| Requiem (Arman-Fassung) Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165219 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Set of Orchestra Parts. KV 626. Duration 50 minutes. Carus Verlag #5165219. Published by Carus Verlag (CA.5165219). ISBN 9790007313883. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.
Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $240.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem Soli, Mixted choir and accompaniment Soli, mixted choir and piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165203 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. Vocal score. KV 626. Duration 50 minutes. Carus Verlag #5165203. Published by Carus Verlag (CA.5165203). ISBN 9790007294243. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.
Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Sü�mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Viola (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Viola (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165213 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165213. Published by Carus Verlag (CA.5165213). ISBN 9790007313869. Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?” you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.
Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Organ (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Organ (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Bc) SKU: CA.5165249 Completed and edited by Howard Arman. Composed by Wolfgang Amadeus Mozart. Edited by Howard Arman. Arranged by Howard Arman. KV 626. Duration 50 minutes. Carus Verlag #5165249. Published by Carus Verlag (CA.5165249). Key: D minor. Latin. The English conductor and composer Howard Arman has presented us with a completed version of Mozart’s Requiem. “Another one?†you might ask, since this publication is only the latest in a long line reaching back to the traditional Süßmayr version. Yet such is the enormous power of Mozart’s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Arman’s additions to Mozart’s great original show the requisite care and respect while incorporating many new insights.
Arman’s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozart’s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrument’s unique sound is given an opportunity to shine. Arman’s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather – in the spirit of Mozart – on creating a sense of drama and illuminating the theme in all its possible facets. Mozart’s fragment ends with the Hostias, and so does Arman’s completion.
For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to Süßmayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.
Arman’s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike – and celebrated as offering a scholarly, entirely fresh perspective on Mozart’s masterpiece.
- World premiere by the Bavarian Radio Choir - Enthusiastically received by audience and press. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| De profundis clamavi Choral SATB Carus Verlag
SATB choir [bell] SKU: CA.966700 Composed by Ko Matsushita. Edited by Ste...(+)
SATB choir [bell] SKU: CA.966700 Composed by Ko Matsushita. Edited by Stefan Schuck. Carus Contemporary, Contemporary choral music. CARUS CONTEMPORARY, Contemporary choral music, Mourning, death. Full score. 8 pages. Duration 5 minutes. Carus Verlag #CV 09.667/00. Published by Carus Verlag (CA.966700). ISBN 9790007167721. Text language: Latin. Psalm 130 is one of the most dramatic and certainly one of the Old Testament texts has most often been set to music by composers. Out of the depths have I cried unto thee, O Lord ... who shall stand? Matsushita set this lament pianissimo, chordally and in a low-register, using chromatically altered chords with sparse, detached sounds. In contrast, as the aim and climax of the work he sets, most effectively the hopeful second part half of the text, with the Lord there is mercy, and with him is plenteous redemption. With the (optional) use of two hand bells he introduces the convincing, optimistic section in F major, which, however, through a reminiscence of the opening de profundis leads into a short coda: but actually Redemption is only optimism, something for the future and not reality. The level of difficulty should pose no problems for a sufficiently-sized choir with sure intonation. It is most impressive when sung either for worship services or in concert. World premiere: March 2016 in Stuttgart, Germany. $6.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jazz Workshop für Bass und Schlagzeug [Jazz Workshop for Bass and Drums] Advance Music
Drumset/Bass Guitar SKU: AP.1-ADV14602 Eine Anleitung zum Ensemble-Spi...(+)
Drumset/Bass Guitar SKU: AP.1-ADV14602 Eine Anleitung zum Ensemble-Spiel (German Language Edition). Composed by Dave Weigert. Method/Instruction; Percussion - Drumset Method or Collection; Play-Along; Technique Musicianship. Advance Music. Jazz. Book and CD. Advance Music #01-ADV14602. Published by Advance Music (AP.1-ADV14602). ISBN 9783892210573. UPC: 805095146028. German. Jazz Workshop für Bass und Schlagzeug konzentriert sich in erster Linie auf den Jazz und seine verwandten Stilrichtungen wie Funk sowie brasilianischen und afrokubanischen Jazz. Das Buch enthält ausgeschriebene Stimmen zu 16 Stücken von Miles Davis, Herbie Hancock, Sonny Rollins, James Brown, Jaco Pastorius, Russel Ferrante u.a. Titles: Die Geschichte von Bass und Schlagzeug im Jazz (mit herausnehmbarem Faltblatt) * Notation * Das Verbessern des Blattspiels * Interpretation eines Leadsheets * Sinnvolles Üben * Üben mit Aufnahmen (CD und Video) * Setups und Fills * Time * Jazz Feel * Form * Improvisation * Latin Feel * Begleitung und Time Spielen * Touch, Ton und Dynamik * Funk Feel, Hören und Gehörbildung * Vorbereitung auf eine Probe * 9 Rhythmik-Etüden * Theorie für Basslinien nach Stilen * Zusammenfassung der Feels nach Stilen * Musikervokabular * Bibliographie. $37.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Copper Ribbons. Harpsichord Harpsichord Stainer and Bell
Harpsichord SKU: ST.Y231 Composed by Rhian Samuel. Octavo. Stainer & Bell...(+)
Harpsichord SKU: ST.Y231 Composed by Rhian Samuel. Octavo. Stainer & Bell Ltd. #Y231. Published by Stainer & Bell Ltd. (ST.Y231). ISBN 9790220221767. Written for harpsichordist Jane Chapman, and clearly inspired by her virtuosity, Copper Ribbons is a fantasy-movement of throbbing tremolandi and scrunchy arpeggiated chords that both support and intrude upon a recitative-like 'line' of elusive, questioning melody. Exploiting the instruments rich variety of tone colours with a Debussian passion for texture and timbre, the composer here creates a miniature tone-poem, which sustains to its closing bars a sense of mystery and suggestion. The work may stand alone, or as a pair with its companion-piece Silver Threads, which should precede it. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Horn Concerto in E flat major K. 370b und K. 371 Breitkopf & Härtel
Violin 1 (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-15 Urt...(+)
Violin 1 (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-15 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Stapled. Orchester-Bibliothek (Orchestral Library). Completed for the first time: Mozart' Horn Concerto No. 0 A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Solo concerto; Classical. Part. 8 pages. Breitkopf and Haertel #OB 5357-15. Published by Breitkopf and Haertel (BR.OB-5357-15). ISBN 9790004336762. 9 x 12 inches. A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Rehearsing the Band, Volume 3 GIA Publications
Composed by John Zarco. Music Education. 144 pages. GIA Publications #261933...(+)
Composed by John Zarco. Music
Education. 144 pages. GIA
Publications #261933.
Published by GIA Publications
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Teaching Music through Performance in Orchestra - Volume 4 GIA Publications
SKU: GI.G-9729 Composed by Brenda Brenner, Robert Gillespie, and Soo Han....(+)
SKU: GI.G-9729 Composed by Brenda Brenner, Robert Gillespie, and Soo Han. Teaching Music Through Performance. Music Education. GIA Publications #9729. Published by GIA Publications (GI.G-9729). ISBN 9781622775323. Compiled and Edited by James Mick, David Pope, and Soo Han. Chapter authors: Brenda Brenner, Robert Gillespie, Soo Han, Mark Laycock, James Mick, Christopher Selby, and James Woomert.  This much-anticipated fourth volume in the indispensable Teaching Music through Performance in Orchestra series arrives 13 years after the publication of the previous volume, with a new team of authors and editors, each at the top of the string education profession. But while the team is new, the book remains an essential resource for today’s string teachers and conductors at all levels. Part I features practical chapters by leading educators: “Selecting and Teaching Concert Music†by Christopher Selby, “Preparing for the Podium†by James Mick, “Begin with the Score: Making Notation Come Alive†by Mark Laycock, “From Poof to Portato: A Sequence of Bow Strokes for the Heterogeneous Class†by Brenda Brenner, “NRB (Notes, Rhythm, and Bow): Systematic Ways of Providing Technique in the Orchestra Classroom†by Soo Han, “Bowing Styles for the Ages: What Are They? How Do They Sound? When Do I Use Them? How Do I Get My School Orchestra to Play Them?†by Robert Gillespie, “If Only We Had More Rehearsal Time! Strategies for Optimizing Rehearsal Efficiency and Performance Preparedness that Have Nothing to Do With Conducting†by James Woomert. Part II contains analyses of 92 of the most significant works for string and full orchestra in print, Grades 1 through 6. Like the first three volumes of this series, each Teacher Resource Guide includes essential information on each musical selection, including composer and composition information, historical background, technical requirements, stylistic considerations, musical elements (form and structure), suggestions for additional listening, and a guide to selected references. Click HERE to access a spreadsheet with recommended recordings for works in Volume 4. A Note about Volume 5:  In preparation for Volume 5 of this hallmark series, we welcome your input as we seek to include more repertoire from historically underrepresented composers. For more details, please reivew the following PDF and use the Google Form below to submit your suggested works. PDF: Diversity, Equity, and Inclusion in the TMPO Series Loading…. $46.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Horn Concerto in E flat major K. 370b und K. 371 Breitkopf & Härtel
Violoncello (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-23 ...(+)
Violoncello (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-23 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Stapled. Orchester-Bibliothek (Orchestral Library). Completed for the first time: Mozart' Horn Concerto No. 0 A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5357-23. Published by Breitkopf and Haertel (BR.OB-5357-23). ISBN 9790004336793. 9 x 12 inches. A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Horn Concerto in E flat major K. 370b und K. 371 Breitkopf & Härtel
Violin 2 (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-16 Urt...(+)
Violin 2 (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-16 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Stapled. Orchester-Bibliothek (Orchestral Library). Completed for the first time: Mozart' Horn Concerto No. 0 A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Solo concerto; Classical. Part. 8 pages. Breitkopf and Haertel #OB 5357-16. Published by Breitkopf and Haertel (BR.OB-5357-16). ISBN 9790004336779. 9 x 12 inches. A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Horn Concerto in E flat major K. 370b und K. 371 Breitkopf & Härtel
Woodwinds (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-30 Ur...(+)
Woodwinds (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-30 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Folder. Orchester-Bibliothek (Orchestral Library). Completed for the first time: Mozart' Horn Concerto No. 0 A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Solo concerto; Classical. Set of parts. 12 pages. Breitkopf and Haertel #OB 5357-30. Published by Breitkopf and Haertel (BR.OB-5357-30). ISBN 9790004336816. 9 x 12 inches. A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin. $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Horn Concerto in E flat major K. 370b und K. 371 Breitkopf & Härtel
Viola (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-19 Urtext...(+)
Viola (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-19 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Stapled. Orchester-Bibliothek (Orchestral Library). Completed for the first time: Mozart' Horn Concerto No. 0 A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Solo concerto; Classical. Part. 8 pages. Breitkopf and Haertel #OB 5357-19. Published by Breitkopf and Haertel (BR.OB-5357-19). ISBN 9790004336786. 9 x 12 inches. A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Horn Concerto in E flat major K. 370b und K. 371 Breitkopf & Härtel
Horn and orchestra (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.PB-5357 ...(+)
Horn and orchestra (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.PB-5357 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Orchestra; stapled. Partitur-Bibliothek (Score Library). Completed for the first time: Mozart' Horn Concerto No. 0 A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Solo concerto; Classical. Full score. 36 pages. Breitkopf and Haertel #PB 5357. Published by Breitkopf and Haertel (BR.PB-5357). ISBN 9790004211229. 9 x 12 inches. A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin. $34.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Horn Concerto in E flat major K. 370b und K. 371 Breitkopf & Härtel
Double bass (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-27 ...(+)
Double bass (solo: hn - 0.2.0.0. - 2.0.0.0. - str) SKU: BR.OB-5357-27 Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Stapled. Orchester-Bibliothek (Orchestral Library). Completed for the first time: Mozart' Horn Concerto No. 0 A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Solo concerto; Classical. Part. 4 pages. Breitkopf and Haertel #OB 5357-27. Published by Breitkopf and Haertel (BR.OB-5357-27). ISBN 9790004336809. 9 x 12 inches. A sensational discovery was made in 1988 when two sheets containing 60 additional measures of the celebrated Rondo K. 371 were found. Robert Levin filled in not only this movement, but also the equally fragmentary Konzertsatz K. 370b that belongs to it. The preface reads in parts like a crime novel when Levin relates how he put together the various parts, supplemented them and orchestrated them in a Mozartian manner. It is to his flair and intuition that we owe the recovery of Mozart's Horn Concerto No. 0, written in 1781. It is a truly valuable addition to the repertoire, which is further enhanced by Levin's imaginative cadenza suggestions, from which every horn player can create his own original cadenza.Edition for horn and piano by Christian R. Riedel with cadenzas and lead-ins by Robert D. Levin. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| In Far Away Bethlehem - SATB Choral SATB Jackman Music Corporation
SATB chorus - Medium SKU: JK.01659 Composed by Robert Millett and William...(+)
SATB chorus - Medium SKU: JK.01659 Composed by Robert Millett and William J. Kirkpatrick. Arranged by Robert Millett. Choral SATB, Difficulty Medium, Piano Choir, Seasonal Music Christmas, Christmas. Christmas. Duration 2:25. Jackman Music Corporation #01659. Published by Jackman Music Corporation (JK.01659). Micah 5:2, Luke 2:4-16. Christmas anthem for mixed chorus (SATB), featuring the familiar carol Away In A Manger, begins with a simple women's chorus tenderly describing the conditions of Christ's birth. When the men enter, the melody leads into the familiar carol and lyrics, ending with alternate lyrics and melody. Composer: Robert Millett / William J. Kirkpatrick Arranger: Robert Millett Lyricist: Robert Millett Difficulty: Medium Performance time: 2:25 Reference: Micah 5:2, Luke 2:4-16.
$1.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite Concert band - Intermediate EMB (Editio Musica Budapest)
Concert Band - Grade 3 SKU: BT.EMBZ14840SET For Concert Band. Comp...(+)
Concert Band - Grade 3 SKU: BT.EMBZ14840SET For Concert Band. Composed by Istvan Bogar. EMB Concert Band Series. Concert Piece. Set (Score & Parts). Composed 2013. 330 pages. Editio Musica Budapest #EMBZ14840SET. Published by Editio Musica Budapest (BT.EMBZ14840SET). István Bogár's series of movements intended for youngsters is colourfully instrumented, evocative music, rich in melodic invention in character it is most closely akin to Tchaikovsky's Nutcracker ballet music. In the opening movement (Little march), little boys wearing paper shakos on their heads and carrying wooden swords play at soldiers. The following movement, Humming, is the only movement in the suite that is calm and in odd-numbered rhythm in it the children gather flowers in their little baskets, and meanwhile hum pleasant tunes. The third movement is a funny game, with its tempo sometimes speeding up, sometimes slowing down, but by the end really going wild.The titleof the finale is Game of tag. The tiny formal sections and interludes in this lively, cheerful music are linked together by a recurring rondo theme, and the chase ends with a brief coda.
Das schwungvolle Werk richtet sich an Nachwuchsbands, die gerne etwas Neues ausprobieren. In den vier Sätzen spielt es mit Tempi, Klangfarben und Rhythmen und wird dabei von einem wiederkehrenden Rondothema zusammengehalten. Das fulminante Ende wird alle begeistern, die das Werk hören und spielen. $163.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Twenty Songs from Printed Sources Piano, Voice Stainer and Bell
Voice & Piano SKU: ST.LS19 Composed by Anonymous, Nicholas Lanier, Richar...(+)
Voice & Piano SKU: ST.LS19 Composed by Anonymous, Nicholas Lanier, Richard Alison, Thomas Campion, Thomas Giles, Thomas Lupo, Thomas Morley, Thomas Robinson, and Tobias Hume. Edited by David Greer. Vocal music. To the Lute, Bandora, Cittern and Lyra Viol. Edited by David Greer. No Lute Tablature is printed. Vocal score. Stainer & Bell Ltd. #LS19. Published by Stainer & Bell Ltd. (ST.LS19). ISBN 9790220215209. CONTENTS ALISON, Richard O Lord, turn not away thy face (AATB or AAT) When we sat in Babylon (AATB or AAT) ANONYMOUS But this, and then no more (C - C) How can the tree but waste (B - B) Sweet are the thoughts that savour of content (D - F) Those eyes that set my fancy on a fire (A - B) CAMPION, Thomas More now with measur'd sound (Duet: D - E and G - A) Now hath Flora robb'd her bow'rs (Duet: D - E and D - G) Woo her and win her (F - E) GILES, Thomas Triumph now with joy and mirth (D - D) HUME, Tobias Cease, leaden slumber, dreaming (F sharp - F) Fain would I change that note (D - G) Soldier's Song: I sing the praise of honour'd wars (G - G) Tobacco! Tobacco! Sing sweetly for tobacco! (D - F) What greater grief (D - F) LANIER, Nicholas Bring away this sacred tree (D - F) LUPO, Thomas Shows and nightly revels (D - E flat) Time that leads the fatal round (D - E) MORLEY, Thomas O grief! e'en on the bud (F - E flat) ROBINSON, Thomas Now, Cupid, look about thee (D - G). $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| tellement froid que Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bass flute and live electronics. Composed by Walter Feldmann. This edition: Paperbound. (r)TELLEMENT FROID QUE- (GEORGIQUES I). Full score. Composed 1995-96. 66 pages. Duration 20 minutes. Carus Verlag #CV 16.310/00. Published by Carus Verlag (CA.1631000). ISBN 9790007242800. Language: all languages. 1989. Stay in Aix-en-Provence, France, doing a language course. Reading, discussing and analyzing Les Georgiques; this pursuit is going to be the foundation of the multiple intellectual and literary levels of my composing. 2. THE WOODEN PLATFORM IS COVERED WITH FINE WHITE SAND (OR SALT), THE TWO SHELVES WITH BLACK CLOTH ... At the time I work on my first serious piece, still a far cry from the under-standing of writing music I have today. << tellement froid que >> (georgiques I) for bass flute, electronics and scene (1995-96), sections 1-7. << comme si le froid >> (georgiques II) for baritone saxophone, timpani and piano (1998), sections 18-24. << n'etait le froid >> (georgiques III) for orchestra (2000-2002), sections not yet decided. 3. THE INTERPRETER WILL BE DRESSED IN BLACK AND WHITE, MAINLY WHITE IF BLUISH LIGHT IS AT HAND ... The enormously rich vocabulary and the accuracy of expression - in temporal, spatial and material terms - is particularly impressive. To comprehend all of it, a reading on three different levels is called for: a first reading of one passage, then the acquisition of unknown vocabulary; thirdly a repeated - knowing - reading, which points out the utopia of precise expression: The text is treated in a rather problematic (cold: le froid?) manner: it's not the semantic content that is primarily dominant, but rather the outward appearance, the mise en page and the syntactic structure. 4. THE INTERPRETER ENTERS THE STAGE WITH ALL THE FLUTES (S)HE WILL PLAY DURING THE CONCERT AND DEPOSITS THEM - EXCEPT FOR THE BASS FLUTE - ON SHELF B; IF (S)HE ONLY PLAYS THIS PIECE, (S)HE SHOULD PUT THE PROGRAMME OF THE CONCERT THERE; IN ANY CASE THE INSTRUCTIONS IN BAR 195 MUST BE FOLLOWED ... In concrete terms the 10 centimetres of a line in the minuit edition correspond to 10 seconds of musical structure (which is three times as slow as the average reading speed). Only seven years later is the term / expression casse ferique changed into casse ferrique, and thus its secret is revealed, which almost becomes - due to its unreadability - the key to the planned musical cycle. The text is measured from section to section (big format: each section is marked with a continuous, ,,cold chord by the bass flute, played on tape recorder), from full stop to full stop (new entry of keynote material), from comma to comma (tripling of continuous resonances) etc. 5. DURING THE PERFORMANCE UP TO BAR 195, THE INTERPRETER WILL TRY - IN A KIND OF THEATRICAL ADAPTATION - TO EXPRESS HIS/HER OWN FEELING OF IRREPRESSIBLY GROWING FRUSTRATION; FROM BAR 195 ONWARDS (S)HE WILL DEFINITELY HAVE PUT UP WITH THE BASS FLUTE ... Brackets in the text bring about a reduction of sound (the differentiating micro tones are no longer used), the syntactical progression to subordinate clauses of the remotest degree has its immediate effect on dynamics (degree of volume). Then: the perception of a logical and yet erratic syntax, vastly progressive layers of subordinate clauses and brackets (lowering tone of voice?), a polyphony of ,,memoire, which leads to a maelstrom of attention, a tonally centric / concentrated (main material?) and progressive (subordinate and brackets-material?) reading, listening and proceeding. The different levels are constantly in touch - transferring the sensuous moment of scenes of bodily encounter (Tryptique) that are evoked again and again - in perpetual excitement of text and imagination, memory and remembering sensitivity. 6. THE BODY MOVEMENTS AND FIXATION (FIGE) , BOTH CLEARLY PERCEPTIBLE, WILL EVOKE AND SUPPORT THE SAME EMOTIONS ... The basic moods of the text will be reflected in the relationship (which is very important here) of the interpreter to the music; (s)he is somehow at the mercy of given (and not always transparent) structures on the one hand and the complexity of musical sensations on the other, which has to be defeated inspite of exhaustion. It's not only here that semantic agreement (besides the materialistic structure) of music and text can be felt: On top of that there's the existential helplessness in view of the mercilessly flowing polyphony of levels and events -- as a mirror of this there are the remembered scenes of the Flemish cold in the second chapter (Les Georgiques). The interpreters are confronted with unusual directions which correspond to the adjectives in the respective passages of the text: anachronique, engourdi, glace et acre, monotone et desert etc. The possibilities of interpretation are amplified, the ability to perceive and personal reaction is opened. The impression of this inexorability is multiplied in the extremest way by the fact that the particular layers can be found in Simon's complete works. It's a continuous work of art in which each novel turns into a chapter of a complex, cyclic whole; its title denoting only one main strand, as it were. A personal comment is made also as regards the clearly defined stage; the mise en scene points out the extra-musical elements and the correlation between text, human being and music. 7. THE INTERPRETER IS ASKED TO MOVE FREELY WITHIN A DEFINED SPOT WITHOUT LOOKING ARTIFICIAL; SOUNDS CAUSED BY THE FEET MOVING ON THE SAND ARE WELCOME DURING THE WHOLE PIECE ... And here the idea of a cycle is born, an attempt to transfer these nuances of memorized structures, this clarity and coldness, to transform the text into musical material. Walter Feldmann. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| God moves in a mysterious way Boosey and Hawkes
Choir, Organ Accompaniment (SATB Choir) SKU: HL.48021285 From Saint Ni...(+)
Choir, Organ Accompaniment (SATB Choir) SKU: HL.48021285 From Saint Nicolas SATB and Organ. Composed by Benjamin Britten. Boosey & Hawkes Sacred Choral. Classical. Octavo. 8 pages. Boosey & Hawkes #M051482504. Published by Boosey & Hawkes (HL.48021285). ISBN 9781458471598. UPC: 884088658458. 6.75x10.5 inches. Text: Eric Crozier
Publisher: Boosey & Hawkes
Difficulty level: 3
Saint Nicolas (note the name has no 'H' in it!) was written for the centenary of Lancing College in Sussex, the independent secondary boarding school on the south coast of England which Peter Pears had attended in his teens. It has a vast chapel intended by its founder, Revd Nathaniel Woodard, as the cathedral for all the schools of his extensive foundation known collectively as 'Woodard' schools. St. Nicolas is famous for many legendary miracles and for being the original 'Santa Claus'. Crozier's libretto is designed to tell the story of his life, to recount some of his most celebrated acts and to give the audience/congregation the opportunity of joining in two beautiful hymns at key moments: 'All people that on earth do dwell' and 'God moves in a mysterious way his wonders to perform'. The narration is all done by the choir, though the tenor sings first-person narratives as well in his role as the mature Nicolas. The young Nicolas is sung by a boy in movement II. There is a dramatic moment at the end of this movement when the boy's voice does a tumble and the tenor proclaims in the voice of Nicolas as a young man: 'God be glorified'.
The third movement is an accompanied recitative in which the soloist sings of Nicolas devoting himself to God through the agonies and torment of the many distractions and temptations of life. His faith wins through and he sings a final touching phrase: 'and Love was satisfied'. The sea whips up a storm in the next movement: 'He journeys to Palestine'. It threatens to overturn the ship and drown everyone on board. There is wailing from the sopranos and altos of the semi-chorus and agonised calls from the tenors and basses to 'man the pumps'. Finally, Nicolas begs God to let the storm cease and offers thanks for their safe delivery. Britten creates a palpable sense of relief in the final pages.
In the fifth movement, 'Nicolas comes to Myra and is chosen Bishop', the choir sings chorale-like phrases welcoming him as their new Bishop. They go through his ceremonial dressing with all the accoutrements of his office, the mitre, crozier (nice pun on the librettist's name), robe and ring. An energetic chorus 'Serve the faith and spurn his enemies' leads to the first great hymn - a wonderfully climactic moment. Britten's arrangement is suitably uplifting.
The final movement tells of Nicolas' death and the work ends with the other great hymn: 'God moves in a mysterious way'.
This work demonstrates to me Britten's generosity of spirit and his natural feeling for enriching the repertoire at all levels of attainment. What a gift!
Duration: 50 minutes
Paul Spicer, Lichfield, 2011. $1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sinfonetta No.3 Gr.5/6 Full Score Concert band - Advanced Anglo Music
Concert Band/Harmonie - Grade 5 SKU: HL.44004524 Rheinfelden Sketches<...(+)
Concert Band/Harmonie - Grade 5 SKU: HL.44004524 Rheinfelden Sketches. Composed by Philip Sparke. De Haske Concert Band. Concert Piece. Score Only. Composed 2002. Anglo Music Press #AMP 014. Published by Anglo Music Press (HL.44004524). UPC: 073999045246. In each of the four movements of this major work for concert band, the composer has tried to capture in music something of the spirit of this beautiful Swiss town of Rheinfelden, which lies on the banks of the Rhein. The opening movement, Promenade, sees woodwind and brass alternating short melodic fragments leading to a noble melody from the horns. The dreamy Ballad features a saxophone solo and chorale-like melody. This leads, via a four bar Interlude, to the Scherzo which takes the form of a moto perpetuo.
De componist heeft geprobeerd om met elk van de vier delen van Sinfonietta No 3 iets van de sfeer van deze mooie Zwitserse plaats Rheinfelden weer te geven. In Promenade wisselen de hout- en koperblazers elkaar meesterlijkaf. Ballad begint met een dromerige saxofoonsolo, waarna verschillende stemmingen en ritmes elkaar afwisselen. De vier maten van Interlude introduceren een stuwend Scherzo, waarin een interessante afwisselingvan stemmingen zorgt voor een boeiende afsluiting.
In Sinfonietta versuchte der Komponist Philip Sparke etwas vom Geist der schonen Schweizer Stadt Rheinfelden einzufangen. Das Ergebnis ist ein kreatives Werk, bestehend aus einer Promenade, in der sich Holz- und Blechblaser abwechseln und einer zunachst vertraumten, dann in Stimmung und Rhythmus alternierenden Ballade mit einem Solo fur Saxophon. Den Abschluss macht, nach einem Interlude, das schwungvolle Scherzo. Sinfonietta ist ein Genuss fur Musiker und Zuhorer! $38.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Gospel's Greatest
Melody line, Lyrics and Chords [Fake Book] - Intermediate Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord names and guitar chord chart. Gospel and worship. Series: Hal Leonard Fake Books. 295 pages. 9x12 inches. Published by Hal Leonard.
(26)$37.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Glory Train Choral TTBB Hal Leonard
Choral (TTBB Choir) SKU: HL.210338 Composed by Robert S. Cohen. Henry Lec...(+)
Choral (TTBB Choir) SKU: HL.210338 Composed by Robert S. Cohen. Henry Leck Creating Artistry. Concert, Festival. Octavo. 24 pages. Published by Hal Leonard (HL.210338). UPC: 888680659226. 6.75x10.5 inches. Ronald W. Cadmus/Robert S. Cohen. This original spiritual for male voices is infused with energy! Opening with a layered speech chorus, it moves into a southern gospel feel with a dynamic call-and-response that leads back into the speech chorus, this time with hand clapping. Excellent for male honor choirs and festival performances. $2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Partita Concert band Kjos Music Company
Band concert band - Grade 5.5 SKU: KJ.WB256 Composed by Robert Linn. Cons...(+)
Band concert band - Grade 5.5 SKU: KJ.WB256 Composed by Robert Linn. Conservatory Editions. Score and set of parts. Neil A. Kjos Music Company #WB256. Published by Neil A. Kjos Music Company (KJ.WB256). UPC: 8402700099. Robert Linn (1925-1999) composed Partita in 1980 for Baylor University. Two energetic Allegro sections frame a central Adagio. The seemingly jagged and agitated melodic lines contain wide leads and distinct articulations. The central section retains these melodic qualities but Mr. Linn presents them in a lyrical setting with extended chordal harmonies. Feature this tour-de-force in your next concert! $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Foaming Sea Concert band - Intermediate/advanced Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4005562 2nd Movement of The Sea...(+)
Concert Band (Score) - Grade 4 SKU: HL.4005562 2nd Movement of The Seas of the the Moon. Composed by Robert Buckley. MusicWorks Grade 4. Concert. Softcover. 32 pages. Published by Hal Leonard (HL.4005562). UPC: 888680753375. 9.0x12.0x0.079 inches. From Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon, the second movement, Foaming Sea, was inspired by the composer watching the ocean during a violent storm with waves exploding and crashing. The sense of excitement and exhilaration eventually leads to the calm after the storm, as turbulent darkness gives way to light. Dur: 4:40. $7.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Foaming Sea Concert band - Intermediate/advanced Hal Leonard
Concert Band (Score & Parts) - Grade 4 SKU: HL.4005561 2nd Movement of...(+)
Concert Band (Score & Parts) - Grade 4 SKU: HL.4005561 2nd Movement of The Seas of the Moon. Composed by Robert Buckley. MusicWorks Grade 4. Concert. Softcover. Published by Hal Leonard (HL.4005561). UPC: 888680753368. 9x12 inches. From Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon, Foaming Sea (2nd movement) was inspired by the composer watching the ocean during a violent storm with waves exploding and crashing. The sense of excitement and exhilaration eventually leads to the calm after the storm, as turbulent darkness gives way to light. Duration: 4:40. $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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