SKU: BT.DHP-1155624-070
ISBN 9789043142380. English-German-French-Dutch.
Discover the Opera is a collection of arrangements of opera themes from the Baroque, Classical and Romantic Periods. The second part of the Flexible String Trios series, the set contains six inspiring arrangements that are wonderful,yet challenging, to play and perform. The Flexible String Trios series offers attractive pieces which have been specially composed and arranged for string ensembles. Students and teachers are treated to a great variety of musical styles - from classical or folk to contemporarypopular music. Each part can be played by violin, viola or cello.Voor strijkers-ensembles die in wisselende bezettingen spelen biedt de Flexible String Trios serie een uitgekiend concept. In de partituur worden 3 stemmen aangegeven, waarbij iedere stem door zowel viool, altviool of cello kan wordeningevuld. Op deze manier kunnen de stukken in allerlei combinaties van strijkinstrumenten worden gespeeld. Zowel combinaties met dezelfde als met verschillende strijkinstrumenten zijn mogelijk. In het laatste geval is het wel aan te raden het hoogstgestemde instrument de hoogst genummerde stem te laten spelen. Dit levert een juiste klankbalans en daardoor het mooiste resultaat.
Discover the Opera is een verzameling arrangementen van opera-thema`s die dateren uit de baroktijd, klassieke tijd en romantiek (18e en 19e eeuw). De partijen zijn eenvoudig en aantrekkelijk geschreven en blijven dicht bij het origineel.Discover the Opera bevat zes uitdagende arrangementen - heerlijk om te spelen en uitermate geschikt voor uitvoeringen! Discover the Opera ist eine Sammlung von Bearbeitungen von Opernthemen aus den Epochen Barock, Klassik und Romantik. Das Set, das die zweite Ausgabe derFlexible String Trios Serie ist, enthält sechs anspruchsvolle Arrangements, dieherrliches Spielmaterial sind und sich ausgezeichnet für Aufführungen eignen! Jede Stimme in den Ausgaben der Flexible String Trios Serie kann von Violine, Viola oder Cello gespielt werden.Pour les Ensembles Cordes qui jouent en instrumentation variable, la collection Flexible String Trios offre de multiples avantages : Le set complet contient un conducteur trois voix et neuf parties séparées car chaque voix est déclinéepour chacun des trois instruments. Ceci signifie que toutes les combinaisons instrumentales pourront être envisagées.
Discover the Opera rassemble une collection de six thèmes dopéra de styles baroque, classique et romantique (allant du XVIIIe au XIXe siècle). Les arrangements sont simples et attrayants tout en restant fidèles aux compositions originales.
SKU: HL.50494673
Italian.
PARTITURA.
SKU: BA.BA10726-01
ISBN 9790006575596. 33 x 26 cm inches. Text Language: Italian. Preface: Pacholke, Michael.
In the brief half-year period from August 14, 1736, to January 27, 1737, Georg Friedrich Handel achieved an unprecedented level of productivity in his opera compositions, creating three operas. Additionally, in March 1737, he also composed a largely new oratorio titled â??Il trionfo del Tempo e della Verità â? (â??The Triumph of Time and Truthâ?) HWV 46b. The libretto of this oratorio closely corresponds to that of the oratorio â??La Bellezza ravveduta nel trionfo del Tempo e del Disingannoâ? (â??Beauty Reconciled in the Triumph of Time and Enlightenmentâ?) HWV 46a written in 1707. With â??La Bellezza ravvedutaâ?, Handel composed an allegorical and particularly dramatic oratorio right at the beginning of his oratorio compositions. In this work, there is no chorus inclined towards reflection. Not only do the four allegorical figures, Bellezza (Beauty), Piacere (Pleasure), Tempo (Time), and Disinganno (Enlightenment), listen to each other and react to the ideas presented by the others, but this prevailing dramatic principle of dispute is also found in the recitatives.In 1737, when reworking the oratorio material as â??Il trionfo del Tempo e della Verità â?, Handel approached the task pragmatically. He needed a new non-dramatic work to fulfill the eveningâ??s program for his audience at the Covent Garden Theatre during the fasting season when theatrical performances were prohibited. Although he had excellent Italian vocal soloists, notorious for their pronunciation in Handelâ??s English oratorios and who naturally preferred singing in Italian, Handel found a solution. It was evident to Handel that, in response to the ban on performances of his Italian operas during the fasting season of 1737, he should promptly create a new oratorio in the Italian language but following the three-part â??Englishâ? oratorio form that he had developed in â??Estherâ? HWV 50b in 1732. Unlike in Rome in 1707, he had access to a chorus in London in 1737, and the English oratorio, with its substantial choral sections, a preference for concert-like rather than dramatic composition, and frequent inclusion of organ concertos loosely related to the narrative, was already established.The new volume of the HHA includes the original version of the 1737 premiere as well as all the surviving early and later versions (the latter being exceptional highlights) of individual musical pieces from â??Il trionfo del Tempo e della Verità â?.
SKU: SU.46200030
Clarinet, Violin & Piano Published by: Verdehr Trio Pathways is nominally in three movements, to be played without pause almost forming one large movement with three large sections. The first (in a flexible sonata form) and third operate within a pervasive romanticism. The second explores other directions atop continuous alternation between 4/8 and 5/8 measures. Michigan State University Press.
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