| Keyboard Essentials - Playing Keyboards the New Way Piano solo - Beginner Schott
Piano (Piano) - very easy SKU: HL.49007464 Volume 1. Composed by A...(+)
Piano (Piano) - very easy SKU: HL.49007464 Volume 1. Composed by Alex Benson. This edition: Saddle stitching. Sheet music. Edition Schott. The Keyboard Method for all one manual models with automatic accompaniment and rhythm facility for teaching and private study. Classical, Contemporary, Educational. 64 pages. Schott Music #ED 7710. Published by Schott Music (HL.49007464). ISBN 9790001080293. 9.0x12.0x0.217 inches. English. Keyboard Essentials is aimed at all who want to learn to play keyboards successfully in methodically thought-out teaching units with the aid of popular songs and useful tips, though tutoring or private study. It is aimed at beginners of all ages but also, for example, wind players, singers or guitaristswho want to become musical 'insiders' and who though playing the keyboard see an introduction to improvisation, composition, harmony, etc. On the keyboard in particular, with its clearly arranged, regular structure of keys, scales, chords, and harmonic relations are presented more clearly and systematically than on any other instrument. Musicians with previous knowledge may join in at volume 2 or 3. $19.99 - See more - Buy online | | |
| Der Cellokasten Cello [Score] Breitkopf & Härtel
Cello solo SKU: BR.EB-8817 Materialien fur die Unterstufe. Compose...(+)
Cello solo SKU: BR.EB-8817 Materialien fur die Unterstufe. Composed by Michael Dartsch and Susanne Richter. Solo instruments; Softbound. Edition Breitkopf. This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA) Music pedagogy. Score. 124 pages. Breitkopf and Haertel #EB 8817. Published by Breitkopf and Haertel (BR.EB-8817). ISBN 9790004183830. 9 x 12 inches. The Cellokasten (Cello Case) offers a wealth of varied material for the beginner. Like the successful Geigenkasten, it can be used in teaching as a supplement to any cello method. And with its steadily increasing level of difficulty within each chapter, it can also serve as a kind of instruction method as well. The chapters are devoted to the following topics: - Games of posture and movement - Music on open strings and fundamentals of bowing technique - Playing with close stops and wide-stretch stops, high and low - Combination of close stop, wide-stretch stop and chromaticism - Playing, reading, notating rhythms; reading and notating tones as well as improvisation in the chapter Inventing Music . Along with lyrics for singing, there is almost always a second part, which lets two cello lovers make music together. The book offers songs and cello pieces for a variety of occasions and for every season. Interesting information about the instrument is also scattered throughout the book.
This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA). $33.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lieder Und Gesange Fur Solostimmen, Op. 107 U.a. Score Schumann Complete Band 6/2 Schott
SKU: HL.49018243 Composed by Robert Schumann. Edited by Kazuko Ozawa and ...(+)
SKU: HL.49018243 Composed by Robert Schumann. Edited by Kazuko Ozawa and Matthias Wendt. This edition: Full-cloth binding. Sheet music. Edition Schott. Score, complete edition. Op. 107 u. a. 604 pages. Schott Music #RSA1043-20. Published by Schott Music (HL.49018243). ISBN 9783795793340. 8.0x11.0x1.64 inches. The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. $511.00 - See more - Buy online | | |
| Tunes for Two - Book 2 Easy Piano Schaum Publications
1 Piano, 4 Hands - Elementary SKU: HL.645554 NFMC 2016-2010 Piano Duet...(+)
1 Piano, 4 Hands - Elementary SKU: HL.645554 NFMC 2016-2010 Piano Duet Event Primary III-IV-Elementary I Selection. Arranged by Wesley Schaum. Educational Piano. Duet, Recital, Supplementary. Softcover. 32 pages. Duration 7200 seconds. Schaum Publications, Inc. #0572. Published by Schaum Publications, Inc. (HL.645554). ISBN 9781495081569. UPC: 008148005727. 9.0x12.0 inches. A great music educator once said, Rhythm is caught, not taught. Duet playing provides valuable experience developing a sense of rhythm. These duets are designed for two students at the same level - primo and secondo parts are of equal difficulty. Both parts are fun to learn because both players are given interesting acompaniments as well as melodies. It is suggested that a student alternate parts, learning the primo part for one piece, the secondo part for the next, etc. This gives valuable sight-reading experience with both hands in treble clef and with both hands in bass clef. Duet playing provides an excellent opportunity for ear training, too. Emphasis should be placed on listening carefully to both parts so that the melody can be heard clearly and the accompaniment subdued. Book Two includes 12 duets: Blue Tail Fly * (She'll Be) Comin' Round the Mountain * Down by the Riverside * Jimmy Crack Corn (Blue Tail Fly) * Little David Play on Your Harp * Marines' Hymn * My Wild Irish Rose * You're a Grand Old Flag * and more. $6.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tunes for Two - Book 1 1 Piano, 4 hands Schaum Publications
NFMC 2016-2010 Piano Duet Event Primary II-III-IV Selection. Arranged by ...(+)
NFMC 2016-2010 Piano Duet Event Primary II-III-IV Selection. Arranged by Wesley Schaum. Educational Piano. Duet, Recital, Supplementary. Softcover. 32 pages. Schaum Publications, Inc. #0571. Published by Schaum Publications, Inc. (HL.645553).
$7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Denn wiederkommen String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (2vl - va - vc - Sp) SKU: BR.KM-2432 Holderlin lesen II...(+)
String Quartet (2vl - va - vc - Sp) SKU: BR.KM-2432 Holderlin lesen III. Composed by Hans Zender. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Museum Island Hombroich, May 31, 1992. Music post-1945; New music (post-2000). Performance score. Composed 1991. 36 pages. Duration 24'. Breitkopf and Haertel #KM 2432. Published by Breitkopf and Haertel (BR.KM-2432). ISBN 9790004502020. 10 x 15 inches. In den alten Kulturen war das, was wir heute ,,Musik und ,,Dichtung nennen, eine Einheit. Denken wir nur an die lotrijgn<' [musike] der Griechen, oder an Beschreibungen, die wir in den klassischen chinesischen Schriften finden. Aber naturlich: Kulturgeschichte ist ein Differenzierungsprozess, und so finden wir zur Zeit unserer europaischen Klassiker den Vorstoss der Musik zu ihrer ,,Autonomie - ihrer offiziellen Scheidung von dem Metier der Dichter. (Noch 1739 hatte Mattheson in seinem Vollkommenen Capellmeister von jedem Musiker ,,Gewandtheit in der Dicht-Kunst und genaueste Kenntnis der Verslehre verlangt.)Seit dieser Scheidung sind nun die Musiker sehr eifrig damit beschaftigt, eine autonome Grammatik und Syntax der ,,Tonkunst, wie die Musik jetzt genannt wird, zu entwickeln, wahrend in der Dichtung - besonders naturlich in der experimentellen, von Jean Paul und Mallarme bis zu Joyce und Celan - gerade das ,,Musikalische in der Poesie gesucht wird. Hierunter ist oft der Wunsch verborgen, die Verhartung, welche die Wortsprache durch ihre begriffliche Fixierung - extrem in der Wissenschaft! - erfahrt, wieder aufzuheben und sie in einen ,,musikalischen Zustand von Unbestimmtheit, von Offenheit zuruck zu versetzen.Oberflachlich betrachtet entwickeln sich die beiden Kunste in der Moderne also auseinander; eine Beruhrung zwischen ihnen wird immer schwieriger. Zu gross die Gefahr, dass die muhsam errungene Autonomie der einen wieder der Ubermacht der andern geopfert wird! Entweder wird die Musik, wenn sie schwach ist, zu blosser Illustration und Stimmungskulisse; oder sie verschlingt in ihrer klanglichen und zeitlichen Ausformung den eigenen Klang und Rhythmus der Dichtung.Manche Musiker haben in den letzten Jahrzehnten dieses Problem noch verinnerlicht und eine Art Bilderverbot auch innerhalb der Musik aufgestellt: Gestik, Expressivitat, Assoziationsfahigkeit der musikalischen Strukturen wurden unterdruckt. Ich halte das fur ein neurotisches Verhalten und ausserdem fur irrefuhrend. Es gibt schon seit jeher auch eine musikalische Semantik - das vergessen manche vor lauter Syntax und Grammatik; und es ist kein Grund einzusehen, warum in der Situation der Autonomie nicht musikalische und sprachliche Semantik in eine neue Art von Verhaltnis treten konnten. In der Bach-Kantate, im Schubert-Lied, in der Wagnerischen Leitmotivik waren das 1:1-Losungen; aber schon Wagner hat gezeigt, dass man diese Identitat auch dialektisch aufsprengen kann.Und wie erst in der Vielsprachigkeit der heutigen Moderne! In meiner Oper Stephen Climax habe ich den Hauptpersonen des Ulysses von James Joyce bestimmte - historisch ortbare - Musiksprachen zugeteilt (welche jeweils wieder bestimmte intervallische und rhythmische Struktureigenschaften zeigen, welche ihrerseits wieder seriell oder statistisch geordnet sind - es geht bis ins kleinste Detail ganz ,,autonom zu!!); der Kosmos unserer europaischen Musikgeschichte wird sowohl dem Kosmos der Joyceschen Figuren (ihrerseits ,,geschichtstrachtig!) wie auch dem aktuellen musikalischen Bewusstsein zugeordnet, aber eben oft auch uber Kreuz, paradox, mehrschichtig, mehrdeutig ... Die Tatsache, dass diese spezifische Moglichkeit einer neuartigen Einheit von Sprache und Musik von den berufenen Musikologen noch kaum bemerkt worden ist, zeigt nicht nur deren Langsamkeit, sondern auch die Dominanz des ,,bildlosen Denkens in der - jetzt abgelaufenen - Phase der Neuen Musik.In meinen Holderlin lesen-Stucken ging es mir darum, Wege zu finden, die gewaltigen Sprachstrukturen Holderlins so in die zeitliche Form der Musik zu integrieren, dass sie Funktionen der musikalischen Form ubernehmen, ohne in ihrer Eigenkraft (sowohl akustisch wie auch im Sinne expressiver ,,Deutung) im geringsten geschmalert zu werden. Das hiess zunachst: Sprechen, nicht singen! - Aber das wurde nur bedeuten, dass es nicht um die Musikalisierung von Text geht; ebenso wichtig ist es, dass es auch nicht um melodramatisch ,,erzahlende Musik geht. Sondern: Zwei autonome Kunste durchdringen sich auf diaphane Weise, ohne sich zu uberformen oder auszuloschen; es handelt sich um einen Dialog, nicht um eine Vereinnahmung durch Hierarchisierung.Ein weiteres Thema, das in der musikalischen Diskussion der letzten Jahrzehnte zu kurz gekommen ist und deswegen jetzt neu am Horizont erscheint, ist die Rhetorik. Inwieweit kann musikalische Form nicht nur logisch bzw. syntaktisch, sondern auch rhetorisch verstanden werden? Rhetorik und Satztechnik z.B. hangen zusammen. Ich kann diese Problematik (die ich in meinem vierteiligen, abendfullenden Shir Hashirim ,,auskomponiert habe) hier nur andeuten.Musik steht zwischen Zahl und Wort; sie hat an beidem teil. So konnte sie das Zentrum der ,,Sieben Freien Kunste in alten Zeiten bilden ... (Heinrich Schutz sagte, dass sie zu diesen - also zu den mathematisch-astronomischen und den literarischen Kunsten - wie die ,,Sonne zu den Planeten sich verhalte.) Mir scheint, dass wir die Komposition seit 50 Jahren zu einseitig nur von der Zahl her definieren; sie hat geschichtlich ebenso viel mit Sprachstruktur zu tun. Wir konnen Neuland gewinnen, wenn wir als heutige Musiker dies neu durchdenken.Es handelt sich hier um meinen dritten Versuch einer Annaherung an das Problem einer ,,Verzeitlichung der Holderlinschen Texte d.h. einer Moglichkeit, diese Texte in einer Performance darzustellen: da die Musik das eigentliche Element der zeitlichen Darstellung ist, werden die Holderlinschen Worte mit Tonen konfrontiert.Im Fall von denn wiederkommen geht es um neun Zeilen aus Holderlins Patmos-Hymne. Je eine solche Zeile wird einem Formabschnitt der Musik zugeordnet (das Stuck ist also, wie meine Lo-Shu-Stucke, neunteilig). Die betreffende Zeile erklingt nicht nur einmal, sondern wird, in der gleichen Weise wie auch das musikalische Material, nach einem chaotischen Repetitionsprinzip mehrfach wiederholt.Auffallig ist ferner, dass fur jeden der neun Teile ein von einem der vier Quartettspieler festgehaltener ,,Grundton gewahlt wurde; durch diese orgelpunktartige Wirkung wird jeder der neun Teile zusammengehalten, und der Horer kann die langsame Bewegung der Grossform im unmittelbaren Horprozess mitvollziehen.Die neun Satze von Holderlin lauten:1. Furchtlos gehen die Sohne der Alpen uber den Abgrund weg auf leicht gebaueten Brucken...2. Sie horen ihn und liebend tont es wieder von den Klagen des Manns...3. Im goldenen Rauche bluhte schnell aufgewachsen mit Schritten der Sonne, mit tausend Gipfeln duftend, mir Asia auf, und geblendet...4. Gegangen mit dem Sohne des Hochsten, unzertrennlich, denn es liebte der Gewittertragende die Einfalt des Jungers...5. Wenn aber stirbt alsdenn, an dem am meisten die Schonheit hing...6. Eingetrieben war wie Feuer in Eisen das, und ihnen ging zur Seite der Schatten des Lieben. Drum sandt er ihnen den Geist und freilich bebte das Haus und die Wetter Gottes rollten ferndonnernd...7. Uber die Berge zu gehn allein, wo zwiefach erkannt, war einstimmig und gegenwartig der Geist...8. Und hier ist der Stab des Gesanges, niederwinkend, denn nichts ist gemein. Die Toten wecket er auf...9. Denn wiederkommen sollt es, zu rechter Zeit. Nicht war es gut gewesen, spater, und schroff abbrechend...(Hans Zender)CD:Salome Kammer (voice), Arditti String QuartetCD Montaigne MO 782094Bibliography:Nyffeler, Max: Fluchtpunkt Patmos. Hans Zenders Komposition ,,Denn wiederkommen. Holderlin lesen III, in: Neue Zeitschrift fur Musik 180 (2019), Heft 1, S. 44-47.ders.: Lesen, Schreiben, Horen. Zum Verhaltnis von Musik und Sprache bei Hans Zender, dargestellt an der Komposition ,,,denn wiederkommen`. Holderlin lesen III, in: ,,Ein Zeichen sind wir, deutungslos. Holderlin lesen, Ikkyu Sojun horen, Musik denken, hrsg. von Violetta L. Waibel, Gottingen: Wallstein 2020, S. 299-329Waibel, Violetta L.: Holderlin Lesen, Ikkyu Sojun Horen, Musik Denken, in: Festivalkatalog Wien Modern 29 (2016), Essays, pp. 196-198.Zenck, Martin: Holderlin lesen - seiner ,,Stimme zuhoren. Holderlin-Lekturen von Klaus Michael Gruber, Hans Zender und Bruno Ganz, in: Neue Zeitschrift fur Musik 172 (2011), Heft 6, pp. 25-29.Zender, Hans: Zu meinem Zyklus ,,Holderlin lesen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, pp. 26-40.
World premiere: Museum Island Hombroich, May 31, 1992. $70.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Titty Twister Breitkopf & Härtel
Viola and 1 other inst. SKU: BR.EB-9205 Composed by Nicolaus A. Huber. So...(+)
Viola and 1 other inst. SKU: BR.EB-9205 Composed by Nicolaus A. Huber. Solo instruments; Folder. Edition Breitkopf. World premiere: Donaueschingen, April 25, 2010 Music post-1945; New music (post-2000). Performance score. Composed 2009. 30 pages. Duration 14'. Breitkopf and Haertel #EB 9205. Published by Breitkopf and Haertel (BR.EB-9205). ISBN 9790004183632. 11 x 14 inches. On the broadcast of the film From Dusk Till Dawn, the following note could be read in Gong (German radio and television programme guide) on 21 May: The gangsters Seth (George Clooney) and Richard Gecko (Quentin Tarantino) are on the run. On their way to Mexico, they take the apostate preacher Fuller and his children hostage. On their journey, they end up in Titty Twister Bar, not suspecting that it is peopled by vampires. Well, after deducting some film junk, some typical elements remain: what is past and over, constant new dramatic pair constellations, what is dead and constantly reawakening, the transformations, the troubles and destructions, the final annihilation teeming with destruction etc. Basically, it is a myth of ruin, in whose structure the elements are interchangeable. It could also be told with a coherent material concept, in a historically obsolete manner, in an old-fashioned way, with non-compensation, with flaring abolition yes, does everything always work??? It is good that it only takes place in a bar and that the bar invites us into Titty Twister in attractive neon writing. Restless nature and beauty are at home in the bar today. That facilitates for us the effortlessness of having fun in life. And today there is a special programme my piece Titty Twister for Accordion, Viola, Nepalese Singing Bowl, Pinballs and Mini Dramolettes. Its all expression, isnt it??? Nicolaus A. Huber (2009) CD: Anton Hubert (viola), Wolfgang Dimetrik (accordeon) CD Gramola 98922 Bibliography : Kampe , Gordon: Erinnern und Vergessen. Wechselwirkungen in der Kammermusik Nicolaus A. Hubers, in: Programmbuch ,,Wittener Tage fur neue Kammermusik 2017, S. 42-47, auch abgedruckt in: MusikTexte, Heft 154 (August 2017), pp. 37-39.
World premiere: Donaueschingen, April 25, 2010. $60.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Sonata for Eb Clarinet and Piano Clarinet and Piano Theodore Presser Co.
Composed by Sean Osborn. Score and part(s). With Standard notation. 32 pages. Du...(+)
Composed by Sean Osborn. Score and part(s). With Standard notation. 32 pages. Duration 17 minutes. Theodore Presser Company #114-41866. Published by Theodore Presser Company (PR.114418660).
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Trombonist's Toolkit Method - Intermediate Cherry Classics
Trombone and Bass Trombone Method book - Late Intermediate SKU: CY.CC3101 ...(+)
Trombone and Bass Trombone Method book - Late Intermediate SKU: CY.CC3101 Composed by Philip Brink. Classical. Book. Cherry Classics #CC3101. Published by Cherry Classics (CY.CC3101). ISBN 9790530110782. 8.5 x 11 in inches. Philip Brink has spent his entire career building the knowledge to assemble this major book on the pedagogy of the Trombone. Below are his words to describe what the book entails. Trombonist's Toolkit was conceived as exactly that: a resource for troubleshooting one's playing, for working out problems, for advancing one's playing skills. It is NOT a method in the traditional sense - no weekly lessons, no planned schedule for arriving at a certain point after a year, two years, etc. The player [you, the reader] can search the topic list for specific problems in need of solution. Most of the topics are organized by general subject areas: air, embouchure, range building, etc. The source for most of what I write is my own personal experience as student, teacher, freelancer and orchestral performer. I owe a great debt of gratitude to teachers, mentors, colleagues and students past and present, for listening to my playing, trying out my concepts, putting up with my questions and so forth. Some of those people are present, some are far away, and sadly, some are no longer living. To all of them I say Thank you, and I hope those of you who read this can recognize what you told me! A word about the organization of the book: most of the concepts requiring practice and/or a physical approach are written out in a special manner; explanatory text is interspersed with exercises detailing a gradual approach to the topic at hand. The appendix contains a number of exercises all together, most of which were developed for my class at Mahidol University College of Music in Thailand. Philip Brink - 2019. $35.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Easy Piano Pieces Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-6711 Piano Lessons by Wolfgang Amadeus Mozart from th...(+)
Piano SKU: BR.EB-6711 Piano Lessons by Wolfgang Amadeus Mozart from the London Sketchbook. Composed by Wolfgang Amadeus Mozart. Edited by Heinz Walter. Solo instruments; Softcover. Edition Breitkopf. Classical period. Score. 12 pages. Breitkopf and Haertel #EB 6711. Published by Breitkopf and Haertel (BR.EB-6711). ISBN 9790004169148. 9 x 12 inches. The present series of easy piano music for teaching provides pupils in the lower and lower-middle grades with a careful selection of well-known and little-known compositions by important masters. Each book has intentionally been kept small in extent, since it is more stimulating for children to change the teaching material frequently. Mozart was in London with his parents and his sister from April 1764 to July 1765. As well as performing in concerts as a child prodigy, he composed works for various instruments and combinations. A sketch-book dating from this period (EB 3276, published in full by Georg Schunemann) contains more than 40 compositions, chiefly for piano (KV 15 a - 15 ss). The works published here have been chosen with regard to their musical and technical suitability for pupils in the lower grades. Obvious notational errors have been corrected; tempo indications and marks of expression have been supplied where necessary by the editor. In certain pieces, Mozart himself specified the performance indications (as, for example, in the case of the varying articulations in no. 9). Heinz Walter, Salzburg, Fall 1974. $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto in F Piano and Orchestra Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - tim...(+)
Piano/harpsichord and orchestra (solo: pno - picc.2.2.Eh.2.Bcl.2 - 4.3.3.1 - timp.perc - str) SKU: BR.EB-10859 Urtext. Composed by George Gershwin. Orchestra; Softbound. Edition Breitkopf. Solo concerto; Early modern; Music post-1945. Piano reduction. 88 pages. Duration 36'. Breitkopf and Haertel #EB 10859. Published by Breitkopf and Haertel (BR.EB-10859). ISBN 9790201808598. 9.5 x 12 inches. After achieving sensational success with the musical Lady, be good! , with evergreens such as Fascinating Rhythm and The Man I love, as well as with his Rhapsody in Blue , Gershwin premiered his Concerto in F for piano and orchestra as a soloist at Carnegie Hall in 1925. Now, the new superstar of Broadway had also arrived at the center of New York's classical music scene. In its eventful history, the work went through numerous changes, cuttings, arrangements, many of which doubtful and unauthorized. Even the first and so far only printed orchestral score, edited by Frank Campbell-Watson, published in 1942 five years after Gershwin's death, contains many unauthorized interventions. Through years of research, editor Norbert Gertsch has succeeded in ridding the work of all unauthorized additions and alterations and thus reconstructing an Urtext in its original literal sense from the complex source material - from autograph sketches to early recordings. The first text-critical edition of the work is a joint production of Breitkopf (score/orchestral parts) and G. Henle Verlag (piano reduction). $37.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Doktor Faust K 303 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: S.9T.5Bar.7B - choir: SSAATTBB - 3(2pic...(+)
Chorus (with soloists) and piano (solos: S.9T.5Bar.7B - choir: SSAATTBB - 3(2pic).2(cor ang).2.Bb-clar.2.dble bsn - 5.3.3.1 - timp.perc.(4) - 2hp - cel.org - str - stage music: 0.2.0.0 - 6.3.3.0 - timp.perc.(2) - 2hp - cel - vl.va.vc) SKU: BR.EB-9434 Poem for Music in 2 Preludes, an Intermezzo and 3 Principal Scenes. Composed by Ferruccio Busoni. Choir; Softbound. Edition Breitkopf. Opera; Music theatre; Early modern; Late-romantic. Piano/Vocal Score. Breitkopf and Haertel #EB 9434. Published by Breitkopf and Haertel (BR.EB-9434). ISBN 9790004189115. 9 x 12 inches. Ferruccio Busoni died in 1924, leaving his last opera Doktor Faust incomplete in two places: in the Helena scene in the second scene and in the final scene with the protagonist's death. The premiere took place posthumously with the addenda by Busoni's student Philipp Jarnach. In 1984, the conductor and Busoni biographer Antony Beaumont presented his addendum based on autograph sketches of which Jarnach had also been quite aware (!). The edition of the piano vocal score released in advance of the Busoni anniversary (100th anniversary of his death) combines for the first time the solutions previously published separately and offers, in addition, a music text with many improved passages that is well aligned with the full score. $80.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Violin Concerto Breitkopf & Härtel
Violin, piano (solo: vl - 2.2.cor ang.2.B-clar.A-sax.2.dbl bsn - 4.2.2.1 - timp....(+)
Violin, piano (solo: vl - 2.2.cor ang.2.B-clar.A-sax.2.dbl bsn - 4.2.2.1 - timp.perc(2) - hp - str) SKU: BR.EB-10821 In Memory of an Angel - Urtext. Composed by Alban Berg. Edited by Michael Kube. Arranged by Jan Philip Schulze. Solo instruments; Softbound. Edition Breitkopf. In Cooperation with G. Henle Verlag Solo concerto; Early modern. Piano reduction. 120 pages. Duration 25'. Breitkopf and Haertel #EB 10821. Published by Breitkopf and Haertel (BR.EB-10821). ISBN 9790201808215. 9.5 x 12 inches. The tragic circumstances surrounding the origin of the concerto are well known: Manon Gropius, the daughter of Berg's friend Alma Mahler, died of polio after the composer had written the first sketches to his violin concerto. In remembrance of her, he dedicated the work to the memory of an angel. Later, Berg decided to incorporate into the score the Bach chorale Es ist genug as a quote. He also worked on the solo part directly and intensely with the American violinist Louis Krasner, who had commissioned the work. Berg was no longer able to witness the first performance and the first edition of the concerto since he passed away in late 1935. This new edition is the first Urtext version of Berg's work, which was created in the midst of a spate of epoch-making violin concertos by Stravinsky (1931), Schoenberg (1936), Prokofiev (1937), Bartok (1938), Hindemith (1939) a. o. Errors from the first edition were corrected after an in-depth comparison with the autograph score, the short score and, in some cases, with the twelve-tone row structure.The entire performance material can be purchased; however, due to copyright reasons, the score and orchestral parts are not available the United States.Werden die Urtextausgaben von Breitkopf & Hartel aufgrund ihres hellblauen Umschlags augenzwinkernd die Himmlischen genannt, so ist dies in Bezug auf die neu vorgelegte Partitur Programm. (Florian Henri Besthorn, neue musikzeitung). $45.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Leben und Werk in Bildern Carus Verlag
SKU: CA.5028900 This edition: Complete edition, linen cover. Awards / Pri...(+)
SKU: CA.5028900 This edition: Complete edition, linen cover. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition; Carus book series: Studies of composers, Musicological books. German title: Rheinberger, Leben Und Werk In Bildern. Book. Composed 1878. 232 pages. Carus Verlag #CV 50.289/00. Published by Carus Verlag (CA.5028900). ISBN 9790007107130. Language: German. Referenced: Josef Gabriel Rheinberger. This is the second supplemental volume to the complete works. It was awarded the Music Edition Prize in 1998. In spite of various books on the life and work of Rheinberger, until this publication there has not been a portrayal in pictures, with authentic texts, of his creative work and of his influence upon his contemporaries. The present publication fills this need and in preparing the book the editor has been able to choose from a large selection of, in part, previously unpublished pictures which in this collection, as a whole, present a vivid picture of Josef Gabriel Rheinberger in his surroundings and make the course of his development clearly understandable. The texts which accompany the pictures are drawn primarily from contemporary letters, reviews, monographs, etc., and they have been chosen to underscore the images of each picture. $177.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rhythms and Rests Clarinet [Sheet music] Alfred Publishing
By Frank Erickson. For Eb Alto Clarinet. Band Supplement. Book. 24 pages. Publis...(+)
By Frank Erickson. For Eb Alto Clarinet. Band Supplement. Book. 24 pages. Published by Alfred Publishing.
$5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Benthien A Neue Weg Zum Keyboardspiel Bd3 - Beginner Schott
Keyboard (KEYB+MIDI) - very easy to easy SKU: HL.49032314 Read the mus...(+)
Keyboard (KEYB+MIDI) - very easy to easy SKU: HL.49032314 Read the music and play it straight away. For tuition purposes and individual study - revised, extended and with a new look. Composed by Axel Benthien. This edition: Saddle stitching. Sheet music with MIDI-floppy disk. Edition Schott. Vorbereitung auf mehrstimmiges Spiel (linke Hand) - Improvisation - Rhythmisch-melodische Lebendigkeit. Edition with MIDI-Diskette. 64 pages. Schott Music #ED 7282-01. Published by Schott Music (HL.49032314). ISBN 9783795757021. German. This method is aimed at everybody who wants to learn to play the keyboard, in lessons or self-study, in methodological teaching units with the help of popular songs and useful information: at beginners of every age, but also at wind players, singers or guitarists who wish to become musical 'insiders' and look for a method to approach improvisation, composition, harmony, etc. through keyboard playing. It is especially on the keyboard with its clear, regular layout that scales, chords and harmonic progressions can be shown in a clearer and more systematic way than on any other instrument. Musicians with previous knowledge can start with volume 2 or 3. Volume 3: Seven new chords which can easily and certainly be learnt due to the previous slow increase in difficulty and the increased use of the left hand for independent accompaniments help to prepare for polyphonic playing with both hands. Playing with two hands and with a number of new rhythmic structures which have all been taken from well-known melodies make music-making and learning in this volume a great experience. The knowledge of intervals, exercises for the quick recognition of the intervals, and transposing form the basis of the introduction to harmony provided for in volume 4. $31.00 - See more - Buy online | | |
| Klavier-choreographie *german* Piano solo - Intermediate Schott
Piano - intermediate SKU: HL.49008161 Grundlagen der naturlichen Beweg...(+)
Piano - intermediate SKU: HL.49008161 Grundlagen der naturlichen Bewegung am Klavier in 20 Lektionen. Composed by Seymour Bernstein. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 148 pages. Schott Music #ED 8786. Published by Schott Music (HL.49008161). ISBN 9783795753573. 8.25x11.75x0.405 inches. German. Bei dem Begriff Choreographie denkt man sofort an Tanz. Daruber hinaus bezieht er sich auf die Darstellung des Tanzes in Begriffen fur Korperbewegung und Schrittfolgen auf der Buhne. Technisch gesehen ist Choreographie indessen eine Kunst, die darin besteht, tanzerische Bewegungen mit Hilfe einer bestimmten Art der Aufzeichnung festzuhalten. Was hat dies alles mit Klavierspielen zu tun? Wenn wir die Hande in unterschiedlichen Bewegungen uber die Klaviatur fuhren, schaffen wir tatsachlich eine eigenstandige Choreographie. Mit anderen Worten: Wenn wir Bogen, Staccato- und Pausenzeichen etc. im Spiel umsetzen, brauchen wir hierzu unterschiedliche Kombinationen von senkrechten, waagrechten und rotierenden Bewegungen - Bewegungen, die uns ebenso mit dem Instrument wie mit der Musik in Verbindung bringen. Die Summe all dieser Bewegungen, die wir beim Spiel eines einzelnen Stucks ausfuhren, bewirken einen wahren Tanz von Fingern, Handgelenk, Armen und Korper - einen Tanz auf den Tasten. $46.00 - See more - Buy online | | |
| Kammermusik 1958 Vocal Portion Schott
Tenor, guitar and 8 solo-instruments (Klar. * Fg. - Hr. - Git. - Str. (1 * 1 * 1...(+)
Tenor, guitar and 8 solo-instruments (Klar. * Fg. - Hr. - Git. - Str. (1 * 1 * 1 * 1 * 1 [auch chorisch ad lib.])) SKU: HL.49015144 Uber die Hymne In lieblicher Blaue von Friedrich Holderlin. Composed by Hans Werner Henze. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1958/1963. 48 pages. Duration 40'. Schott Music #ED 4897. Published by Schott Music (HL.49015144). ISBN 9790001056359. 7.5x10.75x0.177 inches. German. A number of sketches for this work were made in Greece in the summer of 1958. When the work was finished, I dedicated it to Benjamin Britten. In 1963, on the occasion of the 60th birthday of my old friend Josef Rufer, I added an epilogue in which I recapture the mood of the whole work and introduce a sort of quotation from Schonberg's Chamber Symphony No. 1, as a greeting to Rufer who devoted his whole life to the Viennese master.- Hans Werner Henze. $24.99 - See more - Buy online | | |
| Grainger Colonial Song;vcepft [Score] Schott
Soprano voice, tenor voice and piano or piano alone (SGST/KL) SKU: HL.4903039...(+)
Soprano voice, tenor voice and piano or piano alone (SGST/KL) SKU: HL.49030396 Version for two voices and piano or piano alone. Composed by Percy Aldridge Grainger. This edition: Saddle stitching. Sheet music. Edition Schott. Score. Composed 1905/1911. 12 pages. Duration 6'. Schott Music #ED 12525. Published by Schott Music (HL.49030396). ISBN 9790220122743. 9.0x12.0x0.067 inches. Vocalise. No traditional tunes of any kind are made use of in this piece, in which I have wished to express my personal feelings about my own country (Australia) and people, and also to voice a certain kind of emotion that seems to me not untypical of native-born Colonials in general.Perhaps it is not unnatural that people living more or less lonelily in vast virgin countries and struggling against natural and climatic hardships (rather than against the more actively and dramaticly exciting counter wills of their fellow men, as in more thickly populated lands) should run largely to that patiently yearning, inactive sentimental wistfulness that we find so touchingly expressed in much American art; for instance in Mark Twains Huckleberry Finn, and Stephen C. Foster's adorable songs, My Old Kentucky Home, Old Folks at Home, etc. I have also noticed curious, almost Italian-like, musical tendencies in brass band performances and ways of singing in Australia (such as a preference for richness and intensity of tone and soulful breadth of phrasing over more subtly and sensitively varied delicacies of expression) which are also reflected here.Percy Aldridge Grainger. $15.99 - See more - Buy online | | |
| 5 sketches Kunzelmann
2 drums, orchestra (2Perc Soli-2(=Picc).2(II=Ca).2( I=ClEb,II=B-cl).2(II=Cbsn )-...(+)
2 drums, orchestra (2Perc Soli-2(=Picc).2(II=Ca).2(I=ClEb,II=B-cl).2(II=Cbsn)-2.2.1.B-tbn.0-Str) SKU: KU.GM-110P Composed by Hugo Pfister. Edited by Räto Tschupp. DIN-A5. Paperback. Miniature score. 96 pages. Edition Kunzelmann #GM-110p. Published by Edition Kunzelmann (KU.GM-110P). $25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Galicia: Treboada for Piano Piano solo Periferia Music
Piano SKU: AY.PN3058PM Composed by Gloria Rodriguez. Keyboards - Piano. S...(+)
Piano SKU: AY.PN3058PM Composed by Gloria Rodriguez. Keyboards - Piano. Sheet music. Duration 4'. Periferia Publishing #PN3058PM. Published by Periferia Publishing (AY.PN3058PM). ISBN 9790543573789. According to the distinguished musicologist Juan Bautista Varela, the Galician Treboada is a musical term out of the songbook, as its sense is merely musical. From a lexicographical point of view it means thunderstorm, storm, squall, etc. It is almost an onomatopoeic sense, due to the great noise that the bass drums, fundamental elements of the Treboada, make. The Treboada is played always on the eves of celebrations or feasts and it is played by three or five bass drums, one or two Galician bagpipes and a drum. The dispersion area of the Treboada is much reduced, according to the poet and essayist Eliseo Alonso Rodriguez, it comprises the parishes of Forcadela and Estas, both of them belong to the town of Tomino. Xose Hernique Rodriguez Portela, from Tomino, says that they also play it on the feast of the Virgin of St. Mary of Tomino eve (Virgen del Alivio de Santa Maria de Tomino). I owe him the idea of this piece, because Xose Henrique described to me how the bass drums sound in the distance, early in the morning, like great roars along with blank bullets that are shot every time a particular house donates money for the feast and they gradually approach the house until it trembles. He sang the melody I wrote and he confessed he had heard it not long ago in the rehearsal of a popular folk group where there was only a percussionist and a Galician bagpipe player, as with the drums it is difficult to appreciate the bagpipe. I also mix the Treboada with an Alborada, because in Galicia almost all the churches have loudspeakers that play this melody at around nine o'clock in the morning, the same time that the Treboada of Tomino starts playing. Gloria Rodriguez Gil. $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Klampfenfied Voice/guitar Guitar Schott
Voice and Guitar SKU: HL.49004900 Ein Fahrtenliederbuch. Edited by...(+)
Voice and Guitar SKU: HL.49004900 Ein Fahrtenliederbuch. Edited by Alfred Zschiesche. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 64 pages. Schott Music #ED 4462. Published by Schott Music (HL.49004900). ISBN 9790001052184. UPC: 884088098124. 5.5x7.5x0.212 inches. German. $13.99 - See more - Buy online | | |
| Still Leben Organ Wilhelm Hansen
Organ SKU: HL.14031560 Composed by Pelle Gudmundsen-holmgreen. Music Sale...(+)
Organ SKU: HL.14031560 Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Classical. Book [Softcover]. Composed 2005. 36 pages. Edition Wilhelm Hansen #WH30534. Published by Edition Wilhelm Hansen (HL.14031560). ISBN 9788759811009. International (more than one language). STILL. LEBEN Organist Eva Feldbc:ek had been asking me for a long time to write for the organ without the use of iron blocks, extra stopping assistants etc .... unusual difficulties that belonged to my earlier organ music. I setmyselfthe task of Miting a ''handier'' kind of music for the organ. Once I had finished STILL. LEBEN, I didn't think I had achieved what I was looking for. True, the two movements did not involve odd things, but handy isn't really the word for them either. So I wrote the three movements in COUNTERMOVE to tidy up even more. And since I didn't think that was enough either, I wrote the really simple pieces under the title IN TRIPLUM. The three series(eight pieces in all, 2 + 3 + 3) sound very different, but they all take their point of departure from the nature and tonal resources ofthe organ. Everywhere there is polyrhythm or hierarchical layering, polychromaticism, diatonics and melody (the last of these only sparingly and in some of the movements). Pelle Gudmundsen-Holmgreen. $26.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Niebla Salvador The Virtual Drummer Drums Bk Drums Real Musical
Drum Kit SKU: HL.14047672 Composed by Salvador Niebla. CARISCH - MUSIC SA...(+)
Drum Kit SKU: HL.14047672 Composed by Salvador Niebla. CARISCH - MUSIC SALES. Tuition. General Merchandise. Real Musical #ML3769. Published by Real Musical (HL.14047672). ISBN 9788438712702. Spanish. The Virtual Drummer is a method that has been designed for students of all levels. Based on the study of musical language and how to apply rhythmic Drums, Percussion or any other instrument, this method will help you analyze metrics to understand how to play any musical style. It is also very effective for any instrumentalist who wants to discover and dominate the rhythmic world. This tuition book includes free access to the Virtual Drummer School, where you will find videos of all of the featured exercises. These videos can be viewed on any device - computer (PC or Mac), tablet or smartphone. Salvador Niebla (b.1975) has featured on more than 150 albums and collaboratedwith many artists of all genres: Jazz , Pop, Rock, Flamenco , Fusion , Latin etc. He has also composed and collaborated on music for theatre, advertising, film and television. In 2012, he composed the play Fallen Angels for the National Ballet of Spain, and, in 2013, the music of the opening ceremony and closing ceremony of the World Swimming Championships BCN2013. He founded the Virtual Drummer School in 1999. $29.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Veiga Paul Grandi Melodie Classical Sax Bk/cd Saxophone Play Music Publishing
Saxophone SKU: HL.14047664 Composed by Paolo Veiga. CARISCH - MUSIC SALES...(+)
Saxophone SKU: HL.14047664 Composed by Paolo Veiga. CARISCH - MUSIC SALES. General Merchandise. Play Music Italy #ML3757. Published by Play Music Italy (HL.14047664). ISBN 9788850728992. Italian. This book enables Saxophone players to practice some of the greatest classical works on the alto Eb Saxophone. It has three main objectives: to enrich your musical culture, to improve your technique and to allow you to have fun while playing well known tunes. Pieces by all the great composers are included. You will learn symphonies, sonatas, lieder, arias, Renaissance dances, orchestral pieces, ballet pieces and waltzes, as well as instrumental pieces such as preludes, nocturnes, studies, marches etc. In addition, to make learning and playing fun, each score is accompanied by two audio recordings (MP3) on the included CD which features more than six hours ofmusic. $30.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Horn Concerto [No. 1] in D major K. 412/514 (386b) French Horn and Piano Breitkopf & Härtel
Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 U...(+)
Horn and piano (solo: hn - 0.2.0.2 - 0.0.0.0 - str) SKU: BR.EB-10701 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Henrik Wiese. Arranged by Jan Philip Schulze. Solo instruments; stapled. Edition Breitkopf. In Cooperation with G. Henle Verlag Solo concerto; Classical. Piano reduction. 44 pages. Duration 12'. Breitkopf and Haertel #EB 10701. Published by Breitkopf and Haertel (BR.EB-10701). ISBN 9790201807010. 9.5 x 12 inches. With the publication of the score and parts of the D-major Horn Concerto K. 412/514, the Mozart expert Henrik Wiese adds another milestone to his edition of this important work group which was begun in 2013. In the course of time, the piece that was first edited in the Old Mozart Edition of 1881 as Mozarts 1st Horn Concerto turned out to be a pasticcio: while the opening movement is indisputably by Mozart, the elaboration of the Rondo must now be attributed to Sussmayr. This movement is transmitted solely as a sketch in Mozarts hand. The present edition contains both the Sussmayr Rondo (K. 514 = smWV 502) and the Mozartian Rondo fragment (K. 412) which was carefully completed by Wiese. The performer will thus have the choice between the traditional version (with Sussmayr) and the version presumably intended by Mozart, all in one practical edition.
In Cooperation with G. Henle Verlag. EB 10701 contains the parts for horn in F and Eb. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Greenbelt at Dusk Concert band - Easy Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS161 Composed by Gabriel Musella. S...(+)
Band Concert Band - Grade 2 SKU: CF.YPS161 Composed by Gabriel Musella. SWS FS. Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+2+3+1+1+1+2+12 pages. Duration 2:30. Carl Fischer Music #YPS161. Published by Carl Fischer Music (CF.YPS161). ISBN 9781491140611. UPC: 680160628674. 9 x 12 inches. Key: Eb major. This is a stunningly beautiful ballad for young band by composer Gabriel Musella. It is the perfect vehicle to stretch the musicianship of your maturing ensemble. Mr. Musella draws from his years of experience teaching bands in Texas to provide us with a heartfelt piece that is a study in instrumental color and textures. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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