SKU: HL.48024675
ISBN 9781540058515. UPC: 888680952495.
Created in 2004 for the radio production Orlando furioso of the WDR, 'Orlando-Lieder' tries to give new and colourful form to the old narrative style of an invented time of troubadours. Tenderness is juxtaposed to passion, harmony to brusqueness. The voice of the countertenor symbolizes the objective observation of what is happening in the novel by one of the balladeers travelling the courts of the world and informing us about the adventures of people, their strange encounters and their great emotions.Mezzo-Soprano and Piano. Contents: Lied der Sehnsucht * Lied der Wehmut * Der Hippogryph * Hexensabbat * Orlandos Traum * Logistillas Schloss * Amors Pfeil * Insel der Dufte * Lied der Augen * Eis * Liebesschmerz * Lied vom Meer * Lied vom Mond * Untrostlich * Erwachen.
SKU: SU.32040040
Mezzo-Soprano & Piano Duration: 17' Composed: 2014 Published by: Amy Mills Music, LLC These three art songs can be performed independently or in sequence, at any time of the year. Stuart McAlpine’s profound text explores three men from the Christmas story, Joseph, the Inn-keeper, and Simeon. The creative and beautiful musical settings allow for powerfully dramatic interpretation and performance. To Joseph (who taught me how to look at art) The singer sings to Joseph, …you beheld a work of art, the making of a holy heart… and watching through Joseph’s eyes, when hung at last, its meaning was decreed. (4:40) The Inn-keeper’s Lament McAlpine brilliantly explores the possibility…what if the inn-keeper who turned away Mary & Joseph later became the inn-keeper who accepted the injured man brought in by the Good Samaritan? This powerfully dramatic piece depicts the Bethlehem inn-keeper’s bravado, Caeser’s decree was heaven sent, as guests raised glasses, I raised rent! But as the enormity of his mistake became apparent, in later years he bemoans, …if I’d known then what I know now… and finally declares at the end, I know now! (7:50) Simeon’s Last Prayer Simeon sings of being summoned to the temple where he holds his infant Savior. …then as grandfathers do, rejoiced as if he were my one-and-only too. As he leaves he whispers his final prayer, …dismiss your servant, to find You face-to-face. (4:30) Difficulty Level: Baritone/Mezzo-Soprano 6 (Professional) (Baritone Range: low A (optional low G) to high F# (optional high G,A) (Mezzo Range: low A (optional low G) to high G (optional high A) Piano 6 (Professional)(Same level as Debussy or Ravel) See also the version for Baritone Voice and Piano See composer website for audio sample.
SKU: HL.48024511
ISBN 9783793142331. 9.0x12.0 inches.
Using four well-known poems by Else Lasker-Schüler as basis of a vocal work does not mean “setting to music†in the customary sense to the composer Lothar Voigtländer from Dresden: The colourful figure of the poetess, her unusual imageries, her (even religious) visions, as well as her close relation with renowned fine artists of her time had been on his mind for quite some time and in 2009 found their way into this composition: The dramatic, irregularly declaiming singing voice is harmonised with mystic, exotic piano farlands and the sounds of bells. At the composition competition of the Viennese Mahler Society in 2010, the songs were awarded the 1st prize.
SKU: BA.BA11022
ISBN 9790006542307. 34 x 27.5 cm inches. Text Language: Italian. Text: Dino Campana.
For Beat Furrer, the poet Dino Campana (1885–1932) is “probably the only one of the Italian writers of his time who was capable of bringing to life the new futuristic ideas with a great poetic power and a strong association with the Italian and French literature of the past.†Campana’s highly poetic images taking in the night-time view of the skies, for instance, or a town in which the people seem to wander around like lost souls, become a fantasy on endlessness, an unforgettable musical impressions in Furrer’s songs.
SKU: BT.ALACF021192
French.
This Book and CD collection of Volume 1 of Les Plaisirs Du Bel Canto features a selection of songs for singers that have been taken from the classic repertoire of the great operas. For Mezzo-SopranoVoice.
SKU: HL.14027822
ISBN 9788759877579. English.
Roses Are Falling - 5 songs for Mezzo-Soprano and Piano by Bent Sorensen (1998) with lyrics by Selima Hill. Programme note: Roses are Falling had its origin in a small opera sketch I created with the English poet Selima Hill in just under a week during an opera workshop in the south of England in the autumn of 1998. After the workshop I was asked to make a song cycle out of the material. The opera sketch begins with a woman and a man sitting alone in a room. They have drawn aside from the rest of a large party and they have just decided to finish their love affair. The other guests at the party come into the room, and amidst the crowd the man leaves the room. The women is leftthere alone among all these inconsequential people: alone, singing her own thoughts and torment. The first three songs were all taken from this part. In the fourth song, which was written late, the text is taken from one of Selima Hill's poetry collections. The fifth and last song comes partly from the beginning of the opera, where the man and the women sit alone (she knows what is coming), partly from the end of the story, where despite the gab in time and space they touch each other with their dreams. His voice is heard as a whisper that merges with hers: He takes me in his arms like the moon that turns and take the evening from the sun. Roses are Falling was premiered in 2000 in London by Lore Lixenberg and Domenic Saunders.
SKU: HL.50601581
For mezzo-soprano, cello and piano. 2003.
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SKU: HL.50601582
2003.
SKU: EC.9317
UPC: 600313311260. English.
This setting of a poem by Danusha Laméris captures a tender moment of departure between lovers, expressed through rich imagery of soft beds and the anticipation of rain. Laméris' evocative words paint a scene of intimacy and longing, with a subtle plea for peace amidst the chaos of the world. The song delicately explores themes of love, memory, and the transient beauty of fleeting moments.
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