SKU: AP.1-ADV7621

UPC: 805095076219. English.

Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes are---in a direct or wider sense---of Celtic origin, in other words, they have been borrowed from the Irish, Scottish and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts.

Annotation on Aignish on the Machair. The arrangement of Aignish on the Machair illustrates, above all, the melancholic character inherent in the harmonies of the original tune. A short rubato passage is followed by several variations over the flowing melody in 3/4- time. The short triplet passages embedded in these variations are quite demanding from the technical point of view; considering the key they are written in, however, these passages are not too difficult to play.

SKU: AP.1-ADV7623

UPC: 805095076233. English. Traditional.

Writing these arrangements, Frank Reinshagen has created little masterpieces, which broaden the rhythmical and harmonic context of the original tunes in an interesting manner without detracting from their archaic and melancholic character. These original tunes have been borrowed from the Irish, Scottish, and Gaelic musical tradition. These through-composed arrangements are rather easy to perform from the rhythmical and technical point of view. Yet, they are quite demanding in respect of the key they are written in, their intonation and, especially, their interpretation. Their different instrumentations are fully compatible with each other and, due to their overall structure, they are also suitable to be played with multi-scored parts. The original of The Sons of Liberty is of a more recent date and goes back to the time when the King of England forced the Irish farmers' sons to go to war in America against their own fellow countrymen who were striving for freedom there. The arrangement conveys the impression of a vigorous forward motion created by a recurring and changing riff. Although it is written in a somewhat more difficult key (E minor), it is not too exacting from the technical point of view.

SKU: AP.1-ADV7443

UPC: 805095074437. English.

Memories Arrested in Space features six compositions for saxophone quartet inspired by Jackson Pollock paintings from 1947. This one, The Beauty of Space, subtitled Reflections of The Big Dipper, is a modern excursion with improvised solos for all, is not technically difficult, but it demands strong interpretation skills in the contemporary idiom. Long pauses throughout serve as pivotal points of reflection for players and listeners alike.

SKU: AP.1-ADV7637

UPC: 805095076370. English.

Gregory W. Yasinitsky (b. 1953), Coordinator of Jazz Studies and Professor of Music at Washington State University, has a national reputation as a composer, arranger and saxophonist. He is a recipient of grants and awards from the National Endowment for the Arts, Meet the Composer West, Artist Trust, and ASCAP. His compositions and saxophone playing can be heard on recordings released by Soul Note, Palo Alto Records, the Musical Heritage Society, Vienna Modern Masters, Arizona University Recordings, Open Loop Recordings, and his own label, Yazz Recordings. Under Yasinitsky's leadership, the Washington State University Jazz Studies Program has received widespread recognition including awards from Down Beat magazine. Titles: I. Relaxin (easy swing) * II. Night Music (relaxed blues) * III. Southern Exposure (Latin).

SKU: AP.1-ADV7634

UPC: 805095076349. English.

Drei Allemanden und eine Tripla is from the repertoire of the Berlin Saxophone Quartet, arranged for four Saxophones (SATBar/ AATBar) and percussion ad lib by Friedmann Graef.