(For Solo Piano). Composed by Henry Brant (1913-). Piano. For Piano Solo. This edition: Revised 1996. Revised 1996. Softcover. Standard notation. 16 pages. Published by Carl Fischer

10 Bewitching Piano Solos for Recitals. Composed by Various. Willis. Recital, Solos. Softcover. 32 pages. Duration 240 seconds. Published by Willis Music

Composed by Diane Hidy. For piano solo. Piano Town. Early intermediate. Method book. 23 pages. Published by Neil A. Kjos Music Company

By Lois Skiera-Zucek, Gary Earl. Arranged by Ronny Schiff. (Showtrax Cd). Expressive Art (Choral). CD only. Size 6.7x10.5 inches. 48 pages. Published by Hal Leonard.

By Jane Smisor Bastien. Edited by Lisa Bastien. For piano. (Bastien Supplementary Books). Bastien Piano. Solo Collections. Level: Level 1. Music Book. Published by Neil A. Kjos Music Company.

For Drums. Jazz Ensemble Collection. Jazz. Book. 32 pages. Published by Alfred Publishing.

For String Bass. Jazz Ensemble Collection. Jazz. Book. 28 pages. Published by Alfred Publishing.

For Guitar and Bass with Tab. By Royal Blood. Bass Recorded Versions Persona. Softcover. With guitar tablature. Published by Hal Leonard

For Trumpet. Jazz Ensemble Collection. Jazz. Book. 32 pages. Published by Alfred Publishing.

(arranged for percussion ensemble). Composed by Camille Saint-Sa�«ns. Arranged by Brian Slawson. Percussion Ensembles. For Xylophone, chimes, vibraphone, one 5-octave marimba (low C, shared), one 4.3-octave marimba (low A) OR 5-octave (low C), 2 timpani, and crash cymbals. (8 players). Difficulty: Medium. Folio and CD-ROM. 20 pages. Duration 3:15. Published by Tapspace Publications

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3119213

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Praise and thanks. Single Part, Viola. Composed ca. 1730. BWV 192. 8 pages. Duration 15 minutes. Carus Verlag #CV 31.192/13. Published by Carus Verlag (CA.3119213).

ISBN 9790007210267. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Vl, Va, Bc

SKU: CA.3119207

Church cantata. Composed by Johann Sebastian Bach. Edited by Christine Blanken. Arranged by Christine Blanken. Stuttgart Urtext Edition: Bach vocal. Sacred vocal music, Cantatas, Praise and thanks. Study score. Composed ca. 1730. BWV 192. 63 pages. Duration 15 minutes. Carus Verlag #CV 31.192/07. Published by Carus Verlag (CA.3119207).

ISBN 9790007242398. Language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score available separately - see item CA.3119200.