SKU: AP.74-0143123477

SKU: AP.36-M301391

UPC: 660355090905. English.

Clara Schumann (1819-1896), then Clara Wieck, wrote this collection of six Soirées musicales in 1835-1836, when she 16 or 17 years old. Reflecting the influence of Mendelssohn and Chopin, each melodic piece shows her clear understanding of the formal and harmonic tendencies of those two master composers. Her later husband Robert Schumann would say of Clara's Soirées musicales as boasting a wealth of unconventional resources, an ability to entangle the secret, more deeply twisting threads and then to unravel them. Movements: 1. Toccatina, 2. Notturno, 3. Mazurka in G minor, 4. Ballade, 5. Mazurka in G major, 6. Polonaise.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

SKU: WJ.SBW2402FS

9 x 12 inches.

This sparkling concert overture commemorates the 30th anniversary of the First Coast Wind Symphony. An opening majestic fanfare leads to a buoyant main theme in 12/8 time. A lyrical contrasting section is as rich in melodic content as it is passion. The piece, being in a modified rondo form restates a variation of the main theme before returning to the opening fanfare and a rousing conclusion.

SKU: HL.14005410

'Acquainted with Night', is a cycle of six songs, for alto and strings, harp and timpani. The texts are all concerned with different aspects of night. The first song, 'Lullaby' to a poem by Beaumont and Fletcher, seeks to evoke the 'care-charming' powers of sleep. The second, a setting of Robert Frost's 'Acquainted with the night', is concerned with the lonely world of a strange city at night and the music is characterised by an insistently repeated figure in the accompaniment. The third song contrasts the calmness of the night with the turbulence in a lover's mind - the poem is by the Earl of Surrey. 'Out in the dark' a poem by Edward Thomas, is the text of the fourth song. It is in the form of a scherzo and deals with the mystery and strangeness of night, and, as the poet puts it, the 'might' of night. It is, as the poet says, a hymn to night and the chordal nature of the accompaniment suggests this quality. This song leads directly into the last, which is in fact a reprise of the opening 'Lullaby' so completing the cycle.

SKU: HL.287423

Wald for Ensemble was composed by Hans Abrahamsen in 2008-09. Co-commission by the Schonberg Ensemble and BBC for Birmingham Contemporary Music Group. Programme Note Wald is, in a way, a series of variations from the beginning of my woodwind quintet Walden (1978). This thematical idea is very simple - a rising call of a fourth and the response in other voices. This idea is repeated several times, but because the call has aslower pulse than the responses, the process leads to them changing order. In Walden I borrowed the title from the American philosopher Henry David Thoreau, who, in the middle of the eighteenth century, in alittle wooden hermit house at the bank of the lake Walden pond, wrote the book Walden of his life and time in the forests. Here he experimented living for two years in order to come closer to nature and to see if it was possible to live simply without all the unnecessary needs created by society. The book is filled with poetry, but is also cutting and critical of society. In my piece Walden, I tried to search for the same simplicity, handling the most simple material, but at the same time trying not to lose the poetry. Wald is a twin piece to Walden, but also to my former piece Schnee. Robert Schumann wrote in 1848-49 a wonderful piano piece, Waldszenen. He wrote this collection of short pieces with beautiful titles.

SKU: LO.15-3954H

ISBN 9780787777494.

A dreamy, twinkling piano introduction sets up a lovely melody that leads into ever-expanding and dynamic choral harmonies that emphasize key moments in the text. Melodic moments are passed throughout the ensemble that weave together in an enchanting musical tapestry. Divisi is prevalent throughout that creates rich harmonic textures ending in a soft, whispered Still. Advanced choirs will not want to miss this lovely selection.

SKU: AP.47275

UPC: 038081541662. English.

This piece is a musical representation of some of the prominent forms of renewable energy produced in the Imperial Valley. A powerful opening fanfare leads to rapid passages that depict wind; slow harmonic shifts signify sunrays permeating the landscape with ever-increasing heat; and flowing, descending passages represent water used in hydroelectric power.

SKU: HL.48024583

ISBN 9781784545048. UPC: 888680922290. 12.0x15.5x0.821 inches.

Bela Bartok's Sonata for Two Pianos and Percussion, composed in summer 1937 on a commission from Paul Sacher and premiered in Basel in January 1938, is incontestably one of the supreme creations of modern music. This publication, with introductory essays by Felix Meyer, Robert W. Wason, Laszlo Vikarius, and Wolfgang Rathert, presents two major handwritten sources for this work from the holdings of the Paul Sacher Foundation: the draft score, which offers a fascinating glimpse into the sonata's genesis, and a whiteprint of the fair copy, which contains additions from Bartok and differs substantially from the definitive version at the end of the development section in movement 1. The volume also contains, on an enclosed CD, the radio recording of 1940, with Bartok and his wife Ditta Pasztory on the piano parts, as well as a new recording of the sonata in its original form, played by the Bugallo-Williams Piano Duo with percussionists Matthias Wursch and Christian Dierstein. In writing and sound, the volume leads readers to a closer acquaintance with Bartok's masterpiece and invites them to deepen their understanding of his compositional method, his revisions of the musical text, and his pianistic artistry.