SKU: GI.G-7485
UPC: 785147748502. English. Text Source: John 3:16-17. Scripture: John 3:16–17.
The late Austin Lovelace arranged this setting of the foundational text from John using the Kyrie of Missa Sancti Nicolai (Mass No. 6 in G) by Haydn. All of the grace one would expect from the music of the Austrian master composer is present in Lovelace’s adaptation.  .
SKU: WD.080689878121
UPC: 080689878121.
Jesus made an astounding claim in Luke 4. When He proclaimed that He was the fulfillment of Isaiah's prophecy, it was more than a resume of credentials; it was a mission statement. In fact, it was a commitment - to you and to me - that there would be a place where sinners can find mercy; the afflicted can find healing; the broken can find compassion, and the outcast can find dignity. Behold the cross of Christ...it is the place where love and mercy meet.This profound spiritual theme is movingly captured by veteran arranger Marty Parks in Where Love & Mercy Meet, the latest offering from Simply Word Easter. Combining popular songs by Michael W. Smith, Bill and Gloria Gaither, and Darlene Zschech and Reuben Morgan with beloved classics, this musical features engaging worship sequences with easy-to-learn SATB choral parts and arrangements for one male and one female solos (with optional men/women unison), making it ideal for smaller choirs or those with limited rehearsal time. A well-designed accompaniment DVD is available to enhance your production, as well as an optional small-cast dramatic script by Kim Messer that will bring the themes of the musical into a powerful contemporary focus. This Easter, invite your congregation and community to come to the place where love and mercy meet - the cross of Jesus Christ.
SKU: WD.080689769726
UPC: 080689769726.
SKU: WD.080689479090
UPC: 080689479090.
SKU: MN.50-9028
UPC: 688670590283. Text: Charles Wesley.
Lush, grandiose setting of Charles Wesley text. Excellent for large experienced groups, community choruses, college/university choirs. High tessituras. Independent accompaniment. Written for SATB and Organ.
SKU: XC.SATB2103
UPC: 812598038255. 6.75 x 10.5 inches.
This truly lovely Appalachian folk song is given a hauntingly beautiful setting by arranger Jamey Ray. This will work nicely for a choir with strong women’s voices, with occasional divisi, but the men’s parts stay with a strictly two-part voicing. Simply gorgeous!
SKU: AU.9781506452456
ISBN 9781506452456. John 3:16.
Melchior Frank's accessible setting of John 3:16 is a great way to introduce classic literature to your choir. William Braun's edition translates the original German text into English and sets this late Renaissance/early Baroque anthem in modern notation.
SKU: GI.WW1921
UPC: 785147036869. English. Text by Paul Lawrence Dunbar.
Brent Wells has created a beautiful musical setting of Paul Laurence Dunbar's words, inviting us to love one another regardless of our circumstance. For more advanced choirs.
SKU: GI.G-8959
UPC: 785147895909. English. Text by Gregg Sewell.
With newly composed words and music, Gregg Sewell offers a brief choral meditation on the boundless capacity of God’s love. An easy, flowing melody with steady phrasing later builds in dynamic intensity to highlight this divine love’s transformative power, ultimately coming to rest in quiet serenity. A piano reduction is provided for rehearsal.
SKU: GI.G-9846
UPC: 785147984603. English. Text Source: Corde natus ex parentis, Aurelius Prudentius, 345-413, sts.1-4 tr. John Mason Neale, 1818-1866, alt., st. 5 tr. Henry Williams Baker, 1821-1877, alt.; Translation: John Mason Neale. Text by Aurelius Clemens Prudentius.
The percussion part is for suspended cymbal. The brass and percussion parts are optional.
SKU: MN.50-9037
UPC: 688670590375. Scripture: 1 John 3:1a.
Exuberant setting of 1 John 3:1a, appointed Gospel for 4 Pentecost B in the 3-Year Lectionary, showing influences of imitative counterpoint and Afro-American Spiritual. Short motivic themes tossed among voices.
SKU: MN.50-8004
UPC: 688670580048.
This Good Friday anthem was written in 1997 for a large festival choir, though it can be used effectively with small choirs as well. The poignant and little-known text was written in 1975 by Eliza Sibbald Alderson, sister of the celebrated minister and composer John Bacchus Dykes. Like many of her hymns and poetry this text was written at her brother's request, and reflects on the sufferings of Christ. The music begins in solemn fashion and incorporates a great range of emotion. Well-written.
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