SKU: HL.14042903
UPC: 888680701642. 6.75x10.5x0.019 inches.
The Beatitudes was composed by Paul Mealor in 2013, for SATB Choir. St Machar's Cathedral, Aberdeen commissioned The Beatitudes for Remembrance Sunday 2013. Mealor was catapulted to international attention when 2.5 billion people heard his motet, Ubi caritas , performed at the Royal Wedding Ceremony of His Royal Highness Prince William and Catherine Middleton at Westminster Abbey, 29th April 2011.
SKU: HL.49001108
ISBN 9790001008853. Middle High German.
SKU: HL.49018058
ISBN 9790001168724. UPC: 842819110231. German.
Since an invitation to the Emerald Isle, Harald Genzmer (1909-2007) has been fascinated with the local tradition and culture. Therefore, after the songs 'Irische Harfe', he wrote another cycle for mixed choir at a ripe old age: 'Lieder einer Insel'. In three parts with ten choral settings altogether, the composer tells stories from the mythology of the Emerald Isle in the Irish poems, in the texts of old and modern lyricists, describes emotions, desires, laments: from 'Weissagung Cathbads' to 'Lobgesang der Gerechten', from the bright 'Monch und seinem Lieblingskater' to the sad lament 'Das Lied in einem Madchenherzen', from the tender 'Anrufung des Friedens' to the contemplate 'Abendgebet'. The freely tonal settings range from simple, chordal-homophonic via declamatory to expressive. Of intermediate difficulty, these choral miniatures are suitable not only for professional ensembles but also for ambitious amateur choirs.
SKU: CA.3118449
ISBN 9790007240608. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score and part available separately - see item CA.3118400.
SKU: CA.3118419
ISBN 9790007134235. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score and parts available separately - see item CA.3118400.
SKU: CA.3118407
ISBN 9790007050481. Key: G major / e minor. Language: German/English.
The Pentecost cantata Desired ray of light BWV 184 is based on a Kothen composition, probably a congratulatory cantata, whose instrumental parts (only these have survived) Bach reused in the Leipzig Pentecost cantata. Only the chorale setting was evidently newly composed. Despite the narrow leeway that the already finished composition left for the librettist, he nevertheless succeeded in crafting a coherent Pentecost text. The fact that the cantata begins with a long tenor accompagnato with two flutes followed by a pastoral duet is surprising. The placing of the chorale not at the end of the work but before the concluding chorus is unusual. Bach was evidently aware of the effect that the ending of this lively movement would have and wanted to retain this in its sacred form as well. The sacred version was first performed on the third day of Pentecost in 1724, probably after a parody version of another Kothen cantata (BWV 173) had already been performed on the second day of Pentecost. Score available separately - see item CA.3118400.
SKU: FG.55011-858-4
Chant des Voyelles - Incantation of Vowels (2018) for mixed choir (SSAATTBB) was premiered by Volti on May 4, 2018 at Noe Vallay Ministry in San Francisco and on May 6, 2018 at BAMPFA, in Berkeley, California.Martinaitytė encountered at the Rockefeller estate Kykuit near New York City a work by the cubist sculptor Jacques Lipchitz called Chant des Voyelles . It was titled after an Egyptian prayer composed only of vowels that was designed to subdue the forces of nature. Further research showed that many ancient traditions (Egyptians, Greeks and Tibetans) ascribed sacred, mystical and healing powers and significance to vowels. The details might vary in different traditions, yet it is clear that something miraculous happens through the very act of prolonged repetition of certain vowels - whether in the form of a mantra or prayer or as a self-healing ritual.This work experiments with subtly shifting, sometimes barely audible clouds of overtones resulting from the sustaining of certain vowels in multiple voices in a magical way.Duration: 16-17'The works of New York -based Lithuanian composer Žibuoklė Martinaitytė (b. 1973) have been lauded as breathtaking and profoundly moving. Her stimulating music bristles with energy and tension and revolves often around the subject of beauty, which she calls both a guiding principle and an aesthetic measure for sonic quality.
SKU: CA.2330720
ISBN 9790007113483. Language: German. Text: Gerhardt, Paul. Text: Paul Gerhardt.
Score available separately - see item CA.2330700.
SKU: CA.163711
ISBN 9790007005689. Key: E flat major. Language: German.
Score available separately - see item CA.163700.
SKU: BA.BA04283
ISBN 9790006446643. 27.5 x 19.5 cm inches.
Kompositionen aus Drucken und Handschriften 1566-1585, nicht gesicherte Zuschriften aus Handschriften des spaten 16. Jahrhunderts.
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SKU: HL.49025004
ISBN 9790001008921. German.
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