Composed by Various. Arranged by Darren W. Jenkins. Concert Band. Concert Band Series. Grade 3. Full set. Published by Wingert-Jones Publications

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Contra-alto Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Güiro, Hi-hat Cymbal, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2 and more. - Grade 4

SKU: CF.SPS92F

Composed by Quincy C. Hilliard. Sws. Sps. Full score. 32 pages. Duration 7:30. Carl Fischer Music #SPS92F. Published by Carl Fischer Music (CF.SPS92F).

ISBN 9781491157909. UPC: 680160916504. 9 x 12 inches.

Echoes from Within is a dramatic piece that must be played with emotion. The opening cadenza should be played in an uplifting manner. Care should be taken by the soloist not to rush this section. The Andante cantabile section should be played in a very expressive manner. The director is encouraged to use rubato, accelerando, ritardando, and other expressive means to achieve a romantic style during this section. At m. 40, the style should be light and dance-like in character. The director should make sure that the percussion parts do not dominate this section. The vibraphone and marimba must be heard throughout this section, except when marked forte. The second cadenza (m. 149) should be played with emotion. The section beginning at m. 150 should be played in a fanfare-like style, very bold and majestic.

Edited by Guy/Mcarthur. For Piano. Contents include: Minuet in G Major, Minuet in G Minor, Prelude in C Major (Bach); Peasant's Flute Song (Bartok); Ode to Joy (Beethoven); Sonatina in A Minor (Benda); Melody (Bloch); Ballade Op. 100 No. 15 (Burgmuller); Waltz in A Minor Op. Posth. (Chopin); King William's March (Clarke); Le Petit Negre (Debussy); Sonatina in G Major Op. 168 No. 2 (Diabelli); The Evening Bell (Granados); Andantino Hob. I:85/2 (Haydn); The Avalanche Op. 45 No. 2 (Heller); Tolling Bell OP. 125 No. 8 (Heller); Bourree (Krieger); Autumn (Maykapar); Minuet in F Major K. 6 (Mozart); Little Fugue in C Major (Pachelbel); Minuet in G Minor (Pezold); In the Forest (Rebikov); Playing Soldiers Op. 31 No. 4 (Rebikov); Gymnopedie No. 1 (Satie); Sonata K. 34, L.S. 7 (Scarlatti); Minuet and Trio, D. 336 (Schubert); Echoes from the Theatre O

Guitar

SKU: SU.80119300

For Guitar. Composed by Meyer Kupferman. Guitar, Solo Guitar. Score. Subito Music Corporation #80119300. Published by Subito Music Corporation (SU.80119300).

Guitar Composed: 1975 Published by: Soundspells Productions Echoes from Barcelona (1975-77) is a solo guitar work written for David Starobin.

Work for Oboe and String Quartet commissioned in 1990 by Thomas Gallant. First perfored by Gallant and the Kronos Quartet in 1991. Score available: NOV954734

Orchestra Bassoon, Clarinet, Contrabass, Flute, Horn, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.416415420

For Chamber Orchestra. Composed by Narong Prangcharoen. Full score. 64 pages. Duration 10 minutes. Theodore Presser Company #416-41542. Published by Theodore Presser Company (PR.416415420).

UPC: 680160632312.

Echoes of Silence was commissioned by the Albany Symphony Orchestra for the American Music Festival of 2012 as part of the Capitol Region Heritage Commissions project. The work takes as its inspirations the Troy Savings Bank Music Hall in Albany, NY, and the Albany Symphony Orchestra. The Troy Savings Bank was founded in 1823 and was one of the more important music halls in early-twentieth-century America. It was honored with performances by many world-renowned artists, such as Vladimir Horowitz, Yehudi Menuhin, and Arthur Rubinstein. The title, Echoes of Silence, refers to the echoes of these and other artists' great performances, which one might imagine still resonate in the hall. If the hall had a voice, it would also sing of the all the wonderful masterpieces that were performed there in the past. The main idea of this piece is to reflect the sounds that were absorbed by the walls of this concert hall during the past century of live performance. Some of the main pitch materials are derived from Alexander Borodin's Symphony No. 2, a masterpiece that was composed in 1823, the same year as the founding of the Troy Savings Bank. The main thematic materials of Echoes of Silence are developed from many small musical motifs found in Borodin's symphony. Another source of material is Igor Stravinsky's Symphony of Psalms, composed in 1930, the year in which the Albany Symphony Orchestra was founded. These borrowed materials are used as the main elements in maintaining the structural unity of Echoes of Silence. Because this concert hall has absorbed so much wonderful music from so many great performances, we can imagine even the smallest corner of the hall filling its silence with echoes.

The Washington Winds, Edward S. Petersen, conductor Young musicians enjoy hearing the music they perform and there is no better musical model than The Washington Winds. The music is technically less difficult but these selections are rich in harmony and filled with wonderful melodies. Should be in the library of every young musician and their band director. Stargazer, Shaffer Of Courage and Valor, Huckeby Bravura!, Neeck Atop A Scotish Highland, Neeck Now The Winters Come To Stay, Shaffer The Secrets of McDougal's Cave, Huckeby Bluin' The Blues, Arr. A. Clark Aspen Overture, Earl El Toro Rojo Grande, Orcino Panther In The Sky, Swearingen Fanfare For A New World, Neeck Let Freedom Ring!, Huckeby Ancient Echoes, Huckeby Surprises, Parish An Angelic Christmas, Rowe Away In A Manger, Arr. Huckeby Discover America March, Harris A Visit From St.Nicholas, Orcino A Crazy Mixed Up Christmas Concert, Shaffer Song of the Telegraph, Shaffer And To All A Good Night!, A.Clark Spring Fever, Shaffer SuperMom Symphony, Huckeby Jerusalem, Parry-Arr. Glover

For three horns. Composed by Miklos Kocsar (1933-). EMB Contemporary Music. Contemporary Hungarian Works. Score and parts. 24 pages. Editio Musica Budapest #EMBZ14903. Published by Editio Musica Budapest (HL.50600335).

(Featuring: The Nile / Building the Pyramids / Sandstorm / The Pharaohs). By Nicholas Baratta. Concert Band. Concert Band. Belwin Concert Band. Grade 3. Conductor Score and Parts. 264 pages

By Robert Schumann. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Published by Subito Music.

SKU: HL.1115715

For Soprano, Speaker, and Electronics. Composed by Cheryl Frances-Hoad. Vocal. Softcover. Duration 180 seconds. Chester Music #CH88154. Published by Chester Music (HL.1115715).

ISBN 9781705179741. UPC: 196288105640. 9.0x12.0 inches.

Thinking I Hear Thee Call by Cheryl Frances-Hoad is inspired by the life of Florence Attridge, an Essex woman who, whilst working at the Marconi factory in Chelmsford during WWII, helped to make secret radio sets for spys. In this piece for soprano, speaker and electronics, we hear Florence recount her experiences, whilst, in another, secret location, in another time, a spy goes through the radio's (complicated!) set up instructions one last time before going on their first reconnaissance mission. The electronic element takes sounds that are associated with Florence's life and the history of Marconi, including morse code and Absent, the first song to be broadcast from the factory. The text for Florence's part was written by Frances M Lynch based on research by Patricia Fara, and the speakers text comes from the official manual for the The British Type 3 Mark II Spy Radio. The work was commissioned by electric voice theatre and first Performed Online during the Covid-19 Pandemic, Aug 24th 2020 as part of the 'Echoes from Essex'. The project was supported by the Arts Council Emergency Response Fund (National Lottery). The performers from electric voice theatre are: Frances M Lynch - Soprano (Florence Attridge) Margaret Cameron - Speaker (Spy). The performers recorded their parts individually in their homes and the final work was combined with the composer's electronic track and produced by Frances M Lynch & Herbie Clarke at Birnam Studios, London.

Compiled and arranged by Denes Agay. Book. Published by Music Sales. This appealing book is for players of all ages; the material ranges from waltzes, marches, and polkas to song favorites and jazz solos. As a special feature, the book contains variations on Happy Birthday in a number of styles from Bach to boogie.

SATB choir

SKU: ST.CN20P

Composed by Rhiannon Randle. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN20P. Published by Stainer & Bell Ltd. (ST.CN20P).

ISBN 9790220224850.

Greatly admiring the poetry of Christina Rossetti, and in particular the elegance and poignancy of her sonnet 'An Echo from Willow-Wood', the composer initially wrote this work as the second of a group of three anthems entitled Echoes from Willow Wood, exploring aspects of hope and despair in love. These are indeed powerful themes throughout Rossetti's oeuvre, and there was a strong creative tension here with another text selected for the collection, her much anthologised 'A Birthday', which is brimming with hope and joy at the prospect of love. By contrast, in On Life's Dividing Sea the poet tugs vainly at the heart-strings of hope and concludes in dejection. Taking its title from line 8 of the poem, the setting focuses on imagery of the sea, an emblem which inspired many of the textures of the central section. Cluster chords, more lyrical gestures, and suggestions of quasi-Purcellian cadences convey a message of youthful, innocent desire being torn apart, while maintaining Rossetti's poised Victorian turn of phrase.

SSAA choir

SKU: ST.CN23P

Composed by Rhiannon Randle. SSAA unaccompanied (with solos). . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN23P. Published by Stainer & Bell Ltd. (ST.CN23P).

ISBN 9790220225147.

Commissioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'.