| Bruce-weber R Froehliche Violine Bd1 Schott
(Cd) SKU: HL.49042091 Composed by Renate Bruce-Weber. Recording mediums. ...(+)
(Cd) SKU: HL.49042091 Composed by Renate Bruce-Weber. Recording mediums. Edition Schott. CD. Schott Music #T 3272. Published by Schott Music (HL.49042091). ISBN 9783795760038. 5.5x5.0x0.4 inches. Bei der Geigenschule Die frohliche Violine steht der Spass am Lernen im Vordergrund: das Lehrwerk zielt auf einen spielerischen fruhen Beginn mit dem Instrument. Im weiteren Verlauf des Unterrichts werden die heranwachsenden Schuler dann bewusst in einer Sprache angesprochen, die ihrer Altersentwicklung entspricht. Dazu gehort auch ein stilistisch vielfaltiges Angebot von Spielstucken aus Klassik und Folklore, und immer wird allerlei Wissenswertes uber die Musik und ihre Komponisten berichtet. Band 1: Ausfuhrliche Einfuhrung der Bogenhaltung - Lieder und Spielstucke unter ausschliesslicher Verwendung der ersten Griffart, mit Schwerpunkt auf rhythmischer, melodischer und bogentechnischer Vielfalt - Spielerisches Ertasten geigerischer Spieltechniken wie z.B. Pizzicato, Lagenspiel, Flageolett und Doppelgriffe.CD zu Band 1 (T 3272) mit allen Liedern und Stucken, mit lustigen, von Kindern gesprochenen Dialogen. Eine motivierende Erganzung des Unterrichts und eine schone Geschenkidee! $20.99 - See more - Buy online | | |
| Late Romatic German Lieder (Version 2.0)
Voice solo [CD Sheet Music] Subito Music
By German. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 170...(+)
By German. For Vocal. (Voice). CD Sheet Music (Version 2.0). PDF file on CD. 1700 pages. Published by Subito Music.
(3)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Stabat Mater Op. 53 PWM (Polskie Wydawnictwo Muzyczne)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Baritone, Mixed Choir and Orchestra. Composed by Karol Szymanowski. Classical. Book Only. Composed 2000. 68 pages. Polskie Wydawnictwo Muzyczne #PWM5447. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5447). ''Stabat Mater'' by Karol Szymanowski for solo voices, chorus and orchestra, Op. 53, is one of the most famous and, at the same time, most personal works of the composer, making its appeal to the audience through the depth of its expression and sheer artistry. The first sketches of the work were made in the spring of 1925, while work on the full score occupied the composer from 20 January to 2 March 1926. Józef Jankowskis Polish translation of the medieval sequence formed the basis of the composition. This text, which was simple in a folk-like way, devoid of pathos but full of religious zeal, harmonized perfectly from the poetic point of view with the composers creative design. In an interview for the monthly Muzyka Szymanowski stated: ''in its Polish vestments that eternal, naive hymn was filled for me with its own immediate expressive content; it became something painted in colours which were recognisable and comprehensible as distinct from the black and white of the archaic original'' (''A Footnote to Stabat Mater'', Muzyka 1926, Nos. 11/12). In the score, the Latin text is given beside the Polish text, making it possible for the work to be performed more easily by foreign performers. In this work, the universal tradition of the Christian church was fused with the Polish religious tradition. The composer creates the religious folk-like climate primarily through the character of the melodies which are akin to to the plainchant melodies to the text of Stabat Mater (the sequence, and especially the hymn) and their paraphrases in Polish religious songs (e.g. Sta a Matka Bole ciwa [The Dolorous Mother was standing]) as well as motifs from Polish Lenten songs and Gorzkie ale (Bitter Laments). Szymanowski did not introduce them as quotations, but intersperses the melodic lines, which are more fully developed and frequently highly chromatic, with diatonic phrases, based on modal scales. They appear in all the movements of the work determining its cohesion. In dividing the twenty-stanza text into separate segments, Szymanowski created a six- movement cantata. He took care to distinguish between the emotional shades of the various movements, varying his selection of solo voices (soprano, contralto, baritone), the voices of the chorus (female or mixed) and the orchestral forces. In the first and third movements the lyrical idiom prevails; the first movement, portraying the Mother of God at the foot of the cross, has a narrative character, whereas the third is a kind of prayer from a man who sympathizes with, and who wishes to be associated with Mater Dolorosas pain. In these movements only the female voices are used (soprano, contralto and female chorus), while the orchestra is employed in a chamber style, sometimes drawing on solo accompanying parts (e.g. the beginning of the third movement). The fourth movement, which continues the mood of prayerful contemplation, is designed for soprano and contralto solo as well as unaccompanied chorus. On the other hand, the second and fifth movements, involving the participation of solo baritone and the full chorus and orchestra, are similar with regard to forces and their dramatic character, which is austere in expression, harsh in tone, and markedly dissonant. Here grand climaxes appear with powerful orchestral tutti. The sixth movement crowns the whole. The lyrical, soft melody of the solo soprano at the beginning is gradually strengthened by the addition of the female chorus and the solo contralto, and in the final section, the solo baritone as well as the tutti of chorus and orchestra. The conclusion, subdued and full of concentration, suggests the introvert character of the experience as opposed to its dramatic pathos. Stabat Mater by Szymanowski is part of a long tradition of compositions based on the text of the medieval sequence - ranging from polyphonic works by Josquin des Prés and Palestrina to the romantic Stabat by Giuseppe Verdi and Anton n Dvo ák. And it was perhaps because of his consciousness of this tradition that Szymanowski used stylizing devices in the spirit of early music. The archaization manifests itself not only in the character of the melodies and their modal framework, but also in the harmonies (with their predominance of triads, open fourths and fifths chords and doubled thirds), the simple rhythms as well as the texture of the choruses (esp. the fourth movement). The composer does not, however, imitate the style of any specific historical epoch, but combines resources taken from early music with modern tonal and harmonic techniques. Archaization in Stabat Mater serves, moreover, a symbolic function; in evoking the many-centuries old tradition of church music, it emphasizes the universal nature of the idea contained in the text of the sequence, while the re-reading of the text by the composer gives the work its individual features. [Zofia Helman, translated by Ewa Cholewka]. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Mirages 1 Piano, 4 hands Billaudot
(pour Piano a 4 Mains). By Karol Beffa. Piano, 4-Hands. For piano, 4-hands. 22 p...(+)
(pour Piano a 4 Mains). By Karol Beffa. Piano, 4-Hands. For piano, 4-hands. 22 pages. Duration 11:00. Published by Gerard Billaudot Editeur
$24.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Frohliche Violinevol1geigenschule Violin - Beginner Schott
Violin - very easy SKU: HL.49007122 Geigenschule fur den Anfang. C...(+)
Violin - very easy SKU: HL.49007122 Geigenschule fur den Anfang. Composed by Renate Bruce-Weber. Arranged by Mark Bruce. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. The most important aspect of the violin method 'Die frohliche Violine' is the fun of learning to play the violin: The textbook is aimed at an early playful beginning with the instrument. Over the course of the lessons, the pupils are deliberately addresse. Classical. 96 pages. Schott Music #ED 7299. Published by Schott Music (HL.49007122). ISBN 9783795722197. UPC: 196288077480. 9.0x12.0x0.282 inches. German. The most important aspect of the violin method 'Die frohliche Violine' is the fun of learning to play the violin: The textbook is aimed at an early playful beginning with the instrument. Over the course of the lessons, the pupils are deliberately addressed in a language that corresponds to their age. Furthermore, the method provides a stylistically varied range of classical and folkloristic instrumental pieces, and always gives a lot of interesting information on the music and its composers.Vol. 1: Detailed introduction to the bow hold - songs and instrumental pieces, using exclusively the first type of fingering while focussing on rhythmic, melodic and technical variety - playful touching and feeling of violin-playing techniques such as pizzicato, position playing, harmonics and double stops. Vol. 1 is accompanied by a CD (T 3272) containing all songs and pieces with funny dialogues spoken by children. A motivating addition to violin lessons and a great gift idea! $21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Nordanvind Concert band - Intermediate/advanced Carl Fischer
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Se...(+)
Band concert band - Grade 4.5 SKU: CF.SPS71 Composed by Carl Strommen. Set of Score and Parts. With Standard notation. 2+16+4+8+8+8+4+4+2+4+4+4+4+6+6+6+4+4+4+4+6+6+6+6+4+8+3+2+12+2+4+28 pages. Duration 6 minutes, 26 seconds. Carl Fischer Music #SPS71. Published by Carl Fischer Music (CF.SPS71). ISBN 9781491143544. UPC: 680160901043. Key: G minor. Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles. Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,†Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind†blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship†or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower†sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska†is a partner dance where the dancers spin each other (släng in Swedish “to sling or tossâ€) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska†dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak . $125.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 3 The Song of the Night Op. 27 PWM (Polskie Wydawnictwo Muzyczne)
Solo Vocal, Mixed Choir and Orchestra SKU: BT.PWM5363020 For Tenor Sol...(+)
Solo Vocal, Mixed Choir and Orchestra SKU: BT.PWM5363020 For Tenor Solo, Mixed Choir, Organ and Orchestra. Composed by Karol Szymanowski. Classical. Score Only. Composed 1985. 92 pages. Polskie Wydawnictwo Muzyczne #PWM5363020. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5363020). The Third Symphony occupies an special place in the evolutionary process of Szymanowskis style. The Symphony The Song of the Night, Op. 27, is a setting of the poem of the same title, from the second divan of Mawlana Jalal-ad-din Rumi, for tenor solo, mixed choir and orchestra. It was completed in the summer 1916. Szymanowskis interest in oriental music at this period is not so much , as far as the Third Symphony is concerned, an attempt at some formal stylisation of eastern music, but rather an indication of his search for some mode of expression which would best reflect the conflicts of his aesthetic and artistic ideas. It was the direct contact made with the art of the Grecian and Arabic worlds during his travel to Sicily and North Africa in 1911 and 1914 that provided the external stimulus for this interest. The Third Symphony can be classed with those symphonies for chorus and solo voices so often favoured by the neo-romantic and expressionist composers. It is written in a free ternary form, the thematic material being the basic unifying structural element, which imparts a conciseness to the form, and retaining the function despite the significant changes that occur in the melodic character of the music. The texture is polymelodic, and a score reveals a masterly interweaving of the multiplicity of parts, melodic lines and patterns of sound. This symphony is consummation of all Szymanowskis mastery in instrumentation and colour, and a superb study of orchestral polyphony. Here, Szymanowski liberates himself from the rigid relations of the functional harmonic system. In the place of tonal progressions, he shifts chromatically from one sound lane to another, of which the smallest units are chords made up of tritones and seconds, using only a free intervallic structure, far more remote in Szymanowski from the dominant centralistic harmony then Debussy. In style, the Third Symphony belongs to the neo-romantic period, if this can be broadly defined as including modernistic and expressionistic trends, and to musical impressionism. (based on the Preface to the ''Works'' by Teresa Chyli ska, PWM 1985). $47.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Five Carols for Christmas Flute and Piano Falls House Press
For Flute and Piano. Composed by Franz Gruber; Traditional; Lowell Mason....(+)
For Flute and Piano. Composed by Franz Gruber; Traditional; Lowell Mason. Arranged by Gary Schocker. Score and part(s). With Standard notation. 8 4 pages. Falls House Press #FP-GS51. Published by Falls House Press (PR.FH0442).
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| String Quartet Op. 37 String Quartet: 2 violins, viola, cello PWM (Polskie Wydawnictwo Muzyczne)
String Quartet (Score) SKU: HL.370494 Critical Edition Hardcover. ...(+)
String Quartet (Score) SKU: HL.370494 Critical Edition Hardcover. Composed by Karol Szymanowski. PWM. Classical. Hardcover. 60 pages. Polskie Wydawnictwo Muzyczne #9267030. Published by Polskie Wydawnictwo Muzyczne (HL.370494). ISBN 9781705147009. UPC: 840126994025. The First String Quartet in C major, Op. 37, was written in the autumn of 1917 and earned Szymanowski the first prize in a competition organized by the Ministry of Religious and in a competition organized by the Ministry of Religious and Educational Affairs in January 1922. The First String Quartet is notable for its clar and simple construction. The first movement is in the formof a sonata allegro; the Andantino semplice (in modo iuna canzone) in the middle is a cross between ternary and variation form. The final Scherzando alla burlesca also keeps to the form of a sonata allegro. The combinations and proportions of formal factors and the treatment of thematic material betray a fairly conventional adoption of classical models. Similarly, the expressive and structural use of melodic material shows a respect for traditional norms. Szymanowski created, in other works from the same period, his own individual type of melodic line, which was strongly expressive and achieved its effect chiefly by its tonal qualieties; nevertheless in this Quartet he returns to a fluid, cantilena-like, symmetrically shaped melodic line, which runs along in broad phrases of a concentrated, reflective character. Melody becomes the chief factor in the development of the form, both in thematic usage and in the application of a more polyphonic texture. Harmonic and tonal means are considerably simplified in the Quartet []. Most of the writing is linear, or horizontal, with individual treatment of each part, the parallel continuation of the four sound planes, almost a matter of principle. The functions of the particular instruments in realizing these planes are constantly changing,which accounts for the even greater variedy of tone-colour. The decision to forego experiment with forms and sonorities is reflectedin the overall approach to musical expression. The predominant atmosphere of restrained emotion, quiet lyricism and serenity is strongly suggestive of classical aestetic models. (Based on Zofia Helman Commentary on Szymanowski Complete Edition, Vol. B6) (II) The ''Second String Quartet'' represents an interesting attempt to revert to classical form coupled with the new harmonic and tonal vocabulary worked out previously in the ''Slopiewnie'', ''Stabat Mater'' and ''Mazurkas''. It was also the first time the composer had used folk elements in the framework of a major classical form. The ''Second String Quartet'' is in a special category among Szymanowski's works. Though it dates from the composer was still occupied with folk music, it nevertheless shows him returning to classical models, but at the same time using an aesthetic of subjective expression, which gives the work its own individual stamp. The ''Second String Quartet'' synthesis of the various directions in which Szymanowski was attempting to develop. The sonority and texture used in the first. $40.00 - See more - Buy online | | |
| Mythes, Op. 30 Violin and Piano SSA Schott
Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult SKU...(+)
Piano Accompaniment; Violin (Score and Solo Part) - advanced to difficult SKU: HL.49019599 Three Poems for Violin and Piano. Composed by Karol Szymanowski. Edited by Ida Bieler and Wolfgang Birtel. Arranged by Ida Bieler. This edition: Saddle stitching. Sheet music. String. 20Th Century, Classical. Softcover. Op. 30. 72 pages. Schott Music #VLB174. Published by Schott Music (HL.49019599). ISBN 9790001191043. UPC: 841886019546. 9.0x12.0x0.187 inches. Eds. Wolfgang Birtel and Ida Bieler. Karol Szymanowski (1882-1932) is regarded as one of the most important Polish composers since Chopin. He received his formative musical training in Warsaw where he lived for many years and was also director of the Conservatoire and Music Academy. His compositional oeuvre comprises a large variety of styles: Szymanowski first leaned towards Chopin and Scriabin, then studied Richard Strauss and Igor Stravinsky, finally finding a style in which he combined impressionism and expressionism. His 'Mythes' for violin and piano from 1915 fell in a transitional period, turning away from late German Romanticism. They are expressive miniatures full of tonal refinement and impressionist charm and, thanks to their accessible virtuosity, perfect performance pieces. Contents: I. La Fontaine d'Arethuse • II. Narcisse • III. Dryades et Pan. $36.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Operas and Operettas - Vol. 2 Piano solo - Easy Schott
Piano - easy SKU: HL.49004673 Piano Solo. Composed by Various. Edi...(+)
Piano - easy SKU: HL.49004673 Piano Solo. Composed by Various. Edited by Richard Krentzlin. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 48 pages. Schott Music #ED4175. Published by Schott Music (HL.49004673). ISBN 9790001049016. UPC: 073999690668. 9.0x12.0x0.144 inches. German language music collection. $18.99 - See more - Buy online | | |
| Vortragsbuchlein Alto Rec - Beginner Schott
1-3 treble recorders and percussion ad libitum - very easy to intermediate SK...(+)
1-3 treble recorders and percussion ad libitum - very easy to intermediate SKU: HL.49006208 Performance Book for the Treble Recorder Method. Composed by Franz Lehn and Heinrich Rohr. This edition: Saddle stitching. Sheet music. Edition Schott. (s. unter Lehn). Classical. Playing score. 32 pages. Schott Music #ED 6351. Published by Schott Music (HL.49006208). ISBN 9790001067492. Diese Spielanweisung fur die Altflote ist auf einer ebenso leichtfasslichen Methode aufgebaut wie das Flotenbuchlein. Da die Griffe fur die deutsche und barocke Bohrung angegeben sind, kann sie fur beide heute gebrauchlichen Griffarten verwendet werden. $13.99 - See more - Buy online | | |
| Tschaikowsky Pi Streifzug Durch Leben U Werk Piano solo - Intermediate Schott
Piano (KL) - intermediate SKU: HL.49032978 Mit leichten Originalstucke...(+)
Piano (KL) - intermediate SKU: HL.49032978 Mit leichten Originalstucken und Bearbeitungen. Composed by Franz Schubert. Edited by Hans-Guenter Heumann. This edition: Saddle stitching. Sheet music. Edition Schott. 48 pages. Schott Music #ED 9255. Published by Schott Music (HL.49032978). ISBN 9783795755645. German. The series 'Get to Know Composers' presents works of famous masters in easy arrangements as well as original compositions for piano. A brief biographical sketch with contemporary colour illustrations as well as a list of the most important works provide easy access to the respective composer. Thus, amateur pianists and young piano pupils can embark on a vivid excursion into the life and work of important composers.Tchaikovsky was the first Russian composer who gained worldwide fame. His symphonies, concertos and ballets are part of the standard repertoire of the musical scene. In addition to original piano works, this volume contains excerpts from Tchaikovsky's best-known compositions: the Violin Concerto and his Piano Concerto No. 1, Symphonies Nos. 5 and 6, the ballets 'SwanLake', 'The Sleeping Beauty' and 'Nutcracker', as well as 'Capriccio Italien' and other works. $22.99 - See more - Buy online | | |
| Learn As You Play Flute (English Edition) Music Distribution Services
SKU: M7.BH-7300068 Edited by Peter Wastall. 2 CDs. Begleit CD mit Backing...(+)
SKU: M7.BH-7300068 Edited by Peter Wastall. 2 CDs. Begleit CD mit Backing Tracks und Ãœbungen. MDS (Music Distribution Services) #BH 7300068. Published by MDS (Music Distribution Services) (M7.BH-7300068). ISBN 9790060095948. UPC: 073999238457. English. The award winning wind and brass tutor series. Learn As You Play provides everything you need from the first lesson up to grade three. A well structured course of exercises, studies and pieces ensures a good grounding in technique and musicianship. Also available in Dutch, French, German and Spanish language editions. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Dein Song 2016 Music Distribution Services
Voice with accompaniment SKU: M7.KCM-4 Die Noten - mit Textbeiträge...(+)
Voice with accompaniment SKU: M7.KCM-4 Die Noten - mit Textbeiträgen und tollen Tipps. Edited by Ellya Franz. Arranged by Axel Heintzenberg. This edition: Saddle-wire stitching. Sheet music with CD. 56 pages. MDS (Music Distribution Services) #KCM 4. Published by MDS (Music Distribution Services) (M7.KCM-4). ISBN 9790900004635. English. Daniel Wiesen. Mit dem Songbook 'Dein Song 2016 - Die Noten' können fortgeschrittene Klavier- und Gitarrenspieler alle acht Finalistensongs aus unterschiedlichen Musikgenres nachspielen und sich auch davon inspirieren lassen, eigene Songs zu schreiben. Neu in dieser Ausgabe ist die Notation einer separaten Melodiestimme mit einer zweistimmigen Klavierpartitur. So kann man sich beim Singen selbst am Klavier oder mit der Gitarre begleiten. In Textbeiträgen der Finalisten kann man nachlesen, wie sie beim Komponieren vorgegangen sind und der Leser bekommt von ihnen auch tolle Tipps zum Songwriting. In der großen Live-Finalshow am 18.03.2016 präsentieren die Finalisten gemeinsam mit ihren prominenten Paten Marit Larsen, Namika, Kate Ryan, Johannes Oerding, Patrick Kelly, Peter Maffay, Kelvin Jones und der Band Tonbandgerät ihre Kompositionen. Am Ende wählen die Zuschauer per Telefon-Voting den 'Songwriter des Jahres'. Seit 2008 ist 'Dein Song' (ZDF/ KiKA) der einzige Songwriter-Wettbewerb im deutschen TV. Die Sendung motiviert Kinder und Jugendliche zum kreativen Schaffen. Hier wird der Liebe zur Musik, der persönlichen Kreativität und den eigenen Ideen freien Lauf gelassen. Komponieren - als universelles Ausdrucksmittel - ist das Thema dieser TV-Sendung, die sich als nachhaltige Talentförderung versteht. $27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Ršgi Mesterek Vegyeskarai EMB (Editio Musica Budapest)
Mixed Voices Collection (MIXED VOICES) SKU: HL.50487082 EMB. Volume 36. C...(+)
Mixed Voices Collection (MIXED VOICES) SKU: HL.50487082 EMB. Volume 36. Choral Works. Part. Editio Musica Budapest #Z12230. Published by Editio Musica Budapest (HL.50487082). ISBN 9790080122303. B/5 (17x24) inches. Hungarian, French. Dr. Karoly Vargha; Ferenc Szekeres. $3.25 - See more - Buy online | | |
| Treasure Chest Of Duos 2 Piano, 4 Hands (classic To Modern Era) 1 Piano, 4 hands - Easy Schott
Piano (4 hands) (Piano For 2 Players) - easy to intermediate SKU: HL.49043954...(+)
Piano (4 hands) (Piano For 2 Players) - easy to intermediate SKU: HL.49043954 Original works from the Classical to the Modern era. Edited by Monika Twelsiek. This edition: Saddle stitching. Sheet music. Piano Duet. Leichte vierhandige originale Klavierwerke, einige in der Bearbeitung bedeutender Zeitgenossen. Die fruhesten Werke stammen aus dem 18. Jahrhundert, die jungsten aus unserer Zeit. Softcover. 86 pages. Schott Music #ED21684. Published by Schott Music (HL.49043954). ISBN 9783795748265. UPC: 841886021105. 9.25x12.0x0.386 inches. This 'treasure chest' contains - in chronological order - easy original piano pieces by classical composers, some of them arranged as duets by well-known contemporaries. The earliest pieces are from the 18th Century, stylistically they range from Classical to Romantic, through to Jazz, Rock and Pop. The collection also features an improvisatory piece with partly graphic notation. All of the pieces are approachable and even the sometimes more demanding Secondo parts are well within the range of piano students and amateur players. $20.99 - See more - Buy online | | |
| Masques [Score and Parts] Billaudot
Pour Violon Et Violoncelle (for Violin and Cello). Composed by Karol Beff...(+)
Pour Violon Et Violoncelle (for Violin and Cello). Composed by Karol Beffa. Premiered in Chambery (France) during the 9th Rencontres de Musique de Chambre de Bel-Air, by Renaud Capucon (violin) and Gautier Capucon (cello). Score and part(s). 19 + 15 pages. Duration 24 minutes. Gerard Billaudot Editeur #GB8053. Published by Gerard Billaudot Editeur (PR.514053850).
$33.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Karolisser-Flote Descant (Soprano) Recorder Hug
Soprano recorder SKU: HG.GH-9780 Composed by Alfred Stern. Hug Musikverla...(+)
Soprano recorder SKU: HG.GH-9780 Composed by Alfred Stern. Hug Musikverlage #GH 9780. Published by Hug Musikverlage (HG.GH-9780). ISBN 9790202818015. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lied Uber Die Grenze 1 Score - Intermediate Schott
3 equal voices and instruments (Score) - intermediate SKU: HL.49006263 (+)
3 equal voices and instruments (Score) - intermediate SKU: HL.49006263 Folklore fremder Lander. Edited by Heinz Cammin. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. 32 pages. Schott Music #ED 6393. Published by Schott Music (HL.49006263). ISBN 9790001067997. $28.99 - See more - Buy online | | |
| 51 Lieder Medium voice, Piano Boosey and Hawkes
For Medium/Low Voice and Piano. Composed by Richard Strauss (1864-1949). Boose...(+)
For Medium/Low Voice and
Piano. Composed by Richard
Strauss (1864-1949). Boosey and
Hawkes Voice. Softcover. 224
pages. Published by Boosey and
Hawkes
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| (cammin) Lied Ueber Die Grenze - Intermediate Schott
3 equal voices and instruments (CHP) - intermediate SKU: HL.49032094 F...(+)
3 equal voices and instruments (CHP) - intermediate SKU: HL.49032094 Folklore fremder Lander. Composed by Cammin. Edited by Heinz Cammin. This edition: Saddle stitching. Sheet music. Edition Schott. Choral Score. 16 pages. Schott Music #ED 6393-01. Published by Schott Music (HL.49032094). ISBN 9790001068000. $7.99 - See more - Buy online | | |
| (cammin) Lied Ueber Die Grenze - Intermediate Schott
3 equal voices and instruments (GT/B/SCHLG) - intermediate SKU: HL.49032095(+)
3 equal voices and instruments (GT/B/SCHLG) - intermediate SKU: HL.49032095 Folklore fremder Lander. Composed by Cammin. Edited by Heinz Cammin. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 16 pages. Schott Music #ED 6393-11. Published by Schott Music (HL.49032095). ISBN 9790001068017. $11.99 - See more - Buy online | | |
| Corridoors EMB (Editio Musica Budapest)
Score and Parts Bassoon Quartet; Woodwind Quartet (Score & Parts) SKU: HL.506...(+)
Score and Parts Bassoon Quartet; Woodwind Quartet (Score & Parts) SKU: HL.50610173 10 Pieces for Bassoon Quartet (partly with other instruments) Sco. Composed by Tibor Csuhaj-Barna. EMB. Classical. Softcover. 88 pages. Editio Musica Budapest #Z20091. Published by Editio Musica Budapest (HL.50610173). The composer was inspired to write these pieces by the Corridor Quartet (Gyorgy Lakatos, Mihaly Duffek, Zsofia Stefan, and Sara Rebeka Toth), with their open attitude to music and their enchanting sound world. The timbres of the bassoon harmony are emphasised still more by being joined by the double bass, and by a voice or flute soaring above them. One reviewer writes of the CD Corridoors:'Easy to listen to, but modern: modern, and yet easy to listen to. And because of the sound of the bassoons, it's spiced with a kindof fantasy mood, a kind of ''Lord of the Rings'' feel.'(jazzma.hu, Karoly Gaspar) The name of the Corridor Quartet refers to a corridor that leads the listeners between different centuries, styles, and genres. It joins things together, and acts as a bridge, many doors opening off from it: classical, modern and folk, jazz and rock. Tibor Csuhaj-Barna is a jazz double bass player and composer, and an associate professor (DLA) at the Liszt Ferenc Academy of Music.Over the last 30 years he has been an active performer on the Hungarian jazz scene, compiling and playing on many CDs. He has written music for theatres, choirs, and jazz lineups ranging from duos to big band. $37.95 - See more - Buy online | | |
| Octopus Saxophone Quartet: 4 saxophones [Score and Parts] Billaudot
For Saxophone Ensemble or Double Saxophone Quartet. Composed by Karol Bef...(+)
For Saxophone Ensemble or Double Saxophone Quartet. Composed by Karol Beffa. Premiered during the 17th SaxOpen Congress in Strasbourg (France), at the Cite de la Musique et de la Danse in Strasbourg, by the saxophone ensemble Oct'opus. Contemporary. Score and part(s). With Standard notation. 116 pages. Duration 11 minutes. Gerard Billaudot Editeur #GB9680. Published by Gerard Billaudot Editeur (PR.524088470).
$115.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Klingende Orgelbuch Vol. 1 Organ Schott
Electric organ SKU: HL.49006561 Bekanntes und Beliebtes aus Klassik, V...(+)
Electric organ SKU: HL.49006561 Bekanntes und Beliebtes aus Klassik, Volks- und Unterhaltungsmusik. Edited by Willi Draths. Sheet music. Edition Schott. Classical. 100 pages. Schott Music #ED 6700. Published by Schott Music (HL.49006561). ISBN 9790001071109. Ausgabe mit Akkordsymbolen, Tastensymbolen fur akkordprogrammierte Orgeln (Easychord, Chordomatic etc.), Fingersatzen, Registrieranweisungen, Registrierschema, Akkordgrifftabelle. $20.95 - See more - Buy online | | |
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