SKU: HL.4007909
Crossover Suite No. 1 comprises of five stylistically very diverse movements. 1. Introduction: A brisk opening leads to a bass groove on baritone saxophone. Various animated stylistic elements such as finger snaps are contrasted with 'straighter' elements familiar from march music. 2. Viennese Waltz: A waltz in a minor key, with the characteristic and unmistakable accompaniment in the Viennese style. 3. Roundabout: Roundabout is a rondo with recurring motifs and a point of rest in the adagio. 4. Stomps and Claps: As the name suggests, the work is performed with the help of hands and feet. Body percussion alternates with technically demanding passages. 5. Finale: A rapid final movement with a dolce middle part leads to a furious closing section with changes of meter and some dynamic surprises. Each movement can also stand on its own, but when performed as a complete suite this compositition shows off the full breadth and capability of a saxophone quartet.
SKU: PE.EP68235A
ISBN 9790300760261. 232 x 303mm inches.
Etude IV. from 12 Etudes in All the Minor Keys. Arranged for saxophone quartet by Matt Evans.
Matt Evans is a saxophonist in the U.S. Army Band “Pershing’s Own.” He is a founding member of the Zzyzx Quartet, Project Fusion and the Eastman Saxophone Project (ESP), and is a laureate of the Fischoff, Plowman, Coleman, J.C. Arriaga, and MTNA competitions.
One of the most pleasant surprises I’ve had in my composing life was my accidental discovery of the Zzyzx Quartet’s arrangement of this etude. If asked, I would have never thought that my piece could be adapted to the medium of the sax quartet! But Matt Evans’ ingenuity as an arranger, coupled with a genuinely masterful performance which managed to capture the true spirit of the work, convinced me completely. I am so happy to have a small part in contributing to the sax quartet literature! - Marc-Andre Hamelin
SKU: HL.49045875
The Catalan composer and vihuela player Luis de Milan (1500-1561) ranks among the most important composers of the Spanish Renaissance. His collection El Maestro from 1536 was the first publication of vihuela music in music history (the vihuela is a predecessor of the guitar). The six pavans contained therein are typical examples of the stately processional dance. According to the etymological derivation of'pavo' (Spanish/Latin: 'peacock'), this characteristic bird call which can be performed freely and naturalistically by the saxophoneplayer can sometimes be heard in this 'peacock's dance'. World premiere: 15.2.2017 Ballhaus Berlin, with Domiki Wollenweber (cor anglais) and the saxophone quartet CLAIR OBSCUR. Also published by Schott: a version for alto saxophone (cor anglais) and organ (ED 21260).
SKU: SU.27180070
A short, driving piece with a small lyrical section that shows off all the quartet members.Saxophone Quartet Duration: 3'40 Composed: 2022 Published by: Brodack Music.
SKU: HL.49046152
9.0x12.0 inches.
Minimax was premiered in 1923 in the original version for string quartet at the Donaueschinger Musiktage and edited in 2014 by Christoph Enzel for saxophone quartet. The 6 parodies of military music perfectly match the saxophone, the wit and spirit of the compositions can be transferred without restriction. Some coarseness works almost better on the saxophone than in the original.
SKU: SU.25300270
Saxophone Quartet (SATBari) Duration: 7' Composed: 2003 Published by: Anthony Cornicello.
SKU: SU.92050460
Saxophone Quartet Duration: 17' Composed: 2019 Published by: Subito Music Publishing.
SKU: HL.4008563
ISBN 9798350110623. UPC: 196288179931.
“Tico-Tico†is a well-known Brazilian piece composed by Zequinha de Abreu. Georges Sadeler arranged this work for Saxophone and Clarinet Quartet. Georges Sadeler, born in 1988 is a Luxembourgish composer and saxophonist with the Grand Ducal Military Band of Luxembourg. His father kindled his interest in composing and arranging at an early age, a study he later continued under his two teachers Marco Pütz and Claude Lenners, both of whom taught at the Conservatoire of Music, Luxembourg. He gradually began to establish his own style, combining the enormous range of possibilities of contemporary music and classical music and, in the years that followed, he won six first prizes at various national and international composition competitions. His works have since been performed all over Europe.
SKU: SU.29070030
Saxophone quartet Duration: 11’ Composed: 2015 Published by: Shuying Li.
SKU: SU.26190100
Extended polystylistic single movement fantasy quartetSaxophone Quartet Duration: 16' Composed: 1984 Published by: Freundworks Publishing (ASCAP).
SKU: HL.48024645
ISBN 9781784544034. UPC: 888680949099.
In 1989 when Louis Andriessen was teaching at the State University of New York at Buffalo, Miles Davis Autobiography was published.While reading it, he suddenly knew what the subject of his piece for the Kronos Quartet should be - early be-bop licks and especially the work of Charlie Parker. He wanted to do the impossible - be-bop is not at all idiomatic for string instruments. But be-bop had been an important influence on his musical development when he was young, and he decided to do something with this music from his youth. Basically the essence of Charlie Parkers playing is the extremely fast tempo. This fast tempo is really fast, because the playing is based upon the chord structure of existing melodies which are sometimes played two or three times as fast as normal. Parker needed speed to express what he musically felt: little time was left for him. This is the main explanation of the title of the work.In the beginning of Facing Death, Andriessen literally quotes fragments of Charlie Parker improvisations. He also quotes one original melody: Ornithology (which is based on How High the Moon). The 7th and 8th bars of Ornithology become an important motif inthe piece. The whole composition is one long development in Parker's fast tempo. This work was composed in 1990 for string quartet and later arranged for saxophone quartet.
SKU: HL.4008559
ISBN 9798350110586. UPC: 196288179894.
“Cool Stuff†is a 2-minute, incredibly groovy piece for saxophone quartet. The performance demands a highly funky and percussive interpretation to bring out the “coolest†groove. Let's get the audience up and fully entertained! The Soprano Saxophone part can optionally be played on Alto Saxophone. Tim Kleren is a renowned composer, conductor, and percussionist from Luxembourg. He works as a full-time member of the Luxembourg Military Band “Musique Militaire Grand-Ducale†and serves as a teacher at the music school “Union Grand Duc Adolphe†(U.G.D.A.). In 2016, he successfully completed his Master's degree in Wind Band Conducting with great distinction. As a composer, his works are performed by wind bands and brass bands across Europe, as well as in Singapore and Tokyo, gaining recognition and appreciation worldwide.
SKU: SU.29090050
A fast bravura scherzo, for advanced players. Ideal as a concert finale or encoreSaxophone Quartet Duration: 4' Composed: 1997 Published by: DSyrah Music Publishing.
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