SKU: HL.50563503
Inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
SKU: HL.50563582
UPC: 073999635829. 11.0x14.0x0.025 inches.
SKU: FP.FWS11
ISBN 9790570503995.
Eternal Summer is Stephen Wilkinson's sequel to Sunlight on the Garden. It features songs written in the composer's eighties and nineties, elegantly set by recorder virtuoso John Turner. As simply put in a review in the Yorkshire Post, 'In the field of choral music, Stephen Wilkinson is a genius'.
SKU: SU.96010120
Collected Songs from Finland, Norway, Sweden and Denmark Volume 2 of 3Collected and Edited by Mimmi Fulmer Instrumentation: Medium Voice & Piano Published by: Subito Music Publishing Also available: CD-ROM with texts, translations, IPA and audio recordings of native speakers reciting each text! (cat. no. 96010111).
SKU: SU.96010130
Collected Songs from Finland, Norway, Sweden and Denmark Volume 3 of 3Collected and Edited by Mimmi Fulmer Instrumentation: Medium Voice & Piano Published by: Subito Music Publishing Also available: CD-ROM with texts, translations, IPA and audio recordings of native speakers reciting each text! (cat. no. 96010111).
SKU: HL.49041362
The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of Unpublished pieces for an eventual complete edition. The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor. Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary. The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.
SKU: SU.96010110
Collected Songs from Finland, Norway, Sweden and Denmark Volume 1 of 3Collected and Edited by Mimmi Fulmer Instrumentation: Medium Voice & Piano Published by: Subito Music Publishing Included with volume CD-ROM with texts, translations, IPA and audio recordings of native speakers reciting each text!
SKU: HL.50603593
ISBN 9788881920709. UPC: 840126945102. 8.0x10.5x1.3 inches. Italian-English.
Donizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because of censorship issues, particularly in the south of Italy, it was initially slow to become popular, by the late 1830s it had become one of the composer's most popular operas, both in Italy and abroad, and remained an essential part of the composer's oeuvre until at least the end of the nineteenth century. Remarkable for its daring subject matter (with an unconventional, forceful heroine), it is also renowned for its challenging mixture of the comic and the tragic, something very unusual at the time and clearly an important influence on Giuseppe Verdi's middle period masterpieces. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on Donizetti's autograph manuscript (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on several printed editions of voice and piano, and on numerous additional scores of the period. It presents for the first time all the numerous additions that the composer made to the score over the course of ten years: a fascinating record of his changing music dramatic attitudes during this period. There is also a synthetic historical reconstruction of the genesis of the opera and of the description of the Sources as well as a selection of most interest to singers of Critical Commentary Notes.Rappresentata per la prima volta al Teatro alla Scala il 26 dicembre 1833, Lucrezia Borgia e considerata una fra le piu importanti e innovative opere di Donizetti. Sebbene le resistenze della censura, soprattutto nel sud Italia, ne causarono inizialmente una lenta diffusione, dalla fine degli anni '30 dell'Ottocento essa divenne uno dei lavori piu popolari e significativi del compositore e tale rimase fino alla fine del XIX secolo. Notevole per il suo audace soggetto (con un'eroina non convenzionale e dalla forte personalita) essa e rinomata anche per l'impegnativa commistione di comico e tragico, un tratto piuttosto inusuale per l'epoca, che ebbe una chiara influenza sui capolavori verdiani di meta secolo. La presente riduzione per canto e pianoforte e condotta sull'edizione critica della partitura, da poco pubblicata in questo stesso catalogo: si basa sul manoscritto autografo di Donizetti (conservato presso l'Archivio Storico Ricordi di Milano), sul libretto della prima rappresentazione, su alcune riduzioni a stampa per canto e pianoforte e su varie altre fonti dell'epoca. L'edizione presenta per la prima volta tutte le aggiunte che il compositore apporto alla partitura nel corso di dieci anni, costituendo un'affascinante testimonianza dei mutevoli approcci di Donizetti alla materia drammatico musicale durante questa fase della sua carriera. Il volume comprende una sintesi della ricostruzione della genesi storica dell'opera e della descrizione delle fonti e una selezione di Note del Commento Critico fra quelle piu funzionali alle esigenze di cantanti e pianisti accompagnatori.
SKU: BR.EB-8888
ISBN 9790004185117. 0 x 0 inches. German.
The piano-accompanied Lied is undoubtedly the main genre of Pauline Viardot-Garcia's oeuvre. With this volume, we present settings of German texts by such poets as Ludwig Uhland, Eduard Morike, Johann Wolfgang von Goethe, Heinrich Heine, Emanuel Geibel, Ludwig Rellstab and Richard Pohl. Except for the Uhland settings, these German Lieder were written between 1862 and 1871 during Viardot's Baden-Baden period, when she shifted the focus of her activities from singing to composing and teaching. Here she worked, among other things, on the poetry of Eduard Morike, which she called the greatest and most genuine in all German poetry after Goethe.One of her first published songs was the setting of the Uhland poem Des Knaben Berglied. Accompanying herself on the piano, she performed it in 1838 on her first concert tour of Germany. A performance of the song at the Leipzig Gewandhaus prompted Robert Schumann to remark: She showed three talents here [composition, singing and piano playing], each of which would grace its artist. Through her music, Viardot brings the creatures in the poems to life, tracing their different characters and inner states, thus giving the texts a new level of interpretation.Miriam-Alexandra Wigber's recordings of songs from this edition can be found on YouTube.
SKU: HL.49046002
9.0x12.0x0.266 inches.
Singer Serenad Bagcan and Fazil Say recorded ten songs on texts by the most famous Turkish poests for the CD album Ilk Sarkilar (First Songs) in 2013. In these early compositions, Say lays the foundation for many melodic elements of later large-scale works such as the Nazim Oratorio and the etin Altiok Requiem. The style of these songs resembles French chansons and evokes a feel of world music. The cycle also makes for a rewarding collection of piano pieces when played without a singer. Songs are in Turkish. Introductions are in Turkish, German, English, and French.
SKU: HL.48189763
UPC: 888680831028. 8.5x12.0x0.145 inches.
Cinderella is an opera-story created by Isabelle Aboulker in French and based on a story by Charles Perrault. Featuring the scores for Voice and Piano, this piece requires different voices to sing the characters'' parts (including 3 sopraninos) and an actor for the story-telling. The Piano part can be played easily by a professional player. This piece was recorded for audio-books, had representation for children in Paris theatre and is generally really enjoyed by the audience. Isabelle Aboulker is a French composer specially known for her opera, her vocal works, and for her adaptations of stories and fables..
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