAN. / Date parution : 2023-01-24/ Recueil ...
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Kammermusik I. Par BEETHOVEN LUDWIG VAN. / Date parution : 2023-01-24/ Recueil / Orgue
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Frescobaldi, Girolamo : Organ and Keyboard Works - Complete Edition - Volume 4
Organ
[Sheet music]
Barenreiter
[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten...
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[Orgel- und Klavierwerke - Gesamtausgabe - Band 4 : Das zweite Buch der Toccaten, Canzonen usw von 1637] / Classique / Editeur : Pierre Pidoux / Partition / Cartonné / Plats de carton /
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Free Harmonizations...Vol I: Organ: Instrumental Album
Organ
Hinshaw Music Inc.
Free harmonizations of hymn tunes by fifty American composers'The purpose of thi...
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Free harmonizations of hymn tunes by fifty American composers'The purpose of this collection is to offer fresh harmonizations (free accompaniments) to hymn tunes that are in at least two current hymnals and for which there is a dearth of alternate accompaniments'. - D. Dewitt Wasson.Also available: Free Harmonizations Of Hymn Tunes Volume II (HMO152)Contents:1. Abbey2. Abbots Leigh3. Ach Gott Und Herr4. Albany5. All Saints6. All The Way7. Amazing Grace8. Amsterdam9. Angelus10. Ar Hyd Y Nos11. Arnsberg12. Ballerma13. Bangor14. Batty15. Beatus Vir16. Bethany17. Bethlehem18. Bourbon19. Boylston20. Bradbury21. Bread Of Life22. Bremen23. Bryn Calfaria24. Caithness25. Christe Sanctorum26. Christmas27. Cloisters28. Consolation29. Converse30. Creation31. Crimond32. Crucifer33. Cwm Rhondda34. Das Neugeborne Kindelein35. Deo Gracias36. Diva Servatrix37. Donne Secours38. Dunfermline39. Durrow40. Engelberg41. Eudoxia42. Evan43. Ewing44. Far Off Lands45. Federal Street46. Festal Song47. Flemming48. Forest Green49. Foundation50. Galilee51. Geneva52. Germany53. God Be With You54. Gott Des Himmels55. Gott Sei Dank56. Graefenberg57. Grand Isle58. Gwalchmai59. Halifax60. Hankey61. He Leadeth Me62. Helmsley63. Hermas64. Hesperus65. Hyfrydol66. Irby67. Kedron68. Kings Lynn69. Kings Of Orient70. Kings Weston71. Kingsfold72. Kirken Den73. Land Of Rest74. Langham75. Let Us Break Bread76. Llangloffan77. Lux Benigna78. Lynne79. Mckee80. Marion81. Miles Lane82. Monkland83. More Love To Thee84. Morecambe85. Morning Hymn86. Morning Song87. Morning Star88. Mornington89. Need90. Nunc Dimittis91. Nyland92. O Jesu93. O Perfect Love94. O Store Gud95. Old 107th96. Olives Brow97. Omni Dei98. Pilot99. Pleading Savior100. Quam Dilecta101. Rhosymedre102. Rock Of Ages103. Royal Oak104. St. Bride105. St. Cecilia106. St. Drostane107. St. Dunstans108. St. Hilda109. St. Kevin110. St. Margaret111. Sandon112. Schumann113. Serenity114. Slane115. Song 5116. Song 13117. Welwyn118. Woodworth119. Yattendon 46120. York121. Yorkshire
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Jean Langlais: American Folk-Hymn Settings for Organ: Organ: Instrumental Album
Organ
H.T. FitzSimons Company
This collection of well-known hymntunes is a gem. While intended primarily as se...
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This collection of well-known hymntunes is a gem. While intended primarily as service music they are suitable for recital use. Titles include: Amazing Grace • Battle Hymn of the Republic • How Firm a Foundation • On Jordans Stormy Banks I Stand •and more.
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Miscellanées, volume 2 : Henri Du Mont (1610-1684)
Organ
[Sheet music]
Orgues Nouvelles
Pièces pour orgue (transcription : Olivier Miquel) . Par DU MONT HENRI. Les tra...
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Pièces pour orgue (transcription : Olivier Miquel) . Par DU MONT HENRI. Les transcriptions pour orgue proposées ici ne sont pas fortuites, Du Mont lui-même en est l’instigateur, par le simple fait qu’il mentionne sans équivoque, dans la préface de ses Meslanges imprimés en 1657 : « (...) On trouvera outre lesdites pièces, plusieurs Preludes en façon d’Allemandes à deux parties, pour la Basse et le Dessus de Violle, lesquelles se pourront se jouer seules ou avec la Basse-continue si l’on veut (...). Ces Preludes serviront aussi pour les Dames Religieuses qui touchent l’Orgue en façon de Duo : j’ay marqué ceux qui sont propres pour l’Orgue, ils n’auront qu’à les transcrire pour les jouer avec plus de facilité. » Mais, il était tentant de ne pas se cantonner à cette indication, et ce recueil propose l’intégralité des 20 Preludes. En 1661, Du Mont fait paraître un livret contenant une « Troisième partie ajoutées aux Preludes des Meslanges, pour un Dessus ou une Taille de Viole ». Il précise : « pour faire plus grande harmonie ». Ces préludes, en trios, ont été transcrits ici sous cette forme. Dans le recueil des Cantica sacra paru en 1652, on trouve cinq pièces instrumentales indépendantes, Ces pièces, notées pour trois ou quatre violes et basse continue, ouvrent cet ouvrage. Olivier Miquel ? Henri Du Mont : né en 1610 dans le diocèse de Liège, Henry Du Mont étudie la musique à Maastricht, où il devient organiste à l’âge de 19 ans. Les troubles politiques de cette région convainquent certainement Du Mont de tenter sa chance à Paris. Il y arrive dès 1638, sous le règne de Louis XIII, et on le retrouve, en 1643, titulaire de l’orgue de l’église Saint-Paul dans le Marais (église détruite à la Révolution), poste qu’il honorera jusqu’à sa mort en 1684./ Recueil / Orgue
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Jazz Inspirations for Organ Vol. 4: Organ: Instrumental Album
Organ
[Sheet music]
Barenreiter
Jazz swing samba rhumba and more all found their way to the organ long ago. N...
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Jazz swing samba rhumba and more all found their way to the organ long ago. Not only do the melodies harmonies and rhythms of these styles enrich the organ’s concert literature they can also be meaningfully incorporated in the liturgy. The series “Jazz Inspirations” for Organ offers a delightful and personal combination of many forms and highly contrasting styles at a moderate level of difficulty. Volume 4 presents a new array of stylistic and thematic focuses: “Funky Praise” and ”Ich lobe dich von ganzer Seelen” (“I praise thee with all my soul”) can be found alongside a “Little Shepherd’sChachacha” and the familiar carol “Kommet ihr Hirten”. It even contains two compositions from the American organ scene. Jazz swing and much more for the organ Authoritative editors and composers Pieces of a moderate level of difficulty Bilingual Foreword (Ger/Eng)
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Théodore Dubois: Complete Organ Works Volume 6: Organ: Instrumental Album
Organ
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Intermediate
Barenreiter
Pieces for Organ without pedal-At the cutting edge of scholarship.Music in every...
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Pieces for Organ without pedal-At the cutting edge of scholarship.Music in every key for church worship and concert performance.Detailed Foreword Critical Commentary (Fr/Eng/Ger) and facsimiles.Volume VI presents 42 easy to moderately difficult pieces without pedal for Organ or Harmonium in every key and brings the complete edition of Theodore Dubois Organ works to a close. With their contrasting length and character the pieces offer a wide range of performance possibilities both inside and outside the liturgy.Since Dubois was a master of melody several of the pieces can also be rendered on the Piano further enhancing the collection's practicalvalue.Already published:Volume I: Early Works and Works with Minimal or Optional Use of the Pedals BA 8468Volume II: Organist an La Madeleine Douze Pi?cesBA 8469Volume III: Trois Pi?ces pour Grand Orgue (1890) Messe de Mariage Cinq Pi?cesBA 8470Volume IV: Organist an La Madeleine Douze Pi?ces Nouvelles Offertoire pour la f?te de l???AscensionBA 8471Volume V: Dix Pieces pour Grand Orgue; Fantasietta avec Variations BA 9208
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Bach J.s. - Organ Works Vol.6 - Preludes, Toccatas, Fantasias and Fugues
Organ
Barenreiter
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and F...
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Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli
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Georg Friedrich Händel: Organ Works Complete: Organ: Instrumental Album
Organ
Barenreiter
A scholarly-critical performing edition of George Frideric Handel's Complete Org...
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A scholarly-critical performing edition of George Frideric Handel's Complete Organ Works based on the Halle Handel Edition (HHA).First single-volume edition of Handel's Organ worksIncludes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHADetailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng)With contemporary Organ dispositionsIn terms of layout and musical text this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA.The Halle Handel Edition's Critical Commentary forms the basis of this edition which however differs from the HHA volumes in two respects. Firstly it gathers together for the first time all of Handel's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here for the first time as a unified cycle. Secondly this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings all of which definitely or presumably stem from the composer are merely listed in the critical commentary.Contents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611Fuga in E major HWV 612O the pleasure of the plains in G major HWV 474Jesu meine Freude in G minor HWV 480
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Selected Works For Keyboard, Vol.I-IV
Organ
Barenreiter
La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la...
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La cour d'organiste Antonio de Cabezón, qui a été nommé à la chapelle de la cour de la Reine Isabelle de Toledo à l'âge de 16 ans, a été considéré à juste titre par ses contemporains comme l'organiste espagnole leader et claviériste du 16 ème siècle. Ses hymnes et des versets sont basées sur courte, harmonisations décorée des tonalités psaume. Dans le tientos, la transformation du style motet vocal à un style d'écriture approprié pour les instruments à clavier est parfaitement exécuté.Cette édition Urtext contient une sélection des meilleurs Cabezon de travaux connus et se composera de quatre volumes. Il a été préparé par deux rédacteurs en chef travaillant dans les universités portugaises et espagnoles qui sont tous deux grands spécialistes des oeuvres de Cabezón et reflète les derniers résultats de recherche.- Première édition critique universitaire, des oeuvres sélectionnées par l'organiste leader espagnol- Reflète les derniers résultats de la recherche- Chaque volume avec une préface (Ger / Eng) avec des conseils sur la technique de rédaction, le commentaire critique (Ger / Eng) et l'indice de sources / Orgue, Piano, Clavecin
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