SKU: TM.06595SET
The Erl King, The Trout, Cradle Song, Hedge-Rose, Ave Maria, Hark Hark The Lark, Serenade, By the Sea, To be sung on the Warter, My Sweet Repose, The Wanderer, Praise of Tears, Gretchen at the Spinning Wheel, Omnipotence. P/C in set.
SKU: CA.4065911
ISBN 9790007085452. Key: A flat major. Language: Latin.
Franz Schubert's Mass in A-flat major: A work that time and again occupied the composer anew, with which he, in his words, strived towards the highest in art - and perhaps only wished to receive a court appointment in Vienna. His efforts to present a new, individual mass led, at any rate, to unconventional solutions (and an unusual key), a renunciation of plain acclamation, a reduction of pathos in favor of an exceptionally elaborate composition, particularly the first part - a brilliant missa solemnis for the ceremonious organization of the court church service and, at the same time, the public presentation of an ambitious composer's artistic competence. Score and part available separately - see item CA.4065900.
SKU: CA.4065712
ISBN 9790007085292. Key: B flat major. Language: Latin.
With a total duration of about 30 minutes, Schubert's Mass in B flat major (D 324), written in 1815, is considerably longer than Mozart's and Haydn's classical Brevis masses, and its large instrumental ensemble with strings, woodwinds, brass and timpani even gives it a clearly solemn character. Overall, Schubert was inspired by the late Haydn style of the symphonic mass (e.g., the division into six large movements, the omission of arias for the vocal soloists who are instead juxtaposed with the choir, singing short passages either singly or as a group) without, of course, achieving its temporal expansion. This is a representative, musically appealing work that excels with its multi-layered, detailed text treatment. It is, therefore, suitable for special occasions and the high feasts of the church year and can be mastered well by experienced church choirs. Score and part available separately - see item CA.4065700.
SKU: CA.4066050
ISBN 9790007294533. Key: E flat major. Latin.
Schubertâ??s Mass in E-flat major is the last of his six settings of the Ordinarium Missae (Mass ordinary) and also his most important work in this genre. The mass is full of color and drama, infused with the spirit of confession. For many choirs, it is on the wish list of those works they would like to sing someday. But what happens if you donâ??t have enough singers, money is tight, and your venue is on the small side? Here the experienced arranger and orchestral musician Joachim Linckelmann has a great solution. His version for soloists, choir and chamber orchestra requires only 7 winds rather than the original 13. The string parts, while identical to the original, can now also be scaled back. The vocal parts (soloists and chorus) are completely untouched by the arrangement, so that the vocal scores and choral scores of the Carus Urtext edition can also be used for performanceâ?˘,A large-scale work now arranged for smaller choirs â?˘,13 winds of the original version reduced to 7 instrumentsâ?˘,Vocal scores and choral scores of the original version can still be usedâ?˘,carus plus: The work (original version) is available in the app carus music, the Choir Coach, as well as in our Carus Choir Coach series (audio only).. Score available separately - see item CA.4066000.
SKU: BA.BA05576
ISBN 9790006575954. 31 x 24.3 cm inches. Key: E-flat major. Text Language: Latin.
We know relatively little about the genesis of Schubertâ??s Mass in E-flat major (D 950) which he completed in 1828, a few months before his death. The work was not performed during his lifetime and we can only speculate what might have caused the composer to write this Missa solemnis.In the preface to this volume of the New Schubert Edition, editor Rudolf Faber assembles all documented facts. Furthermore, he focuses on the accents, which are such a characteristic element of Schubertâ??s autograph scores, and explains how Schubert used them in a very differentiated manner, in particular in the Mass in E-flat major. In order to do justice to these subtle differences, the New Schubert Edition has introduced a new symbol: an accent which is flexible with regard to its length and which makes it possible to visualize Schubertâ??s sophisticated employment of emphasis and accentuation.The work is scored for large orchestra (without flutes), chorus, and one soprano as well as two tenors as soloists. In Schubertâ??s autograph the organ is not explicitly called for, but Ferdinand Schubert added an organ part for the posthumous premiere on 4 October 1829 at the Dreifaltigkeitskirche of Vienna Alservorstadt.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA05566
ISBN 9790006497331. 33 x 25.5 cm inches. Language: German. Preface: Mario Aschauer. Text: Johann Mayrhofer.
SKU: CA.7006509
ISBN 9790007244729. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and parts available separately - see item CA.7006500.
SKU: BA.BA05657
ISBN 9790006566358. 31 x 24.3 cm inches. Key: C major. Text Language: Latin. Preface: Rudolf Faber.
This edition of Franz Schubert’s “Magnificat” D 486 is based on the composer’s autograph score and is the first to make use of his authorised performance material. It offers alternative readings that make the performance practice of Schubert’s day accessible to today’s performers. This entertaining large-scale “Magnificat” was composed in September 1815.The edition is based on the Urtext from the “New Schubert Edition” and offers an informative Foreword with editorial notes in German and English. The original figured bass numerals found in Schubert’s score have been modernised in all performance material and meticulously adapted to meet the demands of today’s performers.
SKU: CA.7006503
ISBN 9790007166007. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score available separately - see item CA.7006500.
SKU: CA.7006513
ISBN 9790007244705. Language: German.
In spring 1816 Franz Schubert, just nineteen years old, completed his second setting of the Stabat Mater in the midst of a highly productive period. In contrast with his first setting written the previous year, just five minutes in length, this time Schubert used the German translation by Klopstock as the basis for his composition. Stefan Schuck's edition is the first one of this work to be based on a critical evaluation of the primary sources, with complete performance material. The work, in a dark F minor, with its text by Klopstock, places Jesus Christ, rather than Mary, at the center of the contemplation. With his fugues, but particularly in the eight-part lamenting chorus Wer wird Zahren sanften Mitleids, Schubert shows himself at the height of his creative output. He composed his 4th Symphony, the Tragic, at almost the same time. The Stabat Mater is a rewarding work for choral societies and choirs to perform, because the choir has the largest portion to sing, and the choral parts are not too demanding. The composition is also a beautiful introduction to the choral-symphonic music of Schubert for less experienced choirs. Score and part available separately - see item CA.7006500.
SKU: CA.4065912
ISBN 9790007085469. Key: A flat major. Language: Latin.
SKU: CA.7006511
ISBN 9790007244736. Language: German.
SKU: CA.7005311
ISBN 9790007228286. Key: D major. Language: Latin.
With a duration of about 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concise settings of the well-known Marian canticles, originally for the service of Vespers. It was composed in late summer 1815, and is therefore probably one of a series of church music works Schubert wrote in his youth for Lichtenthal Parish Church. The work requires a large-scale orchestra with strings, woodwind, and brass. The four-part choir contrasts with four soloists; this quartet sings the peaceful middle section of the three-section work. For the Carus edition Schubert's own autograph manuscript of his Magnificat was consulted again for the first time since 1888. Until 1989 this had been thought to be lost. This work is now available in carus music, the choir app! Score and part available separately - see item CA.7005300.
SKU: CA.4065711
ISBN 9790007085285. Key: B flat major. Language: Latin.
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