SKU: SU.80600130
Piano solo Composed: 1966 Published by: E.B. Marks.
SKU: SU.80600070
Piano solo Composed: 1972 Published by: E.B. Marks.
SKU: SU.80600090
Piano solo Composed: 1961 Published by: E.B. Marks.
SKU: SU.80601690
Piano solo Composed: 1983 Published by: E.B. Marks.
SKU: SU.80600560
Piano solo Composed: 1942 Published by: E.B. Marks.
SKU: SU.80604090
Piano solo Composed: 1963 Published by: E.B. Marks.
SKU: SU.80600010
Piano Solo Composed: 1972 Published by: E.B. Marks.
SKU: SU.80600040
Piano solo Composed: 1999 Published by: E.B. Marks.
SKU: SU.80600120
Newly engraved version Piano solo Composed: 1960 Published by: E.B. Marks.
SKU: SU.80600530
Piano solo Composed: 1967 Published by: E.B. Marks.
SKU: SU.80600540
Piano solo Composed: 1947 Published by: E.B. Marks.
SKU: SU.80600110
Piano solo Composed: 1965 Published by: E.B. Marks.
SKU: FP.FBC01
ISBN 9790570503940.
Handel's keyboard works are more numerous, diverse and important than is generally realised, and the performer who is prepared to study them will find themselves amply rewarded by the discovery of their outstanding construction, melodic beauty and harmonic mastery.Quite apart from their own intrinsic value, they make great teaching material, and it is with this in mind that the composer has made this graded selection. For the development of rhythmical vitality, training of left hand technique, finger work and phrasing sense, they are unsurpassed.
SKU: DY.DO-1525
ISBN 9782897963057.
J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin and piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
SKU: HL.870078
ISBN 9781705150276. UPC: 196288017011. 9.0x12.0x0.077 inches.
30 popular melodies at an easy level in solo books for all the instruments in the Essential Elements Band Method. Perfect motivational music for students to play and practice featuring songs by Billie Eilish, Queen, Shawn Mendes, Taylor Swift, Star Wars, The Avengers, and more! Titles include: Believer • Blinding Lights • Don't Stop Believin' • Dynamite • Hallelujah • The Imperial March (Darth Vader's Theme) • Let It Go • Señorita • Seven Nation Army • Sucker • This Is Me • We Are the Champions • Wildest Dreams • You Will Be Found • and more.
SKU: HL.870070
ISBN 9781705150191. UPC: 196288016939. 9.0x12.0x0.077 inches.
SKU: HL.4008116
UPC: 196288124368.
Billie Eilish's Bad Guy won her the coveted Grammy Award for Song of the Year in 2020. This arrangement was made by the renowned German recorder soloist and teacher Ralf Bienioschek for his special Ralf Bienioschek Signature Edition series. The arrangement is for a standard quartet of Soprano, Alto, Tenor and Great Bass Recorder, with additional parts provided Bass Recorder and Sub Bass (Contrabass) Recorder. Optional parts for (Electric) Guitar, Key-/Electric Bass Guitar, (Electric) Drum Set, Cajon (light or a more difficult version), Cowbell and a playback track (available on our website www.bandmusicshop.com) are also included. You can also find a Score Play demo and a How to play video on our YouTube channel Hal Leonard Europe Ensemble. There are several ways to play the song. In principle, many options are conceivable, e.g. - standard Recorder Quartet - with a band: (E)-Guitar, Key-/E-Bass Guitar, (E)-Drums, Cowbell - with an acoustic band: Guitar, E-Bass Guitar, Cajon, Cowbell - or just with the Recorders and with (or without) the playback. We hope you have fun playing it!
SKU: BT.DHP-1216355-140
English-German-French-Dutch.
Ava Max, Billie Eilish and Dua Lipa: altogether, they possess a great deal of girl power. That was all Peter Kleine Schaars needed to arrange this exciting, great-sounding and playable pop medley. With hits like ‘Kings and Queens’,‘My Future’ and ‘Break My Heart’, these female artists from today’s pop scene certainly gave the year 2020 an entertaining boost!Ava Max, Billie Eilish en Dua Lipa: samen zijn ze goed voor een flinke dosis girlpower. Meer was er voor Peter Kleine Schaars niet nodig om een spetterende, maar vooral goed klinkende en speelbare popmedley te arrangeren. Met hitsals ‘Kings and Queens’, ‘My Future’ en ‘Break My Heart’ wisten deze vrouwelijke artiesten uit de hedendaagse popmuziek het jaar 2020 toch nog behoorlijk wat schwung te geven!Ava Max, Billie Eilish und Dua Lipa sie alle stehen für extrem viel Girlpower. Mehr brauchte Peter Kleine Schaars nicht, um dieses spannende, großartig klingende und gut spielbare Pop-Medley zu arrangieren. Mit Hits wie Kings andQueens“, My Future“ und Break My Heart“ haben die Künstlerinnen aus der heutigen Popszene dem Jahr 2020 einen unterhaltsamen Schub verliehen!Ava Max, Billie Eilish et Dua Lipa : ensemble, elles font preuve d’une puissance féminine extraordinaire. Il n’en fallait pas plus pour inciter Peter Kleine Schaars arranger ce dynamique medley pop aux sonorités fabuleuses. Avecdes tubes comme « Kings and Queens », « My Future» et « Break My Heart», ces chanteuses de la scène pop actuelle ont certainement égayé l’année 2020 !
SKU: HL.1455262
UPC: 196288209386. 9.0x12.0x2.5 inches.
Composed during the summer and fall of 1974, Barnes' FIRST SYMPHONY, Op. 35 was his master's thesis at The University of Kansas. It was premiered in the spring semester of 1976 by their Symphonic Band, Robert E. Foster conducting. The following year, the symphony was awarded the American Bandmasters Ostwald Composition prize, which led to a second performance (of only the first two movements) by the Northwestern Wind Ensemble at the American Bandmasters convention with Col. Jack Cline (U.S Marine Band) conducting. Following this performance, Barnes submitted the work to several publishers, all of which declined on the basis it was too long and difficult to be marketable. For this reason, Barnes set the work aside and there it remained until 2022, when an offer came from the Osaka Shion Wind Orchestra to record all nine of Barnes'symphonies to help celebrate their 100th anniversary. Barnes seized the opportunity, engraving all four movements, with revisions and corrections, an effort that took seven days a week for two months to complete. As a result, after almost fifty years, all nine of the Barnes symphonies are finally available for performance.
SKU: HL.1455263
ISBN 9781638879329. UPC: 196288209393. 9.0x12.0x0.545 inches.
SKU: HL.1418387
UPC: 841300102410. 16.0x26.5x17.0 inches.
Faster and easier Cable-free DJing without sound delays is now possible with the WAVE-EIGHT thanks to SonicLink. This new ultra-low-latency technology wirelessly transmits audio much faster than a Bluetooth connection so only a fraction of a second passes between pressing play on the decks and hearing the track through the speakers, which lets you mix without missing a beat. Take the included transmitter out of its storage compartment on the WAVE-EIGHT and connect it to your DJ gear, and you can instantly create a wireless connection, enabling you to throw a DJ party anywhere you want. And if you combine the WAVE-EIGHT with the new OMNIS-DUO portable all-in-one DJ system, which features battery power, you can play cable-free for total freedom. Professional sound with effortless setup With a highly efficient Class D amplifier, a newly designed 8-inch driver, and a Vortex Bass Accelerator which delivers clear and powerful bass, the WAVE-EIGHT will bring the vibes and the punch to your party's sound, even in outdoor settings. To cover larger events and spaces, you can easily add more units to your setup with the SonicLink connection: e.g., using 2 speakers in stereo for an expansive experience, or with a third added as a dedicated subwoofer for a club-like heavy bass sound. There are even several modes you can change between with a single switch to create the type of sound you need, including Mono, Stereo, and Subwoofer mode. Battery power and waterproof design for outdoor events A full battery charge gives you 8 hours of music on the WAVE-EIGHT so you can keep the tunes going throughout the evening and night. The unit is also waterproof, with an IPX4 rating, so it's ideal for using outdoors. And, if you need to charge your phone or another device, you can plug it into the USB Type-C port. Find party venues wherever you go The extendable handle, casters, and additional grab handles make it easy to carry the WAVE-EIGHT to any location on your own. There's a pole socket built-in, too, so you can mount the speaker on a stand for extra height, making it ideal for use in a variety of locations.
SKU: HL.48025440
ISBN 9781784549060. UPC: 196288216391.
Leokadiya Kashperova (1872–1940), hitherto consigned to a footnote in musical history as Stravinsky's piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. The Piano Concerto (1900) is Kashperova's earliest surviving orchestral work, and it was premiered by the composer the following year in Moscow and St Petersburg, bringing her much wider recognition and paving the way for an international career. Cast in three movements and in a Romantic idiom, pianistic virtuosity is often channelled into the pianist's left hand, which is required to negotiate widely-spaced 'extreme' arpeggios – awkwardly angular when adagio, fiendishly technical when molto allegro. Kashperova's orchestral colours are achieved by felicitous solos for the woodwind, horns and brass. Noteworthy, too, are unexpected glimpses of chamber music when, in the last movement for example, the piano combines fleetingly with solo violin and solo cello in passages. The concerto's quick music (Molto allegro and Allegro con anima) admirably portrays the vivacious personality of their composer, described in 1906 as offering those around her 'an abundance of joy, excitement and fun'. The central movement, by contrast, is a tender Adagio which offers the listener a gem of musical poetry.
SKU: FG.55011-906-2
ISBN 9790550119062.
Harri Wessman's Summer Variations for viola and piano (1998) exploites the rich and romantic sound of the viola and enjoys the many shades of summer days. It is dedicated to violist Yuri Gandelsman, who premiered the suite with Risto Lauriala 15th June 1998.Duration: c. 11'Movements:1. Summer theme2. What is this?3. Pizzicato4. Con sordino5. Stile concitato ostinato6. Tango7. FinaleHarri Wessman (b. 1949) is interested in all aspects of music that may be expressive, without in any way ignoring the possibilities of melody. He himself describes his harmonic method as a kind of contrapuntally treated jazz harmony. Wessman is particularly preoccupied with the ability of music to express emotions, an interest which has led him to study the so-called doctrine of the affections and the musical rhetoric of the baroque era. His Eine kleine Figurenlehre for wind quartet and piano is a playful application of a set of baroque musical figures.His output is dominated by chamber and vocal music as well as a number of concertos for various instruments such as the Concerto for Trumpet and Orchestra and the Serenade for Piano and String Orchestra. During recent years pedagogic music has become a more and more central area in his output with an emphasis on creating repertoire for budding musicians, from beginners to young professionals. He has even tailored some solo and chamber works for young musicians that he personally knows: e.g. Five Trombone Pieces for Minna Kajander (1992), Five Horn Pieces for Jenni Kuronen (1993), Five Piano Etudes for Tiina Karakorpi, Five Trumpet Pieces for Alevtina Parland and Five Double Bass Pieces for Amanda Thieme. Other chamber and solo pieces include Pan and the Nymph Pitys (1979) for flute and guitar, Three Caprices for Konstantin Weitz (1994) for solo violin and Capriccio for wind ensemble (1989).
SKU: FG.55011-895-9
ISBN 9790550118959.
The Urtext edition (2023) of Jean Sibelius’ Five Christmas Songs op. 1 for voice and piano is based on the critical edition presented in the volume VIII/2 Works for Solo Voice Vol. 2 of Jean Sibelius Works (JSW) edited by Jukka Tiilikainen. The lyrics are included in Swedish, Finnish and English.Sakari Ylivuori's introduction illuminates the history of the beloved songs: May 1, 1913 was cold and wet. Jean Sibelius (1865–1957) spent the day at home at Ainola composing two Christmas songs: settings of poems for children by Zachris Topelius. The two songs born on that chilly spring day were Nu står jul vid snöig port (Now stands Yule at the snowy gate) and Nu så kommer julen (Now is Christmas coming). He then put them together with three Christmas carols he had earlier composed and gave the set the imposing Opus number 1. He had previously considered giving the distinction to various other works, but from 1915 onwards the Five Christmas Songs had the honour of heading his catalogue. [...]ContentsNu står jul vid snöig port • Joulu saapuu portin luo • Now stands Yule at the snowy gate [F major]Nu så kommer julen • Tervehtii jo meitä joulu armahin • Now is Christmas coming [e minor]Det mörknar ute • Jo joutuu ilta • O’er hill and dale [F major]Julvisa • En etsi valtaa, loistoa • Christmas song [G major]On hanget korkeat, nietokset • Visst drivor höga som skyn vi ha • The shining snows are driving high [F major].
SKU: AP.36-60783002
ISBN 9798888528655. UPC: 659359997112. English.
The piano trio version of LA MUSE ET LE POÈTE, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1910, with Eugene Ysaÿe on violin, Jospeh Hollmann on cello, and the composer at the piano. Saint-Saëns transcribed the version for violin, cello and orchestra that same year, and the same two string players premiered that version on October 20 at the Sarah Bernhardt Theater in Paris under Fernand Le Borne. Despite the title (which was later added by the publisher to make it more marketable), no program is intended for the work and neither instrument represents either the muse or the poet. Saint-Saëns himself referred to the piece as a conversation between the two instruments instead of a debate between two virtuosos.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-M312091
ISBN 9798892701907. UPC: 659359604232. English.
Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote the beautiful ÉLÉVATION, OU COMMUNION in E Major for organ or harmonium in 1859.
SKU: EC.9269
UPC: 600313492693.
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