| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.
(31)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flying Away Concert band [Score] - Easy Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS267F Composed by Yukiko Nishimura....(+)
Band Concert Band - Grade 3 SKU: CF.CPS267F Composed by Yukiko Nishimura. Cps. Full score. 16 pages. Duration 3 minutes, 53 seconds. Carl Fischer Music #CPS267F. Published by Carl Fischer Music (CF.CPS267F). ISBN 9781491161777. UPC: 680160920464. I love to look up at the sky. When I see contrails, I wonder where they are going, and it reminds me of my hometown. Because of the pandemic, many people are still unable to visit their loved ones, and I thought they would want to fly away as soon as possible. This is the concept of this piece. You may be thinking about the places you want to go to or the family and friends you want to see, and you may feel excited, or you may feel lonely. At such times, the sky is always watching over us with its great receptive power. The sky gives us energy and courage. When I'm in a cheerful mood, I just want to flap my wings like a bird to the sky and fly away!. I love to look up at the sky. When I see contrails, I wonder where they are going, and it reminds me of my hometown. Because of the pandemic, many people are still unable to visit their loved ones, and I thought they would want to fly away as soon as possible. This is the concept of this piece. You may be thinking about the places you want to go to or the family and friends you want to see, and you may feel excited, or you may feel lonely. At such times, the sky is always watching over us with its great receptive power. The sky gives us energy and courage. When I'm in a cheerful mood, I just want to flap my wings like a bird to the sky and fly away! $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flying Away Concert band - Easy Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS267 Composed by Yukiko Nishimura. ...(+)
Band Concert Band - Grade 3 SKU: CF.CPS267 Composed by Yukiko Nishimura. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+2+4+4+4+2+4+4+4+4+3+3+3+2+4+2+1+3+16 pages. Duration 3 minutes, 53 seconds. Carl Fischer Music #CPS267. Published by Carl Fischer Music (CF.CPS267). ISBN 9781491161517. UPC: 680160920143. I love to look up at the sky. When I see contrails, I wonder where they are going, and it reminds me of my hometown. Because of the pandemic, many people are still unable to visit their loved ones, and I thought they would want to fly away as soon as possible. This is the concept of this piece. You may be thinking about the places you want to go to or the family and friends you want to see, and you may feel excited, or you may feel lonely. At such times, the sky is always watching over us with its great receptive power. The sky gives us energy and courage. When I'm in a cheerful mood, I just want to flap my wings like a bird to the sky and fly away!. I love to look up at the sky. When I see contrails, I wonder where they are going, and it reminds me of my hometown. Because of the pandemic, many people are still unable to visit their loved ones, and I thought they would want to fly away as soon as possible. This is the concept of this piece. You may be thinking about the places you want to go to or the family and friends you want to see, and you may feel excited, or you may feel lonely. At such times, the sky is always watching over us with its great receptive power. The sky gives us energy and courage. When I'm in a cheerful mood, I just want to flap my wings like a bird to the sky and fly away! $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Real Book - Volume VI C Instruments [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed by
Various. Fake Book.
Softcover. Published by Hal
Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Real Book - Volume VI Bb Instruments Hal Leonard
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 page...(+)
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 pages. Published by Hal Leonard (HL.223637).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Hymn Fake Book - C Edition
Melody line, Lyrics and Chords [Fake Book] - Easy Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.
(3)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fantasie Schott
Alto Sax SKU: HL.49047509 Version for Alto Saxophone. Composed by ...(+)
Alto Sax SKU: HL.49047509 Version for Alto Saxophone. Composed by Joerg Widmann. Woodwind Solo. Classical. Softcover. 12 pages. Duration 420 seconds. Schott Music #ED23438. Published by Schott Music (HL.49047509). UPC: 842819113997. Jörg Widmann, an internationally sought-after soloist and professor of clarinet at the Freiburg Musikhochschule, displays the exquisite refinement of contemporary clarinet sound in 'Fünf Bruchstücke' (already published) for clarinet and piano (KLB 54) and in the present 'Fantasie' for solo clarinet. While noise, as a means of expression, is given much attention in 'Fünf Bruchstücke','Fantasie' is largely based on the usual Romantic melodious sound, though this time with ironic side trips into dance, klezmer and jazz music, the clarinet's equivalent of light music. “'Fantasie' for solo clarinet is my first real piece for my own instrument, the clarinet. With its eccentric virtuosity and its cheerful, ironic fundamental character, it reflects the experience with Stravinsky's 3 Pieces for solo clarinet of 1919 and the tonal innovations which did not appear in music before Carl Maria von Weber's notation for the clarinet, and takes them further in anew way. It is a little imaginary scene uniting the dialogues of different people in close proximity in the spirit of the commedia dell'arte.” - Jörg Widmann ...on the interpretation: “It would be important to take the title completely literally – which is why the performer should of course play the piece with imagination. The most important information on the structure: the complete absence of bar lines – whenever the piece is played to me by students or other persons, I am always pleased about the player's own ideas and about the fact that the musical text is taken literally and seriously, with all its dynamic and articulation marks, and yet filled with life and imagination. What I always notice, however, is that the rhythmic fast pulse part is often played like an étude, rather than with imagination. What is most important to me, personally, is to take pleasure in making tonal distinctions, even despite the strict timing. Use your imagination and enjoy playing my 'Fantasie'!” - Jörg Widmann. $16.99 - See more - Buy online | | |
| From Russia with Love Marching band [Score and Parts] - Easy De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1053856-020 Medley of Three Russian...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-1053856-020 Medley of Three Russian Love Songs. Arranged by Roland Kernen. Applause Series. Pop & Rock. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053856-020. Published by De Haske Publications (BT.DHP-1053856-020). 9x12 inches. English-German-French-Dutch. A characteristic of many Russian folksongs is the emotion that they contain - sometimes exceptionally fierce, sometimes, in contrast, resigned and melancholic. This makes the music captivating and gives it its special, distinctive atmosphere. The same can also be said for From Russia with Love, in which Roland Kernen has made use of three beautiful Russian love songs. In the cheerful and stirring Kalinka, the singer tells of a girl whom he fell head over heals in love with, so much so that she is always on his mind. Lutshje Bulo is the story of a man who wants to break up with his girlfriend and in Otschi Tschornije attention is focused on a dangerous woman who can seduce many menwith her piercing black eyes.
Kenmerkend voor veel Russische volksliedjes is de emotie die erin ligt. Ze maakt deze muziek boeiend en creëert een bijzondere sfeer. Zo ook in From Russia with Love, waarin Roland Kernen drie liefdesliedjes verwerkte. In hetopzwepende Kalinka vertelt de zanger over een meisje dat hem het hoofd op hol brengt. Lutshje Bulo is het verhaal van een man die juist met zijn vriendin wil breken en in Otschi Tschornije staat een gevaarlijkevrouw centraal die met haar gitzwarte ogen vele mannen weet te verleiden.
Ein typisches Merkmal zahlreicher russischer Volkslieder ist ihre Gefühlstiefe: Zuweilen sind sie außerordentlich heftig, dann aber wieder resigniert und melancholisch. Diese Eigenschaft macht die Musik so reizvoll und verleiht ihr ihre besondere, unverwechselbare Atmosphäre. Dasselbe gilt auch für das Medley From Russia with Love, in welchem Roland Kernen drei Liebeslieder verwendete. Sie erzählen von frisch Verliebten, von unglücklicher und von gefährlicher Liebe. Ein absolut verführerisches Stück!
Les chants traditionnels russes sont bouleversants d’émotions. Tourbillonnants de fougue ou, au contraire, languissants et mélancoliques, ils reflètent l’esprit et le caractère d’un peuple et fascinent par la puissante expression des sentiments. From Russia with Love (“Tendres pensées de Russieâ€) de Roland Kernen s’inscrit dans cette tradition en reprenant trois chants d’amour russes : Kalinka, Lutshje Bulo et Otschi Tschornije.
I canti tradizionali russi traboccano di emozioni. Pieni di foga, o al contrario, languidi e malinconici, riflettono lo spirito ed il carattere in un intero popolo e affascinano per la potente espressione dei sentimenti. From Russia with Love di Roland Kernen s’iscrive in questa tradizione e riprende tre canti d’amore russi: Kalinka, Lutshje Bulo e Otschi Tschornije. $143.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Three Inventions Harpsichord [Score] Theodore Presser Co.
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full...(+)
Chamber Music Harpsichord SKU: PR.110418390 Composed by Eric Ewazen. Full score. 11 pages. Duration 10 minutes. Theodore Presser Company #110-41839. Published by Theodore Presser Company (PR.110418390). ISBN 9781491134603. UPC: 680160685158. Eric Ewazen’s THREE INVENTIONS were inspired by Bach’s Two-part Inventions, yet they sound thoroughly like Ewazen. Composed for harpsichord (with a piano adaptation following later), Ewazen’s inventions maintain a pure “one note per hand†texture until their final chord, with strong-but-free imitative counterpoint between the two voices. While Ewazen may be best known for his wind music, he is a pianist himself, and composers’ works for their own instrument are a direct insight into how they write for their own performances. The piano adaptation of THREE INVENTIONS is also available as a separate publication. THREE INVENTIONS was written for my dear friend Maria Rojas, who premiered the work on a faculty recital at Juilliard. Maria is both a pianist and a harpsichordist, and I first met her when she gave a demonstration of the harpsichord for the students in my theory classes.I’ve always been captivated by Bach’s series of Two-Part and Three-Part Inventions. With the Two-Part Inventions, I’m amazed how Bach could create such wonderful intricacy and counterpoint with only two voices. I consequently modeled my inventions after the counterpoint of Bach, involving the traditional contrapuntal devices he used: imitation, development, harmonic and modal shifts, fragmentation, and sequence, essentially creating a dialog between two completely equal voices conversing with each other!Bach wrote 15 Two-Part Inventions (as well as 15 Three-Part Inventions, not to mention the 48 preludes and fugues in The Well-Tempered Clavier!), and that’s just the start of his voluminous repertoire for the keyboard! I was happy just to write three!!!Each of my inventions has a distinctive mood. The first is in a relaxed, yet cheerful C Major tonality (as a nod to Bach’s Invention No. 1 in C Major); the second is heartfelt and lyrical; and the third invention (involving a Gigue rhythm in the compound meter of 12/8) is energetic, and full of life and spontaneity. The third is primarily in a minor tonality, resulting in a feeling of drama, bringing the THREE INVENTIONS to an exciting finale. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto In C For Piano And Symphonic Wind Orch. Concert band [Score] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and Piano SKU: BT.BMP8095417 Composed by Leroy Anderson. Arranged by Jörg Murschinski. Score Only. Composed 2008. Beriato Music #BMP8095417. Published by Beriato Music (BT.BMP8095417). A lot is known about the American composer Leroy Anderson. This son of Swedish immigrants played the piano, organ, accordion, trombone, tuba and double bass. He spoke several languages fluently and graduated from Harvard with first-class honours.While on military service, the army also commissioned him to write a manual on Icelandic grammar.He already started writing musical arrangements as a student, and from his 30th year arranged and composed for the Boston Pops Orchestra. Such melodiesas Serenata, The Typewriter, Sleigh Ride and Bugler�s Holiday made him world famous. His best-known work, Blue Tango, reached number one in the US charts in 1952, and it sold more than a million copies. In 1975, a year after hisdeath, he was given a star at the Walk of Fame in Hollywood.Most of his works last no longer than three minutes, about the maximum length of a single at that time. One work that lasts longer is his 1953 Piano Concerto in C for piano and orchestra.The first performance was in Chicago, conducted by the composer and with Eugene List at the piano. However, after three performances he was no longer happy with the work and withdrew it. He always intended to revise it, but never got round to it. Itwas only in 1989 that the Anderson family decided to republish the work.This three-part composition is on the one hand characterised by a careless elegance, but on the other one can hear the influence of Rachmaninoff, Copland, Gershwin, and evenBeethoven and Mozart, as well as the Viennese classics.Anderson used the sonata form for the first movement. It ends with a cadenza that carries us on into the second part (in e minor). The third part is a typically cheerful American folk dance in2/4 time, a so-called Hoe Down, with a lilting, lyrical passage as its middle section. At the end comes a solo passage followed by a rapid close.In this piano concerto, Anderson combines a rigidly classical form of composition with simple andappealing themes and elements from light music. So this work is a perfect synthesis of light music and what is called serious music, in the same way as Gershwin�s Rhapsody in Blue. A work that can be played equally well in a concerthall, at an open-air concert or even a pop concert.
Over de Amerikaanse componist Leroy Anderson is veel bekend. Deze zoon van Zweedse immigranten speelde piano, orgel, accordeon, trombone, tuba en contrabas. Hij sprak vloeiend verschillende talen en studeerde met grote onderscheidingaf aan Harvard en schreef tijdens zijn legerdienst in opdracht van het leger een handboek grammatica Ijslands.Al in zijn studententijd begon hij met het maken van arrangementen, en vanaf zijn 30ste arrangeerde en componeerde hijvoor het Boston Pops Orchestra. Melodieën zoals Serenata, The Typewriter, Sleigh Ride en Bugler's Holiday maakte hem wereldberoemd. Zijn bekendste werk Blue Tango stond in 1952 op nummer één in de VS Charts, ener werden meer dan een miljoen exemplaren van verkocht. Een jaar na zijn dood in 1975 kreeg hij een ster op de Walk of Fame in Hollywood.Zijn meeste werken duren niet langer dan drie minuten, ongeveer de maximumduur van een singletoen. Een werk dat wel langer duurt, is het pianoconcerto in C voor piano en orkest uit 1953. Het werd in Chicago gecreëerd onder zijn leiding met Eugene List aan de piano. Na drie uitvoeringen echter, was hij niet meer tevredenover zijn werk en trok dit terug. Hij had zijn leven lang de intentie het te herwerken doch kwam er niet meer toe. Pas in 1989 besliste de Anderson Familie zijn pianoconcerto toch opnieuw uit te geven.Dit driedelige werk wordtenerzijds getypeerd door een zorgeloze elegantie, maar anderzijds zijn invloeden van Rachmaninoff, Copland, Gerschwin en zelfs Beethoven en Mozart alsook de Weense klassiekers te horen.Voor de eerste beweging, past Anderson de sonatevormtoe. Op het einde volgt een cadenza die ons in het tweede deel (in mi klein) voert. Het derde deel is een typische Amerikaanse, vrolijke volksdans in 2/4, een zogenaamde Hoe Down met als middengedeelte een zangerige, lyrische
Über den amerikanischen Komponisten Leroy Anderson lässt sich vieles berichten: Der Sohn schwedischer Immigranten spielte Klavier, Orgel, Akkordeon, Posaune, Tuba und Kontrabass, sprach neun Sprachen fließend, absolvierte mit einemMagna-cum-laude-Abschluss die Harvard Universität und verfasste während seiner Militärzeit im Zweiten Weltkrieg für die amerikanische Armee eine Grammatik des Isländischen. Schon während seiner Studentenzeit begann er zu arrangieren, ab Mitte der30er Jahre des letzten Jahrhunderts arrangierte und komponierte er für das Boston Pops Orchestra. Aus seiner Feder stammen so bekannte Werke der leichten Muse wie Serenata, The Typewriter, Sleigh Ride oder Bugler�s Holiday. Sein wohlbekanntestes Stück, Blue Tango, wurde als erste Instrumentalkomposition über eine Million Mal verkauft und belegte im Jahr 1952 Platz 1 der US-Charts. Für seine Verdienste um die Schallplattenindustrie erhielt er ein Jahr nach seinem Tod einenStern auf dem Walk of Fame in Hollywood.Charakteristisch für seine Werke ist die Dauer: die meisten sind rund drei Minuten lang � mehr passte nicht auf den damals gebräuchlichen Tonträger, eine Singleschallplatte. Nur wenige seinerKompositionen sprengen diesen Zeitrahmen. Dazu gehört sein Konzert C-Dur für Klavier und Orchester. Er komponierte es 1953, die Uraufführung fand unter seiner Leitung und mit Eugene List am Klavier im selben Jahr in Chicago statt. Da Anderson mit demWerk aber nicht zufrieden war, zog er es im Sommer 1954, nach nur drei Aufführungen, wieder ein. Er hatte zeitlebens die Absicht, es zu überarbeiten, allein, es kam nicht mehr dazu. Erst 1989 entschied sich die Anderson-Familie dazu, dasKlavierkonzert wieder zu veröffentlichen.Das dreisätzige Werk zeigt die Unbeschwertheit und Eleganz, die Andersons sämtliche Kompositionen auszeichnen. Dennoch findet man darin auch Anklänge an Komponisten wie Rachmaninoff, Copland, Gershwin, undeben Beethoven und Mozart, sowie die Wiener Klassiker. Der erste Satz folgt der Sonatenhauptsatzform. An seinem Ende steht eine Klavierkadenz, die direkt in den langsamen zweiten Satz (in e-Moll) überleitet. Der dritte Satz schließlich ist einwaschechter Hoe Down, ein fröhlicher amerikanischer Volkstanz im 2/4-Takt, in dessen Zentrum aber eine lyrisch-gesangliche Passage steht. Eine weitere Solo-Kadenz führt das Werk in einen spritzigen Schlussabschnitt.In seinem Klavierkonzertvereinigt Anderson einen klassisch-traditionellen Form- und Kompositionsstil mit Elementen der Unterhaltungsmusik und eingängigen Melodien, die schon immer sein Markenzeichen waren. Daher bildet dieses Werk eine perfekte Synthese von ernster undleichter Musik. Es passt � wie beispielsweise auch George Gershwins Rhapsody in Blue � gleichermaßen in einen vornehmen Konzertsaal, wie auch zur zwanglos-lockeren Atmosphäre einer sommerlichen Open-Air-Veranstaltung oder einesPops-Konzertes.
Nous savons beaucoup de choses sur le compositeur américain Leroy Anderson. Ce fils dimmigrants suédois jouait du piano, de lorgue, de laccordéon, du trombone, du tuba et de la contrebasse. Il parlait couramment plusieurs langues et était diplômé avec grande distinction de Harvard. Pendant son service militaire, il écrivit un manuel de grammaire islandaise commandé par larmée.Étudiant, il avait déj commencé faire des arrangements et dès l ge de 30 ans, il arrangeait et composait pour le Boston Pops Orchestra. Des mélodies telles que Serenata, The Typewriter, Sleigh Ride et Buglers Holiday lui valurent une renommée mondiale. Son uvre phare, Blue Tango, fut numéro un descharts américains en 1952 et se vendit plus dun million dexemplaires. Un an après sa mort en 1975, il eut droit son étoile sur le Walk of Fame Hollywood.La plupart de ses uvres nexcèdent pas trois minutes, soit peu près la durée maximale dun single lépoque. Son concerto en ut pour piano et orchestre de 1953 est quant lui plus long. Il fut créé Chicago sous sa direction avec Eugene List au piano. Après trois exécutions, Anderson nétait toutefois plus satisfait de son travail et le retira. Toute sa vie, il eut lintention de le remanier mais ne le fit pas. Ce nest quen 1989 que la famille Anderson décida de tout de m?me rééditer son concerto pour piano.Cette uvre en trois parties se caractérise par son élégance nonchalante mais aussi par linfluence de Rachmaninoff, Copland, Gershwin et m?me de Beethoven et Mozart, ainsi que des classiques viennois.Pour le premier mouvement, Anderson opte pour une sonate. la fin, une cadence nous conduit la deuxième partie (en mi mineur). La troisième partie est une danse populaire joyeuse et typiquement américaine en 2/4, une Hoe Down avec un passage lyrique et mélodieux en son milieu. la fin, un solo est suivi par une clôture rapide.Dans son concerto pour piano, Anderson unit une composition pure et classique des thèmes beaux et simples, sans oublier des éléments de la musique légère. Cette uvre. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Circus Delight [Score and Parts] - Easy Gobelin Music Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.GOB-000234-015 Compo...(+)
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.GOB-000234-015 Composed by Dagmar Kildevann. Set (Score & Parts). 140 pages. Gobelin Music Publications #GOB 000234-015. Published by Gobelin Music Publications (BT.GOB-000234-015). ‘Circus Delight’ is a five-part suite which is set, how could it be otherwise, in a big circus tent.
The suite starts with a part called ‘Entrance’. The orchestra, positioned above the entrance of the ring asks for the attention of the audience and then the ring announcer enters. The show can begin! The elephants play a central role in the first act. These colossal grey animals are rather slow and perform their tricks in a moderate tempo. (‘Elephant Blues’) How different are ‘The Acrobats’. At high speed they run, jump and fly through the ring, until ....... It gets very exciting. Fortunately, all’s well that ends well and they take their leave of the audienceat a trot. Everyone knows, and yet it is mostly not spoken about, that when a clown has taken off his red nose and rubbed off his make-up, his face off-stage is not always a happy one. (‘Tears of the Clown’) The piece ends on a cheerful note with ‘The Parade’, in which all the artists make their entrance in the ring once again to gratefully acknowledge the audience’s overwhelming applause.
‘Circus Delight’ is een vijfdelige suite die zich afspeelt in, hoe kan het ook anders, een grote circustent.
De suite begint met ‘Entrance’. Het orkest dat boven de ingang van de piste zit vraagt de aandacht van het publieken de spreekstalmeester komt binnen. De voorstelling kan beginnen. De olifanten staan centraal in de eerste act. De grote grijze kolossen zijn niet de snelste dieren en vertonen hun kunsten in een rustig tempo. (‘ElephantBlues’) Bij ‘The Acrobats’ is dat wel even anders. In rap tempo hollen, springen en vliegen ze door de piste totdat ... het heel spannend wordt. Maar het gaat gelukkig goed en in snel tempo nemen ze afscheid van het publiek. Iedereen weet het en toch, er wordt meestal niet over gesproken dat wanneer de clown na de voorstelling zijn rode neus en schmink afdoet, we zien dat het gezicht van de clown niet altijd lacht. (‘Tears of the Clown’) We sluiten vrolijk af met ‘The Parade’ waarin alle artiesten nog een keer in de piste voorbijkomen, om het overweldigende applaus dankbaar in ontvangst te nemen. $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Magic Major! 33 Original Pieces For Piano Piano solo - Intermediate Hal Leonard
This edition: ED20371. Piano Solo (Intermediate to advanced piano arrangements w...(+)
This edition: ED20371. Piano Solo (Intermediate to advanced piano arrangements with no lyrics). Book only. Published by Hal Leonard.
$31.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Daniel Gottlob Turk: Sixty Pieces for Aspiring Players, Book I Piano solo - Easy ABRSM Publishing
By Daniel Gottlob Turk. Edited by Howard Ferguson. For Piano solo Harpsichord ...(+)
By Daniel Gottlob Turk. Edited by Howard Ferguson. For Piano solo Harpsichord Keyboard. Level: 1, 2, 3, 4, 5. 40 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).
$11.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| From Russia with Love Marching band [Score] - Easy De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1053856-120 Medley of Three Russian...(+)
Fanfare Band - Grade 3 SKU: BT.DHP-1053856-120 Medley of Three Russian Love Songs. Arranged by Roland Kernen. Applause Series. Pop & Rock. Score Only. Composed 2005. 44 pages. De Haske Publications #DHP 1053856-120. Published by De Haske Publications (BT.DHP-1053856-120). 9x12 inches. English-German-French-Dutch. A characteristic of many Russian folksongs is the emotion that they contain - sometimes exceptionally fierce, sometimes, in contrast, resigned and melancholic. This makes the music captivating and gives it its special, distinctive atmosphere. The same can also be said for From Russia with Love, in which Roland Kernen has made use of three beautiful Russian love songs. In the cheerful and stirring Kalinka, the singer tells of a girl whom he fell head over heals in love with, so much so that she is always on his mind. Lutshje Bulo is the story of a man who wants to break up with his girlfriend and in Otschi Tschornije attention is focused on a dangerous woman who can seduce many menwith her piercing black eyes.
Kenmerkend voor veel Russische volksliedjes is de emotie die erin ligt. Ze maakt deze muziek boeiend en creëert een bijzondere sfeer. Zo ook in From Russia with Love, waarin Roland Kernen drie liefdesliedjes verwerkte. In hetopzwepende Kalinka vertelt de zanger over een meisje dat hem het hoofd op hol brengt. Lutshje Bulo is het verhaal van een man die juist met zijn vriendin wil breken en in Otschi Tschornije staat een gevaarlijkevrouw centraal die met haar gitzwarte ogen vele mannen weet te verleiden.
Ein typisches Merkmal zahlreicher russischer Volkslieder ist ihre Gefühlstiefe: Zuweilen sind sie außerordentlich heftig, dann aber wieder resigniert und melancholisch. Diese Eigenschaft macht die Musik so reizvoll und verleiht ihr ihre besondere, unverwechselbare Atmosphäre. Dasselbe gilt auch für das Medley From Russia with Love, in welchem Roland Kernen drei Liebeslieder verwendete. Sie erzählen von frisch Verliebten, von unglücklicher und von gefährlicher Liebe. Ein absolut verführerisches Stück!
Les chants traditionnels russes sont bouleversants d’émotions. Tourbillonnants de fougue ou, au contraire, languissants et mélancoliques, ils reflètent l’esprit et le caractère d’un peuple et fascinent par la puissante expression des sentiments. From Russia with Love (“Tendres pensées de Russieâ€) de Roland Kernen s’inscrit dans cette tradition en reprenant trois chants d’amour russes : Kalinka, Lutshje Bulo et Otschi Tschornije.
I canti tradizionali russi traboccano di emozioni. Pieni di foga, o al contrario, languidi e malinconici, riflettono lo spirito ed il carattere in un intero popolo e affascinano per la potente espressione dei sentimenti. From Russia with Love di Roland Kernen s’iscrive in questa tradizione e riprende tre canti d’amore russi: Kalinka, Lutshje Bulo e Otschi Tschornije. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circus Delight Brass ensemble [Score] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000381-130 Composed by Dagmar Kildevann....(+)
Brass Band - Grade 2 SKU: BT.GOB-000381-130 Composed by Dagmar Kildevann. Score Only. 12 pages. Gobelin Music Publications #GOB 000381-130. Published by Gobelin Music Publications (BT.GOB-000381-130). ‘Circus Delight’ is a five-part suite which is set, how could it be otherwise, in a big circus tent.
The suite starts with a part called ‘Entrance’. The orchestra, positioned above the entrance of the ring asks for the attention of the audience and then the ring announcer enters. The show can begin! The elephants play a central role in the first act. These colossal grey animals are rather slow and perform their tricks in a moderate tempo. (‘Elephant Blues’) How different are ‘The Acrobats’. At high speed they run, jump and fly through the ring, until ....... It gets very exciting. Fortunately, all’s well that ends well and they take their leave of the audienceat a trot. Everyone knows, and yet it is mostly not spoken about, that when a clown has taken off his red nose and rubbed off his make-up, his face off-stage is not always a happy one. (‘Tears of the Clown’) The piece ends on a cheerful note with ‘The Parade’, in which all the artists make their entrance in the ring once again to gratefully acknowledge the audience’s overwhelming applause.
‘Circus Delight’ is een vijfdelige suite die zich afspeelt in, hoe kan het ook anders, een grote circustent.
De suite begint met ‘Entrance’. Het orkest dat boven de ingang van de piste zit vraagt de aandacht van het publieken de spreekstalmeester komt binnen. De voorstelling kan beginnen. De olifanten staan centraal in de eerste act. De grote grijze kolossen zijn niet de snelste dieren en vertonen hun kunsten in een rustig tempo. (‘ElephantBlues’) Bij ‘The Acrobats’ is dat wel even anders. In rap tempo hollen, springen en vliegen ze door de piste totdat ... het heel spannend wordt. Maar het gaat gelukkig goed en in snel tempo nemen ze afscheid van het publiek. Iedereen weet het en toch, er wordt meestal niet over gesproken dat wanneer de clown na de voorstelling zijn rode neus en schmink afdoet, we zien dat het gezicht van de clown niet altijd lacht. (‘Tears of the Clown’) We sluiten vrolijk af met ‘The Parade’ waarin alle artiesten nog een keer in de piste voorbijkomen, om het overweldigende applaus dankbaar in ontvangst te nemen. $16.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concerto In C For Piano And Symphonic Wind Orch. Concert band [Score and Parts] Beriato Music
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Ande...(+)
Concert Band/Harmonie and Piano SKU: BT.BMP8091417 Composed by Leroy Anderson. Arranged by Jörg Murschinski. Set (Score & Parts). Composed 2008. Beriato Music #BMP8091417. Published by Beriato Music (BT.BMP8091417). A lot is known about the American composer Leroy Anderson. This son of Swedish immigrants played the piano, organ, accordion, trombone, tuba and double bass. He spoke several languages fluently and graduated from Harvard with first-class honours.While on military service, the army also commissioned him to write a manual on Icelandic grammar.He already started writing musical arrangements as a student, and from his 30th year arranged and composed for the Boston Pops Orchestra. Such melodiesas Serenata, The Typewriter, Sleigh Ride and Bugler�s Holiday made him world famous. His best-known work, Blue Tango, reached number one in the US charts in 1952, and it sold more than a million copies. In 1975, a year after hisdeath, he was given a star at the Walk of Fame in Hollywood.Most of his works last no longer than three minutes, about the maximum length of a single at that time. One work that lasts longer is his 1953 Piano Concerto in C for piano and orchestra.The first performance was in Chicago, conducted by the composer and with Eugene List at the piano. However, after three performances he was no longer happy with the work and withdrew it. He always intended to revise it, but never got round to it. Itwas only in 1989 that the Anderson family decided to republish the work.This three-part composition is on the one hand characterised by a careless elegance, but on the other one can hear the influence of Rachmaninoff, Copland, Gershwin, and evenBeethoven and Mozart, as well as the Viennese classics.Anderson used the sonata form for the first movement. It ends with a cadenza that carries us on into the second part (in e minor). The third part is a typically cheerful American folk dance in2/4 time, a so-called Hoe Down, with a lilting, lyrical passage as its middle section. At the end comes a solo passage followed by a rapid close.In this piano concerto, Anderson combines a rigidly classical form of composition with simple andappealing themes and elements from light music. So this work is a perfect synthesis of light music and what is called serious music, in the same way as Gershwin�s Rhapsody in Blue. A work that can be played equally well in a concerthall, at an open-air concert or even a pop concert.
Over de Amerikaanse componist Leroy Anderson is veel bekend. Deze zoon van Zweedse immigranten speelde piano, orgel, accordeon, trombone, tuba en contrabas. Hij sprak vloeiend verschillende talen en studeerde met grote onderscheidingaf aan Harvard en schreef tijdens zijn legerdienst in opdracht van het leger een handboek grammatica Ijslands.Al in zijn studententijd begon hij met het maken van arrangementen, en vanaf zijn 30ste arrangeerde en componeerde hijvoor het Boston Pops Orchestra. Melodieën zoals Serenata, The Typewriter, Sleigh Ride en Bugler's Holiday maakte hem wereldberoemd. Zijn bekendste werk Blue Tango stond in 1952 op nummer één in de VS Charts, ener werden meer dan een miljoen exemplaren van verkocht. Een jaar na zijn dood in 1975 kreeg hij een ster op de Walk of Fame in Hollywood.Zijn meeste werken duren niet langer dan drie minuten, ongeveer de maximumduur van een singletoen. Een werk dat wel langer duurt, is het pianoconcerto in C voor piano en orkest uit 1953. Het werd in Chicago gecreëerd onder zijn leiding met Eugene List aan de piano. Na drie uitvoeringen echter, was hij niet meer tevredenover zijn werk en trok dit terug. Hij had zijn leven lang de intentie het te herwerken doch kwam er niet meer toe. Pas in 1989 besliste de Anderson Familie zijn pianoconcerto toch opnieuw uit te geven.Dit driedelige werk wordtenerzijds getypeerd door een zorgeloze elegantie, maar anderzijds zijn invloeden van Rachmaninoff, Copland, Gerschwin en zelfs Beethoven en Mozart alsook de Weense klassiekers te horen.Voor de eerste beweging, past Anderson de sonatevormtoe. Op het einde volgt een cadenza die ons in het tweede deel (in mi klein) voert. Het derde deel is een typische Amerikaanse, vrolijke volksdans in 2/4, een zogenaamde Hoe Down met als middengedeelte een zangerige, lyrische
Über den amerikanischen Komponisten Leroy Anderson lässt sich vieles berichten: Der Sohn schwedischer Immigranten spielte Klavier, Orgel, Akkordeon, Posaune, Tuba und Kontrabass, sprach neun Sprachen fließend, absolvierte mit einemMagna-cum-laude-Abschluss die Harvard Universität und verfasste während seiner Militärzeit im Zweiten Weltkrieg für die amerikanische Armee eine Grammatik des Isländischen. Schon während seiner Studentenzeit begann er zu arrangieren, ab Mitte der30er Jahre des letzten Jahrhunderts arrangierte und komponierte er für das Boston Pops Orchestra. Aus seiner Feder stammen so bekannte Werke der leichten Muse wie Serenata, The Typewriter, Sleigh Ride oder Bugler�s Holiday. Sein wohlbekanntestes Stück, Blue Tango, wurde als erste Instrumentalkomposition über eine Million Mal verkauft und belegte im Jahr 1952 Platz 1 der US-Charts. Für seine Verdienste um die Schallplattenindustrie erhielt er ein Jahr nach seinem Tod einenStern auf dem Walk of Fame in Hollywood.Charakteristisch für seine Werke ist die Dauer: die meisten sind rund drei Minuten lang � mehr passte nicht auf den damals gebräuchlichen Tonträger, eine Singleschallplatte. Nur wenige seinerKompositionen sprengen diesen Zeitrahmen. Dazu gehört sein Konzert C-Dur für Klavier und Orchester. Er komponierte es 1953, die Uraufführung fand unter seiner Leitung und mit Eugene List am Klavier im selben Jahr in Chicago statt. Da Anderson mit demWerk aber nicht zufrieden war, zog er es im Sommer 1954, nach nur drei Aufführungen, wieder ein. Er hatte zeitlebens die Absicht, es zu überarbeiten, allein, es kam nicht mehr dazu. Erst 1989 entschied sich die Anderson-Familie dazu, dasKlavierkonzert wieder zu veröffentlichen.Das dreisätzige Werk zeigt die Unbeschwertheit und Eleganz, die Andersons sämtliche Kompositionen auszeichnen. Dennoch findet man darin auch Anklänge an Komponisten wie Rachmaninoff, Copland, Gershwin, undeben Beethoven und Mozart, sowie die Wiener Klassiker. Der erste Satz folgt der Sonatenhauptsatzform. An seinem Ende steht eine Klavierkadenz, die direkt in den langsamen zweiten Satz (in e-Moll) überleitet. Der dritte Satz schließlich ist einwaschechter Hoe Down, ein fröhlicher amerikanischer Volkstanz im 2/4-Takt, in dessen Zentrum aber eine lyrisch-gesangliche Passage steht. Eine weitere Solo-Kadenz führt das Werk in einen spritzigen Schlussabschnitt.In seinem Klavierkonzertvereinigt Anderson einen klassisch-traditionellen Form- und Kompositionsstil mit Elementen der Unterhaltungsmusik und eingängigen Melodien, die schon immer sein Markenzeichen waren. Daher bildet dieses Werk eine perfekte Synthese von ernster undleichter Musik. Es passt � wie beispielsweise auch George Gershwins Rhapsody in Blue � gleichermaßen in einen vornehmen Konzertsaal, wie auch zur zwanglos-lockeren Atmosphäre einer sommerlichen Open-Air-Veranstaltung oder einesPops-Konzertes.
Nous savons beaucoup de choses sur le compositeur américain Leroy Anderson. Ce fils dimmigrants suédois jouait du piano, de lorgue, de laccordéon, du trombone, du tuba et de la contrebasse. Il parlait couramment plusieurs langues et était diplômé avec grande distinction de Harvard. Pendant son service militaire, il écrivit un manuel de grammaire islandaise commandé par larmée.Étudiant, il avait déj commencé faire des arrangements et dès l ge de 30 ans, il arrangeait et composait pour le Boston Pops Orchestra. Des mélodies telles que Serenata, The Typewriter, Sleigh Ride et Buglers Holiday lui valurent une renommée mondiale. Son uvre phare, Blue Tango, fut numéro un descharts américains en 1952 et se vendit plus dun million dexemplaires. Un an après sa mort en 1975, il eut droit son étoile sur le Walk of Fame Hollywood.La plupart de ses uvres nexcèdent pas trois minutes, soit peu près la durée maximale dun single lépoque. Son concerto en ut pour piano et orchestre de 1953 est quant lui plus long. Il fut créé Chicago sous sa direction avec Eugene List au piano. Après trois exécutions, Anderson nétait toutefois plus satisfait de son travail et le retira. Toute sa vie, il eut lintention de le remanier mais ne le fit pas. Ce nest quen 1989 que la famille Anderson décida de tout de m?me rééditer son concerto pour piano.Cette uvre en trois parties se caractérise par son élégance nonchalante mais aussi par linfluence de Rachmaninoff, Copland, Gershwin et m?me de Beethoven et Mozart, ainsi que des classiques viennois.Pour le premier mouvement, Anderson opte pour une sonate. la fin, une cadence nous conduit la deuxième partie (en mi mineur). La troisième partie est une danse populaire joyeuse et typiquement américaine en 2/4, une Hoe Down avec un passage lyrique et mélodieux en son milieu. la fin, un solo est suivi par une clôture rapide.Dans son concerto pour piano, Anderson unit une composition pure et classique des thèmes beaux et simples, sans oublier des éléments de la musique légère. Cette uvre. $361.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circus Delight [Score] - Easy Gobelin Music Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.GOB-000234-215 Compo...(+)
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.GOB-000234-215 Composed by Dagmar Kildevann. Score Only. 24 pages. Gobelin Music Publications #GOB 000234-215. Published by Gobelin Music Publications (BT.GOB-000234-215). ‘Circus Delight’ is a five-part suite which is set, how could it be otherwise, in a big circus tent.
The suite starts with a part called ‘Entrance’. The orchestra, positioned above the entrance of the ring asks for the attention of the audience and then the ring announcer enters. The show can begin! The elephants play a central role in the first act. These colossal grey animals are rather slow and perform their tricks in a moderate tempo. (‘Elephant Blues’) How different are ‘The Acrobats’. At high speed they run, jump and fly through the ring, until ....... It gets very exciting. Fortunately, all’s well that ends well and they take their leave of the audienceat a trot. Everyone knows, and yet it is mostly not spoken about, that when a clown has taken off his red nose and rubbed off his make-up, his face off-stage is not always a happy one. (‘Tears of the Clown’) The piece ends on a cheerful note with ‘The Parade’, in which all the artists make their entrance in the ring once again to gratefully acknowledge the audience’s overwhelming applause.
‘Circus Delight’ is een vijfdelige suite die zich afspeelt in, hoe kan het ook anders, een grote circustent.
De suite begint met ‘Entrance’. Het orkest dat boven de ingang van de piste zit vraagt de aandacht van het publieken de spreekstalmeester komt binnen. De voorstelling kan beginnen. De olifanten staan centraal in de eerste act. De grote grijze kolossen zijn niet de snelste dieren en vertonen hun kunsten in een rustig tempo. (‘ElephantBlues’) Bij ‘The Acrobats’ is dat wel even anders. In rap tempo hollen, springen en vliegen ze door de piste totdat ... het heel spannend wordt. Maar het gaat gelukkig goed en in snel tempo nemen ze afscheid van het publiek. Iedereen weet het en toch, er wordt meestal niet over gesproken dat wanneer de clown na de voorstelling zijn rode neus en schmink afdoet, we zien dat het gezicht van de clown niet altijd lacht. (‘Tears of the Clown’) We sluiten vrolijk af met ‘The Parade’ waarin alle artiesten nog een keer in de piste voorbijkomen, om het overweldigende applaus dankbaar in ontvangst te nemen. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Circus Delight Brass ensemble [Score and Parts] - Easy Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000381-030 Composed by Dagmar Kildevann....(+)
Brass Band - Grade 2 SKU: BT.GOB-000381-030 Composed by Dagmar Kildevann. Set (Score & Parts). 54 pages. Gobelin Music Publications #GOB 000381-030. Published by Gobelin Music Publications (BT.GOB-000381-030). ‘Circus Delight’ is a five-part suite which is set, how could it be otherwise, in a big circus tent.
The suite starts with a part called ‘Entrance’. The orchestra, positioned above the entrance of the ring asks for the attention of the audience and then the ring announcer enters. The show can begin! The elephants play a central role in the first act. These colossal grey animals are rather slow and perform their tricks in a moderate tempo. (‘Elephant Blues’) How different are ‘The Acrobats’. At high speed they run, jump and fly through the ring, until ....... It gets very exciting. Fortunately, all’s well that ends well and they take their leave of the audienceat a trot. Everyone knows, and yet it is mostly not spoken about, that when a clown has taken off his red nose and rubbed off his make-up, his face off-stage is not always a happy one. (‘Tears of the Clown’) The piece ends on a cheerful note with ‘The Parade’, in which all the artists make their entrance in the ring once again to gratefully acknowledge the audience’s overwhelming applause.
‘Circus Delight’ is een vijfdelige suite die zich afspeelt in, hoe kan het ook anders, een grote circustent.
De suite begint met ‘Entrance’. Het orkest dat boven de ingang van de piste zit vraagt de aandacht van het publieken de spreekstalmeester komt binnen. De voorstelling kan beginnen. De olifanten staan centraal in de eerste act. De grote grijze kolossen zijn niet de snelste dieren en vertonen hun kunsten in een rustig tempo. (‘ElephantBlues’) Bij ‘The Acrobats’ is dat wel even anders. In rap tempo hollen, springen en vliegen ze door de piste totdat ... het heel spannend wordt. Maar het gaat gelukkig goed en in snel tempo nemen ze afscheid van het publiek. Iedereen weet het en toch, er wordt meestal niet over gesproken dat wanneer de clown na de voorstelling zijn rode neus en schmink afdoet, we zien dat het gezicht van de clown niet altijd lacht. (‘Tears of the Clown’) We sluiten vrolijk af met ‘The Parade’ waarin alle artiesten nog een keer in de piste voorbijkomen, om het overweldigende applaus dankbaar in ontvangst te nemen. $72.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Monty Python's Spamalot
Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
2005 Tony! Award Winner - Best Musical. By John Du Prez. Piano/Vocal/Chords Voca...(+)
2005 Tony! Award Winner - Best Musical. By John Du Prez. Piano/Vocal/Chords Vocal Selections (Arrangements for piano and voice with guitar chords). Book only. Size 9x12 inches. 88 pages. Published by Hal Leonard.
(4)$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Clash of the Carolers Concert band [Score and Parts] - Easy C.L. Barnhouse
Clash of the Carolers by Conaway. Concert band. Young Concert Band. Command Seri...(+)
Clash of the Carolers by Conaway. Concert band. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Grade 2.5. Score and set of parts. Composed 2009. Duration 2 minutes. Published by C.L. Barnhouse (
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Clash of the Carolers Concert band [Score] - Easy C.L. Barnhouse
Grade 2 SKU: CL.011-3827-01 Composed by Conaway. Young Concert Band. Comm...(+)
Grade 2 SKU: CL.011-3827-01 Composed by Conaway. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR363). Extra full score. Composed 2009. Duration 2 minutes. C.L. Barnhouse #011-3827-01. Published by C.L. Barnhouse (CL.011-3827-01). Holiday cheer takes a time-out in Matt Conaway’s humorous tale of Christmas carolers who just can’t agree on which song to sing. A series of interruptions, interjections, and intrusions breaks down into an all-out argument until the musicians find common ground in a song that will always be popular this time of year. A great way to add some humor to your winter concert! About C.L. Barnhouse Command Series The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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