| Jarba, Mare Jarba Choral SATB Carl Fischer
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by ...(+)
Choral SATB choir SKU: CF.CM9700 Composed by Hungarian Folk. Arranged by Stacy Garrop. 20 pages. Duration 4:44. Carl Fischer Music #CM9700. Published by Carl Fischer Music (CF.CM9700). ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk. In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.). In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ. $3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Give Him The Praise Choral SATB SATB [Vocal Score] Radiant Music | | |
| You Are All That I Need Choral SATB [Octavo] Monarch Music
By Cindy Berry. For SATB choir. Sacred. Sacred Anthem. Published by Monarch Musi...(+)
By Cindy Berry. For SATB choir. Sacred. Sacred Anthem. Published by Monarch Music. (10/2804M)
$2.75 $2.6125 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Come By Here Choral SATB SATB, Piano MorningStar Music Publishers
Composed by Kyle Pederson. Instrumental part. MorningStar Music Publishers #5...(+)
Composed by Kyle Pederson.
Instrumental part.
MorningStar Music Publishers
#50-6144. Published by
MorningStar Music Publishers
$2.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Songs of Inspiration ? Volume 10 Choral SATB SATB [Sheet music] Brentwood-Benson
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music ...(+)
For SATB. Modern Christian. Sacred. Hymnal. Published by Brentwood-Benson Music Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mercy Flows Choral SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Faye Lopez. Arranged by Patricia Mock. For SATB choir, piano. Sacred...(+)
Composed by Faye Lopez. Arranged by Patricia Mock. For SATB choir, piano. Sacred Anthem, General, Thanksgiving. Octavo. Lorenz Publishing Company #10/4754L. Published by Lorenz Publishing Company
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Eyesight Choral SATB SATB, Piano Theodore Presser Co.
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. ...(+)
Choral SATB choir, piano SKU: PR.342402070 Composed by Steven Stucky. -. Ars Nova Chamber Singers, Boulder CO. Performance Score. With Standard notation. Composed 7-Feb. 8 pages. Duration 3 minutes. Theodore Presser Company #342-40207. Published by Theodore Presser Company (PR.342402070). ISBN 9781491111253. UPC: 680160643226. Octavo inches. Text: Archibald R. Ammons. Archibald Ammons. Text by A.R. Ammons. To benefit Chorus America, Stucky allowed himself to be auctioned off as a prize - the high bidder would receive a new work from the composer. After a few years and not really hearing anything, Stucky suddenly found himself up against a deadline. He reached back to a favorite poem by A.R. Ammons, Eyesight, which, he says, Won't let...his reader rest till the very last word...one of those sudden insights that leave us breathless.. This piece has an odd history. A few years ago, I agreed to be one of the“prizes†in an auction to benefit Chorus America: the highest bidder wouldget a new piece from me, while their money went to the organization. Thewinning bid came from a collection of several professional choruses anddirectors. But I was always a little vague about the details, and, hearingnothing more about it for a few years, forgot the whole thing.One day I received a message from Thomas Edward Morgan, directorof the Ars Nova Chamber Singers in Boulder: they had scheduled thepremiere of my new piece for a few weeks later, and could they have themusic, please? I needed a text, quickly, and (as usual) I was in a Los Angeleshotel room, not at home with my books. So I turned to the internet andsoon tracked down my favorite poet, A.R. Ammons (1926-2001).Once I stumbled on “Eyesight,†I remembered having loved the poemyears before. Archie must have loved it, too, because he included it bothin his Collected Poems 1951-1971 and in the later Selected Poems. It haseverything you want in an Archie Ammons poem: what Edward Hirschcalled his “offbeat, sideways, unpredictable radiance,†his “homespunglory.†It has one of his trademark conversations with a mountain (perhapsfrom his native North Carolina), it has the fluid motion from one line tothe next (enjambment, if you want to get technical) that won’t let him orhis reader rest till the very last word of the very last line, and it has in thatlast line one of those sudden insights that leave us breathless: “some thingsthat go are gone.â€I miss Archie, but he’s not gone. I’m grateful for the wonderful poems heleft us, and I’m grateful that he was always generous and kind when I hadthe chutzpah to add my music to his. $2.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Who I Want To Be Choral SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris....(+)
Choral SATB Choir and Piano SKU: CF.CM9787 Composed by Coty Raven Morris. Arranged by Saleel Menon. Duration 3:45. Carl Fischer Music #CM9787. Published by Carl Fischer Music (CF.CM9787). ISBN 9781491164587. UPC: 680160923496. Key: D major. English. Original. The text for the first voicing (SSA) of this piece came to me in the fall of 2020 while teaching at Crosby High School in Crosby, Texas. My students, though enthusiastic to be back in Choir, were struggling to cope with the civil unrest around them, in addition to the pandemic. When considering how I could help them navigate this time, I realized that they were in need of some sort of consistency, of feeling grounded in themselves. As we focused on building of community and citizenship, this text and tune came to mind, each phrase highlighting an element of personal and community wellness.I lead with my spirit keeping love in the circle around me. (Social)Expressing my spirit (Occupational)Loving what I can see and cannot see, I'll take care of the vessel I am in (Physical)I love with me that's under the skin (Emotional)Taking care of my mind (Intellectual)Envisioning the me I want to be (Spiritual)I had the honor of collaborating with composer/educator Saleel Menon to create the beautiful piano accompaniment and SATB setting.Who I Want To Be opens with a solo functioning as a mantra throughout the tune. As the piece continues, voices join in unison and harmony to emphasize the intent.When the repeats in mm. 48–51 occur, invite students to share some of their own mantras and affirmations, or feel free to borrow from the words my students in the Crosby HS choir inspired me to write:Allow yourself graceI am persistentI am fragile, not brokenYou are worthyI am worthyI know that your success is not my demise!The only validation I need is my ownI believe in myselfI see youIt’s okay to not be okayBreatheI love and I am lovedPrepare yourself for not only a powerful performance, but a rewarding experience and conversations with your students.THIS is the piece you want stuck in your students’ heads!~CRM. $2.30 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| We Will Stand with You Choral SATB Alfred Publishing
Composed by Michael and Angela Souders. Choir Secular. SATB choir. Choral Octavo...(+)
Composed by Michael and Angela Souders. Choir Secular. SATB choir. Choral Octavo. Choral Designs. Graduation; Patriotic; Secular. 8 pages. Published by Alfred Music
$1.85 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Am in Need of Music Choral SATB SATB, Piano Carl Fischer
Composed by Jesse Beulke. Sws. Octavo. 16 pages. Duration 4 minutes, 20 se...(+)
Composed by Jesse Beulke.
Sws. Octavo. 16 pages.
Duration 4 minutes, 20
seconds. Carl Fischer Music
#CM9653. Published by Carl
Fischer Music
$3.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Orphée et Euridice Choral SATB Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, SATB Choi...(+)
Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, SATB Choir, ballet, 2 Fl, 2 Ob, 2 clarinet, 2 bassoon, 2 Hn, 2 Trp, 3trombone, timpani, harp, 2 Violin, Viola, Cello, Double Bass) SKU: BA.BA02282 Tragédie-opéra (Drame héroïque) in three acts. Composed by Christoph Willibald Von Gluck. Edited by Ludwig Finscher. This edition: complete edition, urtext edition. Linen. Christoph Willibald Gluck. Complete Works. Series I, Volume 6. Paris Version 1774. Complete edition, Score. Composed 1774. Duration 2 hours. Baerenreiter Verlag #BA02282_00. Published by Baerenreiter Verlag (BA.BA02282). ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline. Christoph Willibald Gluck’s most popular opera “Orphe et Euridice†was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.
Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$530.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| More Songs for Praise and Worship - Volume 5 Choral SATB SATB Word Music
(Choir/Worship Team Edition (No Accompaniment)). By Various. Sacred Folio. 272 p...(+)
(Choir/Worship Team Edition (No Accompaniment)). By Various. Sacred Folio. 272 pages. Word Music #080689444173. Published by Word Music
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Do You Hear What I Hear? SATB
Choral SATB SATB, Piano Shawnee Press
By Gloria Shayne and Noel Regney. Arranged by Harry Simeone. For SATB Choir (SAT...(+)
By Gloria Shayne and Noel Regney. Arranged by Harry Simeone. For SATB Choir (SATB). Shawnee Press. Choral, Sacred, Christmas. 8 pages. Shawnee Press #A0708. Published by Shawnee Press
(7)$2.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Evidence of Grace Choral SATB SATB, Piano [Octavo] Lorenz Publishing Company
Composed by Gwyn Williams. Arranged by Mary McDonald. For SATB choir, piano (wit...(+)
Composed by Gwyn Williams. Arranged by Mary McDonald. For SATB choir, piano (with optional rhythm). Sacred Anthem, Discipleship, General, Missions. Octavo. Lorenz Publishing Company #10/4778L. Published by Lorenz Publishing Company
$2.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| You Are Light Choral SATB Alfred Publishing
Choir Secular (SATB choir) SKU: AP.51088 Composed by Mark Burrows. Perfor...(+)
Choir Secular (SATB choir) SKU: AP.51088 Composed by Mark Burrows. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Peace/Brotherhood; Secular. Choral Octavo. 16 pages. Alfred Music #00-51088. Published by Alfred Music (AP.51088). UPC: 038081581255. English. In the light I have found my family, I am safe to sing my song. With a lightly syncopated, contemporary sound, this uplifting original expresses the need for a warm and welcoming community for all. Composer Mark Burrows reminds us that we can help others feel comfort and belonging simply by sharing our inner light. Perform with piano alone or with the addition of an optional djembe. Rich with opportunities for social-emotional learning. About Alfred Choral Designs The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests. $2.40 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Instant Worship Choir Collection - Bulk CD (10-pak) Choral SATB Word Music
SATB choir SKU: WD.080689757723 Arranged by Camp Kirkland, Dave Williamso...(+)
SATB choir SKU: WD.080689757723 Arranged by Camp Kirkland, Dave Williamson, Lari Goss, Robert Sterling, Russel Mauldin, and and More. Choral, cantatas. Sacred. Bulk CD (10-pak). Word Music #080689757723. Published by Word Music (WD.080689757723). UPC: 080689757723. Every choir leader knows that Sunday comes once a week, and there's always a need for sing-able arrangements that can be ready in an instant. The Instant Worship Choir Collection is packed with 20 dynamic arrangements that meet the need right when you need it! Perfect for small and large choirs alike (depending upon the circumstance: slim Sundays, summer choir, special event choir, snow choir, during busy seasonal rehearsal times) or whenever you want an easily-prepared song your choir is guaranteed to enjoy presenting.
20 song value collection, re-voiced to be able to be rehearsed and ready in 30 minutes. At $9.95, that is less than 50 cents per anthem! Practice Trax available. $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Instant Worship Choir Collection - Practice Trax Choral SATB Word Music
SATB choir SKU: WD.080689677021 Arranged by Camp Kirkland, Dave Williamso...(+)
SATB choir SKU: WD.080689677021 Arranged by Camp Kirkland, Dave Williamson, Lari Goss, Robert Sterling, Russel Mauldin, and and More. Choral, cantatas. Sacred. Practice trax. Word Music #080689677021. Published by Word Music (WD.080689677021). UPC: 080689677021. Every choir leader knows that Sunday comes once a week, and there's always a need for sing-able arrangements that can be ready in an instant. The Instant Worship Choir Collection is packed with 20 dynamic arrangements that meet the need right when you need it! Perfect for small and large choirs alike (depending upon the circumstance: slim Sundays, summer choir, special event choir, snow choir, during busy seasonal rehearsal times) or whenever you want an easily-prepared song your choir is guaranteed to enjoy presenting.
20 song value collection, re-voiced to be able to be rehearsed and ready in 30 minutes. At $9.95, that is less than 50 cents per anthem! Practice Trax available. $69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dearest Jesus, sore I need Thee (Liebster Jesu, mein Verlangen) Choral SATB Carus Verlag
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.310...(+)
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3103205 Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Liebster Jesu, mein Verlangen. Sacred vocal music, Cantatas, Epiphany. Choral Score. Composed 1726. BWV 32. 2 pages. Duration 24 minutes. Carus Verlag #CV 31.032/05. Published by Carus Verlag (CA.3103205). ISBN 9790007042493. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score available separately - see item CA.3103200. $2.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dearest Jesus, sore I need Thee (Liebster Jesu, mein Verlangen) Choral SATB Carus Verlag
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.310...(+)
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3103212 Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Liebster Jesu. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1726. BWV 32. 4 pages. Duration 24 minutes. Carus Verlag #CV 31.032/12. Published by Carus Verlag (CA.3103212). ISBN 9790007042516. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score and part available separately - see item CA.3103200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dearest Jesus, sore I need Thee (Liebster Jesu, mein Verlangen) Choral SATB Carus Verlag
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.310...(+)
SB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo SKU: CA.3103213 Cantata for the 1st Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Hans Grischkat. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Liebster Jesu. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1726. BWV 32. 4 pages. Duration 24 minutes. Carus Verlag #CV 31.032/13. Published by Carus Verlag (CA.3103213). ISBN 9790007042523. Key: E minor / g major. Language: German/English. Text: Lehms, Georg Christian. Text: Georg Christian Lehms. The text of the cantata Dearest Jesus, sore I need Thee for the 1st Epiphany Sunday 1726 was written by the Darmstadt poet Georg Christian Lehms. It is conceived as a dialog between Jesus and the Faithful Soul. Bach titled his cantata Concerto in Dialogo and accordingly, it is structured as a dialog between soprano and bass, set in the voice types that were - not only for Bach - typically used for the soul (soprano) and Jesus (bass). The cantata is based on the narrative of the twelve-year-old boy Jesus in the temple; however, in spite of closely following the gospel text, it is interpreted more widely here: it is through Jesus that the believer finds God's dwelling. Bach creates a great arch from the opening aria full of yearning and searching through to the joyful duet Nun verschwinden alle Plagen. He himself added the four-part closing chorale to the text model, thus communicating the sense of joyous certainty to the congregation of believers. Score and part available separately - see item CA.3103200. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| TNT: Noise Choral SATB Subito Music
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano SKU: SU.96010061 For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010061. Published by Subito Music Corporation (SU.96010061). Instrumentation: SATB Chorus, & Piano Duration: 5' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.T As a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Massthat I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing. Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi. At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and ... as a matter of practicality, I happily agreed. -- Joe Gianono Note: Taxi, Noise, and Time may be performed separately. $2.75 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Les Fêtes de l'Hymen et de l'Amour RCT 38 Choral SATB Barenreiter
Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Vo...(+)
Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Voice Solo, 4Bass Voice Solo, SATB Choir, ballet, Fl-picc, Fl, Musette, Trp, V, Fid, Va, timpani, bassoon, Vc, double bass, Continuo) SKU: BA.BA08858 Ballet héroïque in a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/14. Complete edition, Score. Duration 2 hours. Baerenreiter Verlag #BA08858_00. Published by Baerenreiter Verlag (BA.BA08858). ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac. Rameau's “Les Fêtes de l'Hymen et de l'Amour†was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïsâ€, “Zoroastre†and “Les Boradesâ€. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Arurisâ€, a scoring found nowhere else in his uvre.
For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour†presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$553.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Feel the Spirit - Volume I
Choral SATB SATB, Piano [Sheet music] Hal Leonard
Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal ...(+)
Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal only) (SATB). Hal Leonard Choral Collection. Choral and Gospel. Songbook. Vocal score notation. 240 pages. Published by Hal Leonard
(5)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Naïs RCT 49 Choral SATB Barenreiter
Voice soloists, SATB chorus, orchestra (4Soprano Voice Solo, 4Tenor Voice Solo, ...(+)
Voice soloists, SATB chorus, orchestra (4Soprano Voice Solo, 4Tenor Voice Solo, 5Bass Voice Solo, SATB Choir, Ballett, Orch) SKU: BA.BA08857 Opera with a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Pascal Denécheau. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/18. Complete edition, Score. Duration 12 hours. Baerenreiter Verlag #BA08857_00. Published by Baerenreiter Verlag (BA.BA08857). ISBN 9790006558209. 33.5 x 25.7 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac. The opera “Naïs†was premiered on 22 April 1749 at the Acadmie royale in the Palais-Royal, Paris, in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau’s death and achieved great success as the “opera of peace,†even though it did not appear in print during the composer’s lifetime.
In numerous arias Rameau provides his singers ample opportunity to shine, while he reveals his orchestral mastery, in particular in the chaconne and the various other ballets.
The work appears here for the first time in a vocal score with a keyboard reduction. The reduction is by François Saint-Yves on the basis of the new critical edition by Pascal Dencheau which is part of Opera Omnia Rameau edited by Sylvie Bouissou.
This edition is the result of a meticulous comparison of all known musical sources. In the main section, it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$550.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A New Horizon Choral SATB Alfred Publishing
Choir Secular (SATB choir) SKU: AP.48923 Composed by Greg Gilpin. Perform...(+)
Choir Secular (SATB choir) SKU: AP.48923 Composed by Greg Gilpin. Performance Music Ensemble; Single Titles. Alfred Choral Designs. Graduation; Secular. Choral Octavo. 16 pages. Alfred Music #00-48923. Published by Alfred Music (AP.48923). UPC: 038081562476. English. Carefully placed staccatos and well-chosen chord inversions illuminate the gospel style of this original anthem of hope. It's a perfect pep talk or pick-me-up theme song for whenever your program needs a lift. A solo voice becomes a duet before all the singers join in and grow with intensity. Several ascending key changes raise spirits, ensuring that the uplifting message resonates. Everything will be alright, everything will be okay, 'cause I can see a new horizon on a brand new day. If you don't perform with the kickin' SoundTrax accompaniment, be sure to add a groovin' drummer and riffing organ of your own. We dare you (and your audience) not to clap along! About Alfred Choral Designs The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| TNT: Taxi Choral SATB Subito Music
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano SKU: SU.96010060 For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010060. Published by Subito Music Corporation (SU.96010060). Instrumentation: SATB Chorus, & Piano Duration: 3:30' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately. $2.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| TNT: Time Choral SATB Subito Music
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Co...(+)
SATB Chorus, & Piano SKU: SU.96010062 For SATB Chorus, & Piano. Composed by Joseph Gianono. Vocal/Choral, Secular Choral. Accompanied by piano. Choral Octavo. Subito Music Corporation #96010062. Published by Subito Music Corporation (SU.96010062). Instrumentation: SATB Chorus, & Piano Duration: 4' Composed: 2012 Published by: Subito Music Publishing Minimum order quantity: 8 copies. Perusal copies are available by contacting (include the organization name with your request). To order quantities fewer than 8, please call customer service at (973) 857-3440. About T.N.TAs a matter of practicality, when I was first asked to write a piece for the New York Theatrical Community Choir in 2005 by its music director, David Wolfson, I immediately decided to write a Kyrie. After all, I thought..., the text is only about four words and eliminated the need for a lyricist. Most appealing, however, was the fact that it would bring me one step closer to finishing the Mass that I was in the process of writing. If ever there was a case to be made for divine inspiration this appeared to be it. David Wolfson liked the idea and casually mentioned that there was another Kyrie and a religious hymn on the program. He also mentioned that the choir consisted predominantly of actors that sing.Like a bolt of lightning, divine intervention interceded whereupon I instantly realized that he needed a piece to wake up the audience, not another Kyrie. I took a breath and spontaneously began to talk through and improvise the concept of a piece that became the basis for Taxi.At that moment I was clueless as to what kind of piece I would write but it appeared to be a good idea at the time. David's reaction to my presentation was something like Okay,...I have no idea what you are talking about but let's try it. After a very successful public performance, he was delighted that I decided not to write a Kyrie and remarked that writ-ing a piece like Taxi for this group was like feeding raw meat to a pack of hungry lions. At that moment, the idea of doing a trilogy of similar pieces was born. For the last two seasons of the choir's existence I was asked to write a new piece and... as a matter of practicality, I happily agreed.-- Joe GianonoNote: Taxi, Noise, and Time may be performed separately. $2.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Oreste HWV A/11 Choral SATB Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Alto Voic...(+)
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, SATB Choir, 2 Ob, 2 Hn, Str, Continuo) SKU: BA.BA04045 Opera in three acts. Composed by George Frideric Handel. Edited by Bernd Baselt. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Serie II-Supplement/1. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV A. Duration 2 hours. Baerenreiter Verlag #BA04045_00. Published by Baerenreiter Verlag (BA.BA04045). ISBN 9790006443536. 33 x 26.1 cm inches. Text Language: Italian. Anonymus. In 1734 Handel provided the pasticcio “ Oreste †for his third operatic enterprise which, following the bankruptcy of the Royal Academy and its successor academy, felt threatened by competition from the newly-founded Opera of the Nobility. Hence, the composer did not compile the work from favourite movements from his own and other composer's pieces as was usual at that time; rather in “ Oreste †he presented a selection of the most beautiful arias and ensembles exclusively from his own operas. In addition, he expanded the ballet and choral scenes which he thought would make a great impact after the move into the newly built Covent Garden Theatre. As most of the singers in his Italian company had been enticed away by the competition, Handel increasingly began to engage English virtuosi. He probably even worked on the new version of the libretto himself in order to place the new stars in the limelight to the best effect. The new vocal score is based on Volume 1 of the Supplement to Series II of the “Halle Handel†Edition edited by Bernd Baselt .
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$277.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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