Contemporary Settings of Seven Classic Songs by Cole Porter. By Cole Porter. Arranged by Mark Hayes. For Voice. (Medium Low Voice). Vocal Collection. Standard. Book and CD. 52 pages. Published by Alfred Publishing.

(Contemporary Settings of Seven Classic Songs by Cole Porter (Medium Low Voice)). By Cole Porter. Arranged by Mark Hayes. For Voice (Low voice (Medium-Low)). Vocal Collection. Standard. CD

Contemporary Settings of Seven Classic Songs by Cole Porter. By Cole Porter. Arranged by Mark Hayes. For Voice. (Medium High Voice). Vocal Collection. Standard. Book and CD. 52 pages. Published by Alfred Publishing.

Contemporary Settings of Seven Classic Songs by Cole Porter. By Cole Porter. Arranged by Mark Hayes. For Voice. (Medium Low Voice). Vocal Collection. Standard. Book. 52 pages. Published by Alfred Publishing.

(for two Flutes). By Gary Schocker. Woodwind duet. For 2 Flutes. Contemporary. Performance score. Standard notation. Composed 2011. Duration 5 minutes. Published by Theodore Presser Company

By J. Beck. Arranged by J. Beck. (SATB). Choral Collection. Size 6.8x10.5 inches. 56 pages. Published by G Schirmer, Inc.

Arranged for Fingerstyle Guitar. Taught by Fred Sokolow. For Guitar (Fingerpicking). Solos. Grossman-Gtr Workshop. Contemporary. Level: Intermediate. DVD. Size 5.25x7.5. Duration 90 minutes. Published by Grossman's Guitar Workshop. (GW502DVD) DVD format: Region 1 for use in the USA and Canada.

Composed by Patty Darling. Arranged by Patty Darling. For jazz band (5-4-4-5). Contemporary Big Band Series. Fusion. Grade 4. Score and set of parts. Published by Sierra Music

The Battle on the Heath. Composed by Kevin Houben. Set (Score & Parts). Composed 2020. Hal Leonard Europe #HBE002-007. Published by Hal Leonard Europe

SKU: GI.G-9986

Composed by Thomas Whitfield. Arranged by Thomas Whitfield. Sacred. Collection. GIA Publications #9986. Published by GIA Publications (GI.G-9986).

Affectionately known as “Tommie” and referred to as the “Maestro” by gospel music professionals, Thomas Whitfield should be considered the Dean of Contemporary Gospel Music. Whitfield’s work with his ensemble, The Thomas Whitfield Company, set a standard for contemporary gospel choral singing. His revelatory blending of gospel, jazz, and classicism explored previously uncharted territory in gospel music. As the “Master Producer,” he provided the foundation for studio production standards within the genre while elevating the careers of some of gospel music’s most beloved voices, including Vanessa Bell Armstrong and Yolanda Adams. His sudden passing in 1992 proved a tragic blow to the gospel music community. However, he left an indelible mark on the industry, and his distinctive sound is heard in all of gospel music today. The songs included in this set represent but a brief overview of his musical legacy…just in case you’ve forgotten. Contents: Look and Live (G-9706) • Blessed Be the Ties (G-9929) • With My Whole Heart (G-9177) • I Shall Wear a Crown (G-9350) • Walk in the Light (G-9349) • Gos Is on Our Side (G-9571) • When I'm Weak, I'm Strong (G-9570) • Just in Case You've Forgotten (G-9962) • Only a Look (G-9961) • Down at the Cross (G-9772).

by William Bay. For flute. Complete. Jazz. Level: Intermediate. Book. Method. Size 8.75x11.75. 144 pages. Published by Mel Bay Pub., Inc.

By Conrad Susa. Text: Anne Sexton. For Opera. Opera, Vocal Music. Published by E.C. Schirmer Publishing.

SSATB choir, Organ - Medium Difficult

SKU: PL.9629

Composed by Dr. George Guest. Cathedral. Choral, General, Hymn, Lent. Octavo. Paraclete Press #9629. Published by Paraclete Press (PL.9629).

These penitential anthems were transcribed by Dr. George Guest from the Gostling Manuscript. John Gostling was renowned for his extraordinary bass voice an held positions in the Church of England, eventually becoming Sub-Dean of St. Paul's Cathedral. Gostling was also a prolific copyist and his manuscript contains over 60 anthems of Blow, Purcell, Locke and others.In Turn Thy Face from my Sins, Matthew Locke illuminates the text from Psalm 51 in a subtle and sensitive way. Locke uses imitation and increasing rhythmic intensity to build the piece towards the final Gloria. As the verse parts are more virtuosic in nature, they could perhaps be sung by soloists, creating further textural variety. Dr. Guest has transcribed this anthem up a tone in order to place it more comfortably for contemporary choirs, and he provides suggested tempi and dynamics.

Grade 3

SKU: CL.033-0217-01

Composed by Hooper. Jazz Ensemble. Extra full score. Composed 1981. C.L. Barnhouse #033-0217-01. Published by C.L. Barnhouse (CL.033-0217-01).

Contemporary mellow rock jazz piece with a very nice melody line and chord changes that are fun to blow on.