SKU: LM.C05874
ISBN 9790230358743.
SKU: HL.8773635
UPC: 649325060025. 8.5x11.0x0.104 inches.
SKU: CA.4096209
ISBN 9790007078805. Key: D major. Language: Latin.
This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. Score and parts available separately - see item CA.4096200.
SKU: GI.G-2030
UPC: 785147203001.
Two-part equal or SATB.
SKU: CA.4096205
ISBN 9790007078799. Key: D major. Language: Latin.
This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. Score available separately - see item CA.4096200.
SKU: UM.12116
ISBN 9790224412116. A4 inches.
SKU: HL.145791
UPC: 888680970369. 8.25x11.75x0.057 inches.
SKU: CA.7005312
ISBN 9790007228293. Key: D major. Language: Latin.
With a duration of about 10 minutes, Schubert's Magnificat D 486 in C major is one of the more concise settings of the well-known Marian canticles, originally for the service of Vespers. It was composed in late summer 1815, and is therefore probably one of a series of church music works Schubert wrote in his youth for Lichtenthal Parish Church. The work requires a large-scale orchestra with strings, woodwind, and brass. The four-part choir contrasts with four soloists; this quartet sings the peaceful middle section of the three-section work. For the Carus edition Schubert's own autograph manuscript of his Magnificat was consulted again for the first time since 1888. Until 1989 this had been thought to be lost. This work is now available in carus music, the choir app! Score and part available separately - see item CA.7005300.
SKU: OU.9780193554337
ISBN 9780193554337. 10 x 7 inches.
For SSSA unaccompanied. Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant.
SKU: SU.80101492
Variazioni sawiane (2021) was written for organist Jan Bart?omiej Bokszczanin. The title refers to the Polish composer Marian Sawa (1937-2005), and the variations are based on a theme from his music. The theme is a metricized version of the original psalm chant from his final composition, Missa Claromontona (2005) for chorus, organ, and timpani. An introduction based on the theme's opening motive leads to a gentle aria that presents the melodic theme twice in its entirety. This is followed by a quasi-ricercare, a scherzetto, a meditation, and a festive return to the opening material. Instrumentation: Organ Duration: 8 Composed: 2021 Published by: Zimbel Press.
SKU: AP.48205
ISBN 9781470659592. UPC: 038081559230. English.
Malagueña is one of the most recognizable Latin melodies written in the last century. It was originally written by Cuban composer Ernesto Lecuona. Building in intensity and tempo through four distinct motifs to an enthusiastic conclusion, this sultry arrangement explores lower tonality. Passionate! (3:00) This title is available in MakeMusic Cloud.
SKU: OU.9780193951754
ISBN 9780193951754.
A simple Marian antiphon for SATB and organ.
SKU: CA.5132319
ISBN 9790007145729. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and parts available separately - see item CA.5132300.
SKU: HL.50602633
ISBN 9781848678989.
SKU: BR.EOS-8024-30
ISBN 9790004789438. 8.5 x 11.5 inches.
Monteverdi's Vespers of 1610 is a work which has both fascinated and perplexed musicologists and performers for many years. It forms by far the larger part of the composer's first significant publication of sacred music, entitled: Of the most blessed virgin a Mass for six voices for church choirs, and Vespers for more voices with several sacred concertos suitable for princely chapels or apartments. By the time this publication appeared, Monteverdi had been in the service of the Gonzaga court at MantUrauffuhrung for at least 18 years, and he was seeking a change of employment, so that the dedication of the volume to the reigning pope, Paul V, may be interpreted as a form of self-advertisement. Originally issued as an Urtext study score, the edition is based closely on the extant printed source, the set of partbooks published at Venice in 1610, and retains the original note values, key and mensuration signatures.
SKU: UM.89384
ISBN 9790224405712.
SKU: OU.9780193524323
ISBN 9780193524323. 10 x 7 inches.
For SATB unaccompanied This tender setting is a partner antiphon to Bednall's Ave Regina caelorum. In turn, this pair compliments Howells's setting of the other Marian antiphons (Salve Regina and Regina Caeli). Triplet movement and changing metre create ebb and flow, and harmonic and melodic interest bring a sense of peaceful expectancy.
SKU: CA.4005412
ISBN 9790007059316. Key: B flat major. Language: Latin.
This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the church trio of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. Score and part available separately - see item CA.4005400.
SKU: BT.EMBZ14646
Latin.
In its new series entitled Sacred Choral Works EMB presents a collection of religious choral pieces by contemporary and 20th-century Hungarian composers. The first six volumes are devoted to works by the outstanding 20th-century composer for choirs Lajos Bárdos, more specifically the works in Latin from the recently published Bárdos series Musica Sacra. The first volume contains the works for equal voices, the other five contain those for mixed choir, the latter grouped according to religious festivals: Volume 2 has the Christmas choruses, Volume 3 those for the Easter season, Volume 4 those relating to the period following Easter, Volume 5 Marian songs, and Volume 6 the pieces forother occasions.
SKU: HL.50486905
ISBN 9790080146477. 8.0x11.25x0.082 inches. Hungarian, Latin. Lajos Bardos; Janos Malina.
In its new series entitled Sacred Choral Works EMB presents a collection of religious choral pieces by contemporary and 20th-century Hungarian composers. The first six volumes are devoted to works by the outstanding 20th-century composer for choirs Lajos Bardos, more specifically the works in Latin from the recently published Bardos series Musica Sacra. The first volume contains the works for equal voices, the other five contain those for mixed choir, the latter grouped according to religious festivals: Volume 2 has the Christmas choruses, Volume 3 those for the Easter season, Volume 4 those relating to the period following Easter, Volume 5 Marian songs, and Volume 6 the pieces for other occasions.
SKU: CA.5132349
ISBN 9790007224929. Language: Latin.
Both of the Kyrie settings in E flat major K. 322 (1778/79) and C major K. 323 (probably not prior to 1790) belong to those works by Mozart which were only handed down as incomplete draft scores. However, in both cases Mozart's original drafts were so extensive and well advanced that Abbe Maximilian Stadler, Mozart's friend and known from the history associated with the Requiem, could complete both settings. In 1830, for the first edition of the Kyrie K. 323 Stadler employed the text of the Marian Antiphon for Easter Regina coeli laetare for the vocal parts. The Carus edition presents both the original text (Kyrie), as well as the text from the first edition (Regina coeli), so that the work may be performed in the Mass or in the context of a solemn Vespers during the time of Easter. Score and part available separately - see item CA.5132300.
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