| Test Pieces for Orchestral Auditions - Viola Viola Schott
Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Kurt ...(+)
Excerpts from the Operatic and Concert Repertoire. By Various. Arranged by Kurt Jenisch, Eckart Schloifer. (Viola). Schott. Size 9x12 inches. 64 pages. Published by Schott.
(1)$33.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Brahms, Schumann and More - Volume III (Viola) Viola [CD Sheet Music] Hal Leonard
(Complete Viola Parts to 74 Orchestral Masterworks on CD-ROM) For viola. Include...(+)
(Complete Viola Parts to 74 Orchestral Masterworks on CD-ROM) For viola. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Stravinsky, Bartok and More - Vol. 8 (Viola) Viola [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Viola. By Bela Bartok, Igor Stravinsky...(+)
The Orchestra Musician's CD-ROM Library - Viola. By Bela Bartok, Igor Stravinsky. CD Sheet Music. 8 pages. Published by Hal Leonard.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Symphony No. 3 C minor op. 78 Viola Barenreiter
Viola SKU: BA.BA07896-79 Composed by Camille Saint-Saens. Edited by Micha...(+)
Viola SKU: BA.BA07896-79 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: urtext edition. Stapled. Barenreiter Urtext. Single part. Opus 78. 25 pages. Baerenreiter Verlag #BA07896_79. Published by Baerenreiter Verlag (BA.BA07896-79). ISBN 9790006563371. 32.5 x 25.5 cm inches. Key: C minor. In this work I gave everything I had to give. [...] What I did here I will never do again. Camille Saint-Saens was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886.
In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.
The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of Camille Saint-Saens - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.
* First scholarly-critical edition of this famous symphony based on Camille Saint-Saens aEUR Complete Edition of the Instrumental Works * Now with separate parts for all winds * Orchestral parts in a large format (25.5 cm x 32.5 cm). About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Dvorak, Rimsky-Korsakov and More - Volume V (Viola) Viola [CD Sheet Music] Hal Leonard
(Complete Viola Parts to 64 Orchestral Masterworks on CD-ROM) For viola. Include...(+)
(Complete Viola Parts to 64 Orchestral Masterworks on CD-ROM) For viola. Includes CD-ROM (Windows and Mac). With standard notation. Classical. Series: The Orchestra Musician's CD-ROM Library. 9x12 inches. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Debussy, Mahler and More - Volume II (Viola) Viola [Sheet music + CD] - Intermediate Hal Leonard
The Orchestra Musician's CD-ROM Library - Viola. By Claude Debussy, Gustav Mahle...(+)
The Orchestra Musician's CD-ROM Library - Viola. By Claude Debussy, Gustav Mahler. Misc. Book and CD Package. Size 8.5x11 inches. 8 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Tchaikovsky and More - Volume IV (Viola) Viola [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Viola. By Peter Ilyich Tchaikovsky. Mi...(+)
The Orchestra Musician's CD-ROM Library - Viola. By Peter Ilyich Tchaikovsky. Misc. Size 9x12 inches. 6 pages. Published by Hal Leonard.
(1)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Simply Baroque Piano solo [Sheet music] - Easy Alfred Publishing
27 Well Known Masterpieces. Arranged by Bruce Nelson. For Piano. Piano Collectio...(+)
27 Well Known Masterpieces. Arranged by Bruce Nelson. For Piano. Piano Collection. Simply Series. Masterwork. Level: Easy Piano. Book. 80 pages. Published by Alfred Publishing.
(1)$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Advanced Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B, 2 bassoon, bassoon-Co, Hn1, Hn2 , Hn3(chrom.), Hn4(chrom.), 3Trp, 3trombone, timpani, Tr-Gr, Tri, Be, Org, piano-4ms, 2 Violin, Viola, Cello, Double Bass) - Level 5 SKU: BA.BA10303-01 Composed by Camille Saint-Saens. Edited by Michael Stegemann. This edition: Edition of selected works, Urtext edition. Linen. Saint-Saens, Camille. Oevres instrumentales completes I/3. Edition of selected works, Score. Opus 78. Duration 39 minutes. Baerenreiter Verlag #BA10303_01. Published by Baerenreiter Verlag (BA.BA10303-01). ISBN 9790006559503. 33 x 26 cm inches. Key: C minor. Preface: Michael Stegemann. The third symphony by Camille Saint-Saens, known as the Organ Symphony, is the first publication in a complete historical-critical edition of the French composer's instrumental works.
I gave everything I was able to give in this work. [...] What I have done here I will never be able to do again.Camille Saint-Saens was rightly proud of his third Symphony in C minor Op.78, dedicated to the memory of Franz Liszt. Called theOrgan Symphonybecause of its novel scoring, the work was a commission from the Philharmonic Society in London, as was Beethoven's Ninth, and was premiered there on 19 May 1886. The first performance in Paris followed on 9 January 1887 and confirmed the composer's reputation asprobably the most significant, and certainly the most independent French symphonistof his time, as Ludwig Finscher wrote in MGG. In fact the work remains the only one in the history of that genre in France to the present day, composed a good half century after the Symphonie fantastique by Hector Berlioz and a good half century before Olivier Messiaen's Turangalila Symphonie.
You would think that such a famous, much-performed and much recorded opus could not hold any more secrets, but far from it: in the first historical-critical edition of the Symphony, numerous inconsistencies and mistakes in the Durand edition in general use until now, have been uncovered and corrected. An examination and evaluation of the sources ranged from two early sketches, now preserved in Paris and Washington (in which the Symphony was still in B minor!) via the autograph manuscript and a set of proofs corrected by Saint-Saens himself, to the first and subsequent editions of the full score and parts. The versions for piano duet (by Leon Roques) and for two pianos (by the composer himself) were also consulted. Further crucial information was finally found in his extensive correspondence, encompassing thousands of previously unpublished letters. The discoveries made in producing this edition include the fact that at its London premiere, the Symphony probably looked quite different from its present appearance ...
No less exciting than the work itself is the history of its composition and reception, which are described in an extensive foreword. With his Symphony, Saint-Saens entered right into the dispute which divided French musical life into pro and contra Wagner in the 1880s and 1890s. At the same time, the work succeeded in preserving the balance between tradition and modernism in masterly fashion, as a contemporary critic stated:The C minor Symphony by Saint-Saens creates a bridge from the past into the future, from immortal richness to progress, from ideas to their implementation.
On 19 March 1886 Saint-Saens wrote to the London Philharmonic Society, which commissioned the work:
Work on the symphony is in full swing. But I warn you, it will be terrible. Here is the precise instrumentation: 3 flutes / 2 oboes / 1 cor anglais / 2 clarinets / 1 bass clarinet / 2 bassoons / 1 contrabassoon / 2 natural horns / [3 trumpets / Saint-Saens had forgotten these in his listing.] 2 chromatic horns / 3 trombones / 1 tuba / 3 timpani / organ / 1 piano duet and the strings, of course. Fortunately, there are no harps. Unfortunately it will be difficult. I am doing what I can to mitigate the difficulties.
As in my 4th Concerto [for piano] and my [1st] Violin Sonata [in D minor Op.75] at first glance there appear to be just two parts: the first Allegro and the Adagio, the Scherzo and the Finale, each attacca. This fiendish symphony has crept up by a semitone; it did not want to stay in B minor, and is now in C minor.
It would be a pleasure for me to conduct this symphony. Whether it would be a pleasure for others to hear it? That is the question. It is you who wanted it, I wash my hands of it. I will bring the orchestral parts carefully corrected with me, and if anyone wants to give me a nice rehearsal for the symphony after the full rehearsal, everything will be fine.
When Saint-Saens hit upon the idea of adding an organ and a piano to the usual orchestral scoring is not known. The idea of adding an organ part to a secular orchestral work intended for the concert hall was thoroughly novel - and not without controversy. On the other hand, Franz Liszt, whose music Saint-Saens' Symphony is so close to, had already demonstrated that the organ could easily be an orchestral instrument in his symphonic poem Hunnenschlacht (1856/57). There was also a model for the piano duet part which Saint-Saens knew and may possibly have used quite consciously as an exemplar: theFantaisie sur la Tempetefrom the lyrical monodrama Lelio, ou le retour a la Vie op. 14bis (1831) by Berlioz. The name of the organist at the premiere ist unknown, as, incidentally, was also the case with many of the later performances; the organ part is indeed not soloistic, but should be understood as part of the orchestral texture.
In fact the subsequent success of the symphony seems to have represented a kind of breakthrough for the composer, who was then over 50 years of age.My dear composer of a famous symphony, wrote Saint-Saens' friend and pupil Gabriel Faure:You will never be able to imagine what a pleasure I had last Sunday [at the second performance on 16 January 1887]! And I had the score and did not miss a single note of this Symphony, which will endure much longer than we two, even if we were to join together our two lifespans!
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$566.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pearls of the Baroque - for String Quartet (2 Violins, Viola and Cello) String Quartet: 2 violins, viola, cello [Set of Parts] - Advanced Last Resort Music Publishing
(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel ...(+)
(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel Lish. String quartet. For 2 Violins, Viola and Cello. Quartets. Baroque. Advanced. Set of 4 parts. Published by Middle Fiddle Music
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Bastien Piano For Adults - Book 1 (book and Cd)
Piano solo [Sheet music + CD] - Beginner Kjos Music Company
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano For Adults...(+)
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano For Adults). Bastien Piano. Method. Level: Book A,1. Music Book. Size 232. Published by Neil A. Kjos Music Company.
(5)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bastien Piano For Adults- Book 1 (Book Only)
Piano solo [Sheet music] - Beginner Kjos Music Company
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano for Adults...(+)
By Lisa Bastien. Edited by Lori Bastien, Jane Bastien. (Bastien Piano for Adults). Bastien Piano. Method. Level: Book A,1. Music Book. Size 232. Published by Neil A. Kjos Music Company.
(6)$15.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mozart and Haydn - Volume 6 Viola [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Viola. By Wolfgang Amadeus Mozart, Fra...(+)
The Orchestra Musician's CD-ROM Library - Viola. By Wolfgang Amadeus Mozart, Franz Joseph Haydn. (Viola). Misc. CD-ROM only. Size 9x12 inches. 8 pages. Published by Hal Leonard.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Music for Four, Volume 4, Part 3 - Viola Viola [Part] Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For viola. Quartets. Music for Four. Late...(+)
By Various. Arranged by Daniel Kelley. For viola. Quartets. Music for Four. Late 19th/Early 20th Century Favorites. Intermediate/Advanced. Part 3
$20.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony no. 3 in G major Viola Kunzelmann
Viola SKU: KU.OCT-10057_VA Composed by Giuseppe Sammartini. Edited by Nor...(+)
Viola SKU: KU.OCT-10057_VA Composed by Giuseppe Sammartini. Edited by Norbert Zimpel. Bach format (230 x 302). Folded. Part. 4 pages. Edition Kunzelmann #OCT-10057_VA. Published by Edition Kunzelmann (KU.OCT-10057_VA). Key: G major. $3.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 101 Classical Themes for Viola Viola Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 20 Traditional Wedding Solos for Viola and Piano Viola, Piano [Reduction] - Intermediate/advanced Last Resort Music Publishing
Edited by Dmitri Bovaird. Arranged by Daniel Kelley. For Viola and Piano. Solos....(+)
Edited by Dmitri Bovaird. Arranged by Daniel Kelley. For Viola and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.
(1)$24.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Viola Repertoire 7 Viola - Intermediate The Frederick Harris Music Company
Viola - Late Intermediate SKU: FH.VA7 Viola Series, 2013 Edition. ...(+)
Viola - Late Intermediate SKU: FH.VA7 Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA7. Published by The Frederick Harris Music Company (FH.VA7). ISBN 978-1-55440-569-5. This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler. Level 7: Holberg Suite, op. 40: I,V - Grieg, Edvard Symphony No. 5, op. 67: II - Beethoven, Ludwig van Symphony No. 4 (Italian), op. 90: II - Mendelssohn, Felix Brandenburg Concerto No. 3, BWV 1048: I - Bach, Johann Sebastian Symphony No. 35 (Haffner), K 385: I - Mozart, Wolfgang Amadeus Level 8: Ruslan and Ludmilla: Overture - Glinka, Mikhail Symphony No. 35 (Haffner), K 385: IV - Mozart, Wolfgang Amadeus Symphony No. 6 (Pathetique), op. 75: I - Tchaikovsky, Pyotr Il'yich Symphony No. 9, op. 125: IV - Beethoven, Ludwig van Symphony No. 3 (Eroica), op. 55: IV - Beethoven, Ludwig van Symphony No. 1, op. 68: I - Brahms, Johannes Symphony No. 9 (New World), op. 95: IV - Dvorak, Antonin Level 9: Symphony No. 5, op. 67: III - Beethoven, Ludwig van Die Zauberfloete, K 620: Overture - Mozart, Wolfgang Amadeus The Hebrides, op. 26: Overture - Mendelssohn, Felix Variations on a Theme by Haydn, op. 56a - Brahms, Johannes Le carnaval romain - Berlioz, Hector Symphony No. 8, op. 88: I - Dvorak, Antonin Symphony NO. 4 (Romantic): II - Bruckner, Anton Level 10: Symphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, Felix Symphony No. 4, op. 98: II,IV - Brahms, Johannes Peer Gynt Suite No. 1, op. 46: I - Grieg, Edvard Concerto for Orchestra: IV,V - Bartok, Bela Symphony No. 40, K 550: I,IV - Mozart, Wolfgang Amadeus Serenade for Strings, op. 48: I,II - Tchaikovsly, Pyotr Il'yich Symphony No. 5, op. 47: I - Shostakovich, Dmitri Associate: Group 1: Ochestral Tutti Parts (Viola): Daphnis et Chloe: III - Ravel, Maurice Don Juan, op. 20 - Strauss, Richard Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig van Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Mendelssohn, Felix The Bartered Bride: Overture - Smetana, Bed_ich Group 2: Viola Solos: Don Quixote, op. 35 - Strauss, Richard Harold en Italie: I - Berlioz, Hector. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 3 Timpani, Piccolo, Cello, Xylophone, Bass Clarinet, English Horn, Vibraphone, Percussion, Viola, Bass Trombone, Tuba, Double Bass, Bassoon, Oboe, B-Flat Clarinet, Violin, B-Flat Trumpet [Score] Theodore Presser Co.
By Ellen Taaffe Zwilich (1939-). For Flute, Piccolo, Oboe, English Horn, Clarine...(+)
By Ellen Taaffe Zwilich (1939-). For Flute, Piccolo, Oboe, English Horn, Clarinet, Bass Clarinet in Bb, Bassoon, Contra Bassoon, Horn, Trumpet, Tenor, Bass Trombone, Tuba, Timpani, Xylophone, Vibraphone, Tambourine, Violin I, Violin II, Viola, Cello, Contrabass. Full Score - Large. Standard notation. Composed 20-Mar-92. 79 pages
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cello Music Part 1: Baroque and Classical (Version 2.0)
Cello, Piano [CD Sheet Music] Subito Music
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Pu...(+)
For Cello. (Cello). CD Sheet Music (Version 2.0). PDF file on CD. 1000 pages. Published by Subito Music.
(8)$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| More Classical Highlights String Quartet: 2 violins, viola, cello De Haske Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arranged by Nico Dezaire. De Haske String Orchestra Series. Set (Score and Parts). De Haske Publications #DHP 1135315-070. Published by De Haske Publications (BT.DHP-1135315-070). ISBN 9789043146814. 9x12 inches. English-German-French-Dutch. More Classical Highlights is the follow-up to Classical Highlights, a collection featuring arrangements of classical themes dating from the 17th century up to the19th century. The parts are quite easy and attractively written, but the arrangements stay as faithful as possible to the original works. Baroque music is represented with two highlights: the well-known Canon by Pachelbel may well be the most performed 17th century composition. The power of the piece lies in a bass line of only eight notes, above which the melodic line of the round itself develops. Réjouissance from Music for the Royal Fireworks is a very joyful composition bythe Anglo-German baroque composer Handel. The 18th century classical style gives us the refined minuet by Boccherini, the Italian composer who wrote a wealth of chamber music. The 19th century features in three famous works: the lively Marche Militaire No 1 by the Austrian composer Schubert originates from 3 Marches Militaires for four-handed piano. The Can Can from Orphée aux enfers (Orpheus in the Underworld) is the best-known separately performed piece by the operetta composer Offenbach. Following this exciting dance music there is the beautiful, lofty Largo theme from the second movement of Czech composer Dvorákâ??s From the New World Symphony. In short: Six varying arrangements - challenging and very suitable for performances!
More Classical Highlights is het vervolg op Classical Highlights, een verzameling arrangementen van klassieke thema´s die dateren uit de periode van de 17e eeuw tot en met de 19e eeuw. De partijen zijn eenvoudig en aantrekkelijk geschreven; tegelijkertijd blijven de arrangementen dicht bij het origineel. De barokmuziek is vertegenwoordigd met twee highlights. De bekende Canon van Pachelbel is wellicht de meest gespeelde 17e-eeuwse compositie. De kracht ervan ligt in een baslijn van slechts acht noten waarboven zich het lijnenspel van de canon ontspint. Réjouissance uit Music for the Royal Fireworks is een zeer opgewekte compositie van deDuits-Engelse barokcomponist Händel. De 18e-eeuwse klassieke stijl horen we terug in het verfijnde menuet van Boccherini, een Italiaanse componist die een schat aan kamermuziek schreef. De 19e eeuw komt naar voren in drie beroemde stukken. De uitbundige Marche militaire nr. 1 van de Oostenrijkse componist Schubert komt uit 3 Marches militaires voor vierhandig piano. De Can Can uit Orphée aux enfers (Orpheus in de onderwereld) is het beroemdste afzonderlijk uitgevoerde stuk van de operettecomponist Offenbach. Na deze opzwepende dansmuziek volgt het prachtige, gedragen thema uit het tweede deel van de symfonie Uit de nieuwe wereld met de titel Largo, van de hand van de Tsjechische componist Dvorák. Kortom: zes zeer afwisselende arrangementen, uitdagend en uitermate geschikt voor uitvoeringen!
More Classical Highlights ist die Fortsetzung von Classical Highlights, einer Sammlung von Arrangements klassischer Themen aus der Zeit vom 17. bis zum 19. Jahrhundert. Die Stimmen sind recht einfach gehalten und reizvoll ausgearbeitet; zugleich sind die Arrangements nah an den Originalstu cken. Der Barock ist mit zwei musikalischen Höhepunkten vertreten: Der bekannte Canon von Pachelbel ist vielleicht die meist gespielte Komposition aus dem 17. Jahrhundert. Die Kraft dieses Stu ckes liegt in einer Basslinie aus nur acht Noten, u ber der sich das eigentliche Gefu ge des Kanons entwickelt. Réjouissance aus der Feuerwerksmusik ist einesehr fröhliche Komposition des deutsch-englischen Barockkomponisten Händel. Ein Kleinod der Klassik aus dem 18. Jahrhundert ist das raffinierte Menuett von Boccherini, einem italienischen Komponisten, der einen gro�en Schatz an Kammermusik schrieb. Das 19. Jahrhundert ist mit drei beru hmten Werken vertreten: Der lebhafte Marche militaire No. 1 des �sterreichers Schubert stammt aus 3 Marches militaires fu r Klavier zu vier Händen. Der Can-Can aus Orphée aux enfers (Orpheus in der Unterwelt) ist das beru hmteste separat aufgefu hrte Stu ck des Operettenkomponisten Offenbach. Nach dieser mitrei�enden Tanzmusik folgt ein schönes, erhabenes Thema aus dem zweiten Satz der Sinfonie Aus der Neuen Welt mit dem Titel Largo aus der Feder des tschechischen Komponisten Dvorák.
More Classical Highlights, qui fait suite au recueil Classical Highlights, rassemble une collection dâ??arrangements de thèmes classiques couvrant une période de trois siècles, du XVIIe au XIXe siècle. Les diverses parties instrumentales sont faciles et agréables jouer, mais les arrangements restent néanmoins fidèles aux compositions originales. La musique baroque est représentée par deux oeuvres toujours appréciées. Parmi toutes les compositions du XVIIe siècle, le célèbre Canon de Pachelbel est peut-être celle que lâ??on entend le plus souvent. Sa puissance réside dans une simple ligne de basse de huit notes par-dessus laquelle se développe le motif ducanon lui-même. Réjouissance, tirée de Music for the Royal Fireworks, est une pièce très enjouée du compositeur baroque anglo-allemand Haendel. Le style classique du XVIIIe siècle est inclus sous la forme dâ??un élégant menuet de Boccherini, un compositeur italien qui a écrit une quantité de musique de chambre. Le XIXe siècle est évoqué par trois oeuvres célèbres. La dynamique Marche militaire n° 1, du compositeur autrichien Schubert, extrait des Trois marches militaires pour piano quatre mains. Le Cancan dâ??Orphée aux enfers est la plus connue des oeuvres dâ??Offenbach, célèbre pour ses opérettes. Cette danse endiablée est suivie du Largo, admirable thème du deuxième mouvement de la Symphonie du Nouveau Monde, du compositeur tchèque Dvorák. En résumé : six arrangements variés, stimulants et parfaits pour être interprétés en concert ! $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classic Stringfest (Score and CD) Violin and Piano - Easy Faber Music Limited
(Favorite classics for flexible string ensemble with optional piano accompanimen...(+)
(Favorite classics for flexible string ensemble with optional piano accompaniment) Arranged by Mary Cohen. Score and accompaniment CD for flexible string ensemble (violin, viola) and optional piano accompaniment. 24 pages. Published by Faber Music Ltd.
$30.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
Next page 1 31 61 ... 181 |