Text language: German.

For the first time all the known vocal works of Carl Philipp Emanuel Bach have been assembled in a list of compositions. In view of his method of working, arranging compositions by himself and others to create new works, the compilation of this list has necessitated a new definition of the concept of a work. Through detailed descriptions of sources, information concerning the published material, and musical examples, combined with the most important information concerning each work's history and that of its text, we have revealed for the musicologist, musician, or simply person interested in music the vocal works of the Hamburg Bach in an entirely new way.

SKU: HL.49009540

ISBN 9790200210552. 5.25x7.5x0.074 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

SKU: PR.114418820

ISBN 9781491113998. UPC: 680160667697.

Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.______________________________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions.
When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,” for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018.

SKU: FH.WS8

ISBN 978-1-55440-557-2.

Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments.
Eb Saxophone:

Mainly Transcriptions:
Sonata, BWV 1035 - Johann Sebastian Bach, arr. Kathleen Wood
- First Movement
- Third Movement: Siciliano
- Fourth Movement
Sonata, TWV 41:F2 - Georg Philipp Telemann, arr. Christine Donkin
- First Movement
- Second Movement
- Third Movement
Mainly Original Repertoire for Saxophone:
Sonata - Anton Bilotti
- First Movement
Sonata - Alec Wilder
- First Movement
- Third Movement
Allegro - Vaclav Nelhybel

Bb Saxophone:

Mainly Transcriptions:
Sonata - Johann Friedrich Fasch, arr. Jason Noble
- First Movement
- Third Movement
Sonata Prima - Francesco Maria Veracini, arr. Harold Birston
- First Movement
- Third Movement
- Fourth Movement
Mainly Original Repertoire for Saxophone:
Sonata - James di Pasquale
- Second Movement
- Third Movement
Three Songs Without Words - Paul Ben-Haim
- 1. Arioso
- 3. Sephardic Melody

Eb Saxophone or Bb Saxophone:

Unaccompanied Repertoire:
Introduction, Dance, and Furioso - Herbert Couf
- [Complete]
Improvisation (Romani) - Ronald L. Caravan
Improvisations on Lines Where Beauty Lingers - M. William Karlins.

SKU: BR.KM-2303

,,SymphoniClass features seven highly varied works and arrangements for larger ensembles with carefully selected alternative settings.

ISBN 9790004503164. 9 x 12 inches.

The music classes that are sprouting up everywhere are sure to find this to their liking: seven highly varied works and arrangements for larger ensembles with carefully selected alternative settings. This is SymphoniClass!True to the proven system of Breitkopf Padagogik, the music edition contains the conducting score while the part material is found on the enclosed CD-ROM.But theres more to the didactic value of SymphoniClass, since the book not only features pieces to play in an ensemble; it also provides in each arrangement special reference points concerning the teaching curricula that forms the backbone of general music teaching. The authors didactic comments (in German and English!) approach this topic with great care.Music educators in schools with access to a range of symphonic instrumental students will find this album extremely useful. A CD-ROM is included, enabling all parts to be printed. The score also contains extensive notes with general information and didactic suggestions for every piece.(Ros Hurst, Stringendo).