SKU: HL.49045875
The Catalan composer and vihuela player Luis de Milan (1500-1561) ranks among the most important composers of the Spanish Renaissance. His collection El Maestro from 1536 was the first publication of vihuela music in music history (the vihuela is a predecessor of the guitar). The six pavans contained therein are typical examples of the stately processional dance. According to the etymological derivation of'pavo' (Spanish/Latin: 'peacock'), this characteristic bird call which can be performed freely and naturalistically by the saxophoneplayer can sometimes be heard in this 'peacock's dance'. World premiere: 15.2.2017 Ballhaus Berlin, with Domiki Wollenweber (cor anglais) and the saxophone quartet CLAIR OBSCUR. Also published by Schott: a version for alto saxophone (cor anglais) and organ (ED 21260).
SKU: HL.50565949
ISBN 9781540056498. UPC: 888680948313.
SKU: BT.DV-10386
SKU: BT.DV-11051
Italian.
SKU: BT.DV-11052
English.
SKU: LM.C06249
ISBN 9790230362498.
SKU: LM.C05903
ISBN 9790230359030.
SKU: LM.C05886
ISBN 9790230358866.
SKU: M7.DOHR-27445
ISBN 9790202014455.
SKU: M7.DOHR-27452
ISBN 9790202014523.
SKU: M7.DOHR-17675
ISBN 9790202036754.
Das freudige norwegische Lied in der vorliegenden Saxophonquartettfassung eignet sich gut als kleines Konzert-Intermezzo in der Weihnachtszeit. Die leicht spielbare Bearbeitung umfasst drei Strophen des Liedes. Für die Oberstimme des Quartetts ist in erster Linie das Altsaxophon vorgesehen. Die Edition enthält zusätzlich auch einen alternativen Sopransaxophon-Part. Dieser liegt zum Teil eine Oktave höher als die Altsaxophonstimme der Partitur. Bei chorischer Besetzung unserer norwegischen Weihnachtsmusik kann es auch reizvoll sein, die Melodie mit Altsaxophon und Sopransaxophon zu besetzen. (Albert Loritz).
SKU: HL.4008563
ISBN 9798350110623. UPC: 196288179931.
“Tico-Tico†is a well-known Brazilian piece composed by Zequinha de Abreu. Georges Sadeler arranged this work for Saxophone and Clarinet Quartet. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe.
SKU: HL.4008559
ISBN 9798350110586. UPC: 196288179894.
“Cool Stuff†is a 2-minute, incredibly groovy piece for saxophone quartet. The performance demands a highly funky and percussive interpretation to bring out the “coolest†groove. Let's get the audience up and fully entertained! The Soprano Saxophone part can optionally be played on Alto Saxophone. Tim Kleren is a renowned composer, conductor, and percussionist from Luxembourg. He works as a full-time member of the Luxembourg Military Band “Musique Militaire Grand-Ducale†and serves as a teacher at the music school “Union Grand Duc Adolphe†(U.G.D.A.). In 2016, he successfully completed his Master's degree in Wind Band Conducting with great distinction. As a composer, his works are performed by wind bands and brass bands across Europe, as well as in Singapore and Tokyo, gaining recognition and appreciation worldwide.
SKU: HL.48024644
ISBN 9781784544010. UPC: 888680949082. 9.0x12.0x0.273 inches.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parker's playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
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