SKU: HL.14028052
ISBN 9788759870853.
Ruders writes: NIGHTSHADE is an instrumental dark-room, a grave-yard of low-pitched, tight-knitted, crawling chords sliced asunder by the cold extremely high positioned movements of the oboe and violin in particular: tones sustained to near-immobility and then scared into startling velocity, like geckoes on a Southern garden wall. Shades in the night are pale and gloomy phenomenons to behold; treacherous beauties in the mighty realm of invisibility and blackness. Belladonna (beautiful lady) is the morbid christening of that fearsome variety of flora: the deadly nightshade. The piece is, on one hand, a study in extreme sonorities; the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe. On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word NIGHTSHADE. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.
SKU: FP.FBS02
ISBN 9790570500192.
Sarah Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.All this experience has come together in the creation of this first published album of piano pieces, inspired by the sounds heard at night from the woodland just beyond Sarah’s childhood home.Suitable for players of around grade 4-5 standard, her evocative sound pieces begin at the tranquillity of dusk and end with the exuberant dawn chorus.The composer writes:'I grew up with woods behind my house, and the nocturnal noises and images that I remember were the inspiration for these eight short sound pictures on the theme of night. The music moves first from the tranquility of dusk and evening mists, to the emerging starlight of twilight. As night falls it takes on on a darker quality with shadows and dreams disturbing peace and calm.The night birds and bats swoop and flit past as they seek their prey, but gradually dawn approaches and peaceful sleep is restored. The morning is heralded in the joyful exuberance of the dawn chorus.'.
SKU: HL.117300
UPC: 884088887247. 5x5 inches.
Modal harmonies and countermelodies combine with the traditional carol “Silent Night” to create an extraordinary and reflective atmosphere for Christmas concerts and services, taking your listeners back to the time and place of the first Nativity. Optional audience participation. Includes oboe part. Available separately: SATB, ChoirTrax CD. Score and parts (ob, vn 1-2, va, vc, db, perc) available as a digital download. Duration: ca. 4:00.
SKU: HL.265885
UPC: 888680732721. 5.0x5.0x0.15 inches.
This is a song that celebrates the magical mood of the first snowfall of the season. Set on a cold winter evening, it is peaceful and serene and contrasts the brilliant snow against the dark night. Detailed and pedagogical page two notes and carefully written voice parts make this perfect for the developing choir.
SKU: KN.SN70186S
UPC: 822795701869.
Recorded on the Sammy Sammy Nestico CD A Portrait Of Sammy, this exciting jazz samba in 3/4 time is written for . Lead trumpet extends to a written high D, no woodwind doubles are required, and it features solos by electric guitar and tenor saxophone. Rhythm section parts are partially notated with chords cued.
SKU: PR.11441271S
UPC: 680160587094. 8.5 x 11 inches. Poem by Du Fu (712-770 in Tang Dynasty).
It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. This music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 60-70 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehersal A and B (measures 1 - 41) represents the first four lines of the poem. The woodwind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high piano gestures. The music in Rehersal C and D (measures 42-87) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy key slaps on the flute creates a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehersal E, F, G (m 88 - 161) is a toccata, starting with the piano, which builds up a big shape, to reach the climax in m. 116, and keeps the vivid scene towards the coda (Rehersal H, m. 162 - the end), which stands on the energetic peak at the end of the piece.Commissioned by the Music From Copland House ensemble, supported by a grant from the NYSCA’s Composer’s Commissions program in 2002, my mixed ensemble piece Happy Rain on a Spring Night is written for all five instruments in the ensemble: flute, clarinet, violin, cello and piano, and premiered on Oct. 18, 2004, at Merkin Hall in New York.  The musical imagination came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in the Tang Dynasty. Happy Rain on a Spring Nightby Du Fu (712-770 in the Tang Dynasty) Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) It’s like the welcome rain on a quiet spring night that nurtures the budding seeds; our new society is pushing us forward to the new future.  The music reflects the scenes and the expression according to the meaning of the poem when it’s being unfolded line by line.  Although the tempo is set 60-70 quarter notes per minute throughout (played vividly, never slowing down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 1-41) represents the first four lines of the poem.  The woodwind instruments respond to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high piano gestures.  The music in Rehearsal C and D (measures 42-87) represents the next two lines of the poem.  It’s so dark, a little light in the boat is shimmering on the lake...  The breathy key slaps on the flute create a mysterious atmosphere, in a dialogue with other instruments.  The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics.  The music in Rehearsal E, F and G (m 88-161) is a toccata, starting with the piano, which builds up a big shape, to reach the climax in m. 116, and keeps the vivid scene towards the coda (Rehearsal H, m. 162-192), which stands on the energetic peak at the end of the piece. According to the principle of the Golden Section, I have constructed the piece with two large parts (m. 1-115 and m. 116-192).  The GS falls onto the beginning of the climax section of the piece, which is exciting and loud.  All subdivisions of the structures coincide with the numbers of proportions based on the GS principle.  The music has textures changed according to the proportional arrangement throughout the piece. First Part (m. 1-115, total 115 measures), including two sectionsSection I (m. 1-69, total 69 measures), including two divisionsFirst Division (m. 1-41, total 41 measures), including two subdivisions:Subdivision I (m. 1-25, total 25 measures)Rehearsal A, violin triplets + cello metalic sound in small intervals, followed by woodwinds.Subdivision II (m. 26-41, total 16 measures)Rehearsal B, cello triplets + violin metallic sound in small intervals, overlapped by woodwinds.Second Division (m. 42-69, total 28 measures)Rehearsal C, breathy key slaps on flute, in dark.Section II (m. 70-115, total 46 measures), including two divisionsFirst Division (m. 70-87, total 18 measures)Rehearsal D, soft cello reciting, followed by string harmonics & woodwind “echo†passages.Second Division (m. 88-115, total 28 measures)Rehearsal E, starts to buildup the excitement, with piano toccata in the beginning. When it reachesthe patterns on the top of the keyboard, the lowest passages on piano and cello punch in, andreview the pitch material with small intervals.Second Part (m.116-192, total 77 measures), including two sectionsSection I (m. 116-161, total 46 measures), including two divisionsFirst Division (m. 116-133, total 18 measures)Rehearsal F, the excitement reaches the climax, GS located. All instruments join in.Second Division (m. 134-161, total 28 measures)Rehearsal G, combination of E and F, continue to buildup.Section II (m. 162-192, total 31 measures)Rehearsal H, coda, keep the excitement on the peak.
SKU: FG.55011-455-5
ISBN 9790550114555.
This cycle of carols, to the poetry of Christina Rossetti, was assembled piecemeal over a number of years, gradually acquiring a larger dramatic and harmonic arch shape as new settings were added. I was particularly attracted to Rossetti's conflation of the dark, fallow winter landscape with that of the soul waiting for salvation. The cycle traces the long nights of watchfulness before Christmas, with the great event constantly deferred, only glimpsed periodically in different visions before the music turns inward again to contemplation. The opening carol embodies this spirit, with passages of diffuse, roving harmony interspersed with meditative, lyrical pedals, calling out the night watch and dreaming of a far-off summer of the spirit. Earth Grown Old is a kind of double carol, setting two complete poems, their lines at first presented separately as a still, expectant chorale and a jubilant dance, then progressively interwoven toward a fervent climax before once again receding into quiet. In the bleak mid-winter, which sets a highly compressed version of Rossetti's original poem, presents an enfeebled landscape frozen in time, in dire need of deliverance. A gentle melody weaves its way through static drones, broken by an angels' chorus announcing the joy to come. Love Came Down at Christmas ends the waiting, with its gently falling, overlapping lines building to a final revelation, the mystery of Christmas at last made real.
SKU: CF.CM9775
ISBN 9781491164464. UPC: 680160923366. Key: C major. English. Psalm 139.
The Night Will Shine as Day was commissioned by the Bedford Junior High Treble Choir under the direction of Hannah Ware in 2022. Composed with a spirit of perseverance and hopefulness, the text (paraphrased from Psalm 139) shares a message to have faith even during the darkest days, and a reminder that a light will always shine through the darkness if we have the courage to see it.Featuring a flowing piano accompaniment and lyrical (optional) horn solo, this piece was written with an equal relationship between the major mode and the minor mode (as demonstrated by the alternating piano harmonies, neither chord revealing a clear tonality.) This tonal obscurity represents the relationship between dark and light: a somewhat codependent relationship through which the melody struggles to find stability. As the understated chorus reveals and repeats the core message of the text, the melody gains confidence in its role among struggle between light and dark. The piece concludes with a final triumph of light over dark, this time with harmonic clarity and hopefulness for the future.  .
SKU: BP.BP2316
6.88 x 10.5 inches.
Molly Ijames' arrangement of this newly written Christmas hymn frames the nativity story in a haunting narrative about the darkness of waiting and the coming of Christ's light. Each stanza explores different aspects and metaphors of the darkness/light themes, vividly brought to life by the musical text-painting of the setting. For SATB chorus and piano, with optional string orchestra and percussion.
SKU: WD.080689709234
UPC: 080689709234.
Energetic and encouraging, this anthem will be a reminder to your congregation that our chains were broken and we no longer walk in darkness—The child born on that night will forever have us singing Gloria!
SKU: HL.35031585
ISBN 9781495091841. UPC: 888680675370. 5.0x5.0x0.2 inches.
The Longest Night is a unique winter service of devotion that has a very special ministry focus. This introspective smaller work is intended to be a worship experience that encourages those going through times of sorrow and grief during the holidays. Inspired by the solstice, winter's longest night, this service of music, scripture and prayer brings light into the darkness and offers hope to those in deepest need. A small consort orchestration adds a fragile intimacy and brings a healing ambience to this singular service of song. Songs include: Prelude (In the Bleak Midwinter); Be Still and Know; The Winter Weeps in Snowfall; He Shall Feed His Flock; The Healing Place; I Thank My God for You; In the Bleak Midwinter. Score and Parts (fl, ob/eng hn, fr hn, vibes, pno, vn, vc) available as a Printed Edition and as a digital download.
SKU: CL.011-4091-01
Cats’ Night Out follows the adventures of a cat as it makes its big escape to explore the magical mysteries that await our feline friend in the darkness of the great outdoors. The opening line foreshadows the upcoming movements of our cat as it experiences a night outside. The first movement, On the Prowl, musically represents the cat as it roams around the neighborhood looking for adventure. The second movement Mouse Hunt, melodiously depicts a cat as it hunts down its favorite prey the mouse. The surprise ending represents the mouse making his great escape. This is a truly enjoyable selection for students and audiences alike. This programmatic work is an excellent choice for your next concert.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: HL.35031587
ISBN 9781495091865. UPC: 888680675394. 5.0x5.0x0.092 inches.
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