SKU: HL.278750
ISBN 9788759894026.
Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a chamber opera by Bent Lorentzen, based on Pergolesi's La Serva Padrona by Claudio Monteverdi. English version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 German version: KP0193602 This package includes four player's scores. For permission to perform this opera, please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html.
SKU: WD.080689011276
UPC: 080689011276. Orchestrated by Michael Lawrence.
Gary Rhodes' arrangement of Jesus, Priceless Treasure is a quiet yet eloquent proclamation that gives us assurance that in the midst of the storms of our lives, Jesus is our one true hope! While the demonstration recording features a male/female duet with choir, this arrangement also works very well as an accessible choir-only piece.
SKU: HL.49046121
In his compositions, Xuntian He does not want to be shackled by any cultural or academic tradition. Committed to his indivudual style, he explores in Priceless Wealth Is in Thee what surprising melodic and rhythmic structures are possible on the piano when play is reduced to using the white keys alone.
SKU: CF.CM9734
ISBN 9781491161142. UPC: 680160919734. Key: A minor. English. Basque Carol.
A Basque Carol (also known as Gabriel's Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer's Canterbury Tales: Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .. Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song's lasting popularity. I would also attribute A Basque Carol's continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as his wings as drifted snow, his eyes as flame. I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I've added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino. I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you're a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!.A Basque Carol (also known as Gabriel’s Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer’s Canterbury Tales: “Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .â€.Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song’s lasting popularity. I would also attribute A Basque Carol’s continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as “his wings as drifted snow, his eyes as flame.â€I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I’ve added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino.I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you’re a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!
SKU: TM.11362SC
Sandra Dackow Little Known Gem - Grade IV. cembalo in set. Attributed to Pergolesi. From the collection Six Concertini for Strings, No. 2 in G is, in many ways, the most fun of the set. With very modest technical demands, this robust selection offers thematic material for all sections. The violins are divided into four sections, making it possible to assign intermediate players to lower parts. First violins reach fifth position and there is shifting required of the cellos and basses. Short eighth and quarter notes should be kept at the frog, while more bow may be used for sixteenth notes. Transitional writing with many V7 chords brings the best of the Baroque and Classical eras together, creating a piece that is both rich and intriguing! At different times on recordings and, in some cases, print, the set of Six Concertini for Strings has been credited to Giovanni Pergolesi, Unico Wilhelm van Wassenauer, Carlo Ricciotti, and Johann Adam Birkenstock. The present consensus is that these works are from the pen of Unico Wilhelm van Wassenauer (1692-1766) of the Netherlands, though published under the name of Carlo Ricciotti, an Italian violinist and impresario. Ricciotti continues to be credited with the work in present day, furthering the mystery around the true composer of this delightful piece of music.
SKU: TM.11362SET
SKU: HL.278751
10.5x14.5 inches.
Pergolesis Hjemmeservice / Pergolesi's Home Service (1998/2003) - a Chamber Opera by Bent Lorentzen, based on Pergolesi's La Serva Padrona by Claudio Monteverdi. German version. Libretto by Michael Leinert and Bent Lorentzen. Danish version: KP01936 English version: KP0193601 This set includes four scores. For permission to perform this opera, please apply for grand rights: http://digital.schirmer.com/ewh http://digital.schirmer.com/ewh/index_da.html.
SKU: HL.49027144
SKU: HL.14025372
SKU: HL.49027145
SKU: HL.49027146
SKU: HL.49027147
SKU: HL.50499424
ISBN 9788875929299. UPC: 884088956509. 8x11 inches.
Includes a historical introduction, facsimiles of the music and libretto, and critical notes. Hardcover book packaged in a protective sleeve.
SKU: HL.49027149
SKU: HL.14025371
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