BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

The young Mozart composed three settings of the Regina coeli an ancient Latin Marian hymn of the Catholic church. K.276 in C major probably composed in 1779 in Salzburg is scored for SATB soloists SATB chorus Oboe (2) Trumpet (2) Strings (without Viola) Organ.Full score Vocal score (BA4888-90) and performance material (BA4888) based on the Urtext New Mozart Edition are available for sale.

BWV 10-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written in March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket. Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ.These four works (O sing unto the Lord HWV 249a I will magnify thee HWV 250b As pants the hart HWV 251e Let God arise HWV 256b) with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems arepresented in clearly laid out Vocal scores with easy-to-play Piano reductions based on the Urtext from the ?Halle Handel Edition?. Their winningly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and the equally festive solo numbers. Today they sound as splendid as ever before. The full scores and Vocal scores also contain a German translation along with the original English.Scoring:- HWV 249a: soloists (AB) chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo.- HWV 250b: soloists (SATB) chorus (SATB) Oboe Strings Continuo.- HWV 251e: soloists (SAATBB) chorus (SAATBB) 2 Oboes Strings Continuo.- HWV 256b: soloists (AB) chorus (SATB) Oboe Strings Continuo.- Urtext from the ?Halle Handel Edition? at the forefront of musical scholarship.- First separate editions for performance purposes.- Clear and easy-to-play Piano reductions.- Original English text with underlaid German translation.- Full scores vocal scores and performance material available for sale.

Anthems for the Chapel RoyalO sing unto the Lord a new song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263 I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As Pants The Hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As Pants The Hart? his fifth setting of this Psalm text was writtenin March 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward Piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Cantata for the Feast of Visitation B. V. M.-Now My Soul Exalts The Lord BWV 10: Cantata for the Feast of Visitation B. V. M.With his cantata Meine Seel Erhebt Den Herren which Bach composed for the Visitation of Mary (2 July) he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation the basis being the Marian hymn of praise from the Gospel according to Luke. The 9th psalm tone acts as the chorale melody and becomes a recurring musical theme.With a small scoring of one trumpet (which if need be can be omitted) two oboes strings and basso continuo along with four soloists and choir Bach succeeds in writing a festive music of 20-25 minutes.This performing edition is based on the Urtext of the New Bach Edition.

Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.

Bernard of Offida 1604 1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard?s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter.Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and just as in the previous Mass the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) ?supervised? by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts.The Heiligmesse has always been one of Haydn?s most admired works. Its dignity its strength (we draw special attention to the extraordinary ?Gratias? with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight all these have made it one of Haydn?s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved.Urtext from Joseph Haydn WerkeFull score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for saleParts (BA4651) and vocal score (BA4651-90) available for sale

Anthems for the Chapel RoyalO Sing Unto The Lord A New Song HWV 249a for Soloists (AB) Chorus (SATB) Flute 2 Oboes 2 Trumpets Strings Continuo BA 4263I will magnify thee HWV 250b for Soloists (SATB) Chorus (SATB) Oboe Strings Continuo BA 4264As pants the hart HWV 251e for Soloists (SAATBB) Chorus (SAATB) 2 Oboes Strings Continuo BA 4265Let God arise HWV 256b for Soloists (AB) Chorus (SATB) Oboe Strings Continuo BA 4266Handel?s four anthems were all composed during his London period in the Chapel Royal. ?As pants the hart? his fifth setting of this Psalm text was written inMarch 1738 for performance at a benefit concert for the King?s Theatre in the Haymarket.Until just before Handel?s first visit to England the only instrument permitted to accompany the service in the Chapel Royal was the Organ. These four works with their orchestral accompaniments thus represent something akin to a new genre in English church music.The four anthems are presented in clearly laid out vocal scores with straightforward piano reductions based on the Urtext from the Halle Handel Edition. Their enticingly varied and self-sufficient orchestral writing provides a suitable framework for the festive chorus and equally festive solo numbers. Today they sound as splendid as ever!The full scores and vocal scores also contain a German translation along with the original English text.

Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coronation Mass K. 317; 'nel Marzo 1780 in Salisburgo' he wrote on the first page of his original score. And just as was the case with K.317 this work together with a new church sonata (K. 336/336) will have been intended for the Easter High Mass in Salzburg Cathedral. The formal instrumentation of the score with oboes solo bassoon trumpets and timpani (but without horns) only serves to strengthen such a supposition. What is striking about the work is the rigorously contrapuntal Benedictus which forms a stark contrast to the similarly unusual Agnus Dei in which a solo organ alternating with theconcertante wind instruments (oboe and bassoon) provides a framework for the coloratura-rich part of the solo soprano. Urtext of the “New Mozart Edition” Ideal for church services and concert performances Full score & performance material (BA4881) and vocal score (BA4881-90) for sale