SKU: GI.G-130946
ISBN 9781574633917. UPC: 888680023027.
The songs in this collection are drawn from the rich folk music traditions from around the world. Each folk song is arranged three ways: the folk song tune by itself, a two-mallet version using rolls and/or double stops, and a four mallet version. The collection is ideal for beginning, intermediate, or even advanced mallet players who are looking for four-mallet sight reading material. The songs can be performed individually or together in a group. Songs include: America the Beautiful · Danny Boy · Greensleeves · Loch Lomond · Scarborough Fair · Shenandoah · Were You There · and more.
SKU: HL.50566026
ISBN 9790044095360. UPC: 196288159407. 9.0x12.0x0.664 inches.
This edition belongs to “Musique vocale françaiseâ€, a series devoted to French vocal repertoire – both in original and transposed key – designed for students and teachers as well as professionals; it includes 35 songs for high voice, with original poems and English translations, that Camille Saint-Saëns composed throughout his entire career. The texts he chose for his music are proof of his excellent literary taste. It is not always easy to see a clear logic when looking at the entire corpus of the composer's melodies, coming to a total of around one-hundred and twenty works. Camille Saint-Saëns was one of the composers responsible for bringing nobility to French melody, thus paving the way for the generation, that of Gabriel Fauré and Henri Duparc, which would elevate it to its highest level.
SKU: PR.114422360
ISBN 9781491133828. UPC: 680160683321. 9 x 12 inches.
Based on an Armenian troubadour song, I WILL NOT BE SAD IN THIS WORLD is a uniquely beautiful work for alto flute (or bass flute) accompanied by a pre-recorded audio track made purely from the composer’s own singing. The result is a fluid interplay between the live flute and the composer’s multi-tracked and processed vocal sonorities. The work was created for Marya Martin’s “Eight Visions†collection (published by Presser), and is now available as a single publication.I will not be sad in this world is based on the song “Ashkharumes Akh Chim Kashil†by the legendary 18th-century Armenian troubadour Sayat Nova. The song is often played on the duduk, and your flute playing should respond to the ornamentation, intonation, and vibrato of traditional duduk playing.In playing this piece, you will want to be flexible with time: the 32nd notes are mostly notated grace notes coloring the following note, and can be compressed towards that next note for effect. Similarly, the meter should be downplayed: use the pre-recorded part to give you guideposts, and then shape your phrases quite freely around those guideposts.I strongly suggest that you listen to my demo recording of the piece, as it will give an indication of what I am looking for. I have not transcribed every note that I sang on the demo, and similarly, once you feel comfortable with the playing style, you can ornament the melody with some flexibility yourself. The notated turns are meant to indicate places where it is most natural to do some ornamentation.The piece can be played on either alto flute or bass flute. I am hoping for a certain vulnerability in your playing, so choose the flute that will help you most with that. If you are playing in a dry hall, you might consider slight amplification, not for volume, but to allow you to add reverb to your sound. It will then be easier to blend well with the tape part.Optionally, one (or even two) additional flutists may double the lines called “voice†that are part of the tape part. The additional player(s) should play more softly than the soloist, and get even softer as the piece progresses and the electronics take over.* * *Thanks to Marya Martin who commissioned the piece. Many thanks to my friend and colleague Margaret Lancaster, who tried out the piece for me and advised me about notation. Thanks also to the Civitella Ranieri Foundation who were my generous hosts while I was writing I will not be sad in this world.The audio accompaniment and the demo are available for free download from the “Additional Downloads†tab at www.presser.com/114-42236.
SKU: PR.114419850
ISBN 9781491135808. UPC: 680160681044. 9 x 12 inches.
Both a spectacular concerto for saxophone, and a dramatic tone poem on Roman mythology, QUICKSILVER is a 23-minute concerto for Alto Saxophone and Wind Ensemble by one of the sax literature’s most commissioned and admired composers.Through worded captions as well as gorgeously expressive tone painting, Movement 1 depicts the birth and childhood pranks of Mercury, Movement 2 shows him escorting souls to the gates of the Underworld, and Movement 3 is a phantasmagoric finale portraying Mercury as messenger amid the conflicts of other mythological figures. There are many YouTube performances available, both in the original version with Wind Ensemble, and with Piano.In addition to being another name for the element mercury, “quicksilver†is used to describe something that changes quickly or is difficult to contain. My concerto of the same name was inspired by the Roman god Mercury, as well as the mercurial nature of the saxophone: unpredictable, very lively, and volatile. Mercury (known as Hermes in Greek mythology) is best known for his winged shoes, which allowed him to fly swiftly as the messenger of his fellow Olympians. Mercury had other duties too, including serving as the god of merchants, travelers, and tricksters; he also ushered souls of the departed to the Underworld.Quicksilver tells three tales of the Roman god. The first movement (Antics of a Newborn God) opens with the birth of Mercury; after he takes his first steps, he toddles around, gleefully looking for mischief. He stumbles across a herd of cows that belong to his brother Apollo; Mercury slyly lets the cows out of their pen before toddling onward with his mischief-making.In the second movement (Guiding Souls to the Underworld), Pluto, god of the Underworld, bids Mercury to bring him fresh souls. The movement begins with death-knells tolling for humans who are about to die; Mercury picks up these souls and leads them down to the gates of the Underworld.The third and final movement (Messenger of Olympus) depicts Mercury as he is busily running errands for various gods and goddesses. We first encounter him mid-flight as he dashes to earth to find Aeneas, a Trojan lieutenant who had been run out of Troy by the invading Greeks. Aeneas is on a quest to find land on which to establish a new city that would eventually become Rome. While traveling, he is distracted from his quest when he meets the beautiful queen Dido. They live together for many years before Mercury intervenes; he chastises Aeneas for giving up on his quest and persuades him to pick it up again. As Aeneas mournfully resumes his journey, we hear Dido perish of a broken heart. Mercury then takes to the skies to seek out Perseus, who is preparing to kill Medusa, the hideous gorgon who has snakes for hair and a gaze that turns those who catch her glance into stone. Mercury advises Perseus on how to slay Medusa and lends Perseus his sword to do the deed. We hear Perseus victorious in the beheading of Medusa, after which Mercury takes to the skies once more to fly home to Olympus.
SKU: HL.50566027
ISBN 9790044095377. UPC: 196288159414. 9.0x12.0x0.581 inches.
This edition belongs to “Musique vocale françaiseâ€, a series devoted to French vocal repertoire – both in original and transposed key – designed for students and teachers as well as professionals; it includes 35 songs for medium-low voice, with original poems and English translations, that Camille Saint-Saëns composed throughout his entire career. The texts he chose for his music are proofof his excellent literary taste. It is not always easy to see a clear logic when looking at the entire corpus of the composer's melodies, coming to a total of around one-hundred and twenty works. Camille Saint-Saëns was one of the composers responsible for bringing nobility to French melody, thus paving the way for the generation, that of Gabriel Fauré and Henri Duparc, which would elevate it to its highest level.
SKU: MB.GW865
5.25x7.5 inches.
Looking to spice up your repertoire? Or maybe youâ??d just like to add to your toolbox of licks and turnarounds? The best way to do either is to turn to the greats!In this lesson Ben Gateno guides you through several jaw-dropping instrumentals originally performed and recorded by three of the most legendary acoustic blues and ragtime guitarists: Lonnie Johnson, Blind Blake, and Big Bill Broonzy. Combined, all tunes featured present wildly varying textures, rhythms, techniques, and harmonic language. By the end of the lesson no part of your fretboard will go unexplored. Along the way, Ben offers crucial insights and practice tips that will help you learn not only these numbers faster and better but are sure to ramp up everything you play.All tunes are performed by Ben at speed and slowed down, with clear, detailed views of both hands. A detailed tab/music PDF file is included on the DVD with note for note transcriptions of the tunes taught. The original recordings are included in the Bonus Audio section. DVD is region 0 playable worldwide.120-minute DVD.Titles include LONNIE JOHNSON Blues in G, BIG BILL BROONZY House Rent Stomp, and BLIND BLAKE breaks from Hometown Skiffle.
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