SKU: HL.4007564
UPC: 196288064954. 9.0x12.0x0.036 inches.
Scored for flexible instrumentation, this dynamic arrangement of the Spider-Man main theme includes three stylistic sections - the slow opening, delicate treatment in 3/4, and concluding with the exciting setting in 4/4.
SKU: BT.EMBZ12368SET
9x12 inches.
The teachers under whom Ãrpád Balázs (b.1937) studied composition - Ferenc Farkas, Aram Khachaturian and Goffredo Petrassi - each independently formed the opinion that with his lyrical gift Ãrpád Balázs's true creative field would be that of choral music and wind ensembles. Their early predictions are borne out by the roughly two hundred and fifty works for choir and almost twenty for wind orchestra that the composer has since produced. It is interesting that in the suite entitled Négy kép (Four pictures) the stylistic features of these two related musical fields are united. In it the wind instruments sing! It was not by chance that the expansive second movement was given thetitle Cantilena, while the slightly livelier but just as lyrical third movement was entitled Arietta. The opening movement of the work is a stridently jolly, energetic Induló (March), but not one of the rigidly military kind: the 6/8 rhythm contributes to its light-hearted character. This music is avowedly akin to the ballet music of Prokofiev. This choice series of four character pieces is crowned by Játék (Play) in which conveying the effect of the mixture of lines moving in parallel and then colliding with each other may be more technically demanding, but is well worth the effort! (Hungaroton HCD 31353).
SKU: BT.EMBZ12368
SKU: MH.1-59913-070-X
ISBN 9781599130705.
Program Notes: Stylistically diverse -- tranquil, spirited pastoral, sensitive, energetic -- exhibiting a remarkable palette, the five movements of SINFONIA IX form a unique symphonic statement. Movement I, Prelude, is about contrasts: A lazy, smooth, motive in brasses alternates with, and then joins, an active and detached motive in woodwinds. The spirited Movement II, Morley's Ghost, is an intricate canonic collage and homage to that venerable theoretician & composer, Thomas Morley. By contrast, movement III, Dialog, speaks in a relaxed, lyrical, and pastoral language as it develops its gently rising and falling motives. Movement IV, Waltz, innocently celebrates the joys of childhood with a lilting melody and rondo form. For the rousing Finale, Movement V begins with a martial call of repeated-notes, heralding a headstrong journey of power and excitement. Like a number of the composer's other works, SINFONIA IX is based on earlier material: A brass sextet, written in 1966 when the composer was nineteen years old, forms the raw material for the first, third and fifth movements, while a later work, Martin's Waltz (a children's piece for flutes and clarinets composed in 1975) is the basis of the fourth movement. The second movement, however, is a fanciful contrapuntal commentary on Thomas Morley's 16th-century canzonet, Fire and Lightning. SINFONIA IX is dedicated to John Raforth, a distinguished band director and music educator at West High School in Madison, Wisconsin. The work was commissioned by his friends and former students, and was completed in 1977. Its first publication some twenty years later is a result of the increasing attention paid by university band directors to the earlier Sinfonias, particularly Sinfonia III (Hymns and Dances); Sinfonia V (Sinfonia Sacra et Profana); and now, Sinfonia IX. Whereas the first two works are wind ensemble compositions that have been championed equally by the concert band, Sinfonia IX is the composer's first college-level Sinfonia written especially for concert band. Ensemble instrumentation: 1 Piccolo, 8 Flute 1-2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 2 Bassoon, 4 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 3 Trombone 1, 3 Trombone 2, 3 Baritone B.C., 2 Baritone T.C., 4 Tuba, 3 String Bass, 2 Timpani, 5 Percussion.
SKU: MH.1-59913-071-8
ISBN 9781599130712.
SKU: CL.012-4402-75
This solemn and remarkable composition from Sergius Taneiev, transcribed by Andrew Glover, is an exceptional tour de force for concert band. Stylistically reflective of Russian nationalism of the late 1800s, and exploring the full sonorities of the band, this work provides both the opportunity for delicate, lyrical performance as well as a robust climax. Intense at times, while reflective at others, Temple of the Gods offers a unique performance opportunity for mature bands. Exceptional!
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: CL.012-4402-01
SKU: AP.38358
UPC: 038081430911. English.
Vaughan Williams traveled during 1903 to 1906, collecting folk songs first-hand from residents. Four of the fifteen titles he published for voice and piano in the original volume comprise Folk Songs from the Eastern Counties, including The Lost Lady Found, The Lark in the Morning, Bushes and Briars, and Ward, the Pirate. Scored for concert band exactly as they were first published, with much of the accompanying material also being drawn from RVW's harmonizations and stylistic interpretations. Experience these cherished authentic folk songs creatively complied for your concert band. (3:30) This title is available in MakeMusic Cloud.
SKU: BT.CMP-0780-04-010
Feature the section that “delivers the energy†in this great new arrangement by James Curnow. Based on a French folk song that tells a story about three young drummer boys, the music uses imitation, question and answer and stylistic rhythmic figures to challenge these proud musicians.While featuring the Percussion section, there are also great parts for everyone else, so the entire group will stay engaged and productive in rehearsal.Spirited!
SKU: HL.4008219
UPC: 196288139102.
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!
SKU: HL.4008218
UPC: 196288139096. 9.0x12.0 inches.
SKU: KJ.WB281
UPC: 8402700360.
From the composer of Synergy and Tharsos comes a folk song setting for intermediate bands. The Green Blade presents the French carol Now the Green Blade Riseth in a theme-and-variations format; it employs a variety of meters and textures with good dynamic and stylistic contrast. The Green Blade is sure to please.
SKU: HL.44010621
UPC: 884088498146. 9x12 inches.
James Curnow's grade 1 holiday arrangement is an energetic exploration of four great carols. Nice counterpoint and stylistic subtleties help your band reach for a higher level of performance. Staccato, full value, detached, accented, slurred; it's all here. There is SO much you can teach your band in this arrangement! Plus, it can also be used as an audience sing-along. Outstanding!
SKU: CL.012-5014-01
This stunning debut composition from the pen of Lucas Johnson, Valley of the Fallen Lords is a bold and exciting programmatic work for advanced bands. Composed in a film score style with a powerful opening theme, your ensemble will fly through rapid stylistic changes with multiple solo opportunities throughout. A lyrical and lush middle section opens the door for a very expressive and emotional performance with soaring melodies and warm harmonies. You won’t want to miss this one! Our highest recommendation!
SKU: CL.012-5014-00
SKU: CL.012-4501-75
One of the most melodic and musical of all American old line marches, The American Red Cross is an audience-pleasing toe tapper from start to finish! Bright and tuneful, this sparkling march will be a welcome addition to any concert program, and of course also makes for an excellent contest selection. Great stylistic and dynamic contrasts provide for a truly musical march performance. Our highest recommendation!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-4501-00
SKU: CL.012-4501-01
SKU: HL.44010591
UPC: 884088495244. 9x12 inches.
It's sometimes hard to find just the right piece for that middle ground between the grade 2 young band and the fully functioning grade 3 group. The importance of this growth period in the band's musicality is often overlooked by band composers. James Curnow's On a Renaissance Carol is a great intermediate step with its slightly more exposed orchestration and integral independence of parts. Subtle phrasing, dynamics and stylistic considerations help you take your group to new heights.
SKU: CL.RWS-1812-01
Written for beginning band, this energetic processional is a perfect choice for concert, contest or ceremonial use. A valuable tool for teaching articulations and stylistic contrast, The Royal Horsemen is also a wonderful opener or closer for your next beginning band concert.
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