| The Seventh Resolution Concert band - Easy Belwin
Concert Band - Grade 2.5 SKU: AP.43104 Composed by Roland Barrett. Concer...(+)
Concert Band - Grade 2.5 SKU: AP.43104 Composed by Roland Barrett. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Form: Overture. Programmatic. Score and Part(s). 278 pages. Duration 4:30. Belwin Music #00-43104. Published by Belwin Music (AP.43104). UPC: 038081504513. English. In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30). $62.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Seventh Resolution Concert band - Easy Belwin
Concert Band - Grade 2.5 SKU: AP.43104S Composed by Roland Barrett. Conce...(+)
Concert Band - Grade 2.5 SKU: AP.43104S Composed by Roland Barrett. Concert Band; Performance Music Ensemble; Single Titles. Belwin Young Band. Form: Overture. Programmatic. Score. 32 pages. Duration 4:30. Belwin Music #00-43104S. Published by Belwin Music (AP.43104S). UPC: 038081504520. English. In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30). $10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Squeeze the Keys - Volume 3 1 Piano, 4 hands Schott
Piano 4 Hands (Piano) - difficult SKU: HL.49003294 Series of Graded Pi...(+)
Piano 4 Hands (Piano) - difficult SKU: HL.49003294 Series of Graded Pieces for Piano Solo or Duet. Composed by David Mitchell. This edition: Saddle stitching. Sheet music. Edition Schott. Classical, Collection, Contemporary. 35 pages. Schott Music #ED 12633. Published by Schott Music (HL.49003294). ISBN 9790220119460. 9.0x12.0x0.133 inches. More fun pieces for piano or keyboard players, with suggestions for improvising and composing. Contents: Deep Blue * Suspension * Mango Tango * Count Me In * Munch * Romanticism * Sweet Chestnut Tree * Rhythmaticism * Chicken Permit * Classicism * La Siesta * Perpetual Motion (Duet) * Arabesque * Resolution * Raw Nerve. $12.99 - See more - Buy online | | |
| Building Character through Music, Movement and More! Choral SATB SATB [Sheet music + CD] Heritage Music Press
(Ten songs and integrated activites focusing on Manners, Helpfullness, Conflict ...(+)
(Ten songs and integrated activites focusing on Manners, Helpfullness, Conflict Resolution and other character traits). By Caroline Figiel; Danny Jones. For unison choir and performance/accompaniment CD. General music
$39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Regrets And Resolutions Clarinet and Piano Theodore Presser Co.
Chamber Music Clarinet, Piano SKU: PR.114419940 Composed by Gary Schocker...(+)
Chamber Music Clarinet, Piano SKU: PR.114419940 Composed by Gary Schocker. Sws. Set of Score and Parts. 20+8 pages. Duration 0:08:30. Theodore Presser Company #114-41994. Published by Theodore Presser Company (PR.114419940). ISBN 9781491133934. UPC: 680160683499. 9 x 12 inches. Responding to demand from clarinetists, Schocker created this adaptation of his best-loved work, customizing it for the clarinet’s richness of contrasting registers. Composed as a recital piece for his own performances as a flutist, Gary Schocker’s Regrets and Resolutions has been a standard in that instrument’s repertoire for over 30 years. Inspired by an 80-year-old friend’s birthday, the composer has written: “I wrote the Regrets imagining what it might be like to look back over 80 years. ‘What if I’d made different choices?’ ‘What if ...?’ The Resolutions is a forward-thinking movement, very energetic and positive, except for a brief looking-back, questioning (the 1st movement is recapped and grows), after which the music plunges back into the rhythmic finale.â€. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Regrets And Resolutions Theodore Presser Co.
Chamber Music Piano, soprano Saxophone SKU: PR.114419950 Composed by Gary...(+)
Chamber Music Piano, soprano Saxophone SKU: PR.114419950 Composed by Gary Schocker. Sws. Set of Score and Parts. 20+8 pages. Duration 0:08:30. Theodore Presser Company #114-41995. Published by Theodore Presser Company (PR.114419950). ISBN 9781491133958. UPC: 680160683505. 9 x 12 inches. Responding to demand from saxophonists, Schocker created this adaptation of his best-loved work, customizing it for the instrument’s colors and registers. Composed as a recital work for his own performances as a flutist, Gary Schocker’s Regrets and Resolutions has been a standard in that instrument’s repertoire for over 30 years. Inspired by an 80-year-old friend’s birthday, the composer has written: “I wrote the Regrets imagining what it might be like to look back over 80 years. ‘What if I’d made different choices?’ ‘What if ...?’ The Resolutions is a forward-thinking movement, very energetic and positive, except for a brief looking-back, questioning (the 1st movement is recapped and grows), after which the music plunges back into the rhythmic finale.â€. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Verdant Meadows - Beginner Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1 SKU: CF.BAS78F Composed by Bruce W. Tippette. Beginning String Orchestra (BAS). Full score. With Standard notation. 8 pages. Carl Fischer Music #BAS78F. Published by Carl Fischer Music (CF.BAS78F). ISBN 9781491151600. UPC: 680160909100. 9 x 12 inches. The imagery of a lush, green meadow helps set the stage for Verdant Meadows. This simple, yet harmonically adventurous composition alternates between legato melodies and staccato harmonies. Following a climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a Maestoso section. Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. A This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. A Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. A . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. A This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. A Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. A . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. Â This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Â Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. Â . About Carl Fischer Beginning String Orchestra Series This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by: - Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
- Limited keys and rhythms - only simple 8th note patterns
- Limited independence of parts
- Playable after limited study time
- First position and natural bowings
- Piano for rehearsal and reinforcement
$6.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Verdant Meadows - Beginner Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 1 SKU: CF.BAS78 Composed by Bruce W. Tippette. Beginning String Orchestra (BAS). Set of Score and Parts. With Standard notation. 8+2+8+5+5+5+2+8 pages. Duration 2 minutes, 38 seconds. Carl Fischer Music #BAS78. Published by Carl Fischer Music (CF.BAS78). ISBN 9781491151235. UPC: 680160908738. 9 x 12 inches. Key: G major. The imagery of a lush, green meadow helps set the stage for Verdant Meadows. This simple, yet harmonically adventurous composition alternates between legato melodies and staccato harmonies. Following a climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a Maestoso section. Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. A This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. A Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. A . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. A This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. A Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. A . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. . Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. Imagine taking a gentle stroll through a lush, green meadow, filled with wildlife and vegetation. Â This imagery helps set the stage for the melodic content of Verdant Meadows. In the key of G major (and sometimes E minor), this simple, yet harmonically adventurous composition alternates between soaring legato melodies and staccato harmonies. Â Following the broadly climactic moment, a peaceful resolution hearkens back to earlier material and ends the piece with a wonderful Maestoso section. Â . About Carl Fischer Beginning String Orchestra Series This series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by: - Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
- Limited keys and rhythms - only simple 8th note patterns
- Limited independence of parts
- Playable after limited study time
- First position and natural bowings
- Piano for rehearsal and reinforcement
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solar Flare Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5 SKU: CF.CPS219 Composed by Tyler Arcari. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+4+4+8+4+4+8+8+8+4+4+4+4+6+6+2+6+8+2+3+2+4+10+28+4 pages. Duration 4 minutes, 6 seconds. Carl Fischer Music #CPS219. Published by Carl Fischer Music (CF.CPS219). ISBN 9781491152454. UPC: 680160909957. Solar Flare, by Tyler Arcari, depicts the huge explosion on the Sun that appears as a sudden bright flash. The piece incorporates a whirlwind of mixed meters to?depict this phenomenon. Arcari showcases his fresh, exciting, and well-scored compositional style in this piece. Solar Flare makes for? an excellent concert opener. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 6972 should be treated as a transitional fanfare to the new material at m. 73. Measures 99115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work.About the Work:Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a “teaching 7/8†space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69–72 should be treated as a transitional fanfare to the new material at m. 73.Measures 99–115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the “^†accent on the final note is one meant to be played heavy, and not short. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Solar Flare Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5 SKU: CF.CPS219F Composed by Tyler Arcari. Concert Band (CPS). Full score. With Standard notation. 28 pages. Carl Fischer Music #CPS219F. Published by Carl Fischer Music (CF.CPS219F). ISBN 9781491153130. UPC: 680160910632. Solar Flare, by Tyler Arcari, depicts the huge explosion on the Sun that appears as a sudden bright flash. The piece incorporates a whirlwind of mixed meters to?depict this phenomenon. Arcari showcases his fresh, exciting, and well-scored compositional style in this piece. Solar Flare makes for? an excellent concert opener. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 6972 should be treated as a transitional fanfare to the new material at m. 73. Measures 99115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a ateaching 7/8a space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69a72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99a115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the a^a accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work. About the Work: Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a teaching 7/8 space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69-72 should be treated as a transitional fanfare to the new material at m. 73. Measures 99-115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the ^ accent on the final note is one meant to be played heavy, and not short. A solar flare is a huge explosion on the sun that appears as a sudden increase in brightness or flash. Sometimes these explosions push large amounts of energy and even parts of the sun flying out into space. These events can be so powerful that they cause events on Earth such as auroras, as well as more serious issues like disrupting radio and electronic instruments. To our naked eye, these dangerous explosions are beautiful and quiet. The celestial is a fascinating place, hopefully captured in some small part by this work.About the Work:Solar Flare began as a piece with two goals: to write a space piece in 7/8 and to write a “teaching 7/8†space piece. The piece uses a 2-2-3 pattern, so using this in pre-performance warm-ups might be beneficial. The piece is loosely based on a minor second descending to a minor third. This motif is used at the onset of the piece in the mallet percussion and then again in the woodwinds. The melody presents itself at m. 19 in the clarinets. This melodic material is varied and traded throughout the instrument groups until m.67. Measures 69–72 should be treated as a transitional fanfare to the new material at m. 73.Measures 99–115 to the end of the piece feature a style similar to the beginning that helps to transition to m. 115, which is the climax of the work. An ostinato pattern (2-2-3) is presented with fragments of the melody appearing in the alto voices. This momentum culminates in a large, abrasive area at m. 125 where the suspension-resolution in the brass and horn melodic fragment need to be the focus. This momentum continuously grows until the last note where we resolve finally. Care should be taken that the “^†accent on the final note is one meant to be played heavy, and not short. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Regrets and Resolutions Flute and Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. ...(+)
For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 28 pages. Duration 8 minutes, 30 seconds. Theodore Presser Company #114-40487. Published by Theodore Presser Company
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Mel Bay's Complete Jazz Flute Book
Flute [Sheet music] - Intermediate Mel Bay
by William Bay. For flute. Complete. Jazz. Level: Intermediate. Book. Method. Si...(+)
by William Bay. For flute. Complete. Jazz. Level: Intermediate. Book. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.
(3)$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Resolute - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF.YAS221 Composed by Todd Parrish. Set of Score and Parts. Duration 2 minutes, 27 seconds. Carl Fischer Music #YAS221. Published by Carl Fischer Music (CF.YAS221). ISBN 9781491162699. UPC: 680160921447. Key: G major. Resolute was composed to celebrate the enduring spirit of those who persevere and overcome difficult challenges with fearless determination. Set in G major, this triumphant theme features a strong, accented melody and energetic accompaniments that frequently utilize double-stops for a resounding effect. The shadows of hardship are heard in a brief shift to E minor before the victorious melody returns with joy that defies darkness with courageous hope. The same way we support each other through trials, many melodies and countermelodies are doubled between sections to portray strength and resolve.Resolute was premiered by the East River High School Orchestra in May of 2022 under the direction of Mr. Scott Friedberg in honor of the orchestra’s 4-year anniversary, and dedicated to the courageous students who continued to make music through the pandemic, demonstrating determination and tenacity in their passionate pursuit of musical excellence. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Resolute - Easy Carl Fischer
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF....(+)
Orchestra violin 1, violin 2, violin 3, viola, cello, bass - Grade 2 SKU: CF.YAS221F Composed by Todd Parrish. Full score. 12 pages. Duration 2 minutes, 27 seconds. Carl Fischer Music #YAS221F. Published by Carl Fischer Music (CF.YAS221F). ISBN 9781491163030. UPC: 680160921782. Key: G major. Resolute was composed to celebrate the enduring spirit of those who persevere and overcome difficult challenges with fearless determination. Set in G major, this triumphant theme features a strong, accented melody and energetic accompaniments that frequently utilize double-stops for a resounding effect. The shadows of hardship are heard in a brief shift to E minor before the victorious melody returns with joy that defies darkness with courageous hope. The same way we support each other through trials, many melodies and countermelodies are doubled between sections to portray strength and resolve.Resolute was premiered by the East River High School Orchestra in May of 2022 under the direction of Mr. Scott Friedberg in honor of the orchestra’s 4-year anniversary, and dedicated to the courageous students who continued to make music through the pandemic, demonstrating determination and tenacity in their passionate pursuit of musical excellence. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Break Through - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2 SKU: CF.YPS257F Composed by Mark Lortz. Yps. Full score. 12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257F. Published by Carl Fischer Music (CF.YPS257F). ISBN 9781491161968. UPC: 680160920648. Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through. Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Persistent Memory Violin and Piano Oxford University Press
Violin & piano (Solo) SKU: OU.9780193451551 Composed by Michael Berkeley....(+)
Violin & piano (Solo) SKU: OU.9780193451551 Composed by Michael Berkeley. Violin & Piano. 16 pages. Duration 6'. Oxford University Press #9780193451551. Published by Oxford University Press (OU.9780193451551). ISBN 9780193451551. 12 x 8 inches. For violin and piano The composer writes: 'Persistent Memory is a little six minute drama . . . although the piano begins as the more aggressive partner and triggers the violin into animation, it is in fact the piano that finally provides a note of resolution, or at least, partial resolution.'. $16.25 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| On the Beaten Path Jazz Drums [Sheet music + CD] Alfred Publishing
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lacko...(+)
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lackowski and John O'Reilly, Jr.. For Drumset. Artist/Personality; Book; CD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Jazz. 108 pages. Published by Alfred Music Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Resilience - Intermediate/advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3 and more. - Grade 4 SKU: CF.SPS93F For Those Who Continue to Rise. Composed by Travis Weller. Full score. 30 pages. Carl Fischer Music #SPS93F. Published by Carl Fischer Music (CF.SPS93F). ISBN 9781491159781. UPC: 680160918379. Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances. For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn't know, or perhaps challenged us to grow in a way we didn't think possible. Either way, it does not happen unless we possess resilience. I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience. Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances.For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn’t know, or perhaps challenged us to grow in a way we didn’t think possible. Either way, it does not happen unless we possess resilience.I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blue Horizons - Advanced Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, Trumpet 1, Trumpet 2, Trumpet 3, alto Saxophone 1 and more. - Grade 5 SKU: CF.SPS85 Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+28+28+14+14+4+14+14+7+24+28+28+8+4+8+8+14+8+9+12+12+8+8+8+8+12+12+9+12+8+16+4+3+2+6+6+6+7+44 pages. Duration 7 minutes, 8 seconds. Carl Fischer Music #SPS85. Published by Carl Fischer Music (CF.SPS85). ISBN 9781491156421. UPC: 680160914968. 9 x 12 inches. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece†to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms†into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Five Jazz Ensemble [Score and Parts] - Advanced Jazz Lines Publications
Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score an...(+)
Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score and parts. Published by Jazz Lines Publications
$50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Break Through - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2 SKU: CF.YPS257 Composed by Mark Lortz. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+3+3+3+2+3+1+1+1+4+2+12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257. Published by Carl Fischer Music (CF.YPS257). ISBN 9781491161500. UPC: 680160920136. Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through. Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blue Horizons - Advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Crash Cymbals, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3 and more. - Grade 5 SKU: CF.SPS85F Composed by Jeremy Martin. Sws. Sps. Full score. 44 pages. Duration 7 minutes, 8 seconds. Carl Fischer Music #SPS85F. Published by Carl Fischer Music (CF.SPS85F). ISBN 9781491156438. UPC: 680160914975. 9 x 12 inches. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece†to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms†into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy. $18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Meyer K Schostakowitsch - Biographie Schott
(TB BR) SKU: HL.49041722 His Life, his Work, his Time. Composed by...(+)
(TB BR) SKU: HL.49041722 His Life, his Work, his Time. Composed by Meyer. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Der Autor, Freund des Komponisten und intimer Kenner seines Werkes, hat das Verdienst, eine erste umfassende Synthese der widerspruchlichen Informationen zu geben, die uns uberliefert sind. Die andere, entscheidende Leistung dieser Biographie ist, das Leb. 608 pages. Schott Music #SEM8376. Published by Schott Music (HL.49041722). ISBN 9783254083760. 4.75x7.5x1.19 inches. German. Mehr als jedes andere kompositorische Lebenswerk der Musikgeschichte wurzelt Schostakowitschs Schaffen im politischen Umfeld seiner Epoche. Fast jedes seiner grosseren Werke antwortet auf Ereignisse in seinem Land. Trotz zahlreicher Kommentare des Komponisten selbst und seiner Freunde war der programmatische Gehalt der Werke jedoch lange nicht vollstandig erhellt. Krysztof Meyer, ein Freund des Komponisten und intimer Kenner seines Werkes, hat mit diesem Standardwerk, das nun als uberarbeitete Neuausgabe vorliegt, eine erste und umfassende Synthese der widerspruchlichen Informationen gegeben. Leben und Schaffen Schostakowitschs werden dabei in einen Zusammenhang nicht nur mit den musikalischen Stromungen, sondern auch mit den politischen Entwicklungen seiner Zeit gestellt. $29.99 - See more - Buy online | | |
| Resilience - Intermediate/advanced Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Percussion 3, Piano, Piccolo, Timpani and more. - Grade 4 SKU: CF.SPS93 For Those Who Continue to Rise. Composed by Travis Weller. Set of Score and Parts. 30+2+12+12+4+12+12+12+4+4+4+4+4+4+6+6+6+8+9+9+6+9+6+6+4+2+2+9+4+12+4 pages. Duration 6 minutes, 10 seconds. Carl Fischer Music #SPS93. Published by Carl Fischer Music (CF.SPS93). ISBN 9781491159774. UPC: 680160918362. Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances. For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn't know, or perhaps challenged us to grow in a way we didn't think possible. Either way, it does not happen unless we possess resilience. I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience. Adversity, in any form at any point of our lives, can be absolutely debilitating mentally, physically, emotionally and spiritually. In the midst of hard times, it is difficult to imagine what our lives will look like on the other side of the adversity we are facing. Yet so many of us carry on, move forward, and rise above determined to never be defined by our circumstances.For some their personal faith, support from family, or relationship to friends provides the necessary fuel for the resilience they need to rise above adversity. It is amazing when a group of people are able to come together to overcome a common obstacle. With this in mind, I put to music that spirit of rising above for the Liberty High School Band and their director Michael Summers. Northeast Ohio has seen its share of prosperity and significant times of hardship along many different fronts. I still see resilient leaders, community members, and educators like Mike who continue to fight for what is best and what is right. The debut of this work, like so many other things, was interrupted in the spring of 2020. Now on the precipice of a new beginning for many band programs across the country, all of us in instrumental music education must summon resilience to ensure our groups recover, grow and flourish. The rising major second represents us all taking the first step forward in good and difficult times. The adversity (tension) arrives in various ways harmonically throughout the work. Tension can make us lose sense of where we are on our journey and rob us of our ability to imagine getting through our current situation. But I am reminded that not all tension is bad. Given enough time and enough resolution, we can often make sense of the adversity. We can recognize that the adversity taught us something about ourselves we didn’t know, or perhaps challenged us to grow in a way we didn’t think possible. Either way, it does not happen unless we possess resilience.I thank you in advance for your support of this music and wish you and your group the very best moving forward with Resilience. $125.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Emotional Accordion Part 1 MDS (Music Distribution Services) (+)
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Expectation
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Pleasure
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Fair Dance
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Consolation
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Carefree
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Petit Morceau
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Morning Blues
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Une Belle matinee
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Revelation
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Wondering
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Variations On A Theme
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Touch
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Emotion
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Dance Constance
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Beat
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Gypsy Melody
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Serene
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Memory
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Melodie d'un Saxophone
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Hopeful
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Melody
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La Valse
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Spirit
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Forward
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Compassion
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Cheerful
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Resolute
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Tango d'Esperanza
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Welcome
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In Classical Style
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| Complete Johnny Smith Approach to Guitar Guitar [Sheet music] - Intermediate/advanced Mel Bay
by Johnny Smith. For flatpick and plectrum guitar. Complete. All styles, jazz. ...(+)
by Johnny Smith. For flatpick and plectrum guitar. Complete. All styles, jazz. Level: Intermediate-Advanced. Book. Technique. Size 8.75x11.75. 256 pages. Published by Mel Bay Pub.,
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| How to Choose and Use Audio Interfaces Hal Leonard
SKU: HL.269495 The Musician's Guide to Home Recording Series. Musi...(+)
SKU: HL.269495 The Musician's Guide to Home Recording Series. Musician's Guide Home Recordg. Audio Technology, Education / Computers & Technology, Recording/Music Business. Softcover. 88 pages. Published by Hal Leonard (HL.269495). ISBN 9781540024916. UPC: 888680738693. 7.5x9.25x0.21 inches. Craig Anderton The Musician's Guide to Home Recording Series. Along with a computer, an audio interface provides the all-important hardware foundation for computer-based recording. This book helps musicians choose, apply, and get the maximum performance from all types of audio interfaces. Written in a clear, practical, non-intimidating style, topics include: * The significance of different types of analog and digital connections and how you would use them * Interconnection protocols (USB, FireWire, Thunderbolt, PCIe) for Windows and Mac computers * Product options from portable, mobile units up to sophisticated mixers that can also serve as audio interfaces * The special requirements involved in recording guitar * The function of drivers and accessory programs (like software mixers for signal routing) * Ways to minimize delays that occur when using audio interfaces with computers * How and why to choose particular sample rates and resolutions * The high-resolution audio controversy * Microphone preamps * Using multiple interfaces * Expanding existing interfaces for more inputs * Understanding specifications * Various special features unique to particular interfaces, and more Loaded with illustrations and featuring the judicious use of sidebars to give details on selected topics for those who want to know why as well as how, How to Choose and Use Audio Interfaces is essential reading about one of the most important elements needed for a high-quality, computer-based home or project studio. $21.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Commitment to Courage Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104888-010 Composed by Hayat...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104888-010 Composed by Hayato Hirose. Concert and Contest Collection CBHA. Concert Piece. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104888-010. Published by De Haske Publications (BT.DHP-1104888-010). 9x12 inches. English-German-French-Dutch. Commitment to Courage is een eerbetoon aan brandweerlieden overal ter wereld. Dagelijks stellen zij hun leven in de waagschaal voor het welzijn van hun medemens. Het eerste deel Oath (eed) beschrijft hoe de brandweermoedig het vuur bestrijdt om mensen te redden. Het tweede deel Grief (verdriet) is een requiem voor de slachtoffers. Het derde deel Resolutions spreekt een belofte uit: ook in de toekomst zal de brandweer telkens haaropdracht vervullen.
Commitment to Courage ist eine Hommage an die Arbeit der Feuerwehrleute auf der ganzen Welt, die täglich ihr Leben für die Sicherheit der Bevölkerung riskieren. Der erste Satz Oath (Eid) beschreibt, wie die Feuerwehr mutig das Feuer bekämpft, um Zivilisten zu retten. Der zweite Satz Grief (Trauer) ist ein Requiem für die Opfer. Der dritte Satz ist mit Resolutions (Vorsätze) überschrieben: Auch in Zukunft wird die Feuerwehr ihre Mission erfüllen, damit alle Menschen in Sicherheit leben können.
Commitment to Courage est une œuvre de commande pour la Musique de la Brigade des sapeurs-pompiers de Nagoya (Nagoya City Fire Bureau Band - Japon), pour les festivités marquant son cinquantième anniversaire. La réalisation de cette commande a été rendue possible gr ce au soutien financier de la Brigade des sapeurs-pompiers de Nagoya (Nagoya City Fire Bureau). L’œuvre fut donnée en création par la formation dédicataire, placée sous la direction de Masaichi Takeuchi, le 7 février 2009.Commitment to Courage (“L’obligation de courageâ€) est une œuvre en trois mouvements décrivant les missions que les pompiers réalisent pour sauver la vie de paisiblescivils.I. Oath - Fighting the Fire Un serment - Combattre le feuCe premier mouvement débute avec une fanfare jouée par les cuivres. Les pompiers bravent les flammes pour sauver des vies humaines.II. Grief - Requiem for the VictimsLe chagrin - Requiem pour les victimesLa petite harmonie (les bois) joue un requiem pour tous ceux qui n’ont pas pu être sauvés.III. Resolutions - For the Future Des résolutions - Pour l’avenirLa mission des pompiers demeurera toujours la même : sauver la vie de citoyens ordinaires, parfois au péril de leur propre vie.Hayato Hirose a composé cette œuvre en hommage aux soldats du feu, avec l’espoir d’un avenir serein et heureux pour tous. $181.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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