SKU: BT.DHP-1145557-010
English-German-French-Dutch.
A brief introduction leads to a majestic theme in the clarinets, supported by pounding percussion beats, before the brass section takes up the theme in a quicker, heroic fashion. In Statue of Liberty the French composer Thierry Deleruyelledepicts the grandeur and sheer scale of the statue, which was created in his homeland as a gift to the United States.In deze compositie gaat een korte inleiding vooraf aan een verheven thema in de klarinetten, ondersteund door stevige slagen in het slagwerk. Vervolgens introduceert de kopersectie een heroïsch, sneller gespeeld thema. Het werk besluitmajestueus, met een terugkeer naar het oorspronkelijke tempo. In Statue of Liberty omschrijft Thierry Deleruyelle de pracht van het Vrijheidsbeeld, dat in Frankrijk werd gebouwd als een geschenk aan de Verenigde Staten.Eine kurze Einleitung mündet in ein majestätisches Thema in den Klarinetten, unterstützt von hämmernden Beats im Schlagzeug, bevor die Blechbläser das Thema schneller und in würdevoller Weise präsentieren. In Statue of Liberty beschreibtder Franzose Thierry Deleruyelle die Pracht und Größe der Freiheitsstatue, die in seinem Land als Geschenk an die Vereinigten Staaten geschaffen wurde.La Liberté éclairant le monde, plus connue sous le nom de Statue de la Liberté... L’oeuvre musicale éponyme dépeint la grandeur du monument et toute la symbolique qu’elle comporte.Une brève introduction précède un thème noble joué aux clarinettes, soutenu par les battements lourds de la percussion. Puis ce sont les cuivres qui, dans un mouvement plus rapide, présentent un thème héroïque. L’oeuvrese termine majestueusement par un retour au tempo initial. Un vent de liberté souffle sur vos musiciens et vos auditeurs !Una breve introduzione sfocia in un tema maestoso dei clarinetti, supportato da beat martellanti della batteria, prima che gli ottoni presentino il tema in una modalit più veloce e più eroica. In Statue of Liberty il francese ThierryDeleruyelle descrive lo splendore e la grandezza della Statua della Libert , realizzata nel suo Paese come regalo agli Stati Uniti.
SKU: MB.31103M
ISBN 9781513468792. 8.75x11.75 inches.
Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.
This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.
There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.
In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.
The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.
The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.
Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.
Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
SKU: BT.DHP-1115070-010
9x12 inches. English-German-French-Dutch.
This three-movement work is a tribute to French sculptor Frédéric Auguste Bartholdi. The first movement depicts what is without a doubt Bartholdi’s most famous sculpture, the Statue of Liberty in New York, which also gives this piece its name. Next listeners get to experience the trumpeting angels, which can be seen atop the First Baptist Church in Boston. The final movement takes listeners to France to view the Lion of Belfort in France. Dit driedelige concertwerk is een eerbetoon aan de Franse beeldhouwer Frédéric Auguste Bartholdi. Het eerste deel geeft een beschrijving van het bekendste beeld van Bartholdi, het Vrijheidsbeeld in New York, dat ook zijn naam aandit werk gaf. Daarna volgt een muzikale weergave van het beeld van een engel met trompet die in Boston te bewonderen is. Tot slot schetst Jan de Haan de leeuw van Belfort in Frankrijk, een monumentaal beeld van 22 meter breed en 11meter hoog. Bij de onthulling van dit laatste beeld werd Liberty opgevoerd. Liberty: in één woord imposant!Dieses dreiteilige Konzertwerk ist ein Tribut an den französischen Bildhauer Frédéric Auguste Bartholdi. Der erste Satz beschreibt die wohl berühmteste Statue Bartholdis, die Freiheitsstatue in New York, die auch diesem Blasorchesterwerk seinen Namen gab. Danach folgt ein musikalisches Bild der Trompetenengel, die in Natura in Boston zu bestaunen sind, und zum Schluss der Löwe von Belfort in Frankreich, zu dessen Einweihung im November 2010 Liberty uraufgeführt wurde..Liberté est une oeuvre de commande pour l’Orchestre d’Harmonie de la Ville de Belfort (France) en hommage au sculpteur Frédéric Auguste Bartholdi. Le premier mouvement est consacré la Statue de la Liberté, située New York. Le second fait écho aux 4 Anges Trompettistes qui ornent le clocher d’une église de Boston (U.S.A.). Le dernier mouvement dépeint le monumental Lion de Belfort. La première mondiale de l’oeuvre a eu lieu en novembre 2010, lors de la cérémonie officielle inaugurant le Lion, cent trente ans après sa livraison par le sculpteur français.Questo brano da concerto in tre parti è un tributo allo scultore francese Frédéric Auguste Batholdi. Il primo movimento descrive quella che è sicuramente l’opera più nota dell’artista: La Statua della Libert a New York. Segue un affresco dei Quattro Angeli Trombettisti che si può ammirare in una chiesa di Boston. Il terzo e ultimo movimento dipinge la monumentale scultura del Leone di Belfort in Francia, dove ha avuto luogo la prima del brano nel novembre 2010.
SKU: HH.HH456-FSP
ISBN 9790708146636.
La Libertà is the most original, and among the most attractive, of Maurice Greene’s secular vocal compositions on Italian texts. Strong circumstantial evidence indicates that he wrote it as a composition for the celebrated operatic singer Faustina Bordoni to sing as a grateful farewell to her English patrons and admirers just before her final departure from London in the summer of 1728. The song commemorates not only Faustina but also her constant companion and reputed lover, the violinist Mauro d’Alay, who is likely to have been the original player of the obbligato violin part with which the vocal part interweaves. Greene took the text from an Italian translation of A Letter from Italy, a famous poem by Joseph Addison extolling liberty, which was at the time seen as a distinguishing characteristic of England.
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