SKU: AP.1-ADV8415
UPC: 805095084153. English. Traditional.
In writing these arrangements for clarinet quartet, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin. In other words, they have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation, and especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. Annotation on Aignish on the Machair: The arrangement of Aignish on the Machair, Folksong from The Hebrides, illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4-time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play.
SKU: HL.48182297
UPC: 888680839994. 9.0x12.0x0.183 inches.
â??French composer and conductor, Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions, Three Divertissements was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings, 2) Masquerade, and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet, providing an exciting alternative addition to the ensemble repertoire.â?.
SKU: AP.1-ADV8417
UPC: 805095084177. English. Irish Folksong.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation, and especially their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The original of The Sons of Liberty is of a more recent date and goes back to the time when the King of England forced the Irish farmers' sons to go to war in America against their own fellow countrymen who were striving for freedom there. The arrangement conveys the impression of a vigorous forward motion created by a recurring and changing riff. Although it is written in a somewhat more difficult key (E minor), it is not too exacting from the technical point of view.
SKU: AP.1-ADV8416
UPC: 805095084160. English. Traditional.
Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view, yet they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The interpretation of 'S mo lamh air a stiuir---the song of a helmsman living on the Isle of Skye---should be interpreted with the musicians paying careful attention to its dynamics and phrasing, which reflect the up-and-down motion of the stormy Arctic Ocean. For this arrangement, the key D minor, which is one whole tone lower than the original, has been chosen to make sure that the piece is playable, especially for a clarinet quartet.
SKU: BT.DHP-1084457-070
ISBN 9789043129046. 9x12 inches. English-German-French-Dutch.
The American composer George Gershwin (1898-1937) wrote the energetic song I Got Rhythm, with lyrics by his brother Ira Gershwin, in 1930 for the musical Girl Crazy. The story of Girl Crazy takes place in the theatre world of the 1930s. The Gaiety Theater in Deadrock, Nevada, is practically bankrupt, but the rich banker’s son Bobby Child turns things around. His passion for the theatre leads to the customary love vicissitudes and comical intricacies - and a new successful show.I Got Rhythm, now a jazz standard, has been performed over the years by numerous famous and not-so-famous artists. The chord scheme has become so well-known that it has been named rhythm changes, and is oftenused by jazz musicians. Der Jazz-Standard, aus dem das oft zitierte Akkordschema Rhythm Changes stammt, in einer flotten Bearbeitung für vier Klarinette in B. Questo arrangiamento vi permetter di chiudere in bellezza un vostro concerto con uno spumeggiante bis.
SKU: BT.1240-05-070-MS
ISBN 9789043140782. 9x12 inches. English-German-French-Dutch.
In the sixties Frank and Nancy Sinatra had a huge hit with thisdelightfully titled song. More recently it has been in the chartsagain with a version by Robbie Williams and Nicole Kidman.This arrangement for clarinet quartet will prove a most popularconcert item. Het duet Somethin’ Stupid, een nummer in cha-cha-chastijl, was al in de jaren zestig een hit voor Frank en Nancy Sinatra. Decennia later werd het opnieuw populair in de vertolking van Robbie Williams en Nicole Kidman. PeterKleine Schaars schreef voor vierstemmig klarinetensemble en optioneel slagwerk een fraai arrangement.Bereits in den 60er-Jahren des letzten Jahrhunderts landeten Frank und Nancy Sinatra einen Hit mit diesem Titel. Somethin’ Stupid ist einer der wenigen Songs, die das schnelllebige Pop-Business überleben werden. Viele Jahre später hatten Robbie Williams und Nicole Kidman Erfolg mit diesem Titel, den Roland Kernen für Klarinettenquartett mit optionalem Schlagzeug arrangierte. Dans les années 1960, Frank et Nancy Sinatra connaissent un immense succès avec la chanson Somethin’ Stupid, un duo aux délicats accents du cha-cha. Plus récemment, l’interprétation de Robbie Williams et de l’actrice Nicole Kidman a conquis les hit-parades du monde entier. Nel 1960, Frank e Nancy Sinatra conoscono un immenso successo con la canzone Somethin’ Stupid, un duo con delicati accenti cha-cha. Recentemente, l’interpretazione di Robbie Williams e Nicole Kidman conquista le hit-parades di tutto il mondo.
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