Composed by Richard Burchard. For Choral (SATB DV A Cappella). Pavane Secular. 12 pages. Pavane Publishing #P1427. Published by Pavane Publishing

Music Pro Guides. Reference. Music Business. Softcover Media Online. 240 pages. Published by Hal Leonard

(Vocal Score). By Richard Wagner (1813-1883). Schott. Softcover. 312 pages. Schott Music #ED20531. Published by Schott Music

Piano, flute, cello or piano, violin, cello (trio)

SKU: FZ.5887

Composed by Ignaz Josef Pleyel. Edited by Les Etudiants du C.E.F.E.D.E.M - Ile de France. This edition: Facsimile. La Musique Francaise Classique de 1650 a 1800. Score. Published by Anne Fuzeau Productions - France (FZ.5887).

ISBN 9790230658874. 24.00 x 33.00 cm inches.

This facsimile of an original by Ignace Pleyel is part of our French classical music collection. Edition : Paris, Sieber, 1788. Preface by students of the CeFEdeM-Ile-de-France: Pleyel's biography the works of Ignace Pleyel - Pleyel the music publisher - Pleyel the piano builder - the Salle Pleyel in rue Rochechouart - hints about the score. Three separate instrumental parts: piano - flute or violin - cello. The composer, publisher, and piano maker, Ignace Pleyel, holds an important place at the cusp of the 18th and 19th centuries. The quality of the compositions produced by this student of Haydn makes their republishing worthwhile.
Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.

Violoncello (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-23

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-23. Published by Breitkopf and Haertel (BR.OB-15155-23).

ISBN 9790004344965. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Viola (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-19

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Part. 8 pages. Duration 9'. Breitkopf and Haertel #OB 15155-19. Published by Breitkopf and Haertel (BR.OB-15155-19).

ISBN 9790004344958. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Violin and orchestra (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.PB-15155

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Full score. 40 pages. Duration 9'. Breitkopf and Haertel #PB 15155. Published by Breitkopf and Haertel (BR.PB-15155).

ISBN 9790004215609. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

Woodwinds (solo: vl - 2.2.2.2 - 2.2(or 2corn).0.0 - timp - str)

SKU: BR.OB-15155-30

Urtext. Composed by Camille Saint-Saens. Edited by Peter Jost. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Set of parts. 50 pages. Duration 9'. Breitkopf and Haertel #OB 15155-30. Published by Breitkopf and Haertel (BR.OB-15155-30).

ISBN 9790004344989. 10 x 12.5 inches.

Many well-known violinists such as the dedicatee Pablo de Sarasate, together later with Eugene Ysaye and Jacques Thibaud, included in their repertoires Camille Saint-Saens' concert piece composed in 1863. Even today, concert life is hard to imagine without the Introduction et Rondo capriccioso. The highly virtuosic work already inspired critics and audiences during the composer's lifetime; reported about the premiere in 1867 was: The Introduction and the Rondo capriccioso for the same instrument are both original and charming, and Maestro Sarasate, who was in his element here, admirably made the most of it. And a few years later, a music critic described the work as a kind of fantasy waltz in the Spanish style and with a most bewitching effect. After the first performances in 1867, despite success, the work's score and orchestral parts had little chance of publication due to concert companies' reluctance. In 1869 the Paris publishing house G. Hartmann merely published an arrangement for violin and piano produced by the composer's friend Georges Bizet. The orchestral score and parts were first published after the Paris publishing house Durand had acquired publication rights in 1875. The present edition published in collaboration with the G. Henle Verlag is the first critical edition of the work.

(Rags, Waltzes, Marches). By Scott Joplin (1868-1917). For Piano. Book; Masterworks; Piano Collection. Masterwork; Ragtime; Romantic. Advanced; Early Advanced. 376 pages

(A Practical Step-by-Step Training DVD for Creating Professional Recordings). Books and DVDs; Pro Audio; Pro Audio DVD; Reference Textbooks. Alfred's Pro Audio Series. DVD. Published by Alfred Music

By Steve Winogradsky. Book; Reference Textbooks; Textbook - General. 408 pages. Published by Alfred Music

Arranged by Dorothy Chang. Arr. Dorothy Chang. For Concert Band. Concert Band. Donald Hunsberger Wind Library. Level: Medium to Medium Advanced (grade IV-V). Conductor Score and Parts. Duration 9:09. Published by Alfred Publishing.